Tag: witch

Blog Post 150 – The Trickster’s Web

I’ve been thinking a lot lately about the importance of tricksters in folklore and fairy tales. I know it’s fairly well-trod ground to start looking at the mythical value of tricksters like Coyote and Loki and Hermes and all the other devious deities and demigods who so love to upend the orderly world in favor of a little creative chaos. I’m not going to dive into specific tricksters here (though I do intend to do some exploring of North American tricksters in the not too distant future), but I wanted to look instead at the folkloric need for these figures. After all, they’re not exactly protagonists, and they’re not exactly antagonists, but they are something else entirely. Their very identification and definition is tricky. So what is the trickster’s role in the tales we tell? According to Jane Yolen, author/editor of Favorite Folktales from Around the World:

“The figure of the trickster can be found in every folklore tradition. The trickster as hero or as god plays an important role: Anansi in Africa is sometimes heroic, sometimes foolish, with definite supernatural powers. LIkewise his famous Native American counterparts, Coyote and Rabbit, act as both fooler and fooled….The German Tyll Ulenspiegel, a popular peasant jester, actually lived in the fourteenth century, but within another two centuries had become a legend around whose names volumes of anecdotes and jests had accumulated…Whether the trickster is an animal such as Brer Rabbit or Raven or the wily fox, or supremely human like the German master thief, he plays his tricks out to the end. And sometimes it is a bloody and awful ending” (From section “Tricksters, Rogues, & Cheats,” 127).

So then the trickster can be both a guide for overcoming adversity and self-empowerment, and he can be a sacrificial victim to fate—sometimes illustrating the tragically comic cycle of life and death we all must go through. In this latter capacity, the trickster attempts to operate outside the web of Fate (or natural order, if you prefer), and becomes deeply entangled in the threads he or she tried to avoid. I think here of Anansi, the spider, who in one tale learns of a magic spell which causes anyone who says the word “five” to drop dead on the spot and thus begins tricking various creatures to say that word so that he may eat them. Of course, the trick gets turned around on him, and he accidentally says “five” when a clever bird refuses to play by his rules, thus ending his own life. It is a storytelling picture of a spider weaving one web inside of another, only to be caught by the bigger web he didn’t see.

Why then do we need to have clever characters that can be so easily duped or destroyed? Do they play a similar role to folkloric devils, existing simultaneously as a threat and a challenge (and thus also functioning as teachers in some ways)?  I would assert here that when a trickster is overcome by his own tricks, it is because his deceit has crossed a line. Knowing how and when to play a trick is deeply important. Teachers understand that the process of discovery is very important to really gaining understanding as opposed to simply forcing short-term rote memorization (a topic we discussed in our recent podcast on riddles). I’ll get to the role of deceit a bit more in depth in a moment, but first let me briefly detour back to the ide of a trickster as an empowering figure.

Without diving too deeply into the sticky issues of what is “moral” in fairy and folk tales, I think it’s relevant to point out that concepts of “good” and “bad” or “right” and “wrong” form central pillars around which many stories are built. At the same time, there remains an intense ambiguity about just about every “moral” decision in a fairy tale—the witch in “Hansel and Gretel” does seem to deserve to die, as she wants to kill and eat children, but is it a particularly happy ending for the children to return to a father who willingly (if reluctantly) abandoned them to that horrible ordeal? Bruno Bettelheim, in his controversial and classic fairy tale exegesis The Uses of Enchantment has this to say:

“Amoral fairy tales show no polarization or juxtaposition of good and bad persons; that is because these amoral stories serve an entirely different purpose. Such tales or type figures as ‘Puss in Boots,’ who arranges for the hero’s success through trickery, and Jack, who steals the giant’s treasure, build character not by promoting choices between good and bad, but by giving the child the hope that even the meekest can succeed in life” (10).

So then, the child, who knows intuitively that he or she is not as strong and capable in many ways as the adults around him or her, needs to understand that strength and physical skill are not the only methods for overcoming adversity. Brains count for something, too. For those of us who have outgrown the age of childhood (though you’ll be hard-pressed to convince me I’ve outgrown it in any way but the number of years shown on my driver’s license), that lesson can still be immensely invaluable. When we are faced with an ogrish boss or a monstrous task or a devilish choice, we need to believe that we have a tool in our arsenal that can beat the odds—and that’s where the trickster becomes more than a comical prop or sacrificial victim. As Bettelheim says, “Children know that, short of doing adults’ bidding, they have only one way to be safe from adult wrath: through outwitting them” (28). We, too, as adults and as magical folk, deal with a number of dangerous situations all the time, and we must adopt the trickster’s cleverness if we hope to overcome the challenges we face in one piece. To illustrate this point, Bettelheim relates the tale of the “Fisherman and the Jinny” (one we’ve mentioned a lot), in which a fisherman is threatened by a genie that he releases and must trick him back into the bottle or be killed by him. The genie is clearly bigger and more powerful, and only by means of deviousness can the fisherman preserve his life.  If you want to lend a magical quality to your life, think about how often you bottle the genie of a ferocious argument with a lover or friend by a few carefully placed words or a well-timed gesture.

Still, one moral lesson that we so often teach our children (and one which we repeat to ourselves ad nauseum) is: don’t lie. Lies are bad. Always tell the truth. Except, of course, when you shouldn’t. And here we come to my last point of examination in the role of the trickster. In The Witch Must Die, scholar Sheldon Cashdan looks at lies and deceit by examining three fairy tales: “The Goose Girl,” in which lying is punished brutally when it is found out; “Rumpelstiltskin,” in which lies are accommodated and made true by the intervention of magic and/or fate; and “Puss in Boots,” in which trickery is rewarded because it is cleverly executed. What Cashdan uncovers by contrasting these stories is that trickery when performed for the sake of trickery is ambivalent, and when done in the service of another person (or a righteous cause) is praiseworthy, but deceit performed for the sake of harm to another must bring judgement or punishment down on the deceiver/trickster. As he puts it:

“[I]t is the intent behind the lie that counts rather than the lie itself. In other words, there may be instances in which telling lies is justified…These contrasting approaches to deception reflect the ambivalence people harbor about telling the truth. On the one hand, we know that lying is wrong. At the same time, it is hard, as Diogenes discovered, to find an honest man…In some fairy tales, lying is not merely treated with ambivalence but is actually rewarded” (140).

For an a magical practitioner, then, the power of the trickster is power that can be used reactively (to combat an attack or overcome an obstacle) or chaotic (to inspire the topsy-turvy energy that seems to surge up periodically in Nature), but if it is used offensively it must be justified. Willfully entrapping someone by magical means—and here I’d venture away from magic and say this principle extends to social behavior, too—has to have some solid reasoning behind it, or else the universe has a way of bringing its own justice down on the tricksy person who did the ensnaring.

