Tag: stories

Blog Post 108 – Holiday Magic in the Kitchen

Today I thought I’d look at some of the holiday lore surrounding baking and cooking.  What would the holidays be without the smells of cinnamon and nutmeg and clove and allspice slowly seeping out of the hot oven?  And who imagines a holiday home without the presence of gingerbread or ginger cake of some kind?  Chocolate and peppermint add extra luxury to an already indulgent season.  In short, much of the magic of Christmastime and Yuletide seems to come from the kitchen (I’m sure many kitchen witches reading that chuckle in amusement that such sentiments even need to be typed out).

So let’s start by looking at some of the ingredients in those festive holiday treats:

Cinnamon – This handy kitchen spice has lots of magical uses.  Cat Yronwode recommends it as a business drawing and gambling botanical.  It can be used to make a wash-water which one would then use to scrub down the walkways in front of a business.  This has the effect of drawing in new clients.  In Jim Haskin’s Voodoo & Hoodoo, cinnamon is mixed with sugar and sprinkled in the shoes to increase gambling fortunes.  Draja Mickaharic describes cinnamon as “calming” with a “protective vibration” and also cites its money-making properties in his Century of Spells (which refers not to a unit of time, but rather a unit of enumeration—a century representing the roughly 100 spells found in the book).  Mickaharic also notes that “it has a claming and quieting effect on young children,” though I imagine in cookie form this may not be the case.

Cloves – Mickaharic says these are “psychically protective,” and keep “negative thoughtforms out of the place where it is burned.”  Presumably including cloves in any baked or cooked dish would involve at least heating them, thus releasing some of this power into the kitchen and home.  Yronwode says that “cloves appear in spells for money-drawing, prosperity, room-renting, and friendship” (HHRM, p. 73).  These are also used to make pomanders, clove-studded oranges rolled in orris root powder and hung as protective talismans in the home (well, protective talismans and lovely nosegays to help imbue the house with that sweet, spicy holiday scent).

Nutmeg – This botanical has a mild narcotic effect and has been a staple of magic for some time.  An old hoodoo charm found in Harry Hyatt’s work and later disseminated by other authors involves sealing a small amount of liquid mercury inside a drilled nutmeg, then carrying the charm around as a gambling mojo (this is NOT RECOMMENDED as mercury is highly poisonous—DO NOT DO IT!!!).  Mickaharic describes nutmeg as an herb which inspires conviviality and jovial behavior, and promotes an air of happy friendship in the home.

Allspice – “Good for social gatherings; increases the flow of conversation and the rapport between people” says Mickaharic (CoS, p.50).  These hard, dried berries can also be soaked for a few hours, then strung as a type of herbal rosary using a needle and thread.  Carrying this can help relieve stress and provide peace of mind.  Yronwode recommends this for business and gambling (there’s a pattern here), and also describes a floor wash one can make with ground allspice.   Mixed with cinnamon and burned as incense, Mickaharic says it “places a smooth and witty feeling” in the home.

Ginger – This fiery herb is used to “heat up” or enhance the potency of various other magical ingredients, and also provides a little kick in spells for love or money (HHRM, p.103).  The root can be used as a poppet due to its shape and sometimes-resemblance to a human body, and would be especially effective in a love or lust working.  It can also be carried for protection.

Sugar – Sweetening!  This can be used to add a “sweet” or happy vibration to the home where it is burned (though it can smell very sharp when burned, too…baking it may not have the same oomph as burning it, but will smell better in the long run).  Of course one can keep all of one’s visiting relatives’ name papers in the sugar jar in order to better provide a happy, congenial home during the holidays, but offering them lots of sugary sweets might help ply a good attitude out of them, too.

As you can see, most of these herbs have to do with prosperity and getting along with one another (and a little protection thrown in for good measure).  This makes sense during a season where money might be tight, tension runs high, and houses are full of dangerous things like fire and hot ovens.  So when doing the holiday baking, it might be worth throwing an extra pinch or two of these spices in to up the magical ante of your confections.

I mentioned gingerbread earlier, and it made me think of a couple of stories from early American folklore about bakers whose experiences with cookies certainly have a magical bent:

“The Baker’s Dozen” – A piece of reputed folklore recorded by Charles M. Skinner in 1896, this story revolves around a stingy baker and his encounters with an old crone who bewitches his bakery.  Only through the magnanimous efforts of St. Nicolaus (and by swearing better behavior on a gingerbread cookie shaped like him) does he manage to break the spell.

