Posted tagged ‘folk magic’

Announcement! – Everyday Magical Objects Contest Giveaway

August 1, 2017

Greetings to all you magically-minded folk out there!

In our most recent episode, we sort of came up with an idea for a contest on the fly, and asked you to send us ideas of unusual or particular items you’ve got lying around that you’d like to find a way to work into a spell somehow. Many of you are already sending us your ideas, which is wonderful, but we thought it would be a good idea to announce the contest a little more formally and let you know just what it is you’re entering for a chance to win. And so, here are the official rules!

Everyday Magical Objects Contest Giveaway

**Ways to Enter**

  1. Send us your magical object idea via email (you can try via social media, but we can’t guarantee we’ll get it that way). Please send just one object at a time, and give us enough of a description of the object that we know exactly what it is. If you can, give us some context, like what kind of magical practice you follow (so that when we come up with a response, it might actually be useful to you). This is definitely not a “stump the chumps” situation—that would be too easy with us!—so send us things that you genuinely want to know about. You can send us as many as you like, but each person can only be entered once for sending in an idea.
  2. If you’re a sponsor of ours on Patreon at any level, $1+, you’ve already got one free entry! If you become a sponsor before the contest deadline, you’ll also get the free entry.
  3. Share one of our episodes (a favorite or one you think others should hear) via social media and tag us for an additional entry! (We’re on Facebook and Twitter, so make sure you’re using the tags appropriate to those mediums or we won’t know you’ve shared anything).

That gives you the chance to get up to three entries per person! (Please note, prize winners must be located someplace where it is legal to ship the contents of the prize packs from the United States)

 

**What You Can Win**

We’re going to give away two different prize packs, each chosen randomly from our selection of entrants (NOTE: If you win one prize pack, you cannot win the other one, sorry!).

 

Crafty Cards Prize Pack

This prize pack will contain:

  • A signed copy of Cory’s card-reading book, 54 Devils
  • A deck of Wylie Beckert’s Wicked Kingdom playing cards (see the images above and check out her website, as these cards are gorgeous and perfect for cartomancy!)
  • A deck of the Fantod Pack, cards inspired by and drawn from the work of grim children’s author Edward Gorey, interpreted by Madame Groeda Weyrd
  • A free email-based card-reading from Cory! Ask your questions, receive answers from the great beyond! (or at least from Cory at his computer)

 

 

Wicked Stories Prize Pack

This prize pack contains things from or inspired by weird or magical stories:

  • A copy of the excellent and terrifying graphic novel Wytches, by Scott Snyder and Jock
  • A deck of Wylie Beckert’s Wicked Kingdom playing cards, which tell their own strange story
  • Several CDs from the Florida Folklife Collection, packed full of blues, bluegrass, and plentyof murder ballads
  • A “Dracula, Lord of Cunning” spellwork candle from Coventry Creations, based on both the character from Bram Stoker’s book and the Vampire Tarot by Robert M. Place

 

Both prize packs may also get a few extra goodies in them, too! If these prizes sound appealing to you, we’d love for you to enter to win!

 

The deadline for getting your entries to us will be Midnight, EST, Friday September 1st, 2017.

 

What will we be doing with your entries? Well, they’ll be part of an upcoming show (or more than one), of course! So make sure if you want us to keep you anonymous or use a pseudonym, you tell us in your email.

 

We can’t wait to see what you send us! Thanks to everyone who has contributed so far!

 

Be well,

-Cory & Laine

Episode 113 – If You Don’t Have Homemade Wool of Bat, Storebought is Fine

July 24, 2017

For this episode, we’re looking at our personal practices and figuring out how we decide what ingredients to use, when, and why. We talk about sourcing magical ingredients, using spell kits, and how we “shop” for magic in the everyday world.

 

Please check out our Patreon page! You can help support the show for as little as a dollar a month, and get some awesome rewards at the same time.  Even if you can’t give, spread the word and let others know, and maybe we can make New World Witchery even better than it is now.

 

Producers for this show: Corvus, Diana Garino, Renee Odders, Ye Olde Magic Shoppe, Raven Dark Moon, The Witches View Podcast,  Sarah, Molly, Corvus, Catherine, AthenaBeth, Jen Rue of Rue & Hyssop, Little Wren, Jessica, Victoria, Daniel, Plum Deluxe Teas, Johnathan at the ModernSouthernPolytheist, Montine, Achija of Spellbound Bookbinding, and Hazel (if we missed you this episode, we’ll make sure you’re in the next one!). Big thanks to everyone supporting us!

