The madness continues (both the madness of the world in general and our own strange little plot to keep revisiting Scott Cunningham’s two “Natural Magic” books, Earth Power and Earth, Air, Fire, & Water). We’ve fallen a teensy bit behind on discussing the books on the show (just by a month or so), but we’re also a bit behind on catching up with the blog posts that let everyone participate in the discussion. Back in Book Club Discussion #3, we combined our questions and comments on two sections: Air and Earth. This time we’re doing the same for questions on the sections for Fire and Water (which balances quite nicely).
Some of the questions we wound up asking of ourselves and our Patreon supporters are below, and we’d highly welcome any feedback or responses (civil, please please please!) in the comments.
What form of fire magic do you practice most often? Is it candle magic? Do you use fire as a “cleansing” force in ritual, or does it serve more of an “animating” role in your spellwork?
Where do you think incense falls in the big picture of spells? Is it just Air? Is it also Fire? Do all spell elements inherently draw upon multiple elemental energies?
Have you ever done a purification spell like the one Cunningham mentions (the ritual burning)? Did it work for you? (Feel free to share juicy details of burning an ex-boyfriend’s stuff if you like!)
Do you ever do any fire-based divination practices (like scrying)? Have you tried his “fire writing” method with bark or paper?
Cunningham warns about the potential destructive forces of Air and Fire, but is less concerned with that problem in the Earth/Water chapters. Why do you think that is? Do you work with “both sides” (or “many sides” if you prefer to be nondualistic about it) of the elements?
So many myths have fire stolen from the sky, and Cunningham also connects fire magic with solar magic. Do you do this as well? Why or why not?
Cunningham warns that we should “beware the tricks of the conscious mind” when doing things like water scrying. Do you treat the conscious mind as something that works against magic, or something that has a place in the magical process?
What forms of water magic do you do most often? Spiritual baths? Wishing well magic? Water gazing/scrying?
Do you consider any weather magic to be within the realm of water magic? Why or why not?
Have you ever heard of/used the “crossing water” folklore that supposedly puts a barrier between you and evil/ghosts?
When making offerings to elemental spirits, is it more appropriate to bring something of your own or use what you find in the area? (Thinking here of Cunningham’s use of the coin to pay the tree for leaves to use in a ritual).
Should you always “pay” for the natural materials you use in magic? Can you ever simply use something and assume it’s okay/a gift/expected to be used for magic?
Have you ever taken a “water vow” as Cunningham describes it? What was it for/about, and did it feel like it was more potent because of water’s role in the vow?
We obviously get into a good bit more detail in both of our discussions (and we even have a few questions here we didn’t really cover). We would really love to hear/read your answers on some of these, though, if you’re interested in responding!
We’ll be back talking about things like Stone magic in the next book club discussion, and moving into the more detailed, “smaller” elements of magic. We hope you’re enjoying the chance to read along with us and that you’ll share your thoughts!
It’s strange, isn’t it, that at a time when so many of us are being asked to stay home that it feels like we have so little time to do things like read? At least, that is how it’s felt around our neck of the woods of late. But we have been managing to make headway in our ongoing Book Club, featuring the work of Scott Cunningham and focusing on the concept of folk magic in connection to nature and elemental associations.
In the past two regular episodes (on Safe Hex and Dreams) we covered the first few chapters of both Earth Power and Earth, Air, Fire, & Water. Those chapters began unpacking two of the major elements: Earth and Air, as well as sharing a group of spells that Cunningham associated with each of them. We talked about the use of things like sand and dirt in jars as a common folk magical trope for keeping evil at bay, and we still see that in some forms of charm work today with people leaving bottles or jars of rice, beans, pins, or more by their front doors or windows. Sprinkling salt has a similar effect when done at a threshold and that fits well with Cunningham’s ideas. We also chatted about Cunningham’s point that getting out into spaces without urbanization can be very good at connecting us to our landscapes and our planet, but that we should also be mindful that having that access is a privilege and we shouldn’t make others feel bad if they are doing the same work in a big city by going to a park or keeping potted plants.
On the Air side of things, we talked about how odd it was to see a warning in Earth Power specifically saying to be careful with air magic–why is that admonition so strong here, but not with something like earth magic? Does it have to do with the fast-changing nature of wind and storms? That also got us into the point that Cunningham makes about Air as a “twin of Fire,” which we’re still not strongly convinced about but makes for an interesting thought experiment. We noted that a lot of air-based spells have had their own evolution, with sailors likely using knot charms a lot less in an era of non-sailing ships and a recognition that spells involving tying things to trees need to be largely adapted so they don’t damage the tree (Laine and I both suggest the idea of using hair, which works well and biodegrades easily).
In ourPatreon Discord discussion, we also tackled a few more particular questions on these chapters and concepts:
What do you think of the differences in style between the books? For example, we talked about how Earth Power is obviously pulling from a lot of very practical folk magic (such as potato/apple wart curing charms) while EAFW seems to be more focused on rituals (including more incantations and rhymes). Which style works better for you, and why do you think that is?
What do you think the magical “theory” behind some of these spells would be? For example, why does throwing a handful of dirt after someone protect them (or in a similar folk magic tack, why would throwing a handful of salt after them keep them from coming back)? What about those counting spells? Why do witches/vampires/etc. have to do all that counting? (DON’T MAKE ME DO MATH!!!)