“The Gingerbread Man” – This famous story tells of a gingerbread man come to life who flees his baker and eludes capture by the people and animals of the village.  He meets his match in the swift (and often crafty, in various retellings) fox, who finally devours him.

Finally, I’ll leave you with my family recipe for gingerbread:

1 c. sugar
1 c. shortening
1 c. molasses
½ c. hot water
1 Tbs. cinnamon (or to taste)
1 Tbs. ginger (or to taste)
½ tsp. salt
1 tsp. baking soda
1 egg
7 c. flour, plus a little extra for rolling dough

Preheat oven to 350 degrees. Sift flour and mix in dry ingredients.  Add egg, molasses, and shortening and mix.  Slowly add hot water, mixing as you go.  When dough is sticky, begin to work it into a ball.  Dust a flat surface with flour and begin rolling out the dough, working it until you get it about ¼ inch thick.  Cut out shapes with cookie cutters or a knife.   Bake cookies on a lightly greased cookie sheet for about 15 minutes (or until they are crisp at the edges and fully cooked.  Cool on a wire rack, decorate, and eat!

My mother and I used to bake several batches (rather, a whole day’s worth) of gingerbread, then spend time making the finished products into houses, sleighs, people, and animals.  We gave them as gifts, decorated with royal icing and candy, and were often very popular around the holidays.  I hope you enjoy!  It’ll be like taking a little bite out of your New World Witchery host during the holiday season.

Wait, that probably sounds kind of creepy.  Enjoy anyway!

Thanks for reading!

-Cory

Blog Post 102 – 15 Books

Hello everyone!

I recently saw a rather interesting post from a friend on a social networking site in which she listed her “Top 15 Most Influential Books” when it comes to witchcraft.  Since I posted a book review last week (and since most book reviews going forward will likely be shared between this site and the Pagan Bookworm site), I thought that continuing that “bookish” trend might be good.  So this week I will be posting about various texts which have a place North American magical traditions.  Some will be of the grimoire type, and others may just be good reads, but hopefully all of them will be tomes you get much pleasure and use from if you crack the spines and turn the pages.

To start with, however, I’m going to re-use that meme and list my own Top 15 Most Influential (Witchcraft) Books.  These are not necessarily books that I think of as “great,” or even in some cases “good” books.  Many have erroneous information or are, at best, a good starting place for further exploration.  All of them, however, have help shape my study of magic, folklore, and witchcraft in some way, and that’s what this list is really all about.  I’m presenting them in a (roughly) chronological order, since that’s how I best remember them.

TOP 15 MOST INFLUENTIAL (WITCHCRAFT) BOOKS
(2010 Edition)

