Blog Post 148 – The Witch’s Ire

Or, Why Witches Cast Curses & Steal Milk

Until relatively recently, most stories about witches in folklore and literature did not portray them as intensely helpful, benevolent creatures in touch with the natural world and working on behalf of cosmic balance. Fairy queens, enchantresses, and other witch-types did perform beneficient acts, of course (think of the benevolent fairies of “Sleeping Beauty” or the kindly-but-righteous “Mother Holle”), but one had to be careful not to run afoul of their temper or risk angering others of their kind. And acts of benificience performed for one person could easily result in tragic consequences for another (think here of Medea’s sacrifice of her own brother to save her beloved Jason).  When most people think of witches, though, they are imagining the wicked kind, the one working curses on unsuspecting victims or blighting crops or summoning up armies of flying monkeys to steal flashy footwear.

Today I thought it would be worth looking at just why witches in stories—particularly New World tales—might be doing such heinous deeds. What did people do to get on the witch’s bad side, and what could be done to remedy that problem? Let’s start by looking at a story from S.E. Schlosser’s American Folklore site, about a New Jersey witch named Moll DeGrow. You can read the full story at her site, but the basic idea is that DeGraw (who may or may not have folkloric connections to Maryland witch Moll Dyer) was an evil witch, who “took delight in the misery of others, and made things miserable for the folks living near her. If a neighbor slighted her, she would sour their milk. If anyone called her a witch, she made their dogs turn vicious.” She reportedly causes all manner of calamity, including the use of spectral hellhounds to torment a family which speaks ill of her and magically slaying a number of infants from families against whom she bore a grudge. “When she was accused by a hysterical mother of causing the death of her baby girl, Moll DeGrow just laughed and didn’t deny it.” When the townsfolk collect themselves to go and kill her, they find she is already dead, her corpse grinning cruelly at those who find it, and her ghost lingering on to haunt the area.

DeGrow’s story may seem essentially like a cut-and-dry case of wicked witchery, but perhaps the townsfolk aren’t the only victims here. Kieth Thomas, in his excellent essay “The Relevance of Social Anthropology to the Historical Study of English Witchcraft” (found in Elaine Breslaw’s Witches of the Atlantic World) makes a strong case that in most accusations of witchcraft, the alleged witch almost always acted in a roundabout form of self-defense, taking justice into her own hands when necessary and using one of the few tools at her disposal—magic—to effect real change on her own behalf. “Contemporaries were horrified by the witch’s activities,” Thomas says, “But they seldom denied that she had genuine reason for wishing ill upon her victim” (66). Thomas then goes on to point out that in many cases, the ‘witch’ in question was known to her accusers, and her persecutors frequently had turned away a request for aid in a time when the interdependence of a community was a nearly sacred bond. “The requests made by the witch varied, but they were usually for food or drink—butter, cheese, yeast, milk, or beer…They are not to be confused with simple begging. Rather, they illustrate the breakdown of the tradition of mutual help upon which many English villages communities were based” (67). So in the context provided by Thomas, a witch was a victim—even a begrudgingly acknowledged one—within the social rules of her community.  With that in mind, let’s look at the story of Moll DeGrow again.

In the DeGrow tale, the witch may have taken delight in the misery of her neighbors, but every instance of her wreaking havoc follows upon some perceived injury—a slight which led to sour milk, an accusatory epithet which led to animal bewitchment. And her grudge against local families must have been severe if she unleased death on their households. What exactly had they done to her? Of course, DeGrow may also be innocent of the last and most heinous of these acts, as she never admits guilt but merely “laughed and didn’t deny it.” Considering how often I’ve laughed in uncomfortable situations, I cannot help but wonder if maybe a little bit of shock and a lot of disbelief might not have been at play in that strange episode (that is, of course, all speculation on folklore, so please enjoy it with a hefty grain of salt).