What do you think about including knot-magic in “Earth”? Does that make sense to you, or would you put it somewhere else?
Some of these are clearly very short-term spells, but a lot of earth spells are longer-term. Do you prefer to do spells with short, immediate bursts of activity and results, or longer and more sustained spellwork (or do you mix it up a lot)?
Is there a distinct difference between “air” and “wind” as a magical element or force to you? Why or why not, and how do you use air if you’re not also using wind?
Do we also see distinctions between “elements” and “transmission” or “medium” in other forms of magic? So for example I can see water as a medium with waves and tides as transmission methods. With earth, there are the seismic waves, but are there other forms of earth “transmission” that are fairly regular? I am sure mudslides, etc. would count but in terms of the way we can let a leaf go in air or water to carry a spell is burial the earth transmission method? Similarly with fire–is fire the medium and “burning” the method? Or are light and heat the transmission forms (so a spell using light is technically a fire spell then?).
And finally, why are birds so dang smug?
We would love to hear your thoughts on any or all of these points, so feel free to leave a comment below (or you can even shoot us an email if you’d prefer to share your ideas that way).
We’ll be tackling the powers of Fire and Water next, and then hopefully summoning Captain Planet to combat the avian smugness we will inevitably encounter. Or, at the very least, posting more questions and ideas to discuss.
For now, we hope you’re getting by okay, and we wish you happy reading and magic every day!
As I mentioned last week, we’ve embarked on a 2020 book club looking at two of the books that got Laine and I into witchcraft in the first place: Earth Power and Earth, Air, Fire, and Water by Scott Cunningham. If you haven’t checked that post, make sure to do so and see when we’re reading each segment. We have ongoing discussions and chats with our Patreon supporters who are reading the book through our Discord server, but we also want to open up the conversation more publicly, too. So each month we’ll be posting a brief rundown of some questions and ideas that came up either in the discussion between Laine and me on the show or through the Discord chat.
This month, we tackled: Earth Power – Preface, Introduction, and Part I (Ch. 1-4)
Some questions to ponder as you read or reflect:
Cunningham often refers to what he’s doing as “natural magic,” and Cory thought that he was just using a different phrase to describe folk magic, which makes up the majority of the book. What do you think? Are there distinctions or differences between folk magic and natural magic? Are those differences present in Cunningham’s introduction, or is he using that term interchangeably?
Cory and Laine both discussed the idea of different elemental systems beyond the four-parted (or sometimes five-parted if you are reading Aristotle) Greco-Roman system. For example, Chinese metaphysics recognize a different set of elements (Earth, Fire, Water, Wood, and Metal), and other systems get more into “hot/cold/wet/dry/moving/stable” divisions (one of our Patreon folks pointed out in their tradition they have twelve different elements, and there’s a funny XKCD comic about someone being a “Polonium bender” and thinking of elements by way of the periodic table). What exactly are the elements to you? Are they fundamental building blocks in a very material way, or simply symbolic and thus subject to change based on who’s using them and how? What elemental systems do you work with, if any?
Laine raised the point that a lot of what we see in the introduction has to be seen as a product of its time (not to excuse it, but just to give it context). One of the big points she brought up was the artificial way that elements sometimes get lumped with “masculine” or “feminine” descriptors. How do you deal with these sorts of outdated ideas when you encounter them in a book you like (especially an older one)? Do you simply dismiss the pieces that no longer work and move on, or do you process it another way? Are dichotomies (like gendered elements) even useful in an age where we understand better that gender is a spectrum rather than an either/or situation?
One great discussion that came up on our patron chat was the question of “What books were your starting point for witchcraft?” Laine and I both had several, and Cunningham’s were among our earliest, but does the book (or books) you begin with for witchcraft studies have a defining effect on how and what you study? Or is the other way around, and what you’re interested in will lead you to certain types of books (other, non-dichotomous options are welcome, too!). What was your first book of magic or witchcraft?
Finally, do we do too much idealizing of the past? Cunningham likes to paint rosy pictures at times of some sort of agrarian paradise in which nature and magic were all around the common folk (a bit like in the magic forest in Frozen II). Magic, however, always seems to be very adaptable to new situations and new eras. Some of it falls by the wayside when it’s not useful/appropriate (for example, there are some terribly racist folk charms involving stealing hair from an African American person but I don’t think anyone’s recommending those today….I hope). At the same time, while we can “yeet our woes unto the void” in a contemporary ritual, we also might still have uses for lucky horseshoes, even if we don’t ride horses regularly anymore). So what do you think? How much of the past informs your practice, and how ready are you to adapt your practice to contemporary needs?
We welcome (civil) discussions and deliberations on these points in the comments, and if you have a question raised by the episode or this post that you’d like to explore further, feel free to comment that as well!
This time we’re looking at an aspect of magic that we’ve (surprisingly) not gotten into before: the elements. We discuss the Classical elements, other elemental systems (there may be a mention of Einsteinium involved), and what underlies the use of elements in magic.
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Cory mentions Oliver Sacks, a neuroscientist who collected the different elements.
The fun XKCD comic about element-bending (actually polonium and not einsteinium) is here.
Thanks to listener Nora for our everyday magical object: fossilized seashells!
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Title and closing music is “Homebound,” by Bluesboy Jag, and is used under license from Magnatune. Incidental music is “The Pan Chaser,” by Fernwood, licensed from Magnatune.
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