 

Play:

Download: Episode 113 – If You Don’t Have Homemade Wool of Bat, Storebought is Fine

Play:

 

 -Sources-

We’ve covered magical ingredients in a couple of different episdoes, including Episode 11 – Magical Tools, Episode 60 – Aesthetics and Mechanics, Episode 88 – Everyday Magic, and one of our recent Patreon-only episodes on magical gifts.

You may also want to look at our series of articles on Supermarket Magic (part I and part II), which covers finding magical ingredients in mundane places.

Cory mentions the folk tradition of using “bear” and “skunk grease,” which you can find out more about in Vance Randolph’s Ozark Magic & Folklore and the Foxfire series.

We talk about the excellent (and now gone, although back episodes are still available) Lamplighter Blues show, which featured a regular “mundane ingredient” segment. Similarly, the Witches Brewhaha show frequently did a mundane magic section (although we cannot speak for its back episode status).

We’ll be launching a contest, which we literally come up with as we do the episode. A full announcement will come in the next week or so, but it will involve you sending us ideas for potential objects to use in magical ways. Sounds fun, right?!?

If you have feedback you’d like to share, email us or leave a comment. We’d love to hear from you!

Don’t forget to follow us at Twitter! And check out our Facebook page! For those who are interested, we also now have a page on Pinterest you might like, called “The Olde Broom.” Have something you want to say? Leave us a voice mail on our official NWW hotline: (442) 999-4824 (that’s 442-99-WITCH, if it helps).

 

 Promos & Music

Title and closing music is “Homebound,” by Bluesboy Jag, and is used under license from Magnatune.

Episode 111 – Magical Travel

May 22, 2017

Summary:

We cover magical travel from a few different angles in this episode, including protection while traveling, bringing magical supplies with you when you’re on the road, and folklore about traveling.

 

Please check out our Patreon page! You can help support the show for as little as a dollar a month, and get some awesome rewards at the same time.  Even if you can’t give, spread the word and let others know, and maybe we can make New World Witchery even better than it is now.

 

Producers for this show: Corvus, Diana Garino, Renee Odders, Ye Olde Magic Shoppe, Raven Dark Moon, The Witches View Podcast,  Sarah, Molly, Corvus, Catherine, AthenaBeth, Jen Rue of Rue & Hyssop, Little Wren, Jessica, Victoria, Daniel, Plum Deluxe Teas, Johnathan at the ModernSouthernPolytheist, Montine, Achija of Spellbound Bookbinding, and Hazel (if we missed you this episode, we’ll make sure you’re in the next one!). Big thanks to everyone supporting us!

 

Play:

Download: Episode 111 – Magical Travel

Play:

 

 -Sources-

If you like the theme of this episode, you might want to check out our page with all of our Travel-related episodes, too.

We both mention Cunningham’s Earth, Air, Fire, & Water and Earth Power.

Some of the lore mentioned can be found at S.E. Schlosser’s AmericanFolklore.net site, the AtlasObscura site, and in the books under the Weird US imprint. Make sure to check your local bookstores as well for regional folklore materials (look under Dewey Decimals 390 and 398).

Cory also brings up some folklore about travel superstitions you can find in Vance Randolph’s Ozark Magic & Folklore, Patrick Gainer’s Witches, Ghosts, & Signs, and the Foxfire series.

Laine mentions the groups MUFON and BFRO, both in connection with finding sites for strange occurances like UFOs and Bigfoot.

We mention our excursion on June 3rd to see the ancient magical artifacts exhibit at the Penn Museum and we’d love for you to join us! You can find out about it in our Special Update post on it, or check out the Facebook Event page. We’ll also have a cemetery tour/ghost walk that afternoon!

If you have feedback you’d like to share, email us or leave a comment. We’d love to hear from you!

Don’t forget to follow us at Twitter! And check out our Facebook page! For those who are interested, we also now have a page on Pinterest you might like, called “The Olde Broom.” Have something you want to say? Leave us a voice mail on our official NWW hotline: (442) 999-4824 (that’s 442-99-WITCH, if it helps).