With a worldview in which a wicked witch is merely fighting back against those who have done her wrong (or done those she loves wrong, as a mama witch is probably one of the scariest people a young beau can face), let’s look at a few cases of seething sorcery from other New World sources. The book Black & White Magic of Marie Laveau, by N.D.P. Bivens, uses a format in which a supplicant comes before the Voodoo Queen Marie (here a sort of witchy godmother) to redress some injustice and gain his or her heart’s desire. Here are a couple such cases:

THE LADY WHO WISHED TO CROSS HER ENEMIES

Oh good mother I come to you with my heart bowed down and my shoulders drooping and my spirits broken. For an enemy has sorely tried me. Has caused my loved ones to leave me, has taken from my worldly goods and my gold. Has spoken meanly of me and caused my friends to lose their faith in me. On my knees I pray to you a good mother that you will cause confusion to reign in my enemies house and that you will cause hatred to be on my enemies head and that you will take their power from them and cause them to be unsuccessful (8).

TO CONTROL TROUBLESOME NEIGHBORS

Oh dear Mother I come unto you to tell you of my unsettled mind and my grave troubles. There is some one who lives near me, but who has no neighborly love for me nor anyone else, but is only full of selfishness and of a mean mind and makes continual trouble for everyone who lives close near and around me, so that there is a continuous strife and wailing wherever that person may be. When I pass near their place of living they at once utter mean words loud enough so that they will reach my ears, in order that I may stop and say to them mean words in return so that this will lead to a court scrape and that the men of the laws may interfere with me, also when any of my loved ones pass the place wherein they live. Then again slander reaches their ears so that there shall be no peace in the neighborhood. When anyone comes to visit the place where I live they lie in wait for them until they come out and words of blasphemy and reproach reach their ears. Can you not in your great wisdom tell me which evil spirit makes them successful in their work of the devil so that I may hope to protect my home and my loved ones and in the end attain peace of mind (26).

In both situations, the victim is obviously the supplicant (though we only get the supplicant’s point of view, of course, a detail worth noting). In both cases, the supplicant appeals to the powers of witchcraft and conjure to fix the problem, and the prescribed solutions to fit these circumstances are not the gentle type (the latter story results in something like an intense hot-footing charm). Again the idea of neighborly duties are inverted, with the supportive role transformed into a grotesque exercise in social ostracism. In such a situation, a little manipulative spellwork hardly seems unjustified.  Reacting to an enemy is not the same thing as offensive magic, and in both cases the supplicant likely could perform countermagic with a clean conscience.

There are numerous other tales of witches who receive the short end of the stick in life and take it out on their callous neighbors, such as:

  • The tale of Granny Lotz in The Silver Bullet, an elderly woman whose neighbor “got after” her about forgetting to close her gate, which allowed his cattle to get loose. Because he ignores her age and persecutes her (a point the story makes as a mark against him), she bewitches his cows to give bloody milk (Davis 35).
  • A pair of stories entitled “How Witches got Milk and Butter” and “The Milk Witch of Wood County,” from Witches, Ghosts, & Signs. In both tales the witches are portrayed as poor members of the community who keep their families fed and healthy by magically stealing milk from neighbors. In neither case do neighbors take any relatilatory action, however, recognizing that the theft is occasional and non-debilitating, and that they witches seem to need it more than the dairymen do (Gainer 167-8).
  • Two stories in Ozark Magic & Folklore tell about witch-theft, too. In one case, two women “who lived all alone in a nearby farm” managed to siphon off milk from neighbors’ cattle using an enchanted dishcloth. In another story, a woman refuses to sell some ducks (at a low price, admittedly) to a reputed witch, who tells her the ducks will be dead by the following Monday. Sure enough, the ducks die, and the witch is blamed for the deaths (though it could be argued, of course, that the witch merely knew about the impending deaths and wanted to get some ducks on the cheap, ensuring a positive outcome for both parties, but that is certainly not implied by the story) (Randolph 270-1).

None of this is to say that a witch’s ire was fairly earned. In fact, most illustrations of such cases seem to side emotionally with the victims, even when recognizing the marginalized and abused position of the witch. The witch is thought to overreact, bringing death and destruction in turn for slights and offenses. She, too, neglects her neighborly duties by neglecting social norms in many ways within these tales. Yet it is worth remembering that keeping on a witch’s good side is possible in every version of these tales, and frequently it seems that only those who deliberately set out to poke a sleeping dragon truly get bitten. The central message of all these tales seems to be, “Don’t make the witches angry; you wouldn’t like them when they’re angry.”

