Blog Post 229 – Frogs and Toads

Illustration of woman spitting frogs and snakes from her mouth to illustrate fairy tale
“As she spoke, vipers and toads fell from her open mouth.” – from “Diamonds and Toads (or, The Fairies)” (Illustration by Cory Thomas Hutcheson 2020)

“Just then there came a second knock at the door, and a voice called out:

Youngest daughter of the king,
Open up the door for me,
Don’t you know what yesterday,
You said to me down by the well?
Youngest daughter of the king,
Open up the door for me.

The king said, “What you have promised, you must keep. Go and let the frog in.”

-From “The Frog Prince, or Iron Heinrich” from the Grimms’ fairy tales collection

Witches go together with frogs and toads almost as readily as they do with broomsticks and pointy hats in the popular imagination. In the story “The Frog Prince, or Iron Heinrich” from the Brothers Grimm collection, a handsome prince has been transformed into a frog by a “wicked witch,” although we pointedly do not get her side of the story. The story “Diamonds and Toads (or The Fairies),” found in the pre-Grimm French collection done by Charles Perrault, reveals that while a good sister is rewarded by precious jewels dripping from her mouth when she speaks, an ill-mannered girl is punished by a fairy (sometimes a fairy tale proxy for a witch), who curses the girl to spew toads and vipers when she speaks.

Beyond the fairy tales, however, several folk magical practices are woven into the webbed toes of frogs and toads. This post will share a few of those bits of magical lore from North American sources and practices. I will note that there are some gruesome spells herein, including some that involve harm or death coming to these marshy denizens, and I am in NO WAY ADVOCATING that you actually do anything hurtful to frogs or toads. They are a valuable part of our ecology and virtually any spell can be adapted in ways that avoid harming them (although I have nothing against the respectful collection of their remains after their demise). In fact, I’ll even begin with this bit of North Carolina folklore to help warn you away from such cruelty:

-Every frog you kill makes your life shorter (or killing a frog or toad will lead to the death of your mother, father, or another kinsperson) (Brown, p. 54). 

Another series of entries from that collection mentions that killing a frog or toad will lead your livestock to give bloody milk (p. 437-38), but conversely it recommends that an ill animal be fed a live frog in order to cure it (p. 449). That may very well have to do with the sympathetic nature of the magic, and the belief that a frog might have been used to initiate the curse, so forcing the frog into the animal is a way of doubling the hex back on itself and thus purging it from the animal’s system (we see a similar logic in the flogging of bewitched milk over hot coals, which is thought to return the harmful spell to the witch who cast it). 

Along that same vein of logic, we see in a number of folkloric instances the ways in which frogs or toads are sympathetically linked through magic to the world around them. They serve as familiars to witches in many stories (including as the representations of the witch’s power in tales like “The Frog Prince” and “Diamonds and Toads”). In Shakespeare’s play Macbeth we also get a reference to a toad as a witch’s familiar, or spirit companion, an idea commonly echoed in popular accounts of witchcraft. One sixteenth-century witch named Joan Cunny from Essex, England, for example, was associated with a pair of familiars that looked like black frogs and another Essex witch named Margery Sammon kept a pair of toads named Tom and Robin as familiars (Wilby, p. 230, p. 109). These creatures could also hold familiar bonds with other living things, such as trees. For example, some American lore states that killing a tree frog in its tree is thought to also kill the tree, also indicating the “familiar” like nature of them (Brown, p. 499). 

Both toads and frogs seem to operate between worlds, making them liminal agents that can run between either the land and water or between our world and the underworld. What they did in that underworld realm made them even more fearful in the folk imagination. For example, one bit of lore says that because they are thought to eat coals of fire (possibly also hellfire, given their traffic with the underworld), toads and frogs can be venomous or toxic. There are indeed toxic species of these creatures, so the belief about their dangers is not entirely untrue in the case of some poison-skinned frogs, but their dangers do not seem to be caused by the ingestion of brimstone (Brown, p. 409). A similar belief prevails about frogs eating buckshot, too, linking them to fire and iron, weapons, danger, and death. Their toxicity, however, might also be a connection to their witchier lore, especially as some frogs and toads secrete substances that can cause psychedelic reactions in humans (as evidenced by the minor fad–massively overplayed in popular media–with “licking frogs” among college students a few decades ago and even portrayed on The Simpsons). 