 

 Promos & Music

Title and closing music is “Homebound,” by Bluesboy Jag, and is used under license from Magnatune.

Episode 110 – Live Walpurgisnacht Broadcast 2017 (Magical Things)

May 11, 2017

Summary:

This episode is a recording of our recent live broadcast in which Cory discusses magical objects, gifts, and ‘things’ with fill-in co-host AthenaBeth Black and guest Achija Branvin Sionach.

 

Please check out our Patreon page! You can help support the show for as little as a dollar a month, and get some awesome rewards at the same time.  Even if you can’t give, spread the word and let others know, and maybe we can make New World Witchery even better than it is now.

 

Producers for this show: Corvus, Diana Garino, Renee Odders, Ye Olde Magic Shoppe, Raven Dark Moon, The Witches View Podcast,  Sarah, Molly, Corvus, Catherine, AthenaBeth, Jen Rue of Rue & Hyssop, Little Wren, Jessica, Victoria, Daniel, Plum Deluxe Teas, Johnathan at the ModernSouthernPolytheist, Montine, Achija of Spellbound Bookbinding, and Hazel (if we missed you this episode, we’ll make sure you’re in the next one!). Big thanks to everyone supporting us!

 

Play:

Download: Episode 110 – Live Walpurgisnacht Broadcast 2017 (Magical Things)

Play:

 

 -Sources-

You may want to look back at Episode 11 – Magical Tools, which touches on a few of the points discussed in this episode, as well as the discussion between Laine and Cory on Episode 108 – Doing Magic for Others, which mentions the idea of magical gift-giving.

We recorded this broadcast via our Mixlr page, where we host occasional live chats that we’d love you to be a part of!

You should, of course, check out AthenaBeth’s channel on YouTube, where she discusses lots of different witchy topics, including her favorite magical things.

If you’re looking to make a favorite book a little more special (magical or otherwise), Achija’s Spellbound Bookbinding page will show you some of his bookbinding work and let you request your own project.

We mention a few different sites that are worth checking out, such as Sage & Salt and Lady Jayne’s Brewery.

We’re also planning an excursion on June 3rd to see the ancient magical artifacts exhibit at the Penn Museum and we’d love for you to join us! You can find out about it in our Special Update post on it, or check out the Facebook Event page. We’ll also have a cemetery tour/ghost walk that afternoon!

If you have feedback you’d like to share, email us or leave a comment. We’d love to hear from you!

Don’t forget to follow us at Twitter! And check out our Facebook page! For those who are interested, we also now have a page on Pinterest you might like, called “The Olde Broom.” Have something you want to say? Leave us a voice mail on our official NWW hotline: (442) 999-4824 (that’s 442-99-WITCH, if it helps).

 

 Promos & Music

Title and closing music is “Homebound,” by Bluesboy Jag, and is used under license from Magnatune.

Episode 109 – African American Hoodoo with Yvonne Chireau

April 28, 2017

Summary:

We discuss the role of hoodoo and folk magic in the African American community with our guest, Professor Yvonne P. Chireau.

 

Please check out our Patreon page! You can help support the show for as little as a dollar a month, and get some awesome rewards at the same time.  Even if you can’t give, spread the word and let others know, and maybe we can make New World Witchery even better than it is now.

 

Producers for this show: Corvus, Diana Garino, Renee Odders, Ye Olde Magic Shoppe, Raven Dark Moon, The Witches View Podcast,  Sarah, Molly, Corvus, Catherine, AthenaBeth, Jen Rue of Rue & Hyssop, Little Wren, Jessica, Victoria, Daniel, Plum Deluxe Teas, Johnathan at the ModernSouthernPolytheist, Montine, Achija of Spellbound Bookbinding, and Hazel (if we missed you this episode, we’ll make sure you’re in the next one!). Big thanks to everyone supporting us!

 

Play:

Download: Episode 109 – African American Hoodoo with Yvonne Chireau

Play:

 

 -Sources-

If you’re interested in hoodoo, check out our Resources-Magical Systems page under the heading “Hoodoo, Voodoo, Conjure, & Root Work” to find an extensive list of our posts and podcasts on the topic.