Of course, if you happen to know your own counter-curses and spells, it’s a whole ‘nother ball game. When magical workers earn the ire of one another…well, that’s a post for another day, I think.
Thanks for reading!

-Cory

Podcast 38 – Yuletide Cheer! 2011

-SHOWNOTES FOR EPISODE 38–

Summary
This is our annual holiday special, featuring music, poetry, stories, and recipes! Here’s wishing you all the best for your holiday season and a happy new year to come!

Play:
Download: New World Witchery – Episode 38

-Sources-
Stories & Poetry:
“A Baker’s Dozen,” by Charles M. Skinner
“Minstrels,” by William Wordsworth
“Mistletoe,” by Walter de la Mare
“When the Snow is on the Ground,” by Mother Goose
“Old Santeclaus,” by Clement Clark Moore
“A Florida Christmas Folktale,” by S.E. Schlosser
“Ceremonies for Christmas,” by Robert Herrick
“Noel,” by Anne Porter

Recipes:
Wassail, from Laine
Jode Kayer (Jewish Cookies), from Cory’s family cookbook
Danish Vanilla Rings, from Cory’s family cookbook

Don’t forget to follow us at Twitter!

Promos & Music
All songs used with permission/license, from Magnatune and MusicAlley, except as noted.

Playlist:
1. Down in Yon Forest – Lydia McCauley
2. In the Bleak Midwinter – Fugli
3. O Holy Night – The New Autonomous Folksingers
4. O Come, O Come Emmanuel – Cat Jonkhe (sp?)
5. Round About our Coal Fire – Shira Kammen
6. Ma Navu – Kitka
7. Schedrick (Ukranian Bell Carol) – Kitka
8. We Three Kings – Jennifer Avalon
9. The Wassail Song (Yorkshire Wassail) – Jim Goodrich
10. Somerset Wassail – Pagan Carolers
11. Apple Tree Wassail – Shira Kammen
12. Bring Us in Good Ale – Lydia McCauley
13. Hark the Herald Angels Sing – Mano Reza
14. Jolly Old St. Nicholas – Selena Matthews
15. The Friendly Beasts – Gary
16. Patapan – Fugli
17. God Rest Ye Merry Gentlemen – Chances End
18. Fum Fum Fum – Fugli
19. Cutty Wren – Shira Kammen
20. Silent Night/Stille Nacht – Karmyn Tyler
21. Da Day Dawn – Samantha Gillogly*

Underscoring music is “We Three Kings,” by Two Harps, from MusicAlley.
*Used by permission of the artist.

Podcast 36 – Dealing with Spirits

-SHOWNOTES FOR EPISODE 36–

Summary
In this episode we’re looking at rules for magical etiquette when dealing with spirits. We take on summoning, banishing, and what to do if you just happen to run into a spirit on accident.

Play:

Download: New World Witchery – Episode 36

-Sources-
We draw upon a number of folk tales, fairy tales, legends, and myths to illustrate our points about magical etiquette, including:

We reference a few of our past shows or blog posts, like:

We also mention our rue charms given to us by Scarlet of Lakefront Pagan Voice. Check out Scarlet’s Etsy Shop for more goodies!

We’ve got a contest going on! Check out the details of our Share-A-Spell contest on our blog, and contribute today!

Don’t forget to follow us at Twitter!

Promos & Music
Title music:  “Homebound,” by Jag, from Cypress Grove Blues.  From Magnatune.
Promo 1 – Media Astra ac Terra
Promo 2 – Iron Powaqa
Promo 3 – The Infinite & the Beyond
Promo 4 – Dr. E’s Conjure Doctor shop

Podcast Special – All Hallows Read

-SHOWNOTES FOR PODCAST SPECIAL-

Summary
In our very special and rather remarkable Halloween episode, we have original works of short fiction from six talented horror writers. Special thanks to our guests and our listeners!