Frogs and toads also had more positive qualities (although admittedly these qualities didn’t do much to benefit the animals themselves). For example, an oft-repeated claim seems to indicate that some medieval physicians recommended placing a live frog in one’s mouth to remove a sore throat or other ailments, a supposition that has been dubiously linked to the phrase “a frog in one’s throat” (in reality, the phrase derives from an American lozenge rather than any medieval phraseology). Transferring diseases to animals by touch or by holding them in the mouth was not all that uncommon as a folk remedy or cure, and we see it come up in folklore about maladies such as warts quite frequently. That brings me to one of the other common bits of lore about toads and frogs, which are often accused of causing warts in anyone that holds them. This is essentially bunk, but the belief in magical transference of the disease makes some sense as it is a sort of “contagious” magic. Considering just how many folk wart cures and spells there are, it’s probably not a real crisis for someone to touch a frog or toad even if there were a risk of warts (which, again, there really isn’t).

Illustration of a witch's finger touching a frog
A popular folk belief says that touching frogs or toads causes warts (although that is not scientifically accurate). (Illustration by Cory Thomas Hutcheson 2020)

Curing the magical or venomous maladies of the Anuran order (which, frankly, sounds like the kind of club I’d like to join–”I’m a member of the Anuran Order, Bufo Chapter, Horned Toad House”) include the use of the “toadstone,” a type of secret gem or mineral deposit thought to be carried in the head or body of a toad and which could dispel any number of ailments. Specifically it was believed to be good against poisons, and is mentioned both in Roman lore and once again in Shakespeare as well (it may well be that this stone was actually a type of fossil).

The idea that a toad might carry in its body a powerful magical object was not limited to the toadstone, however, for within witchcraft lore a widely pervasive rite known as the “Toad’s Bone” ritual has captivated occultists for centuries and received a recent uptick in popularity due to the late Andrew Chumbley’s essay, “The Leaper Between.” Historical witchcraft writer Nigel Pennick discusses how in many parts of rural England and the British Isles, the toad’s bone rite was associated with a secret society known as the Horseman’s Word. Reputedly, those who were part of this group were a society of horse whisperers who could calm wild horses and easily help to break them, as well as treating them for certain problems. While they were esteemed for their equine skills, they were also suspected of witchcraft in many cases. They were thought to be brought into the fraternity by completing a toad’s bone rite of some kind, one that mirrored similar rites in witch lore, such as this one:

“The Norfolk witch Tilley Baldrey had her techniques published in The Eastern Counties Magazine in 1901. She tells how she became a witch through the toad-bone ritual. In standard English, ‘you catch a hopping toad and carry it in your bosom until it has rotted away to the back-bone,’ then, ‘you take it and hold it over running water at midnight until the Devil comes to you and pulls you over the water.’ This is the initiation as a witch.” (Pennick loc. 1154).

This initiatory rite resulted in the possession of the toad’s bone, which was carried as a token of power and a symbol of initiation, much in the same way that the black cat bone appears in other witch lore. Similar rituals involved crucifying a toad with thorns (usually blackthorn, although it could be hawthorn in some variants) on top of an ant hill and waiting until the ants had devoured the toad’s flesh. The bones would then be taken to a stream and submerged, and whichever floated against the current was the fabled toad’s bone.

I should note once again that I adamantly do NOT encourage the use of animal torture for the procurement of magical tools. These rites may have some significance in the historical context, but you are just as likely to be able to get many of these tools–even toad and frog bones–from sources that do not require the animals to suffer (given how popular frogs’ legs are in parts of the South, contacting a frog-gigger who hunts for restaurant fare might be a better way to handle this). Waiting to find a frog skeleton is just as good, and comes with a sense of feeling like the bones were meant for you rather than extracted through cruelty and malice.

A desiccated frog skeleton found in my in-laws’ house hidden in the back of a cabinet; you never know when you’ll find these sorts of things!

As a final note about the magic of these lovely amphibians, I should note that they are also thought to be harbingers of changing weather and seasons. A belief found throughout the eastern half of the United States says that the croaking of frogs is thought to signal the end of winter (Brown, p. 323). If you’ve ever been in the South in the early summer, you’ll know the sound of “peepers” out in any even mildly wetland area pretty well. Seeing a large number of frogs (and potentially hearing them as well), is also thought to be a sign of coming rain. In this way we can see the deep connections between the watery world of the pond and the stormy sky as connected, with the toads and frogs acting as those “leapers between” as Chumbley phrased it. 