  1. The Encyclopedia of White Magic by Paddy Slade.  This book was the first book of “real” magic I ever procured.  I’ve talked about it on the show, but the short version is that I was about 11 or so, and I pestered my mother into buying it for me.  Since then, I’ve definitely grown away from its ideas, though I periodically return to it for nostalgic reasons.  It also got me thinking about magic as a folklore-based thing, rather than a sci-fi/fantasy phenomenon.
  2. Earth Power/Earth, Air, Fire & Water by Scott Cunningham.  I know there are lots of folks who regard Cunningham with disdain, but I’m not one of them.   His two books of folk magic, focused on practical spellwork using natural elements, absolutely cemented my interest in spellwork as something more than an esoteric psychological tool.  I still find some of his spells useful, though I’m no longer in tune with his particular worldview or ethical stance.  Moreover, I think that there are far worse books with which one could begin one’s magical studies.  I’ve found over the years that many folkloric sources bear out the techniques described by Cunningham, and I still regard his work fondly.  There are certainly weak points in these books, but winnowing the chaff away is fairly easy with a little work.
  3. Cunningham’s Encyclopedia of Magical Herbs by Scott Cunningham.  I’ll not launch into another defense of the author, but instead say that this book (and to a lesser extent, his Complete Book of Incense, Oils, & Brews) augmented my practice of magic again and helped me to start making my own spell ingredients.  It also helped me to cultivate an interest in gardening, for which I am most grateful.  This book also has one other great thing going for it: an amazing bibliography.  While it obviously pulls from sources like Culpepper’s Herbal, it also contained references to things like Vance Randolph’s Ozark Magic & Folklore (which is also on this list).  So I am quite thankful to this book, and this author.
  4. Jude’s Herbal Home Remedies by Jude C. Todd.  This was an impulse buy to augment my growing interest in herbs after I had eagerly devoured the Cunningham tomes.  It’s not a magical book, per se, but focuses mostly on the physical properties of herbs and their applications as health and beauty aids.  It provided a wonderful resource for learning how to interact with various herbs and brew potions, ointments, tinctures, etc. at home.  I still turn to it sometimes for home remedies, and it also has a place because later encounters with books like J.G. Hohman’s Long Lost Friend reminded me that most magical workers had plenty of practical, non-magical herbal info at their fingertips, too.  Jude’s book filled that role for me.
  5. Magical Tales: The Storytelling Tradition by R.J. Stewart.  In my sophomore year of university, I participated in a storytelling class that changed my life.  It took fairy and folktales off of the written page and showed me something deeply vital about them emerges when they are shared with others.  I also happened to be taking classes in things like fairy and folklore interpretation using academic studies like Bruno Bettelheim’s The Uses of Enchantment and Mary Louise von Franz’s The Interpretation of Fairy Tales.  Into this mix came R.J. Stewart’s book, which looked at the phenomenon of storytelling from the point of view of a magical practitioner.  I know a lot of folks were influenced by Stewart’s The Underworld Initiation, and I think that book is absolutely wonderful.  As far as my own personal influence goes, though, this is the one I’d say really connected to me.   It convinced me that stories contain more than just helpful magical tidbits, but sometimes are magical rituals in disguise, if you’re willing to work through them.
  6. Treasury of Irish Myth, Legend, & Folklore by Lady Gregory & William Butler Yeats.  I couldn’t have really appreciated this book prior to encountering book no. 5 on this list (and going through the courses I did at the same time).  I actually had picked up this text years before because of a passing interest in Ireland which I inherited from my mother (we have family ties back to County Mayo).  After I began to understand fairy tales as something more than fanciful stories, however, this book became an absolute mother lode of good magical material.  I’ve since discovered many of the tales have parallels or retellings in Appalachian and Southern folklore, too, which makes me feel even closer to it.
  7. The Complete Fairy Tales of the Brothers Grimm by Jacob & Wilhelm Grimm, Jack Zipes trans.  I actually borrowed this specific collection from a girlfriend, and its completeness stuck with me.  It included a number of tales often omitted, and several tale fragments I’ve not seen in most editions.  Particular variants aside, this collection falls into the same category as nos. 5 & 6 on the list.  Again, I didn’t know what I had until long after I had it, and now I don’t think I could live without it.
  8. The Marriage of Cadmus & Harmony by Roberto Calasso.  At some point, I became a bit of a mythology junkie, particularly Greek myths.  I read and re-read Edith Hamilton, Bulfinch, and the textbooks from my college classes on the topic.  I went to source material by Hesiod, Homer, Euripides, Aeschylus, and anyone else I could find.  I’m definitely not an expert, but as enthusiastic amateurs go, I foment with glee when I encounter new Hellenic tales.  When I got to Calasso’s book, however, I was taking an advanced course on mythology at school, and everything completely changed.  It was this book that taught me one fundamental thing about mythology (and likewise storytelling and therefore magic):  it changes.  More importantly, there is no “true” or “right” version of any story, but simply the stories themselves.  Mythology isn’t linear, but a web of tales—sometimes they contradict each other, sometimes they conflict with what we think about the culture, and sometimes they don’t make much sense to us.  In all cases, though, the tales are true at a level not related to cross-referencing and documentation, but someplace deeply human.  Calasso showed me that by bombarding me with the stories over and over again in his book, every time a little different, but all connected together, until I got it.  I really do need to send him a thank-you note for that.