What the trickster seems to say to me, then, is this: If you are a spider, spin for the beauty of your web; spin that you may catch the food you need; spin to keep your enemies away. But beware weaving the web of greed and harm, because there’s likely a bigger web you do not see, and a bigger spider who is very hungry dangling not far overhead.

Whew, enough philosophy, right? What are your thoughts on tricksters, especially as teachers? Do you agree about the idea of justification? Have you ever experienced a trickster in your own life or practice? Let us know in the comments below!

Thanks for reading!

-Cory

Podcast 40 – Rhymes, Games, and Riddles

-SHOWNOTES FOR EPISODE 40–

Summary
Today we look at a toychest full of children’s nursery rhymes, playground games, and riddles. We talk about how these sing-song verses can sometimes hide bits and pieces of valuable witch lore, as well as how they can be incorporated into one’s practice.

Play:

Download: New World Witchery – Episode 40

-Sources-

  • The book I used for many of the rhymes herein contained is my son’s copy of Mother Goose by Tomie dePaola (the illustrations are excellent and very folk-arty). Some of the rhymes you hear are “The Crooked Sixpence,” “Old Mother Goose,” “Rabbit and Crow,” “Jack and Jill,” and “Two Blackbirds”
  • I mention The White Goddess by Robert Graves as a source of witchy riddle lore.
  • I also pull several riddles from Buying the Wind by Richard Dorson.
  • We have several posts on our blog focused on these topics. Check out “Blog Post 53 – Riddle Me This,” “Blog Post 54 – The Devil’s Nine Questions,” and “Blog Post 55 – Games” for more info.
  • I also highly recommend checking out Peter Paddon’s Crooked Path site, as he frequently discusses riddles and rhymes as a part of witchcraft practice.
  • The excellent article that kicked off this whole topic was “Rhyming Witchcraft,” by Elizabeth Yetter, submitted by listener Anastasia. Thanks!

We’ve got a Spring Lore Contest going on until March 21, 2012! We’re looking for Springtime Lore this time around: seed planting rituals & customs, fertility charms, spring cleaning spells, etc. Anything and everything related to Easter eggs, baby animals, April showers, and (shudder) bunnies. Send your entries to compassandkey@gmail.com to enter, and be sure to put “Spring Lore” in your subject line.  Three participants will win one of three prizes: a copy of Etched Offerings: Voices from the Cauldron of Story from Misanthrope press (an anthology of pagan fiction featuring stories from several podcasters like Oraia Helene, Saturn Darkhope, & me!), an email card reading from Cory, and a goody box from Compass & Key Apothecary featuring several of our oils, curios, and mojo bags. More details coming soon!

You can now request Card Readings from Cory via email, if you are so inclined.

Don’t forget to follow us at Twitter!

Promos & Music
Title music:  “Homebound,” by Jag, from Cypress Grove Blues.  From Magnatune.

Incidental songs and rhymes are from the Alan Lomax folk recording collection at the Library of Congress.

Promo 1 – Forest Grove Botanica
Promo 2 – The iPod Witch
Promo 3 – Druidcast

Quick Update – Spring Lore Contest!

Howdy everyone!

We’ve got a Spring Lore Contest going on until March 21, 2012! We’re looking for Springtime Lore this time around: seed planting rituals & customs, fertility charms, spring cleaning spells, etc. Anything and everything related to Easter eggs, baby animals, April showers, and (shudder) bunnies. We’re trying to put together an episode featuring folklore, ritual, and practice from all over the country and the world relating to rebirth, green grass, renewal, etc. and we need your help to do it! But because we like you an awful lot, we also want to give you the chance to win shiny and wonderful things from us when you send us your lore!

The Prizes

  • A copy of Etched Offerings: Voices from the Cauldron of Story from Misanthrope press (an anthology of pagan fiction featuring stories from several podcasters like Oraia Helene, Saturn Darkhope, & me!)
  • An email card reading from Cory, with a 1-2 page card report featuring a 2-card split and 7-card layout, plus interpretations and a fairy-tale recommendation to connect your reading to a story you can turn to for more inspiration.
  • A goody box from Compass & Key Apothecary featuring several of our oils, curios, and mojo bags. While actual contents of the box are subject to change, they will likely have at least 2 oils, 2 mojo bags, 1-2 curios (like rabbits’ feet, gator paws, or Mercury dimes), and 3-4 herbal samples.

How to Enter

Send your entries to compassandkey@gmail.com to enter, and be sure to put “Spring Lore” in your subject line.

We hope to hear from you soon! Remember, the deadline is midnight on March 21st, 2012, so get those entries in before then!

All the best, and thanks for everything you do!

-Cory

Blog Post 149 – Witch Wars

The term “witch wars” comes up frequently in discussions about neo-Pagan community infighting, as shorthand for the feuding and vitriolic verbal sparring that happens periodically between rival groups. Such wars, however, have not always been barbs exchanged over message boards or smear campaigns between unfriendly covens. The nature of magical practice has almost guaranteed that so long as one witch could cast a spell, another could undo it.

So how do witches fight witches? With magic, of course, but so many of these tales involve what seems to be a battle of wills between two equally gifted magical workers. Strangely, while a witch might attack a person or family, when the witch-doctor enters the picture and counter-attacks the witch, the witch-doctor is seldom targeted back during the battle. Most of the witch-doctor’s services are more geared towards revealing the identity of a witch and providing victims a way to remediate their own problems. This is true in both New World and Old, as scholar Owen Davies demonstrates in his seminal text on English cunning folk, Popular Magic:

“The cure of witchcraft could be effected in three main ways: by going straight to the source and tackling the witch either physically or through the law courts; by breakin the spell at a distance via magical rituals; or by using a mix of herbs and charms to expel the witchcraft from the patient’s body. Cunning-folk were instrumental in facilitating all these methods,and they sometimes employed a combination of all three…the client saw what they wanted to see; in other words, the person they already suspected. The process was one of confirmation rather than detection…” (Popular Magic, Davies, 106-7)

The biggest step in fighting a witch was determining who he or she was. Then, a magical remedy would be applied to disrupt the spell which was affecting the victim. This might involve scalding milk from a bewitched churn, shooting an image of the witch with a silver bullet, etc. Then, in a critical step, the witch would attempt to come to the property of the victim and either enter the home or take something from the house. There seems to be a uniform understanding that such an act must be prevented, or else the witch’s power would remain or perhaps grow stronger over the victim. Davies gives one such example from England:

“In 1682 the parents of a bewitched girl named Mary Farmer were advised by ‘Dr Bourn’ to burn her clothes. He assured them ‘that then the witch which had done her the hurt, would come in.’ The parents testified in court that, having done this, a neighbor, Joan Butts entered their house, ‘and tumbled down, wallowing on the ground, making a fearful and dismal noise.’” (Davies, 109)

In this case, further magical action must be taken, including smoking a cow’s heart in the chimney, to break the witch’s spell.