This is been only a webbed toe dipped into the very deep pond of frog and toad lore, but hopefully it gives you a sense of just how much enchantment can be found in these creatures. Perhaps if the spoiled princess in the story of the golden ball had known that, she might not have been so quick to run away or fear her froggy beau. I’d still prefer not to have them jumping out of my mouth every time I speak, though. It would make teaching pretty awkward.

Thanks for reading!

-Cory

 

References:

Episode 146 – Besom Stang and Sword with Chris and Tara

Summary:

We sit down and visit with old friends Chris Orapello and Tara-Love Maguire about the evolution of their Black Tree tradition of magic, the ways folk magic and witchcraft fit into a contemporary world, how natural magic and climate change impact one another, and what being in the witchy publishing world is like.

Please check out our Patreon page! You can help support the show for as little as a dollar a month, and get some awesome rewards at the same time.  Even if you can’t give, spread the word and let others know, and maybe we can make New World Witchery even better than it is now.

Producers for this show: Heather, WisdomQueen, Regina, Jen Rue of Rue & Hyssop, Little Wren, Khristopher, Tanner, Fergus from Queer as Folk Magic, Achija of Spellbound Bookbinding,  Johnathan at the ModernSouthernPolytheist, Catherine, Patrick, Carole, Payton, Staci, Debra, Montine, Cynara at The Auburn Skye, WickedScense, Moma Sarah at ConjuredCardea, Jody, Josette, Leslie, Clarissa, Hazel, Amy, Victoria, Sherry, Tarsha, Jennifer, Clever Kim’s Curios, Donald, Jenni Love of Broom Book & Candle, & AthenaBeth. (if we missed you this episode, we’ll make sure you’re in the next one!). Big thanks to everyone supporting us!

 

Play:

Download: Episode 146 – Besom Stang and Sword with Chris and Tara

Play

 

 -Sources-

You can check out our previous episode with Chris and Tara from 2016: Episode 86 – Local Witchcraft with Chris Orapello. You should also totally check out their show, Down at the Crossroads (formerly The Infinite and the Beyond).

Their book, Besom, Stang, & Sword, is available from Weiser Books and just about everywhere else. We did a review of it on our site, too.

If you have feedback you’d like to share, email us or leave a comment. We’d love to hear from you!

Don’t forget to follow us at Twitter! And check out our Facebook page! For those who are interested, we also now have a page on Pinterest you might like, called “The Olde Broom.” You can follow us on Instagram or check out our new YouTube channel with back episodes of the podcast and new “Everyday Magic” videos, too (as well as most of our contest announcements)! Have something you want to say? Leave us a voice mail on our official NWW hotline: (442) 999-4824 (that’s 442-99-WITCH, if it helps).

 

Promos & Music

Title and closing music is “Homebound,” by Bluesboy Jag, and is used under license from Magnatune. Incidental music is “Solitude,” by Julian Blackmore, also licensed through Magnatune. We also feature the song “Ask Me Anything,” by S.J. Tucker (used with artist permission)

If you like us AND you like Buffy the Vampire Slayer, you will love our new show: Myth Taken: A Buffy the Vampire Slayer Podcast, now available through all the podcatchers!

Please think about checking out our Audible Trial program. Visit Audibletrial.com/newworldwitchery to get your free trial of Audible, where you can download over 180,000 titles (including some narrated by Cory). Your purchases help support this show, and there’s no obligation to continue after the free trial

Blog Post 212 – Book Review: Besom, Stang, and Sword by Chris Orapello and Tara-Love Maguire

If you listen to Down at the Crossroads (and you should, in fact, listen to that show, as it taps into some great magical wisdom and practice), you will find yourself quickly saying, “I know that rite!” when you get to Chapter One of Besom, Stang, and Sword. That is, of course, no accident, as the hosts of the podcast and the authors of the book are one and the same. Chris Orapello (going by Christopher Orapello in the book’s byline) and Tara-Love Maguire are already well-known to the magical community, but they have been weaving spells over the years that many of us are only just now seeing as the book emerges to laud and praise. That praise is rightly bestowed, as this book does a phenomenal job of conveying a real sense of the couple’s locally-rooted magical tradition while also inviting any and all readers curious about where to start with traditional witchcraft in a modern world to join them for a cup of…well, best not question the proffered cuppa too much.