You should definitely check out Yvonne P. Chireau’s website, Academic Hoodoo, and her book Black Magic: Religion and the African American Conjuring Tradition. I also accidentally mix up her work with the work of Katrina Hazzard-Donald, who has another good book on the subject called Mojo Workin’: The Old African American Hoodoo System. Chireau’s mentor, Albert Rabetau, has also written some essential reading, called Slave Religion: The Invisible Institution in the Antebellum South.

The stories and songs interspersed in the episode are exerpts from the public domain recordings in the Library of Congress’ collection, Voices from the Days of Slavery. The voices you hear are “Uncle” Billy McCrae, Irene Williams, and Laura Smalley.

We’re also planning an excursion in early to mid-summer to see the ancient magical artifacts exhibit at the Penn Museum and we’d love for you to join us! You can find out about it in our Special Update post on it, or check out the Facebook Event page.

If you have feedback you’d like to share, email us or leave a comment. We’d love to hear from you!

Don’t forget to follow us at Twitter! And check out our Facebook page! For those who are interested, we also now have a page on Pinterest you might like, called “The Olde Broom.” Have something you want to say? Leave us a voice mail on our official NWW hotline: (442) 999-4824 (that’s 442-99-WITCH, if it helps).

 

 Promos & Music

Title and closing music is “Homebound,” by Bluesboy Jag, and is used under license from Magnatune.

Incidental music is “Hollow Poplar,” by Lucas Gonze, from the Free Music Archive.

Songs include “Conjur Man” and “Hoodoo Lady,” by Memphis Minnie, from Archive.org, and “Roll Jordan Roll,” by The Joy Drops, via SoundCloud.

Blog Post 204 – What is New World Witchery?, Part III (Witches Have a Lot of Friends (You Just Can’t See All of Them))

March 30, 2017

“Tituba and Giles Corey,” by John W. Ehninger. Public Domain. (via Wikimedia Commons)

Welcome! If you’re just starting here, you should know that this post is part of my ongoing series trying to use folklore, history, and contemporary accounts of folk magic to paint a picture of what “New World Witchery” might look like. If you haven’t already done so, you may want to read the first post, “What is New World Witchery?, Part I (Irrational Pragmatism).” Then, at least logically, you might want to read the second post, which looks at how Witchcraft is an Amoral (not an Immoral) Act. But who needs logic? Start here if you please, or go back, or divine the content of future posts through by throwing bones, pulling cards, or shaking a Magic 8 Ball. I am just happy you’re here. Please note: my attempt to lay out some sort of shape that defines New World Witchcraft practices here is likely to satisfy no one (not even me). I undertake this effort largely because I think it gives me a point of reference when I’m developing other articles and trying to see how distinctly “New World” certain practices are. So let’s see where that leads us today (or perhaps, let’s not see…there’s a good bit of shapeshifting and invisibility ahead).

Witches Have a Lot of Friends (You Just Can’t See All of Them)

Anyone familiar with British cunning-folk practices has probably run across the concept of the “fairy familiar” through the works of scholars and authors like Owen Davies, Emma Wilby, and Ronald Hutton. English magical folk frequently entered into short- and long-term relationships with otherworldly beings. Sometimes these relationships were straightforward and reciprocal, and sometimes they seemed to be nearly unwanted but inevitable for the person selected by a fairy for contact and assistance. These are not elvish shoemakers doing a day’s work for a kindly cobbler, but often beings who seem to be able to impact the human world without fully understanding it, and beings who sometimes exact steep prices for their services. Wilby notes the phenomenon in her book, citing several well-known cunning folk and their fairy familiars:

“Susan Swapper (Wales, 1607), for example, claimed that she had been told by a companion that if she knelt to the queen of the fairies the latter would give her ‘a living’ while Joan Tyrry (Somerset, 1555) claimed that the fairies ‘taught her such knowledge that she getteth her living by it’…Jonet Rendall (Orkney, 1629) was told by her fairy familiar ‘Walliman’ that ‘He sould learne yow to win almiss be healling of folk’, while Anne Jeffries (Cornwall, 1645), by virtue of the healing powers she gained as a result of her liaison with the fairies, had ‘monies, at all times, sufficient to supply her wants.”

These fairy relationships enabled many magical folk to get by, and even do some good, although one could also turn the power to do harm as well.