Play:

Download:  New World Witchery Special – All Hallows Read

-Sources-

I mention the concept of All Hallows Read early on, which is an idea from author Neil Gaiman. All works herein are original and retain the copyright of their authors. They are used with authorial permission on this episode. For your convenience, here’s a rough index of where the different stories and promos are in the show:
0 – Intro
7:40 – “Midnight,” by Saturn Darkhope
25:02 – “A Flash of Red,” by Inanna Gabriel
35:40 – Pennies in the Well promo
36:20 – Children of the Moon (Misanthrope Press) promo
37:53 – “The Crystal Well,” by Oraia Helene
51:10 – The Demon’s Apprentice, “Chapter 2,” by Ben Reeder (read by Peter Paddon)
1:09:52 – “They Dance at the Full Moon,” by Cory Thomas Hutcheson (that’s me!)
1:35:05 – Media Astra ac Terra promo
1:35:40 – Uneasy Lies the Head (Pendraig Publishing) promo
1:36:45 – Lakefront Pagan Voice promo
1:37:34 – “Rushing Water,” by Scarlet Page
2:00:55 – Closing notes/Credits/Outro

Promos & Music
“Grifos Muertos” by Jeffery Luck Lucas, from his album What We Whisper, on Magnatune.com

All incidental music comes from the Apple GarageBand program and Archive.org

Podcast Special – Two Terrible Tales

-SHOWNOTES FOR PODCAST SPECIAL-

Summary
Tonight’s episode is two short ghoulish yarns and a poem of ghastly delight from masters old and new(ish) of the horror genre.

Play:

Download:  New World Witchery Special – Two Terrible Tales

-Sources-
“The Hollow of the Three Hills,” by Nathaniel Hawthorne
“There is a Grey Thing,” by Stephen Crane
“The Terrible Old Man,” by H.P. Lovecraft

Promos & Music
“Grifos Muertos” by Jeffery Luck Lucas, from his album What We Whisper, on Magnatune.com

Podcast Special – The Sullivan Looking Glass

-SHOWNOTES FOR PODCAST SPECIAL-

Summary
Our second October story is a tale of supernatural intrigue from Harriet Beecher Stowe entitled, “The Sullivan Looking Glass.”

Play:

Download:  New World Witchery Special – The Sullivan Looking Glass

-Sources-
“The Sullivan Looking Glass,” by Harriet Beecher Stowe

Promos & Music
“Grifos Muertos” by Jeffery Luck Lucas, from his album What We Whisper, on Magnatune.com

Podcast Special – Some Words with a Mummy

-SHOWNOTES FOR PODCAST SPECIAL-

Summary
This is the first of our 2011 October specials leading up to Halloween. Tonight, I’m reading “Some Words with a Mummy,” by Edgar Allan Poe.

Play:

Download:  New World Witchery Special – Some Words with a Mummy

-Sources-
“Some Words with a Mummy,” by Edgar Allen Poe.


Promos & Music
“Grifos Muertos” by Jeffery Luck Lucas, from his album What We Whisper, on Magnatune.com

Podcast 30: Magical Professions

-SHOWNOTES FOR EPISODE 30-

Summary
This episode is all about the magical professions found in folk and fairy tales. Laine discusses weaving in WitchCraft, and Cory looks at iron and War Water in Spelled Out.

Play:

Download:  New World Witchery: Episode 30

-Sources-
The Element Encyclopedia of Witches & Witchcraft, by Judika Illes

Some of the fairy tales and folklore we reference are:

We’d like to ask our listeners to consider giving to funds like the Tuscaloosa Disaster Relief Fund or the Heart of Missouri United Way in light of recent natural disasters in those areas.

Please also consider donating to the Red Cross Disaster Relief Fund, which is currently helping victims of severe weather across the country.

Finally, both Laine and Cory will be attending the Second Annual Pagan Podkin Supermoot in Salem, MA, on the weekend of Sept. 17th, 2011.  Find out more details about the event and opportunities to come meet us in person at the PPSM2 Website. [Laine respectfully asks that she not be in any photographs, due to privacy concerns—Cory will be happy to wear a wig and pretend to be Laine, however].