The magical battles took place between malevolent witches and the community-sanctioned (or at least tolerated) ‘white witches’ or ‘witch-doctors’ indicate that those who could fight a curse were usually fairly well known to their community. A story from Hubert J. Davis’ The Silver Bullet tells of one such struggle, which occurred when a family sought to alleviate its suffering and bewitchment by calling in a man gifted at ‘overlooking’ or breaking curses. To break the curse placed on the family’s child, Tim and Ada consult with this ‘Quaker doctor’ (most likely a Pow-wow/braucher), who provides them with a stoppered bottle into which the family’s nail parings, hair, etc. are gathered, then left under the burning embers of the fire. Adding in some prayers, including a candle burning which ends with the traditional “In the name of the Father and the Son and the Holy Ghost” (further indication of Pennsylvania Dutch magical practice), the “tall, stinguished looking man with thick white hair and a well-trimmed moustache [and] kindly blue eyes” forbids them from letting anyone into their house for three days. Sure enough, an old woman by the name of Old Betty Orts attempts to come in, revealing her as the witch. At that point, the father strikes her head, drawing blood (which immediately saps the power of a witch), and the curse is broken (“The Quaker Doctor and His Magic Bottle,” Davis, 56-8).  The pattern of curse, diagnosis, prescription, attempted incursion, and final defeat of the witch is maintained.

In another account of Appalachian witch warring, an interesting and somewhat unusual battle occurs between two men (in most of these tales at least one of the magicians is female). Patrick W. Gainer recounts the battle between Uncle Johnnie and Uncle Jimmie Webb which took place over the use of a butterchurn. Uncle Johnnie, when denied use of the churn—and here it should be pointed out that the woman he wished to borrow from had two churns available, thus demonstrating the lack of social hospitality mentioned in my earlier post on the Witch’s Ire—enchants it so that he may steal her butter. Uncle Jimmie then helps the churn’s owner, Eliza Morris, to break the spell by whipping it with switches while churning with his left hand. This, in turn, causes Uncle Johnnie to suffer welts and undoes the enchantment (“Uncle Johnnie Bewitches the Cows,” Witches Ghosts & Signs, Gainer, 142-4).

This is not, of course, a wholly good vs. evil phenomenon. Scholar Emma Wilby notes that magical folk in England often employed their magic as the situation dictated, being neither entirely helpful nor entirely harmful:

“Although some cunning folk had a reputation for being wholly good, a large proportion of them were considered ambivalent, that is, they could employ their magical powers to both help and harm…The trial records of East Lothian cunning woman Beigis Tod, who was accused of witchcraft in 1608, echo this popular perception when they claim that Beigis was known to be skilled in both ‘on-laying and af-taiking of seiknes’. [Wilbiy’s italics, short for “laying on and taking off of sickness”].” (Cunning Folk & Familiar Spirits, Wilby, 54)

These mixed talents were often set against each other, with one magical practitioner putting a spell on a person, place, or group of people, and another showing up to take it off. Sometimes this un-bewitching was done for free, but frequently a fee would be charged, which led some to suspect that the ‘bad’ witches and the ‘good’ witches were in league with each other and splitting the profits. One such example is the tale of “Mont and Duck” from Hubert J. Davis, in which an old couple moves into an area which suddenly begins experiencing oubreaks of illness. The community blames the newcomers, of course, but the response is interesting:

“[O]ne of their neighbors accused Mont and Duck of having cast a spell on their sick cow. Old Mont awed his accuser by readily admitting that his wife, Duck, had the power of evil, and that he could break the spells. Shortly after this, he began to offer to cure ailing animals by removing the spells on them in return for a bushel of potatoes or some other vegetables, or even a piece of meat” (“Mont and Duck,” The Silver Bullet, Davis, 214).

One family that refuses to pay for relief from magical attack experiences a death in this story, and the entire community takes their powers quite seriously. Mont is valued, but feared, for his powers as a witch-doctor, and the racket they have established continues for quite a while without any repercussion from the locals.

Yet there are certainly accounts of magical battles in which the side of ‘good’ seems to be operating from a mostly altruistic stance. Arguably one of the most famous magical battles in American lore is the account of sorcerous combat between Sherrif James E. McTeer and Dr. Buzzard (presented here in quoted abbreviated form from Low Country Voodoo, by Terrance Zepke, and also found in American Shamans by Jack Montgomery):

“One person who remained unimpressed with the root doctor [Dr. Buzzard, aka Stephaney Robinson] was Sheriff J.E. McTeer. He was elected in 1926 and saw many stgrange things that were attributed to Dr. Buzzard, such as people getting sick and dying or witnesses having seizure in the middle of testifying in court…The sheriff…began a lifelong study of conjuring so he could better understand it. In time he, he became known as a ‘white root doctor.’ …McTeer felt strongly that he was the one who could stop Dr. Buzzard once and for all…[he] issued a warning that if the witch doctor didn’t stop, he would eventually bring him to justice.

The infamous root doctor was not used to being threatened. To the contrary—most folks feared or respected him too much to even think about it. The sheriff’s warning mae him so mad that the witch doctor set out to ruin him. The spiritual warfare came to a halt after Dr. Buzzard’s son was killed in a car crash. The conjurer believed the wreck was was the High Sheriff’s doing and went to see his adversary. The root doctor told th sheriff that he respected his mantle and would leave him alone if McTeer would do the same. McTeer agreed, on the condition that Dr. Buzzard quit practicing sorcery. The conjurer thought about it for several seconds before nodding his head in agreement” (Low Country Voodoo, Zepke, 82-4)

In this fighting-fire-with-fire version of the witch war, ‘good’ triumphs in the form of McTeer, though Dr. Buzzard would eventually return to his old ways with diminished success.

So, in conclusion, the witch war has not always been the genteel affair that it is today. When sharp tongues trade barbs, it can be unpleasant, but thankfully no one is stealing anyone else’s butter, drawing blood from anyone else’s forehead, or causing the death of someone else’s child to prove a point. Or at least, I hope they’re not. I think I’ll go and recharge my house protection spells now…

Thanks for reading!