  9. Aradia, or The Gospel of the Witches, by Charles Godfrey Leland.  Encountering Leland, for me, was like having someone splash very cold water on my face by the bucketful.  I devoured his work Etruscan Roman Remains and his Gypsy Sorcery & Fortune-Telling, of course, with all the tenacity of a budding folklorist.  It was Aradia, however, that really sent me sailing when I read it.  At the time, I was studying with the outer court of a Gardenerian coven, and had to read things like Gardener, Dion Fortune, and other modern occult classics.  When I got to Leland’s book, though, it felt so different, so authentic that I refused to believe its wild claims and actually got angry at it for deceiving me so well.  I’ve since, however, learned that this book is something special—neither entirely true nor entirely false.  More importantly, it is useful, and its mythos grips me in a very strange way.  I can’t come down in favor of Aradia as a piece of unsullied witchlore, historical to its last printed letter.  But I can say that figuratively, it’s as close to a witch’s gospel as I’ve seen yet.  In short, it just “feels” witchy, and makes me feel the same every time I read it.
  10. Call of the Horned Piper by Nigel A. Jackson.  As I branched out and away from Wicca, looking for something I could connect with better, I began to find a lot about something called “Traditional Witchcraft.”  There were dozens of websites, letters (mostly from Robert Cochrane), and books which I suddenly had to read, and in a very brief period I managed to get through most of them.  While there have been a number of very influential and powerful works in the Trad Craft vein that I love, one stands out to me.  Nigel Jackson’s tome is slim, barely the width of a pencil.  It’s a chapbook, really, yet it contains so much information that I can’t imagine life without it (much less because finding a copy is becoming harder and harder to do).  This book is probably more responsible for my religious magical practices than any other, and encapsulates in about 150 pages what many books cannot in 300 or more.
  11. Ozark Magic & Folklore by Vance Randolph.  This is a book that I found first by accident while seeking information on weather lore, then again by chance looking for an herbal reference.  Finally, I was browsing one of Cunningham’s books and saw this title again in the bibliography, and realized I needed to seek it out.  I’ve since read it many times, and it always offers up a plethora of magical information to me.  Randoph’s book is not a how-to, but one could build a complete magical system out of his work.  Yet it also guides one to several other magical books and traditions as well.  This is the book that made me realize North America is full of occult power and lore, if I was only willing to dig for it a bit.
  12. Hoodoo Herb & Root Magic by Catherine Yronwode.  I’ve referenced this book and the accompanying website (Lucky Mojo Co.) so much on this blog and in the show you probably don’t need me to tell you it’s been an influence.  I’ll just reiterate what a valuable piece of work it is and suggest that without it, I’d probably be fairly lost when it comes to making hoodoo charms, mojos, potions, and formulae.
  13. The Silver Bullet by Hubert J. Davis.  Following the ideas gleaned from Vance Randolph, I began looking for other folklore collections from America which might contain a few sprinklings of witchcraft.  A friend suggested I look into The Silver Bullet, and it truly was a revelatory experience.  In the pages of Davis’ book, the complete repertoire of the American witch dances out.  The book’s segments on what witches do, how to become a witch, and what to do to counter curse read like thinly veiled instructions on American witchery taken right out of a cauldron.  Like Randolph, a person could likely develop a complete magical system based on what this book contains.  It is a marvelous book, and one I turn to repeatedly for witchlore.
  14. The Encyclopedia of 5000 Spells by Judika Illes.  This is another one I constantly reference.  Its real influence on me lies in the fact that I share a love of it with Laine.  We both get so much out of it that it acts as a sort of magical bridge between us.  The Secret Garden likewise strengthens that bond—it’s one of her favorite books and another example of magic buried in storytelling which appeals to me—but Judika’s wonderful book (books really—they’re all quite good—but I decided to go with this one as we use it the most) really is our default grimoire at this point.
  15. The Bible.  This one is the last on my list because I’ve only been able to really understand it as a book of magic recently.  I’ve known that certain metaphorical elements of the Bible have always had parallels in world mythology, but it’s only since working with things like Psalms, the Blood Verse (Ezekiel 16:6), and folk Catholic prayers that I’ve come to understand it as a sort of grimoire.  Magic pervades the text, though it often must be disentangled from a lot of theology, history, folklore, etc.  And while I do use the Bible as a sourcebook for magic, I also am not a monotheist, so I have to struggle with certain elements of it.  This is rewarding in its own way, though, and I tend to think of the Bible as a “family” book—since most of my immediate predecessors were Christian (and mostly Catholic), my use of that magic ties me to them, even though I’m not worshiping the same deities they did, exactly.    I also prefer to work with some of the deuterocanonical books, such as the Book of Wisdom found in the Catholic Bible, or the Book of Enoch which is mostly found in the Coptic or Ethiopian Orthodox Bible.  But that’s just a personal preference.