 

With Besom, Stang, and Sword, Chris and Tara open the doors to their own practices, laying out the materials of magic for all to see. The results drive home the central point that magic—specifically witchcraft—is available to anyone, but that it requires time, effort, patience, and thought along with a dose of fate and a sizable amount of risk. They build a hexagram of approachable practices that asks anyone picking up this work to root their magic in the land surrounding them and their own personal history, rather than taking secondhand sorcery from others. Chris and Tara reveal their Blacktree tradition without pretense or artifice, but instead with clarity, insight, and acid wit, which testifies to their talents as both seasoned occultists and engaging writers. This is a book that will reshape a reader’s encounters with magic and the landscape around them. They make the point that the landscape is “hidden,” but not in any sense inaccessible. No, the landscape is there, has always been there, waiting to teach you, they say. All you need to do is take a breath and pay attention to the “flutter in the gut coming up through your own roots…and you will automatically know if the land there welcomes you with a friendly warmth, or if it is repulsed and angry at your intrusion” (158). That immediate connection to your surroundings defines the Blacktree tradition and the approach Orapello and Maguire take to all magic–it must be rooted and connected, but it must also have the freedom to grown in its own way (indeed, one of their crucial variations upon the Witches’ Pyramid is the addition of the dictum, “to grow”).

 

The book is broken into twelve official chapters (with an Introduction serving as the thirteenth member of their verbal coven). Each chapter lays out some fundamental aspect of their practice, complete with spells and rituals, incantations, tools, and techniques that they have tried and tested in their own lives. Within the first few chapters, you are creating a ritual cord, crafting a witches’ broom (the titular “besom”), acquiring a (genius loci-approved) Token of the Land, and raising an ancestral altar. Chapters conclude with a highly selective and generally very thoughtful “further reading” list to guide you deeper into topics that spark your interest the strongest, thus creating a practice rooted in history and the experiences shared by others but never restricting your own exploration and creation of magic. Techniques build upon one another–you access the Hidden Landscape of Chapter Seven by using the above-mentioned Token tool created in Chapter Two, for example. At the same time, once you read the first chapter of the book, the rest is generally readable in any order, and your own interests can guide you to the methods and tools they use in a winding, crooked path through traditional witchcraft (and the reference to Peter Paddon there is very much intentional, as his spirit lingers in many of the pages of this book). They draw influences from Robert Cochrane, Michael Howard, and Nigel Aldcroft Jackson, while also incorporating research from academics like Éva Pócs, Carlo Ginzburg, and Emma Wilby, giving it intellectual roots that run deep and hold tight.

 

In some ways, the book smirks a bit at tradition, too, by revising or reinventing it. One prime example is the way Orapello and Maguire reconfigure runes, pentagrams, and the oft-spun “wheel of the year” found in so many books on modern magical religion. There are frequent repetitions of sixes within the work: six points on their version of the World Tree (the Black Tree); six key ideas within the Witches’ Hexagram (to know, to will, to dare, to be silent, to go, to grow); six key holiday points in the annual cycle (leaving off the equinoxes in their version). Besom, Stang, and Sword bears some resemblance to Aidan Wachter’s  recent book Six Ways in that respect, but the two books approach the topic of witch-work differently. Wachter’s book looks inward to the author’s personal experiences and years of practice immersed in a sort of background radiation of magic (the “Field” as he describes it) and draws out a series of universalized principles, weaving them into the acts of breathing and the sound of poetry. Orapello and Maguire turn their own experiences into tools through which a magical practitioner connects their personal experience of enchantment to the very real and immediate landscape around them. That’s not to say either book is “right” or “wrong,” but rather that they have an almost eerie synchronicity in their approaches. They complement each other beautifully. Both demand real, dirt-under-the-nails work. Both honor tradition while also practicing the art of reverent improvisation based on particular circumstances. Tradition is not discarded here, but re-imagined in a way that takes it out of the past and situates it in a living, thriving continuum of practice.