-Cory

Blog Post 148 – The Witch’s Ire

Or, Why Witches Cast Curses & Steal Milk

Until relatively recently, most stories about witches in folklore and literature did not portray them as intensely helpful, benevolent creatures in touch with the natural world and working on behalf of cosmic balance. Fairy queens, enchantresses, and other witch-types did perform beneficient acts, of course (think of the benevolent fairies of “Sleeping Beauty” or the kindly-but-righteous “Mother Holle”), but one had to be careful not to run afoul of their temper or risk angering others of their kind. And acts of benificience performed for one person could easily result in tragic consequences for another (think here of Medea’s sacrifice of her own brother to save her beloved Jason).  When most people think of witches, though, they are imagining the wicked kind, the one working curses on unsuspecting victims or blighting crops or summoning up armies of flying monkeys to steal flashy footwear.

Today I thought it would be worth looking at just why witches in stories—particularly New World tales—might be doing such heinous deeds. What did people do to get on the witch’s bad side, and what could be done to remedy that problem? Let’s start by looking at a story from S.E. Schlosser’s American Folklore site, about a New Jersey witch named Moll DeGrow. You can read the full story at her site, but the basic idea is that DeGraw (who may or may not have folkloric connections to Maryland witch Moll Dyer) was an evil witch, who “took delight in the misery of others, and made things miserable for the folks living near her. If a neighbor slighted her, she would sour their milk. If anyone called her a witch, she made their dogs turn vicious.” She reportedly causes all manner of calamity, including the use of spectral hellhounds to torment a family which speaks ill of her and magically slaying a number of infants from families against whom she bore a grudge. “When she was accused by a hysterical mother of causing the death of her baby girl, Moll DeGrow just laughed and didn’t deny it.” When the townsfolk collect themselves to go and kill her, they find she is already dead, her corpse grinning cruelly at those who find it, and her ghost lingering on to haunt the area.

DeGrow’s story may seem essentially like a cut-and-dry case of wicked witchery, but perhaps the townsfolk aren’t the only victims here. Kieth Thomas, in his excellent essay “The Relevance of Social Anthropology to the Historical Study of English Witchcraft” (found in Elaine Breslaw’s Witches of the Atlantic World) makes a strong case that in most accusations of witchcraft, the alleged witch almost always acted in a roundabout form of self-defense, taking justice into her own hands when necessary and using one of the few tools at her disposal—magic—to effect real change on her own behalf. “Contemporaries were horrified by the witch’s activities,” Thomas says, “But they seldom denied that she had genuine reason for wishing ill upon her victim” (66). Thomas then goes on to point out that in many cases, the ‘witch’ in question was known to her accusers, and her persecutors frequently had turned away a request for aid in a time when the interdependence of a community was a nearly sacred bond. “The requests made by the witch varied, but they were usually for food or drink—butter, cheese, yeast, milk, or beer…They are not to be confused with simple begging. Rather, they illustrate the breakdown of the tradition of mutual help upon which many English villages communities were based” (67). So in the context provided by Thomas, a witch was a victim—even a begrudgingly acknowledged one—within the social rules of her community.  With that in mind, let’s look at the story of Moll DeGrow again.

In the DeGrow tale, the witch may have taken delight in the misery of her neighbors, but every instance of her wreaking havoc follows upon some perceived injury—a slight which led to sour milk, an accusatory epithet which led to animal bewitchment. And her grudge against local families must have been severe if she unleased death on their households. What exactly had they done to her? Of course, DeGrow may also be innocent of the last and most heinous of these acts, as she never admits guilt but merely “laughed and didn’t deny it.” Considering how often I’ve laughed in uncomfortable situations, I cannot help but wonder if maybe a little bit of shock and a lot of disbelief might not have been at play in that strange episode (that is, of course, all speculation on folklore, so please enjoy it with a hefty grain of salt).

With a worldview in which a wicked witch is merely fighting back against those who have done her wrong (or done those she loves wrong, as a mama witch is probably one of the scariest people a young beau can face), let’s look at a few cases of seething sorcery from other New World sources. The book Black & White Magic of Marie Laveau, by N.D.P. Bivens, uses a format in which a supplicant comes before the Voodoo Queen Marie (here a sort of witchy godmother) to redress some injustice and gain his or her heart’s desire. Here are a couple such cases:

THE LADY WHO WISHED TO CROSS HER ENEMIES

Oh good mother I come to you with my heart bowed down and my shoulders drooping and my spirits broken. For an enemy has sorely tried me. Has caused my loved ones to leave me, has taken from my worldly goods and my gold. Has spoken meanly of me and caused my friends to lose their faith in me. On my knees I pray to you a good mother that you will cause confusion to reign in my enemies house and that you will cause hatred to be on my enemies head and that you will take their power from them and cause them to be unsuccessful (8).

TO CONTROL TROUBLESOME NEIGHBORS

Oh dear Mother I come unto you to tell you of my unsettled mind and my grave troubles. There is some one who lives near me, but who has no neighborly love for me nor anyone else, but is only full of selfishness and of a mean mind and makes continual trouble for everyone who lives close near and around me, so that there is a continuous strife and wailing wherever that person may be. When I pass near their place of living they at once utter mean words loud enough so that they will reach my ears, in order that I may stop and say to them mean words in return so that this will lead to a court scrape and that the men of the laws may interfere with me, also when any of my loved ones pass the place wherein they live. Then again slander reaches their ears so that there shall be no peace in the neighborhood. When anyone comes to visit the place where I live they lie in wait for them until they come out and words of blasphemy and reproach reach their ears. Can you not in your great wisdom tell me which evil spirit makes them successful in their work of the devil so that I may hope to protect my home and my loved ones and in the end attain peace of mind (26).

In both situations, the victim is obviously the supplicant (though we only get the supplicant’s point of view, of course, a detail worth noting). In both cases, the supplicant appeals to the powers of witchcraft and conjure to fix the problem, and the prescribed solutions to fit these circumstances are not the gentle type (the latter story results in something like an intense hot-footing charm). Again the idea of neighborly duties are inverted, with the supportive role transformed into a grotesque exercise in social ostracism. In such a situation, a little manipulative spellwork hardly seems unjustified.  Reacting to an enemy is not the same thing as offensive magic, and in both cases the supplicant likely could perform countermagic with a clean conscience.