So that’s my list!  Long, I know, and probably way too much commentary, but maybe it will give you some insight into the places I’ve come from and the type of magical person I am.  Or maybe it will give you a reason to catalogue your own influences.  If you do that, I’d love to see them!  Please let me know what books influenced your path, and feel free to post your lists (or a link to your blog if you do a list there) on the comments.

Thanks so much for reading!

-Cory

Podcast Special – Mother Hicks

-SHOWNOTES FOR PODCAST SPECIAL-
Summary
A tale of a famous witch from Maine, adapted from Richard Dorson’s “Buying the Wind”

Play:

Download: New World Witchery Special – Mother Hicks

-Sources-
Based on tales found in Buying the Wind, by Richard Dorson.


Promos & Music
“Grifos Muertos” by Jeffery Luck Lucas, from his album What We Whisper, on Magnatune.com

Podcast 18 – Ghosts!

-SHOWNOTES FOR EPISODE 18-


Summary
Today we discuss ghosts and things that go BUMP! in the night.  We talk about a famous haunting or two, then give our own ghostly tales and finish up with a little chat about spooky films we like.
Play:

Download:  New World Witchery – Episode 18
-Sources-
Winchester Mystery House website
Encyclopedia of Ghosts & Spirits by Rosemary Ellen Guiley
Official Bell Witch website
Movies mentioned: Lake Mungo, The Ring, Rosemary’s Baby, Paranormal Activity, 6th Sense, Blair Witch Project, 28 Days Later, & Blindness


Promos & Music
Title music:  “Homebound,” by Jag, from Cypress Grove Blues.  From Magnatune.
Promo 1 – Iron Powaqa
Promo 2 – Forest Grove Botanica
Promo 3 – Media Astra ac Terra

Podcast Special – The Boo Hag

-SHOWNOTES FOR PODCAST SPECIAL-


Summary
This tale relates the events of a marriage that takes a turn for the worse when the husband finds out his new bride is a skin-shedding witch.

Play:

Download:  New World Witchery – Special – The Boo Hag

-Sources-
“The Boo Hag,” retold by S.E. Schlosser, in her collection Spooky North Carolina. Also available on her website.


Promos & Music
“Grifos Muertos” by Jeffery Luck Lucas, from his album What We Whisper, on Magnatune.com

Podcast Special – The Devil’s Marriage

-SHOWNOTES FOR PODCAST SPECIAL-


Summary
The story of a brother, a sister, the devil, and a helpful witch.  From the folklore of North Carolina.

Play:

Download:  New World Witchery Special – The Devils Marriage

-Sources-
“Tales from Guilford County, North Carolina,” by Elsie Clews Parsons.  In The Journal of American Folklore, v. 30, no. 116, 1917.
“The Devil’s Marriage,” retold by S.E. Schlosser, in her collection Spooky South.


Promos & Music
“Grifos Muertos” by Jeffery Luck Lucas, from his album What We Whisper, on Magnatune.com

Podcast Special – The Black Cat Murders

-SHOWNOTES FOR PODCAST SPECIAL-


Summary
A short retelling of “The Black Cat Murders” to help set the stage for Halloween!

Play:

Download:  New World Witchery Special – The Black Cat Murders

-Sources-
Witches, Ghosts, & Signs by Patrick Gainer


Promos & Music
“Grifos Muertos” by Jeffery Luck Lucas, from his album What We Whisper, on Magnatune.com

Special Episode – The Black Cat Murders

New World Witchery Special – The Black Cat Murders
A short retelling of “The Black Cat Murders” to help set the stage for Halloween! (complete shownotes at https://newworldwitchery.wordpress.com)

Blog Post 96 – Critters 2 (Magical Animals, Part II)

Hi all!

This is a continuation from the last post about magical animals, so you may want to look at that one before diving into this one.  Or not.  It’s up to you really.  Either way, here’s some more on North American animals showing up in magical folklore.

(More) American Magical Animals

Deer – Legends about magical deer are hardly new, nor are they limited to the New World.  White stags appear in Arthurian legends, and the label of Jagermeister liqueur bears the image of an enchanted cervid.  Charlemagne also had a stag legend associated with him.   In American folktales, they retain similar significance, though often they lead hunters astray or into mischief.  In a tale from Gilmer Co., WV, a normally gifted hunter encounters a doe he can’t shoot, even at close range when he knows he should be able to.  He decides to try shooting it with a silver bullet and succeds in hitting it in the leg, and then follows the blood trail back to a cabin where an old woman is nursing her bleeding leg, thus revealing her as a shape-shifting witch (Gainer p.157).  In New York State, there’s also the tale of “Auntie Greenleaf and the White Deer,” which bears a strong resemblance to the Gainer tale.  The Huichol natives of Mexico engage in a type of spiritual quest called the Peyote Hunt in which the peyote (a type of hallucinogenic cactus) is treated as a magical deer to be caught:

The Hunt is a symbolic re-creation of “original times” before the present separation occurred between man, the gods, plants and animals; between life and death; between natural and supernatural; be-tween the sexes. On the Peyote Hunt, the men who return to their homeland become the gods, and at the climatic moment of the ceremony, they slay and eat the peyote, which is equated with the deer and with maize (“The Deer-Maize-Peyote Symbol Complex…” by Barbara G. Myerhoff, Anthropological Quarterly, Apr. 1970)

It’s not surprising that a continent whose inhabitants until only fairly recently depended upon deer for food would assign it such a high mythical value, and there are plenty of good stories about witch deer or helper deer to be found in every region.