“Examination of a Witch,” by Thompkins H. Matteson (1853-Peabody Collection, Public Domain, via Wikimedia Commoons)

In the New World, relationships with spiritual folk from other realms has almost always been suspect, even diabolical. Trial records from Salem show accused practitioners of magic confessing to secret meetings in the woods with devils (although there are also potential readings that might suggest meetings with local Indian tribespeople, who were often viewed as satanic savages by English settlers). During the examination of Tituba, for example, the accused slave confessed to meeting with a Devil-figure in the home of her master, Samuel Parris. She claimed to have signed the Devil’s book and to have been forced into doing ill to the children of the household. In another round of examination, she described the familiar spirits of another accused witch, Sarah Good, as a “yellow bird” that drank blood from Good’s hand and which had “wings and two legs and a head like a woman.” The foundation of the Court of Oyer and Terminer, which made the Salem trials so particularly heinous, was the permission granted by the court to allow “specral evidence,” or the suffering of the victims at the hands of unseen spirits, as concrete proof of witchcraft. Of course, many of these details derive from European witchcraft beliefs inherited from earlier trials and confessions, and we should not lay too much stock by them, but they do illustrate an interesting transition within the New World context. In many cases, the concept of “fairy” spirits who aided witches and magical practitioners shifted towards animal familiars (often uncanny animals) and spectral beings that could take the witch’s shape or work on the witch’s behalf (even if it was not in the witch’s best interest, as the specters often “attacked” Salem witchcraft victims in open court as the accused witches tried to defend themselves as innocent).

 

Witches in North America seemed to spend a lot of time either communicating with their spiritual allies (often in transfigured shapes) or gallivanting around in spirit form themselves. A common motif of “spirit flight” would allow witches to grease themselves up with a flying ointment to travel to distant towns and steal from the local larders and dry goods stores (or, even more often, the wine or whiskey stores of the well-to-do—perhaps another incarnation of the class equity balancing act I’ve already mentioned). Keeping witches out of such places involved spreading salt grains or mustard seeds on the porch or roof, hanging a sieve over the door handle, or otherwise forcing the witch to count some minute object like seeds or holes in order to frustrate her entry. Witches were thought to cavort with devils and wicked spirits in their invisible and insubstantial forms, or to go out working all kinds of mischief. A story from the Mississippi Delta region speaks of a “boo hag” that would travel out at night and leave her skin behind. Only when a young man put salt and hot pepper into her skin before she returned could she be defeated. The mindset of diabolical worship and revelry lingered in the popular imagination about witches well past the Colonial period. In the mid-nineteenth century, Nathaniel Hawthorne published his story, “Young Goodman Brown,” which was riddled with such witch lore. In more recent times, magical practitioners such as self-proclaimed “hexenmeister” Lee Gandee reported the constant presence of spirits, who he called his “boys.” Such spirits heightened or enabled magical practices for those who knew them and worked with them, even without the pretext of diabolical pacts.

 

Of course, not all spirits were unseen by those around the witch. Just as often, the witch’s companions would be animals like Sarah Good’s alleged yellow bird. A Virginia tale about a witch named Rindy Sue Gose tells of her diabolical pact to become a sorceress, for which she received a little black beetle in a medicine bottle, which she fed with blood from her shoulder. The sucking familiar was a trope widely found in European witch tales, and many believed that the animal would do the witch’s bidding by carrying out her orders or doing dark deeds on her behalf. The Southern tale of “Raw Head and Bloody Bones” describes a witch whose prized razorback hog is slaughtered by local ne’er-do-wells only to be resurrected by her magic to seek vengeance on those who took her friend away from her (again, a form of justice and rebalancing). A subtler way of viewing the animal relationship, however, might suggest that the witch did not so much employ the creature as a servant, but as a second self. Many witches in stories engaged in forms of shapeshifting, turning into black cats, large hares, insects, or other beasts in order to travel swiftly and unseen throughout their portion of the world. In shapeshifted form, witches were particularly vulnerable, and any harm that came to them—being cut with a silver knife or shot by a silver bullet—would leave a mark upon their human body that allowed them to be identified later or kill them outright.