There are numerous other tales of witches who receive the short end of the stick in life and take it out on their callous neighbors, such as:

  • The tale of Granny Lotz in The Silver Bullet, an elderly woman whose neighbor “got after” her about forgetting to close her gate, which allowed his cattle to get loose. Because he ignores her age and persecutes her (a point the story makes as a mark against him), she bewitches his cows to give bloody milk (Davis 35).
  • A pair of stories entitled “How Witches got Milk and Butter” and “The Milk Witch of Wood County,” from Witches, Ghosts, & Signs. In both tales the witches are portrayed as poor members of the community who keep their families fed and healthy by magically stealing milk from neighbors. In neither case do neighbors take any relatilatory action, however, recognizing that the theft is occasional and non-debilitating, and that they witches seem to need it more than the dairymen do (Gainer 167-8).
  • Two stories in Ozark Magic & Folklore tell about witch-theft, too. In one case, two women “who lived all alone in a nearby farm” managed to siphon off milk from neighbors’ cattle using an enchanted dishcloth. In another story, a woman refuses to sell some ducks (at a low price, admittedly) to a reputed witch, who tells her the ducks will be dead by the following Monday. Sure enough, the ducks die, and the witch is blamed for the deaths (though it could be argued, of course, that the witch merely knew about the impending deaths and wanted to get some ducks on the cheap, ensuring a positive outcome for both parties, but that is certainly not implied by the story) (Randolph 270-1).

None of this is to say that a witch’s ire was fairly earned. In fact, most illustrations of such cases seem to side emotionally with the victims, even when recognizing the marginalized and abused position of the witch. The witch is thought to overreact, bringing death and destruction in turn for slights and offenses. She, too, neglects her neighborly duties by neglecting social norms in many ways within these tales. Yet it is worth remembering that keeping on a witch’s good side is possible in every version of these tales, and frequently it seems that only those who deliberately set out to poke a sleeping dragon truly get bitten. The central message of all these tales seems to be, “Don’t make the witches angry; you wouldn’t like them when they’re angry.”

Of course, if you happen to know your own counter-curses and spells, it’s a whole ‘nother ball game. When magical workers earn the ire of one another…well, that’s a post for another day, I think.
Thanks for reading!

-Cory

Quick Update – The Horror! The Horror! (Anthology)

Hi everyone!

Some of you know about this already, but for those who don’t, I’ve recently been published among a host of other excellent authors (including a few of my fellow podkin) in the latest release from Misanthrope Press. It’s called Etched Offerings: Voices from the Cauldron of Story, and features dark fiction with a magical, pagan-y, or generally metaphysical bent. My story is called “Wolves,” and deals with an ice storm, a teenaged ghost, and an old man who really likes hot dogs with mustard. Oh, and the titular wolves appear at some point, too.

Misanthrope Press has been putting out some really neat anthologies lately, including this one and Children of the Moon, a werewolf compilation. They’ve also got a great dark speculative fiction magazine called Title Goes Here that is worth checking out.
Okay, shameless plug done! Go take a peek at these stories and let me know what you think!

Thanks for reading!

-Cory

Blog Post 147 – Reviews and Recommendations

Hi all!

I’ve been reading a lot lately (but then, when am I not?). I’ve also managed to catch a couple of great movies as well. So I thought I’d share some of my thoughts on them with you! The excerpts below are the slightly abridged versions of the full reviews found over at Pagan Bookworm, so head over there if you want the full report.

1)      The Book of English Magic – by Philip Carr-Gomm and Richard Heygate (Overlook, 2010)

If you have spent much time studying occult literature, you know that Great Britain is rife with magical lore: fairies, Arthurian legends, druidry, cunning folk, etc. In The Book of English Magic, Philip Carr-Gomm and Richard Heygate make the not-too-audacious claim that Britain’s magical history is one of the richest—perhaps the richest—in the world. They approach their subject by examining a mix of history, folklore, and modern practices to attempt to piece together a portrait of Britain as an enchanted isle. While I think that they succeed in presenting a magical portrait of a magical land, I also think that the authors are by turns too broad and too narrow. They do a wonderful job looking into subjects like English alchemy and dowsing, providing a number of excellent resources to discover more about each topic. They also dwell overlong on the concept of druidry (not surprising considering it is one of Carr-Gomm’s chief fields of interest—he is also the author of Druid Mysteries, the Druid Plant Oracle, and the Druid Animal Oracle). The paucity of sources supporting some of their research means that while some chapters seem tight and focused, others seem only loosely woven together. They hardly plumb the depths of what is called Traditional Witchcraft, and the concept of cunning folk is given surprisingly short shrift considering how close to contemporary some of that material is. The inclusion of practical exercises gives a slightly ‘workbook’ feel at times, which deflates the momentum of the book in some places, but really does seem to serve the overall work.That being said, if one were looking for a good coffee-table introduction to the myriad magical traditions available to the student of British history, this would be an excellent starting point.

2)      The Voodoo-Hoodoo Spellbook – by Denise Alvarado (Weiser, 2011)

This book is about what author Denise Alvarado calls “Voodoo-Hoodoo,” a term which irks some as the continuing inaccurate jumble of two terms which should remain distinct (Voodoo being a religion and hoodoo being a folk magical practice). However, if one takes the time to read Alvarado’s passionate book on the topic, the Voodoo-Hoodoo Spellbook, one can see that she is merely sticking to the terminology most people are familiar with and that the dog of diction has no teeth to bite when it comes to New Orleans-style magic. Instead, Alvarado presents a tradition which blends elements of Haitian Vodoun, folk Catholicism, Southern root work and hoodoo, and a touch of New Age spirituality to create a vibrant, current practice. She uses a number of good resources, often primary ones, to support her understanding of a practice she has lived with her whole life (according to her). She also frequently slips away from the facts and into personal experience, but does so in a non-authoritarian way. Her history of Mardi Gras and the magical folklore associated with them is captivating, as is her heartfelt look at the Seven African Powers. When she does slip off of the scholarly or personal track the book can get a bit messy. Her correspondence tables are not a strength, and her inclusion of New Age style tumbled gemstones in her work almost undermines her traditionalism (as it seems fairly obvious that slaves doing similar work in the 19th century would not have had polished rose quartz to work with). She is flexible and fluid towards Christianity, though here it should be pointed out that she neither says one must work with Christianity nor one must work with African Traditional spirituality. People are looking for spells, and this book definitely has those. There are spells for love, luck, money, protection, and half-a-dozen other needs. Hundreds of spells and workings are contained in this book, as well as recipes for conjure oils and powders, instructions for candle working, and a discussion of poppets and dolls in magical work. Some of them seem totally reasonable within the context of her presented practice, and some seem a little forced. This book fits nicely on the shelf next to other “hoodoo 101” texts, while offering a few doors to open for a reader looking to go deeper.