Rabbit/Hare – This is the animal most associated with witches in folklore (other than perhaps the black cat).  North American magical tales are no exception, and there are a plethora of rabbit-related witch stories out there.  As I mentioned in the Spiders/Insects section, Anansi has an avatar in the form of a rabbit in the New World, a form probably best known and realized through his appearance in Joel Chandler Harris’s Uncle Remus stories.  The Trickster Rabbit of these tales became so ingrained in our cultural psyche that we turned him into an icon recognized worldwide, even though he is distinctly American in attitude:  Bugs Bunny.  Native American legends also provide Trickster Rabbit stories, such as “Rabbit Plays Tug-of-War” from the Creek tribe.  Hares could also be less mirthful magical creatures, and often appear in American folklore as witches in disguise.  Richard Dorson records a tale in Buying the Wind of a witch-hare that could not be caught or killed by anyone.  Even when they trapped it and set everything around it on fire, the rabbit still managed to escape.  Finally a hunter thought that perhaps this hare might be a witch in disguise, and so drew a picture of it and shot it in the leg with a silver bullet.  Not long after, he found out that a local woman with a rather witchy reputation had fallen and broken her leg while sweeping the floor.  The hare was not seen again (Dorson, p. 316-17).  Stories like this are echoed in the Deer and Cat stories mentioned above and other tales of witches becoming hares can be found in the collections from Patrick W. Gainer and Hubert J. Davis, too.

Bear – The figure of the Bear is a mainstay in several traditions of American lore.  He appears as Brother/Brer Bear in the aforementioned Uncle Remus tales, where he comes off as a bit of a brute.  The bear is a key figure in Native American lore, appearing as a spiritual totem animal for chiefs and warriors, as in the tale of the “Spirit Lodge” from the Nariticong people in the northeastern U.S. A curious tale from the Pacific Northwest features a comical (and obviously fictional) encounter between a Sasquatch, a black bear, and a river boat captain.   In northern Mexico, the story of “The Bear’s Son” describes a mytho-magical quest undertaken by a brave young man.  The repeated motif of strength and battle seems to be the bear’s primary contribution to North American folklore.  Yet occasionally bears appear as guides or wise teachers as well—even unintentional ones, as in the Maine tale of “The Fisherman and the Bear,” in which a clever ursine demonstrates a remarkably effective method of fishing to a hungry human.

Birds – This is a pretty broad category, and there are many different types of birds which appear in American magical tales.  The most common appearances of birds are as magical omens or forerunners of good and bad luck.  We touched a bit on this in our Weather Lore posts, but we also had to leave a number of bits out, so I’ll share a couple of them here:

  • A bird building a nest out of your hair will cause madness or headaches.
  • A bird building a nest in any piece of your clothing (shoes, hat, pockets, etc.) means you should prepare to die within the year.
  • Loons portend bad weather (because they are the souls of dead sailors).
  • Whippoorwills calling indicate death or bad luck soon to follow (I prefer Gillian’s interpretation of this, which is that a whippoorwill call means that you’ve done a good day’s work).
  • Killing barn swallows will cause your cows to give bloody milk.
  • To cure a backache, wait until you hear a whippoorwill call then roll on the ground three times.
  • It is bad luck for a hen to crow.

(These examples are taken from Ozark Magic & Folklore by Vance Randolph, Witches, Ghosts, & Signs by Patrick Gainer, and “Odds & Ends of North American Folklore on Birds” by W. L. McAtee [in Midwest Folklore, 1955])

There are truly endless numbers of folk spells, omens, signs, stories, and legends regarding animals in North America.  And there are plenty of animals I didn’t cover here that probably deserve some attention.  Critters like possums, raccoons, gators, eagles, buffalo, cattle, sheep, pigs, mountain lions, and any number of other animals all have abundant magical lore surrounding them, which I will hopefully be able to cover someday.  For now, though, I hope this couple of posts has helped open up some areas for you to explore with regards to animals and magic.  I’m hoping to get at least one more post out this week or early next week focusing on animal parts in magic, so stay tuned for that, too.  And if you have animal lore you’d like to share, feel free to comment on the blog or email us!

And thanks for reading!