 

Besom, Stang, and Sword combs through the materials of modern life and shows the reader how and where to poke to raise the dragons of sorcery wisely and well. One particularly memorable moment in the book guides the reader through the orgiastic sabbatic rites of the modern dance club and ties them to Dionysian revels while not attempting to diminish the ecstatic frenzy of either the rituals of Ancient Greece or the Saturday night sweat-and-sex of the discotheque (they thankfully do not use the word discotheque, by the way). As they build their own calendar of lunar magic with a Crow Moon in March or a Cricket Moon in August, they also make a subtle note that in a world continually being shaped by human influence on climate change, those moons may change as well. There are echoes of Peter Grey’s Apocalyptic Witchcraft here, but they do not dwell on witches as midwives of death and rebirth on a planetary scale. Instead, they show you how to root the adaptations you make to your own experience of the moon in your immediate landscape, even as that landscape shifts around you.

From the east, I go to west.

About to north.

And then to south.

Crossing roads as I go about.

Laying the ground for a witch’s work.

Down at the crossroads is where I vow,

To meet with she and he and they and thou

 

You’ve been greeted with those words for years in Chris Orapello’s lovely baritone if you’re a listener to the show he and Maguire have worked so hard on. The spell they weave is real, and as they lay each of their tools–a broom, a staff, and a blade–down across one another, they create six points, a star, a tree, a crooked path, a serpent, a year… They make a crossroads for you in this book, and then show you how to build your own. They meet you in the pages, and you get a very real sense of who they are and what they do, but then they send you off on your own way to make some witchcraft and lay some ground for others. They uncover a hidden landscape and in doing so, call up more mysteries than you could ever solve (but you’ll have great fun trying). They give you magic that works in a moonlit forest, a city full of humming concrete, a farmstead a century ago, or the flooded coastal plains of tomorrow. Besom, Stang, and Sword also creates a rune with roots running deep and branches that reach for the sky. Let it work its spell on you, and you will see traditional witchcraft in new ways every day.

 

I hope you enjoy reading the book as much as I did, and thank you for stopping by and reading this review!

-Cory

 

*[Full disclosure: I received a copy of this book for review and as a potential endorser, and part of this review has been used in the opening endorsements of the book. I will also note that the authors are personal friends of mine. Chris and Tara did not pressure me for an endorsement, and I am proud to recommend their work, but in the interest of being completely transparent I wish to include this note]

Blog Post 207 – What is New World Witchery?, Part V (Witches Become Witches)

In previous posts in this series, I’ve already looked at some of the ways that history, folklore, and contemporary behavior come together to form what we’ve termed “New World Witchery.” If you’re just starting with this series here, you might want to flip back the pages of this dusty old tome on the bookshelf and read the first of these posts on “What is New World Witchery, Part I (Irrational Pragmatism).” There are other posts that follow, on topics like the moral implications of practical folk magic in North America, and the spiritual entities that seem to hover at the edges of (or stand smack in the center of) New World magical practices, and the physical “things” of North American witchcraft. You can certainly start here, though, and go where you wish, and let your intuition act as a compass for these explorations.

This time, I’m addressing a topic I’ve addressed before in a few different ways: how witches learn to do the magic associated with them. I’m revisiting these points here because the other posts on them all go into more detail on specifics, and I believe that a more general summary of themes and methods is useful here. As you’re digging into this subject, feel free to spend some time in those older posts, too, as they do provide more depth than this one will. As you will likely see early and often through the following examples, witches can gain their magical prowess in a lot of different ways, and so it can be hard to compare one witch to another in folklore and history. At the same time, there are themes that do unite the different stories, or at least themes that overlap with one another, creating a sort of “spectrum.” What is certain, though, is that those who claim magical power develop it in some way to eventually become what people call a “witch.”

sidebar-image

Witches Become Witches

In the time I’ve spent reading accounts of witchcraft in books of history and folklore, the time I’ve spent interviewing contemporary practitioners or examining specific magical artifacts, and the time I’ve spent consulting with other people who study this engrossing topic, I’ve learned that over-generalizations are not terribly useful when it comes to witchcraft. By reducing witchcraft into motifs and components, we tend to miss the highly individual experiences of the people actually practicing the magic. At the same time, it helps us a lot to look for patterns, and when it comes to just how witches gain their magical powers, we can see a set of patterns in the New World (or at least, specifically in North America) that point the way towards a better understanding of how these practices move between people. Tradition, as one of my folklore mentors has pointed out, comes from a Latin root having to do with “handing” things over, and witchcraft generally seems to be a “tradition” in that sense—it is handed over from one person (or entity) to another.