3)      Old World Witchcraft – by Raven Grimassi (Weiser 2011)

Don’t buy this book. I’m not even bothering providing a link to it. I’ve done a full review at Pagan Bookworm, but let me just say this text is badly researched, mis-cites or fails to cite sources, argues with scholars without presenting their actual point of view/argument, claims that graveyard dirt is just the powdered ash of tree leaves gathered in a cemetery, and says that you can become deeply knowledgable about a plant by studying its sigil. It’s bad history, bad herbalism, and bad witchcraft. All in all, this is a book which suffers from broken clock syndrome (as in, “a broken clock is right twice a day”). He occasionally hits on interesting ideas or brings up worthwhile concepts, but mostly he seems to be posing an elaborate fantasy as a pseudo-historical reality, with very little scholarly backbone to support his claims. When someone prods the gear works, the whole contraption just seems to fall apart.

4)      American Mystic, directed by Alex Mar (Empire 8 Productions, 2010)

Director Mar turns the camera on three different but spiritually similar people: Kublai, an African American man who belongs to the Spiritualist Church; Chuck, a Lakota Sioux sun dancer; and Morpheus, a pagan witch and Feri tradition priestess. The director captures the challenges of these faiths, including both internal and external struggles. While there is an element of novelty to the practices of each film subject, the director never lets curiosity turn into spectacle. The Sun Dance, which can be grueling for participants, is not simply a show of blood and muscle, but rather connects Chuck to his family in a powerful way. Kublai seems to struggle with just how much he believes in his own spiritual gifts. And Morpheus senses her displacement in the modern world, while at the same time she does not shy away from the society of other people.  The film does have its flaws, but keeps a sensitive and intelligent lens focused on these subjects and their deeply-felt spiritualism. This is a rare and lovely documentary on mysticism as seen at the ground level. Available on Netflix.

5)      All My Friends Are Funeral Singers, directed by Tim Rutili (IndiePix Films, 2010)

In this outstanding independent film from director (and bit player/musician) Tim Rutili, a lonely fortune-teller and magical worker named Zel (played by the radiant Angela Bettis) lives in an old country house inhabited by a wide range of unusual ghosts that only she can see. There are dead flappers, priests, blind musicians, and a strange, child-like woman named Nyla (Molly Wade) who cannot speak. Zel is not merely a medium, she is also a deeply talented magical worker. She smartly lays down a salt line in front of her bedroom door every night to keep her ghost-friends out. The director cleverly bookends each section of the film with bits of folk magic, title cards with things like “A wish made while burning onions will come true,” which lends to the overall enchantment of the piece. This is such a lovely and exceptional film that I easily overlooked its flaws in favor of being bespelled by these characters. I cannot recommend this film highly enough. Go, watch it now! Available on Netflix.

Whew! So that’s been my reading and watch list (at least, that all the ones I could write reviews about lately). What have you been getting into?

Thanks for reading!

-Cory

Podcast 37 – The Audio Spellbook

-SHOWNOTES FOR EPISODE 36–

Summary
This is our long-in-the-making audio spellbook episode! Listener contributions abound, as well as a few spells from your New World Witchery Hosts. Plus we announce the contest winners from our Speak-a-Spell giveaway.

Play:

Download: New World WItchery – Episode 37

-Sources-
All the spells come from listeners this time. Here’s a list of what you can hear:

1. Odom of the Evil Eye – Gambling Charm
2. Baron Chatdelamort – Chicken Foot Spell
3. Cory Hutcheson – Academic Crown of Success Mojo
4. Leathra (read by Laine) – Safe Travel Spell
5. Scarlet Page – Employment Spell
6. Nashoba – Cicada Creativity Charm
7. Jaina (read by Laine) – Prosperity Spell
8. Leathra (read by Cory) – Lost Object Teacup Spell
9. Ro – Matchbox Spell
10. Jessica – Warding and Protection Spell
11. Bev (read by Cory) – Coral Anti-Negativity Spell
12. Mama Fortuna – Cleansing Ritual Bath
13. Cory Hutcheson – Feet Water Charm
14. Cedar – Socializing Spell
15. Laine – Get a Job! Spell
16. Cory Hutcheson – Addled Brain Curse
17. John from MN – Icelandic Staves Curse

Here’s the photo from John’s Icelandic Staves spell:

Congratulations to our contest winners!

Don’t forget to follow us at Twitter!

Promos & Music

Title music:  “Homebound,” by Jag, from Cypress Grove Blues.  From Magnatune.

Additional Music from Musicalley.com (all podsafe):

1. Armand van Helden – “Witch Doctor”
2. Michael & Spider – “Enchanted”
3. Dreamline – “The Day the World Stood Still”
4. Todd Parker & the Witches – “Greetings from the Star Chamber”
5. Witcher – “Astral Phantasm”
6. Clouseaux – “Jungle Witch”
7. Witcher – “Kuin Metsaan Huuta”

Blog Post 146 – Dowsing

Today’s entry deals with a very specific type of magic, one which has been associated with the word “witch” in a positive way even within deeply Christian communities for a century or more. The practice of dowsing, or “water witching” as it is sometimes called, essentially deals with the use of divination instruments to find something. Most frequently, that something is water, but on occasion it might be oil, precious metals, lost objects, or even lost people. The phenomenon of water witching is one of the most accepted mystical practices in the West today, and there are organizations devoted to its study from both scientific and metaphysical perspectives. A person can be a dowser and still be a respected member of his or her community, even a highly valued one if he or she is effective at it, though magic or divination of any other kind might be frowned upon by the neighbors. But just what is dowsing and how does it work? Here is an excellent description taken from a folklore handbook on a specific area of the Appalachian foothills:

Almost without exception, dowsers were used to ‘witch’ wells dug in the region [the Upper Cumberland area of TN/KY] before the 1930s. A dowser, or water witch, is a person perceived to have a skill for discovering underground water with the use of a divining rod, usually a small, forked limb cut from virtually any fruit-bearing tree or willow. Because a water witch’s method is not scientifically proven, reliance on this technique is considered a folk practice. However, there were at least 25,000 active diviners in the United States as late as the mid-1950s, according to folklorist Trudy Balcom, and the results of their predictions have proven as successful as those of hydrologists and geologists.

Dowsers were often called in before a new home was built, so that the house could be located near a well. To find the water, the dowser typically holds the free ends of the forked prongs, wrists turned upward. Thumbs are pointed horizontally outwards so that the loose ends of the prongs extend three to four inches beyond the thumbs. (There are variations on the manner in which the switch is held.) The dowser walks slowly toward the desired location of the well. When the witch comes upon a subterranean stream immediately below, the vertex of the fork turns toward the ground; the stronger the stream, the more forceful the downward pull. The fork often twists in the dowser’s hands when a strong stream of water is discovered. Some say that the bark will even twist off into the dowser’s hands, and a few people claim that the forked limb often begins to nod, one time for each foot of dirt and rock that will have to be excavated before water is reached (from Upper Cumberland Country, by William Lynwood Montell, 37-8).