-Cory

Blog Post 79 – Lucky Rabbit’s Foot

For today’s post, I’m looking at the folklore and magic surrounding one of the most ubiquitous pieces of conjure paraphernalia, the rabbit’s foot.  There are plenty of theories about this particular luck charm, but not much that can be definitely put down regarding its origin or provenance.  Rabbit foot charms have been around since at least the mid-to-late 19th century in North America, and likely predate the Civil War.  They are used for general luck, gambling aids, love enhancers, and other areas where a bit of extra luck might help.

A quick word of warning, however.  Many of the sources I’ll be citing in this post also date from earlier eras, and thus have a great deal of offensive material in them.  There are words that appear here which would likely incite violence if used lightly today, so please understand that I present them here as a piece of the folklore to which they belong.  Just as a smart modern magician finds a reasonable substitution for liquid quicksilver/mercury (and thus avoids madness and poisoning), a wise student of folklore and folk magic remembers that just because a sentiment appears in print doesn’t make it right or appropriate.

There, now let’s move on to some of the good stuff about rabbits’ feet.

Catherine Yronwode provides information on the rabbit’s foot on her Lucky W Amulet Archive, describing  the foot as catalogue offerings from the early-to-mid twentieth century:

As for the foot itself, a circa-1940 mail order catalogue from the Standard O and B Supply Company, a Chicago-based distributor of African-American hoodoo material, offered undyed rabbit foot charms “made with a metal band and a link to attach on chain.” The Johnson-Smith Novelty Company offered identical charms in its 1941 catalogue. The advertisement shown here goes these one better and promises a free vial of Van Van oil with each rabbit’s foot; the formula is a Louisiana hoodoo favourite that “clears away that evil mess” and increases the strength of any good luck charm to which it is applied. Since none of the older catalogues or ads mention any colour when describing rabbit’s foot charms, it can be assumed that the items were undyed and came only in natural tan or white.

She goes on to talk about her uncertainty regarding why a rabbit’s foot might be so lucky:

Why is the rabbit foot lucky? I am not sure. Rabbits are swift and they reproduce prolifically, but the luck of the rabbit foot is monetary and sexual; as far as i know, it is not related to swiftness or fertility. There is considerable evidence that the lucky rabbit foot is a remnant of an African clan totem, an importation related somehow to Br’er Rabbit, the famous protagonist of an African trickster-god myth-cycle.

Yronwode points out that the rabbit’s foot appears in the famous Uncle Remus stories, written by Joel Chandler Harris in 1881.  In a tale entitled “Brother Rabbit and his Famous Foot,” Uncle Remus describes the tricky Br’er (or Brother) Rabbit’s prosperity-drawing mojo bag (which he refers to as a money purse, or dialectically a “money-pus”):

Brer Wolf look at de money-pus, en see w’at in it. Hit ‘uz one er deze yer kinder money-pus wid tossle on de een’ en shiny rings in de middle. Brer Wolf look in afar fer ter see w’at he kin see. In one een’ dey wuz a piece er calamus-root en some collard-seeds, en in de tier een’ dey wuz a great big rabbit foot (Harris p. 223)

So even a rabbit carries a rabbit’s foot for luck and money.  How’s that for strange?  But why is it so lucky?  In a 1973 thesis on conjuration in the works of African-American author (and somewhat accidental folklorist) Charles Chestnutt, Bettye Jo Crisler Carr uncovers some possible reasons behind this talisman:

One might have expected Chesnutt to refer to ghosts who haunt graves, to witches ‘riding’ their hapless victims by night, to conjurers tying bits of roots in tiny bags to ward off evil. But surely his reference to the efficacy of ‘de lef hin’ foot er a graveya’d rabbit, killt by a cross-eyed nigger on a da’k night in de full er de moon’—surely that is something Chesnutt (or Uncle Julius, who seems equally real) has made out of whole cloth.