“Superstition Mountain Sentinel (Coyote Sundial),” By Mikesanchez1109 (Own work) [CC BY-SA 3.0, via Wikimedia Commons]


 

They could transform others as well, using them has horses (as Betty Booker did to the old Skipper). One legend from Acoma describes two evil “warlocks” who used a magic hoop to turn themselves into coyotes in order to kidnap a beautiful girl from a nearby tribe. Interestingly, the medicine man of the tribe tracks them through the help of animals, telling the braves following him “Listen to the bird singing in yon bush. It is warning us of the great danger we ace. It says to hurry for Isleta [the girl] will be abused if she is not rescued soon.” Animal friends with spiritual connections appear to help both “good” and “bad” magicians, and the Acoma tale reads much like European fairy tales that feature animal helpers warning of danger.

 

Speaking of fairies, did they all disappear in the New World? Not quite. The unseen powers of fairies do linger on in parts of North America, although many of the tales involving them seem to emphasize the need to counteract their work. The concept of being “elf-shot” or attacked by fairy magic seems to have transferred into areas where large Irish and English populations thrived, including parts of the Ozarks and Appalachians. Vance Randolph speaks of “power doctors,” which are remarkably similar to the “fairy doctors” found in Irish folklore, for instance. There are also plenty of tales of “little people” in the New World, often from Native American sources, although the close interactions noted between cunning folk and fairies are largely absent. In more recent years, however, fascination with fairies and similar beings has captivated American imaginations. There are fairy-oriented gatherings, such as FaerieCon and Mythic Worlds, that seek to connect fairy beings with spiritual identity (and have a rollicking good time doing so). Threads of Traditional Witchcraft in North America have made much of connecting with a “fetch beast,” which is similar to but distinct from the familiar spirits seen in earlier periods of American witchcraft. The broad picture of North American witchcraft certainly has room for the fairy brides and husbands and teachers of British lore, of course, but on the whole North American witchcraft seems to lean more towards the animal kingdom, tales of diabolical meetings, and invisible specters than the Good People Under the Hill. Perhaps much of that has to do with the aversion to aristocracy and courtly systems in North America—the fairies of Europe often seem to organize themselves in ways that parallel the human nobles around them. North Americans are largely removed from such formal aristocracies (although they certainly still exist in the forms of social classes, as evidenced by cotillions and debutante balls). We turn, instead, to wilder things—beasts and haints and devils—to connect to magic.

 

Next time: Witchcraft Makes Things (Happen)

 

Thanks for reading!

-Cory

Episode 108 – Doing Magic for Others

March 23, 2017

Summary:

This episode finds us looking at the idea of doing spells for other people (even when they may not know about it) as well as doing magic for communities and doing magic for money.

 

Please check out our Patreon page! You can help support the show for as little as a dollar a month, and get some awesome rewards at the same time.  Even if you can’t give, spread the word and let others know, and maybe we can make New World Witchery even better than it is now.

 

Producers for this show: Corvus, Diana Garino, Renee Odders, Ye Olde Magic Shoppe, Raven Dark Moon, The Witches View Podcast,  Sarah, Molly, Corvus, Catherine, AthenaBeth, Jen Rue of Rue & Hyssop, Little Wren, Jessica, Victoria, Daniel, Johnathan at the ModernSouthernPolytheist, Montine, Achija of Spellbound Bookbinding, and Hazel (if we missed you this episode, we’ll make sure you’re in the next one!). Big thanks to everyone supporting us!

 

Play:

Download: Episode 108 – Doing Magic for Others

Play:

 

 -Sources-

We mention both our recent Money Magic episode and Episode 48 – Healing Magic as inspirations for this episode.

Several of the stories that Cory references are found in books like Mexican-American Folklore by John O. West; Witches, Ghosts, & Signs by Patrck W. Gainer; and The Silver Bullet, and Other American Witch Stories by Hubert Davis.

We’re also planning an excursion in early to mid-summer to see the ancient magical artifacts exhibit at the Penn Museum and we’d love for you to join us! You can find out about it in our Special Update post on it, or check out the Facebook Event page.

If you have feedback you’d like to share, email us or leave a comment. We’d love to hear from you!

Don’t forget to follow us at Twitter! And check out our Facebook page! For those who are interested, we also now have a page on Pinterest you might like, called “The Olde Broom.” Have something you want to say? Leave us a voice mail on our official NWW hotline: (442) 999-4824 (that’s 442-99-WITCH, if it helps).

 

 Promos & Music

Title and closing music is “Homebound,” by Bluesboy Jag, and is used under license from Magnatune.


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