This summary of water witching covers most of the basics: a forked rod, used to find water before digging a well, the power in the dowser, and the nodding to indicate well depth. It also addresses the issue of scientific verification, which is a sticking point for a lot of professional dowsers. Some argue that they can produce repeatable results with their methods, even going so far as to get large mining companies to acknowledge their findings. Yet many scientific studies are at best inconclusive when it comes to water witching, or even outright disprove the phenomenon (on paper, anyhow). I’m not here to argue the merits of scientific proof of spiritual phenomena, so I’ll just say that both sides have evidence of some kind, and both seem to be firmly convinced of their interpretation of that evidence. Getting back to the folklore of dowsing, I found a rather interesting footnote explaining the dowser’s use of the forked branch in the book Kentucky Superstitions, which seemed to indicate that the forked shape is related to lightning in some way (292).

Water witches proved to be incredibly valuable members of their communities, and were not only popular but highly regarded for their skill, with no diabolical associations. From Vance Randolph’s Ozark Magic & Folklore:

Nearly all of the old settlers in the Ozark country believe that certain persons can locate underground streams by ‘cunjurin’ round’ with forked sticks. These characters are called water witches or witch wigglers, and the forked switches they carry are known as witch sticks. Despite this sinister terminology, the waterfinder has no dealings with the Devil, is not regarded as dangerous by his neighbors, and has nothing to do with witchcraft proper (83)

Randolph himself takes it very seriously, indicating that it’s not something that he has seen scientifically proven, but which he has seen demonstrated over and over again, which is a fairly sharp contrast to his usual bemused skepticism with regard to the folk beliefs of those he studied. He also makes several other observations on the powers of water witches:

  • He says that the power is in the dowser, not the stick itself, but that he felt a distinct sensation upon holding a witch stick in his hands ( 84)
  • He discusses the societies built around the practice of water witching or dowsing, including ‘Water Surveyors’ Club’ of Butler, MO (86)
  • He gives the story of Fred Goudy of Everton, MO, who dowsed using copper wire instead of tree branches, and gained great fame by doing so (87)

Of note, however, is his doubt about water witches who claim to find mineral deposits or oil. He does not put stock in the ability to find anything other than water with this method, at least as far as the Ozarks are concerned:

Many hillfolk are interested in the search for lost mines and buried treasure, and some of these people have tried to use the witch stick in their quests. If a man is looking for buried gold, he fastens a gold ring to the end of his stick ; if it is silver that he expects to find, he splits the end of the wand and inserts a silver coin. Rayburn says that to locate mixed ores one uses two different metals usually a dime and a penny. Witch sticks thus equipped for treasure hunting are sometimes called ‘doodlebugs,’ but I don’t know if this is an old backwoods term or a recent importation. I have seen perhaps a dozen doodlebugs in operation but have yet to hear of any treasure being found by the doodlebuggers in the Ozarks. It is said that a switch loaded with metal will not react to water, or to any other substance save the particular metal which is attached to the stick (88)

Richard Dorson records the presence and commonality of ‘water witches’ in Illinois in his book Buying the Wind, saying that (in the early 20th century), most farmers had dowsers find wells for them, often for only a dollar or two in payment. He also reports that dowsing for oil had lately (the book was published in 1964 for a sense of temporality) become more common and profitable than dowsing for water (321-22). Veering momentarily into recent history, in a letter dated December 8, 1993, the Chevron Oil Company told Welsh dowser J.P. Taylor that “you opened our eyes to the world of dowsing…it certainly made us think there is more to it than we had previously known.”  The letter goes on to highlight how Taylor, with no prior knowledge of the specific geology of two regions, had been able to accurately identify subterranean oil and gas reservoirs. This is hardly proof positive of dowsing’s power, but it should put into perspective the acceptance with which water witching has been met, even in the past quarter-century or so.

I’d like to conclude today by going back in time and abandoning the present-day (not that it’s not a nice place to visit, but let’s go where the history is hanging out) and looking back at dowsing in the Colonial period. Peter M.’s New England Folklore blog tells a humorous and interesting story about the “Rod Men” of Middletown, VT. He also mentions a few of the late 18th-century powers ascribed to dowsers:

  • Determining lifespans
  • Finding wild plants to cure illnesses
  • Treasure-finding
  • Receiving divine messages
  • And my favorite: “Tell young women their clothes had the Devil in them, and should be removed”

So that’s it for this cursory examination of water witching. There are probably far more qualified folks to write on this phenomenon than me, so consider this a fleeting glimpse into a fascinating subject. My own experiences with dowsing have been limited to using bent copper rods and attempting it (unsuccessfully) with a broken tree branch (which was not taken from a living tree, so that might explain the problem). If you’ve had experience with water witching or treasure/mineral/oil dowsing, I’d love to hear about it! Please leave a comment below! Otherwise, here’s hoping you find what you seek in life!

Thanks for reading,

-Cory

Blog Post 145 – Wart Charming

The image of the fairy-tale witch often comes complete with a big, nasty wart perched at the end of her nose. The association of witches with warts could come from a variety of folk beliefs and superstitions: the close ties between warty toads and witches, the idea of a ‘devil’s mark’ which the witch uses to suckle her familiar, or even just a desire to make a something ugly out of something ‘evil.’ The association is not always a purely negative one, however. Folk magicians in the New World (as well as those in the old, though I’ll not be addressing them here) have a long-standing history of curing warts through magical means. In fact, that is frequently one of the most commonly found magical services provided by a community magician (or faith-healer, traiteur, pow-wow, etc.).

Today I thought it would be good to look at a few different methods, stories, and charms associated with wart-removal in American folk magic. I’d like to start in Pennsyvlania-Dutch country, with some of the wart charms found in Chris Bilardi’s The Red Church:

WARTS, CORNS (GEWECKS, GEWEX, WARZ)

[Do whole body Brauche treatment to eliminate any root causes of warts. Bilardi then gives an extensive treatment involving the mimicking of cutting the wart off using an imaginary knife, a process I will refrain from detailing here as it is somewhat lengthy and I’d rather encourage you to buy his book by leaving a little mystery to it…]

To remove warts using the moon: instruct the patient to go somewhere s/he can observe the moon. This is one of the very few wart charms that utilize the waxing moon. Once the moon in in sight, the afflicted wil say:

‘Was ich raib, nem ab; was ich sen, nem tsu.’
English, ‘What I rub, decrease; what I see, increase.’