An examination of folklore sources, however, justifies Chesnutt’s requirements for the rabbit-foot good-luck charm. An informant from Atlanta states that the talisman must, indeed, be the ‘left hind foot of a graveyard rabbit.  Mary Owen, recording her collected tales prior to 1893, adds to the requirement that it must be ‘de lef hine-foot ob er grabe-yahd rabbit kilt in de dahk o’ de moon.’ A Memphis informant states further that the graveyard rabbit must have been killed by a cross-eyed person. Louise Pendleton, also writing before the publication of Chesnutt’s stories, comments that the use of the rabbit foot for good luck ‘may be traced to the fetishism, or worship of guardian spirits dwelling in inanimate objects, of their African ancestors.’ (Carr,  “Charles Chestnutt & the Doctrine of Conjuration”)

So now we can see the process of making the charm has something to do with its luck associations.  If a cross-eyed person could catch a rabbit in a graveyard in the dark, he would indeed have to be very lucky, and thus his luck might transfer to the animal’s foot (this is a bit of a stretch for a reason, in my opinion, but there certainly seems to be a specific tradition involved in collecting this talisman).  Much of this lore is corroborated by Harry M. Hyatt in his five-volume compendium on African-American folk magic, Hoodoo – Conjuration – Witchcraft – Rootwork.   Two prime examples are included here:

Vol.2,p.1541

A RABBIT’S LEFT HIND LEG, TAKEN WHILE THE ANIMAL IS STILL WARM
AND SEWN INTO A BAG, SHOULD BE CARRIED WITH YOU AT ALL TIMES,
AND KEPT UNDER YOUR PILLOW AT NIGHT FOR LUCK.

If yo’ wanta go git a job agin, yo’ could use a rabit’s foot – yo’ use a rabbit’s left foot. Ketch a rabbit, if yo’ kin kill him; if yo’ can’t ketch it, kill it. Well, befo’ he gits cold, take de left laig of dis rabbit off. (Front or back?) De back laig. Take de back laig off while it’s warm an’ yo’ sew it up in some cloth an’ when yo’ go tuh bed at night, yo’ jes’ carry it an’ push it in yore pillah. If yo’ git up tuh go in de daytime, wear it in yore pocket or either yo’ could have it in yore stockin’. Put it in yore hat or shoe or anything an’ jes’ keep it wit chew all de time. Yo’ll have good luck wit de rabbit’s left hind laig. (When you are going out to get a job?) Yes sir.

[Savannah, GA; Madam Pauline; Informant #1274. C575:1-C586:10 = 2136-2167.]

Vol.2,pp.1486-7

A CHARM TO CARRY

BURY THE RIGHT FRONT FOOT OF A RABBIT IN THE CEMETERY.
AFTER NINE DAYS AND NINE NIGHTS, DISINTER IT.
WEAR IT ON A CHAIN OR FASHION IT INTO SOMETHING SIMILAR TO WEAR
AND CARRY IT WITH YOU.

You take off his right feet, yo’ bury it in de cemetery – let it stay dere fo’ nine days an’ nights. Yo’ go an’ git it out from under dere an’ make yo’ a chain an’ put it on yo’ fo’ a locket or either, yo’ know, yo’ kin jes’ have it made into somethin’ den – yo’ know, somethin’-like. Dat’s de rabbit foot. [She laughs.] Den y’ jis’
tote it wit yo’ or either place it fo’ a watch charm or anythin’ like dat – right feet, jes’ one, de front.

[Waycross, GA; Informant # 1125 (Contact man Edwards’s landlady); Cylinder C235:4-C250: 1 = 1816-1831, and C384:1-C392: 5 = 1965-1973]

One of the common threads to the rabbit’s foot seems to be an intimacy with death or the dead.  The rabbit must be freshly killed (or “warm”) or found in a cemetery.  This may have something to do with its luck.  The dead are able to provide luck to the living in some folkloric accounts, and a magical animal like a rabbit which becomes tied to the dead may well be “running” luck back and forth from them to you.  If you are interested in more spells like the two immediately above, by the way, you can find many of Hyatt’s spells transcribed in the Hyatt Spells Yahoo! Group.  If you manage to find actual text volumes of his work and you have an interest in folk magic, buy them.  They will be worth it.

Finally, Ozark folklorist Vance Randolph records a couple of uses of the rabbit’s foot charm in his Ozark Magic & Folklore:

  • Some healers claim to cure hiccoughs by rubbing a rabbit’s foot on the back of the patient’s neck unexpectedly.
  • I recall a girl near Lanagan, Missouri, who wore a peach stone love-charm on one garter and a rabbit’s foot fastened to the other.

This particular lucky charm can be found throughout North America, often sold in roadside stores, children’s candy-and-prize machines, and even gas stations.   It’s commonly rubbed to actually activate the luck, and “fed” with an oil like Fast Luck or Van Van on a regular basis.  If you happen to have one of these in keychain or charm form, I’d love to hear your experiences with it.  Have rabbit’s feet ever brought you extra luck?  Or, as the joke is often made, is it just “unlucky for the rabbit”?

Thanks for reading (and reading and reading)!

-Cory