Promos & Music
Title music:  “Homebound,” by Jag, from Cypress Grove Blues.  From Magnatune.
Promo 1 – The Infinite & the Beyond
Promo 2 – Lakefront Pagan Voice
Promo 3 – Pennies in the Well

Podcast 26 – Storytelling and an Interview with Dr. E

-SHOWNOTES FOR EPISODE 26-

Summary
This episode has Cory flying solo while Laine is away (she’ll be back!). He discusses storytelling, and shares three tales with some common themes from Ashanti, Bahamian, and Southern African-American sources.  Then we have a great interview with Dr. E, a conjure man and Lukumi priest.

Play:

Download:  New World Witchery – Episode 26

–Sources–
Some great storytelling resources:
The Story-Teller’s Start-up Book, by Margaret Read McDonald
The Storyteller’s Guide, by Bill Mooney
Hedge-Folk Tales, by Sarah Lawless (podcast)

The three tales I told today are:
“Anansi & Anene” from the Ashanti
“Fishing on Sunday” from the Bahamas
“Brer Rabbit and the Well” from the Uncle Remus tales
(all adapted from versions found in A Treasury of Afro-American Folklore, Harold Courlander, ed.)

I recommend the Year in White Podcast for more information on Lukumi practice.

And of course, Dr. E’s Sites:
The Conjure Doctor Blog
The Conjure Doctor Shop
Dr. E on AIRR (Assoc. of Independent Readers & Rootworkers)
Dr. E on Twitter
Dr. E on Facebook
The Lucky Mojo 2011 Open House Hoodoo & Rootwork Weekend, where he will be teaching a class on doll-baby construction

Promos & Music
Title music:  “Homebound,” by Jag, from Cypress Grove Blues.  From Magnatune.
Promo 1 – The Pagan Homesteader
Promo 2 – Witches’ Brewhaha
Promo 3 – Borealis Meditation

Blog Post 121 – Watching Birds

Today we’ll be looking at birds and their place as divinatory aids in the New World, something we touched on briefly in the second post on Magical Animals.  Birds have historically been turned to by humans for secret knowledge, largely owing to their unfettered freedom to fly from place to place.  Virtually all mythologies have some tale of a great mythic bird:  the Roc in the Arabian Nights’ Entertainments, Zeus’s swan-form, the Thunderbird of some Native American stories, and the haunting Crane Dance of Japan are some of the better-known examples. A creation myth of the Haida people of the Queen Charlotte Islands says that a raven, lonely in his long flight, spit upon a clam and opened it up, freeing the first humans (see Magical Creatures by E. Pepper & B. Stacy for more on this).  What have birds to do with divination, though?  Many readers probably already know about the branch of fortune-telling known as augury, but for those who haven’t heard of it, it simply means predicting fate by observing the flights of birds.

So how does one go about performing augury?  Here things get a bit fuzzy—in some cases, the future comes as a vision released by a relaxed mind observing with detachment the loops and turns of soaring birds.  Portuguese writer Paulo Coelho incorporates this type of augury into his novella, The Alchemist when he has a young shepherd accidentally catch a glimpse of coming war while he watches two hawks diving over desert sands.  The other method, and the one which makes up a good bit of North American lore, simply involves noting the behavior of birds and interpreting it by means of known connotations.  This sort of augury has numerous manifestations, and is especially prominent in Appalachian lore.  Folklorist W. L. McAtee recorded a number of bird-related divinations in an essay from 1955:

From “Odds & Ends on North American Folklore on Birds,” by W. L. McAtee:

  • “[I]f ever a bird builds in your shoe or pocket, or any of your clothes, you may prepare to die within the year.”
  • “The loon, a favorite with folklorists, is called ‘Bad Luck Bird’ by the natives [of the Sea Islands of Georgia], who will not speak of it, or if possible even look at it when they meet it in a journey by water.”
  • “While recording the common beliefs as to the storm petrels, that ‘Their appearance portends bad weather,’ Mrs. Simcoe [McAtee’s informant] adds: ‘To kill them is unlucky. Each bird is supposed . . . to contain the soul of a dead sailor.’
  • “The Reverend J. H. Linsley in his Birds of Connecticut (1843) noted that the cry of the bittern is a cause of superstitious fear and recorded that one man hearing it ran a mile, saying, that the Devil was after him.”
  • “’A token,’ said Archibald Rutledge [another informant], writing of the Santee Country, South Carolina, ‘is an apparition foretelling death,’ and cites as examples an eagle feeding with black vultures, a wild turkey standing alone under a certain great oak tree, and an albino robin.”
  • “[An] Abundance of people here look upon [whip-poor-wills] . . . as birds of ill omen, and they are very melancholy if one of them happens to light upon their house, or near their door, and set up his cry (as they will sometimes upon the very threshold) for they firmly believe one of the family will die very soon after.”
  • “Canada Jays are supposed to embody the souls of hunters or lumbermen who die in the north woods and it, therefore, brings bad luck to kill them.”
  • “In western North Carolina, it means seven years of bad luck to kill a raven.”
  • “To end this section on a more cheerful note, we cite the Ozark fancy that ‘If a redbird flies across a girl’s path . . . she will be kissed before night.’”

Other mountain lore about birds tends to focus on weather prediction (a subject we’ve covered in our posts on Signs & Omens to some extent, but you can never have enough weather-prediction lore).  Patrick Gainer observes: “When the geese wander on the hills and fly homeward squawking, there will be a storm within twenty-four hours,” and “When the red birds call in the morning, it will rain before night.”  Vance Randolph records some Ozark lore along the same lines:

  • Chickens or turkeys standing with their backs to the wind and with ruffled feathers mean a storm’s coming.
  • A rooster crowing at nightfall portends rain through the dark hours.
  • A sudden burst of robin-song foretells of bad weather.
  • Kingfishers nesting near the water mean a dry season to come.

Birds seem indelibly linked with concepts of luck and death, too.  Anyone who’s seen the 90’s cult film The Crow probably remembers the voice-over at the movie’s opening telling a pseudomyth about how people once believed that a crow ferried souls between the land of the living and the land of the dead, and occasionally allowed one to come back for vengeance (I call this a pseudomyth not because there’s no truth in it, but rather that I’ve never been able to find exactly that myth borne out in folklore, though there are certainly close correlatives to it—corvids are often associated with death).  There are many other pieces of Appalachian lore in this vein:

  • Barn swallows bring good luck where they nest, and it is bad luck to shoot one. (Randolph, OM&F)
  • Redbirds or roosters lingering near one’s doors or windows tend to mean tragedy will come soon after. (Randolph, OM&F)
  • Whippoorwills nesting at a home mean death will soon come to it. (Randolph, OM&F)
  • If a bird flies in the window, someone in the family will die. (Gainer, WG&S)
  • It is bad luck for a hen to crow. (Gainer, WG&S)
  • “Owls are omens of great ill.  If you spot one nearby while you are inside your home, the direction in which it flies away is an indication of the fate of your household.  If it flies off to the left of the cabin, very bad luck can be expected, but if it flies off to the right, it indicates an evil influence has chosen to pass you by.”(Edain McCoy, In a Graveyard at Midnight)
  • “Many western occult traditions regard peacocks as omens of ill fortune and their feathers as tokens of bad luck.” (Pepper & Stacy, MC)

Finally, in the category of “Odds & Ends,” there are some really spectacularly unique bits of North American folklore about birds which come from all over:

  • Buzzards will vomit upon anyone guilty of incest. (Randolph, OM&F)
  • “When you hear the first robin sing in the spring, sit down on a rock and take off your left stocking.  If there is a hair in it, your sweetheart will call on you soon.” (Gainer, WG&S)
  • “If a bird flies down and gets tangled in your hair, it is an indication that the bird has linked itself with your soul, and whatever befalls the bird is likely to befall you also.” (McCoy, IaGaM)
  • Richard Dorson records a legend in Buying the Wind found amongst Illinois “Egyptians” (or what many would call “Gypsies”) about a mouse, a bird, and a sausage who all keep house together until the sausage is eaten and the mouse accidentally kills himself that feels like it must have some embedded magical meaning, though I’ve yet to figure it out.

That’s it for our bird-watching entry.  If you’ve got lore you’d like to share about birds, we’d love to hear it!  It certainly gives me a good reason to keep watching the skies, so please feel free to comment with any augury methods you’ve got.

As always, thanks so much for reading!

-Cory