The exception to that rule is hereditary witchraft, although in this case I’m not referring to grandiose initiation stories of secret Granny Witches conducting rituals in their kitchens to initiate their grandchildren (looking at you here Alex Sanders). Rather, I’m referring to the wide body of lore that says that witches can often be “marked” from birth with special powers. For example, the presence of a caul around a newborn’s head is frequently noted as a source of spiritual power, and even when detatched the caul retains some magical abilities—sailors paid a pretty penny for dried cauls to stave off drowning, for example. In mountain lore inherited from European traditions, the seventh son of a seventh son is often reputed to have the ability to heal or do certain types of magic, setting him apart. Other birth-related demarcations of magical power include unusual moles, the presence of teeth in a newborn, extra fingers or toes, or a baby who is particularly hairy. One account of witchcraft among Pueblo Native Americans in the American Southwest showed that popular opinions claimed that witches often passed on their abilities to their children (albeit powers of malediction and harm in that example). A West Virginian herbal healer named Dovie Lambert who also “took off” bewitchments from others claimed that the passage of magical power occurred when secret words were transmitted across gender lines in families: father-to-daughter or mother-to-son, or even among aunts, uncles, nieces, and nephews. Dovie believed that if the power didn’t get transmitted before the witch’s death, the power of that line of witchcraft would die out, although she herself believed that was unlikely to happen anytime soon.

Even in cases of a “witch from birth,” which is not always the same thing as these examples of magical “election,” the person has to choose to use their ability, and often develops it during a later point in life. This power was not solely limited to magic, however, but often reputed to impart special gifts to children based on birth order that might include a talent for medicine or a need for expanded education. Vance Randolph recorded some such beliefs in his examination of the Ozarks and their lore:

“If there are seven sons in a family, and no daughters, the seventh son is clearly intended to be a physician. The seventh son of a seventh son is a physician in spite of himself, endowed with healing powers which cannot be denied. Even if such a man does not study or practice medicine, he is very often called “Doc” or “Doctor” by common consent. However, small-time gamblers are often called “Doc” too, just as every backwoods auctioneer becomes a “Colonel.”

If there are ten sons in a family, and no daughters, the tenth son must be a preacher. “God meant it to be that-a-way,” an old woman once told me. “He knows how many preachers we need in this world.” She would not go so far as to say, however, that it is a mistake to call men who are not tenth sons into the ministry.

Many hillfolk believe that a third son is more intelligent than his brothers and should therefore be encouraged to “git more book-larnin’.” Others contend that, other things being equal, the fourth child has the brains of the whole family.”

Frequently the turning point in a “natural” magician’s life is adolescence or young adulthood, when the person’s power fully manifests for the first time and they learn the techniques of healing from someone else in their community, usually a family member. For example, West Virginian folk healer Johnny Arvin Dahmer spoke of inheriting a copy of The Egyptian Secrets of Albertus Magnus from his grandfather, who was also known as a folk magician and charmer. While a person may be predisposed to magical talent, then, their use of that talent comes only with guidance and training.

That instruction forms is very much the “marrow of tradition” that underlies almost all other forms of witches-becoming-witches. Just how involved that training is depends on the type of magic being transmitted, the cultural context in which it is found, and the particular individuals involved. In most cases, magical practitioners do not hang out shingles and advertise their services as instructors in witchcraft, but over the course of a long-standing and developed relationship with another person they may decide to share their secrets. In Dovie Lambert’s case above, that may happen as a matter of survivial of the magical tradition—if it is not transmitted it will “die out.” Lambert’s cross-gender transmission appears in a number of European-derived practices, including those from German-speaking, English-speaking, and French-speaking groups. A detailed study of powwowing magic in Pennsylvania Dutch communities by David W. Kriebel sums up a number of these ideas:

“Training procedures vary greatly, although one rule is nearly universal, namely, that only a woman can teach a man and only a man can teach a woman…training time can take anywhere from a few minutes to a year. The training procedure used by [one informant] and passed on to [two others] consisted of a ten-week program with all information imparted orally. When the initiate returned for the second session he (or she) had to repeat all the incantations and gestures perfectly, as a sign the initiate was meant to become a powwower.”