The Brauche is done three nights in a row. This is begun two nights prior to the moon being full (251).

In the braucherei tradition, then, there is a sense that warts have a spiritual side, hence the full-body treatment before the specific attempt to cure the wart and the influence of lunar cycles on wart growth or removal. Yet they are also a practical matter, dealt with by simple folk magic and a relatively unassuming charm. Other methods listed in The Red Church:

  • Rubbing warts with cloths that have touched a dead body
  • Scratching a wart with a coffin nail
  • Rubbing the wart with a freshly killed eel or rooster, then burying the body part under the eaves of one’s house
  • Rubbing the wart with pebbles which are then thrown into a grave
  • Using a red string with as many knots as there are warts, rubbing each wart with a knot, then burying the string under the house’s eaves (252-3):

Moving down into the Appalachians, there are a number of variant methods for dealing with warts that parallel—if they don’t exactly duplicate—the methods described by Bilardi. In the hills of West Vriginia, we find these wart cures from Patrick W. Gainer’s Witches, Ghosts, & Signs:

  • To cure warts, wash your hands in stump water.
  • A ninth son can remove warts.
  • Drop dirt from a newly-made grave on a wart and the wart will disappear.
  • To cure warts, pick them with a pin and bury the pin.
  • To cure warts, take a hair from the tail of a gray horse and wind the hair around the warts.
  • To cure warts, steal a dishrag and rub it on the warts, then bury the dishrag. When it rots, the wart will disappear.
  • To cure warts, cut as many notches in a stick as there are warts, throw the stick in a swamp, then bury the dishrag.
  • To cure warts, rub a rock ovr the warts, wrap it in a neat package and throw it away. Whoever finds the package will get the warts.

Already we can see some patterns developing in wart cures. There are essentially three methods which appear over and over again: 1) Rubbing the wart with something and burying it to decay the wart, 2) Scratching or pricking the wart and disposing of either the scratching implement or something marked with blood from the wart, and 3) Passing the warts to someone else in a variant of magical commerce. There are exceptions or variations in each of these, of course. The corpse-touching method might be seen as a way of passing the wart to the corpse, but it may also be seen as symbolically burying it. The stump water method doesn’t fit neatly into any of these categories. And the notion of a ninth son removing warts is strange, as it does not indicate exactly how they are able to do this (I mentioned in the post on Coins that my brother-in-law’s grandfather could charm warts using pennies because he was the seventh son of a seventh son, but that may be more specific to our region).  From these three methods, most other treatments become variants, though exceptions do still occur.

Exchanging the Appalachians for the Ozarks, we find more variants of this type, and a few new tricks. From Vance Randolph’s Ozark Magic & Folklore:

  • He mentions the notched stick method referenced above, but also adds “bury the stick on the north side of the cabin and never mention it to a living soul”
  • Suggests using an onion for a wart cure: cut the onion in half, rub the wart with one half and bury it, then eat the other half. When the onion rots, the wart disappears.
  • Spitting on a hot stovelid, once for each wart, gets rid of them
  • Letting a grasshopper or katydid bite a wart will make it go away
  • Touching a wart with the hand of a corpse will remove them

Here again we have the burial method, the pricking/bleeding method (with the grasshoppers), and the transference method (with the corpse). But we also have the novel stove-top method, which is interesting to me because of the mixture of sympathetic and contagious magic it contains: the spittle on the hot stove looks like a wart sizzling away into nothingness (sympathetic) and it is the spit of the person with the wart which is evaporated (a sort of inverted contagious magic).  Randolph also includes an interesting charm associated with the corpse method:

At the funeral of a close friend, a ‘warty feller’ is supposed to touch his warts and repeat the following jingle:

They are ringing the funeral bell,
What I now grasp will soon be well,
What ill I have do take away
Like jn the grave does lay.

This is believed to benefit tumors, sores, boils, and even cancers as well as warts. (131)

In my Apples post, I cited some Kentucky lore about using that fruit to do the rubbing-and-burial method. A reader mentioned that they had heard something similar to that technique, only using potatoes (which I’ve also heard as well, especially in relation to Irish folk magic or some Appalachian charms). The book I cited, Kentucky Superstitions, mentions the potato method, and also has these interesting variants on wart charming:

  • There are a number of ‘burying’ charms, involving the interment of things like beans, steak, bacon, peach tree leaves, potatoes, walnuts, etc.
  • ‘Picking’ cures are also popular, in which a wart is bled by puncturing it with a brass pin, corn kernels, needles, etc.
  • A variety of substances, including cat’s blood, coffee grounds, dandelion juice, eggs, fish, goose feathers, chicken gizzards, etc. are also rubbed on warts to remove them
  • One of the most popular and common cures involves bleeding the wart, dabbing the blood on corn kernels, then feeding those to chickens—especially a neighbor’s hens—to remove the offending blemish
  • Lemon juice or milkweed are supposed to be good cures for warts
  • Warts can be charmed off by some people with a gift for doing so; some are able to ‘count’ warts off, others can pray them off, and still others ‘buy’ the warts off of someone
  • Warts can be magically passed to another person by leaving them at a crossroads; simply leave a paper spotted with blood from the wart in the middle of the crossing, and walk away without looking back; whoever picks up the paper picks up the warts
  • The stick-notch method or knotted cord method are two popular remedies for warts in which the number of warts is counted by notching a stick or tying a cord, then the burying it or dropping it into running water (121-30)

The corn method is something I found in several places, including Harry M. Hyatt’s Folklore of Adams County. In many cases, the corn must be fed to a neighbor’s chicken, which makes me think it is another technique for passing the warts to someone else, just in a very roundabout way. Hyatt also mentions many of these cures in his books, and offers an interesting addition to the bark-notch method of curing: “I know this works, for my daughter had a wart. She tried several things, and this took her wart away: walk up to a young apple tree — if you have a wart — walk around to the opposite side and cut two notches in the bark, then rub your wart over the two notches, then walk back the same way you came; when the bark grows over the cut places, your wart will be gone” (146).

As always, there’s much more to say on the subject of charming warts, but hopefully this gives a nice broad look at the subject. I need to be very clear, of course, that none of the charms, lore, techniques, or superstitions here are presented as medical advice—a good doctor can freeze a wart off without making you go through the trouble of finding an eel to kill or figuring out which of your neighbors might have some hungry chickens around. But for those interested, wart charming seems to be a simple way to get into traditional folk magic, and who knows, you might just have a knack for it. At the very least, hopefully the warts on that old witch’s nose in the storybook won’t seem so scary anymore.

Thanks for reading!

-Cory