Blog Post 220 – Book Club Discussion #1

Hello witchy reader-folk!
As I mentioned last week, we’ve embarked on a 2020 book club looking at two of the books that got Laine and I into witchcraft in the first place: Earth Power and Earth, Air, Fire, and Water by Scott Cunningham. If you haven’t checked that post, make sure to do so and see when we’re reading each segment. We have ongoing discussions and chats with our Patreon supporters who are reading the book through our Discord server, but we also want to open up the conversation more publicly, too. So each month we’ll be posting a brief rundown of some questions and ideas that came up either in the discussion between Laine and me on the show or through the Discord chat.
This month, we tackled: Earth Power – Preface, Introduction, and Part I (Ch. 1-4)
Some questions to ponder as you read or reflect:
  1. Cunningham often refers to what he’s doing as “natural magic,” and Cory thought that he was just using a different phrase to describe folk magic, which makes up the majority of the book. What do you think? Are there distinctions or differences between folk magic and natural magic? Are those differences present in Cunningham’s introduction, or is he using that term interchangeably?
  2. Cory and Laine both discussed the idea of different elemental systems beyond the four-parted (or sometimes five-parted if you are reading Aristotle) Greco-Roman system. For example, Chinese metaphysics recognize a different set of elements (Earth, Fire, Water, Wood, and Metal), and other systems get more into “hot/cold/wet/dry/moving/stable” divisions (one of our Patreon folks pointed out in their tradition they have twelve different elements, and there’s a funny XKCD comic about someone being a “Polonium bender” and thinking of elements by way of the periodic table). What exactly are the elements to you? Are they fundamental building blocks in a very material way, or simply symbolic and thus subject to change based on who’s using them and how? What elemental systems do you work with, if any?
  3. Laine raised the point that a lot of what we see in the introduction has to be seen as a product of its time (not to excuse it, but just to give it context). One of the big points she brought up was the artificial way that elements sometimes get lumped with “masculine” or “feminine” descriptors. How do you deal with these sorts of outdated ideas when you encounter them in a book you like (especially an older one)? Do you simply dismiss the pieces that no longer work and move on, or do you process it another way? Are dichotomies (like gendered elements) even useful in an age where we understand better that gender is a spectrum rather than an either/or situation?
  4. One great discussion that came up on our patron chat was the question of “What books were your starting point for witchcraft?” Laine and I both had several, and Cunningham’s were among our earliest, but does the book (or books) you begin with for witchcraft studies have a defining effect on how and what you study? Or is the other way around, and what you’re interested in will lead you to certain types of books (other, non-dichotomous options are welcome, too!). What was your first book of magic or witchcraft?
  5. Finally, do we do too much idealizing of the past? Cunningham likes to paint rosy pictures at times of some sort of agrarian paradise in which nature and magic were all around the common folk (a bit like in the magic forest in Frozen II). Magic, however, always seems to be very adaptable to new situations and new eras. Some of it falls by the wayside when it’s not useful/appropriate (for example, there are some terribly racist folk charms involving stealing hair from an African American person but I don’t think anyone’s recommending those today….I hope). At the same time, while we can “yeet our woes unto the void” in a contemporary ritual, we also might still have uses for lucky horseshoes, even if we don’t ride horses regularly anymore). So what do you think? How much of the past informs your practice, and how ready are you to adapt your practice to contemporary needs?
(Mendeleev, Polonium-bending Master. Comic by XKCD)
We welcome (civil) discussions and deliberations on these points in the comments, and if you have a question raised by the episode or this post that you’d like to explore further, feel free to comment that as well!
Thanks for reading (along with us)!
-Cory

Episode 125 – Elements

Summary:

This time we’re looking at an aspect of magic that we’ve (surprisingly) not gotten into before: the elements. We discuss the Classical elements, other elemental systems (there may be a mention of Einsteinium involved), and what underlies the use of elements in magic.

 

Please check out our Patreon page! You can help support the show for as little as a dollar a month, and get some awesome rewards at the same time.  Even if you can’t give, spread the word and let others know, and maybe we can make New World Witchery even better than it is now.

 

Producers for this show: Heather, Achija of Spellbound Bookbinding, Raven Dark Moon, WisdomQueen, Regina, Jen Rue of Rue & Hyssop, Little Wren, Khristopher, Tanner, Jody, Johnathan at the ModernSouthernPolytheist, Catherine, Montine, Carole, Cynara at The Auburn Skye, Sarah at ConjuredCardea,The Trinket Witch, Victoria, Jody, Sherry, & AthenaBeth. (if we missed you this episode, we’ll make sure you’re in the next one!). Big thanks to everyone supporting us!

 

Play: 

Download: Episode 125 – Elements

Play: 

 

 -Sources-

Laine mentions Cunningham’s Wicca: A Guide for the Solitary Practitioner, which influenced her work with elemental systems. We’d also likely recommend his Earth Power and Earth, Air, Fire, Water as well.

Cory mentions Oliver Sacks, a neuroscientist who collected the different elements.

The fun XKCD comic about element-bending (actually polonium and not einsteinium) is here.

Thanks to listener Nora for our everyday magical object: fossilized seashells!

If you have feedback you’d like to share, email us or leave a comment. We’d love to hear from you!

Don’t forget to follow us at Twitter! And check out our Facebook page! For those who are interested, we also now have a page on Pinterest you might like, called “The Olde Broom.” Have something you want to say? Leave us a voice mail on our official NWW hotline: (442) 999-4824 (that’s 442-99-WITCH, if it helps).

 

 Promos & Music

Title and closing music is “Homebound,” by Bluesboy Jag, and is used under license from Magnatune. Incidental music is “The Pan Chaser,” by Fernwood, licensed from Magnatune.

Our promo sponsor is Conjured Cardea, maker of fine magical supplies! Check her out!