Kriebel’s account brings up the concept of a “calling” to do magic, which may be an echo of the idea of a hereditary practice or may signify the same kind of “calling” experienced by a religious or political leader. Kriebel also notes that one of his informants draws attention to the “price” of teaching magic, with one informant claiming “that when one powwower trains another the teacher gives up half his power to the student.” Several instances of this sort of transmission appear in folklore about witches who share their secrets or pass on their power only in the moments before their own death. A number of accounts make the claim that magical power can only be taught or transmitted at most three times within a person’s lifespan before the magic “runs out” or the practitioner dies.

Beyond the element of a calling to witchcraft, some witches may seek out their power in various ways. One Northern Mexican informant described the application of a special set of powders to his body, followed by a ritual bath, that gave him the ability to transform into animals. Notably, he learned the process by watching two other witches do the same in secret, and initially failed to do it correctly because he was wearing a scapular (a Catholid object designed to confer the blessings of Saints on the wearer). Only after removing the holy item was he able to begin his transformations. Many such initiations involve a renunciation of Christian practices or beliefs. Several accounts from Hubert Davis’ The Silver Bullet note that witches become witches by “throw[ing] rocks at the moon and cuss[ing] God Almighty” or writing the Lord’s Prayer on a plate in grease paint, then washing it in a river or stream in an act of inverse baptism. Vance Randolph’s informants note that the initiation experience could be “a much more moving spiritual crisis than that which the Christians call conversion,” at least according to his sources.

In some cases of initiation, witches were expected to pay a price similar to the one noted in the accounts Kriebel found among the Pennsylvania Dutch. That price might be an obligation to a specific spirit (most commonly framed in the American traditions as “the Devil,” although specific descriptions and formulations of diabolic initiation vary). It might also involve the death of a relative, or a period of intense sickness or near-death illness. Once initiated, however, a witch retained her power until her death or until she elected to pass it on to someone else. Other magical powers often followed this line of transmission: a calling or marking from birth followed by a powerful experience in young adulthood or adolescence that confirmed magical ability; the transmission of specific knowledge about witchcraft through the passage of oral lore or even the handing over of a book; and finally, the dispersal of that knowledge and power to another generation, often only in very limited quantities.

Contemporary practitioners tend to derive their magical knowledge in similar ways to the ones already outlined, but with some distinctions. For example, the emphasis on learning from books has become a de facto aspect of magical training. In some cases, the same books used in previous generations, like Egyptian Secrets, still hold sway, although in truth there are so many options available the older books are only a small sliver of the greater body of knowledge being used (I’m not complaining here, as I think many fantastic books have been produced in recent years, including some that surpass the older tomes in terms of breadth and depth of magical information). Several correspondents I’ve had have told me they look for “classes” in witchcraft, too, with structure and lesson plans and even homework. Some prefer classes focused on specific skills, as with Becky Beyer’s Appalachian wildcraft workshops, while others follow initiatory magico-religious traditions like Christopher Penczak’s Inner Temple structure. Training from groups directly (either in person or via postal correspondence) was the norm during the heyday of British Traditional Wicca in the 1970s and 1980s, but that is only a singular form of training now among many other forms available. Some practitioners still take on apprentices, especially in traditions like powwow or curanderismo, although both of those traditions are sometimes taught in whole or part within a class environment, too.

The one element that seems to have dissipated over time is the concept of the “price” paid for magical knowledge. The price has become the time and commitment required to learn the skills and magical techniques associated with a particular tradition. There are still some initiatory groups that do extract a price, such as requiring potential initiates to fast or wear special clothing for a certain length of time—something common in Lukumi traditions, for example. Occasionally the idea of the price being a loved one’s death surfaces, too, although that has become increasingly rare. So, too, has the idea of passing on the tradition before death as a matter of continuing a line of magical practice. Instead, practitioners often pass on their knowledge as more of a public service or as an aspect of their calling (some speak of being “called to teach” within a “training coven” structure, for example). Passing knowledge has also moved beyond rules about gender lines, too, instead becoming a more egalitarian and open-access approach.

Given the many roads into witchcraft, however, the road out is still in the transmission, even if the reasoning has changed. Witches become witches, and they do so because other witches make that possible. The stereotype of witches gathering in huge covens on Walpurgisnacht to engage in Satanic rites may be a medieval fabrication and fantasy, but in the act of sharing magical knowledge, there does seem to be a continuity of magical community. Almost like a family.

 

N.B: I will be doing one more entry in this series on the many and various talents of witches, but I am likely to set aside that post for a bit to cover a few other topics. This series has been rather grander in scope than I think I originally envisioned, but I hope it is useful to some of you. For now, I am so grateful to those of you sticking with me even with the longer gaps between posts.

 

Thanks for reading!

-Cory

Episode 99 – Checking Our Owls

NWWPatreonLogo

Summary:

We tackle listener feedback this episode, addressing topics like discovering magical heritage, mojo bags, seasonal festivals, and adapting spells for others.

 

Please check out our Patreon page! You can help support the show for as little as a dollar a month, and get some awesome rewards at the same time.  Even if you can’t give, spread the word and let others know, and maybe we can make New World Witchery even better than it is now.

 

Producers for this show: Corvus, Diana Garino, Renee Odders, Ye Olde Magic Shoppe, Raven Dark Moon, The Witches View Podcast,  Sarah, Molly, Corvus, Catherine, AthenaBeth, Jen Rue of Rue & Hyssop, Shannon, Little Wren, Michael M., Victoria, and Jessica (if we missed you this episode, we’ll make sure you’re in the next one!). Big thanks to everyone supporting us!

 

Play:

Download: Episode 99 – Checking Our Owls

 

 -Sources-

We draw very much upon emails from you, our listeners, for this episode. Thank you! Some of our other sources, influences, and points of interest include:

  • Peter Paddon’s work, particularly on the process of recovering ancestral lore (such as that found in his Grimoire for Modern Cunning Folk).
  • Seriously, check out the Patreon page, because there are some cool perks to being a sponsor
  • We announced we’ll be hosting a get-together of sorts in Philadelphia in March 2017 to see the Penn Museum’s “Magic in the Ancient World” exhibit (along with other fun stuff). We are hoping to do this along with Chris & Tara from Down at the Crossroads, because they’re awesome people and will add a very magical touch to the event
  • We have a couple of posts on mojo bags, and there’s also a book on them called The Hand Book, by Talia Felix (I’ve not read it, but it looked the most interesting of the possible options available on Amazon).

We very much want your ghost stories! We’ll be doing a live Mixlr broadcast in October, and we’d love for you to join us for that and share your spookiest and ghastliest tales. If you can’t be with us live, feel free to email us your stories, or leave us a voice mail at (442)-99-WITCH (which is 442-999-4824).

We should be launching our newest podcast effort, Chasing Foxfire, this month. If you like folklore, this show will be connecting the dots between folk tales, science, nature, pop culture, literature, and more.

If you have feedback you’d like to share, email us or leave a comment. We’d love to hear from you!

Don’t forget to follow us at Twitter! And check out our Facebook page! For those who are interested, we also now have a page on Pinterest you might like, called “The Olde Broom.” Have something you want to say? Leave us a voice mail on our official NWW hotline: (442) 999-4824 (that’s 442-99-WITCH, if it helps).

 

 Promos & Music

Title and closing music is “Pig Ankle Rag,” by The Joy Drops, and is used under a Creative Commons License (available at Soundcloud.com).

Podcast 69 – Goodbye Peter

Summary:

This is a heartfelt (if rambling), often emotional, and very raw memorial to Peter Paddon, who passed away at the end of October 2014. You will hear my memories of him, what I owe him (hint: a lot), some of his thoughts in his own words, and a bit of the music he liked to play on his show. Words cannot truly express the loss, but I hope this will provide at least a little closure and solace for those who—like me—have been deeply impacted by Peter’s departure from this world. Bendith, Peter.

Play:

Download: New World Witchery – Episode 69

-Sources-

The sound bites you hear are selections from Peter’s Crooked Path Podcast, both in its old form and its more recent incarnation. If you don’t listen to the show, I’d highly recommend doing so, as Peter left behind a tremendous amount of wisdom and information for us. Some of the episodes sampled include “Leadership,” “Cosmic Soup & the Might Dead,” “The Dark Mother,” “Samhain,” “Pagan Celebrity,” “Pagan Fundamentalism,” and “Living a Magical Life.” You should also visit Pendraig Publishing to find out more about the written legacy Peter leaves us.

You can donate to the Peter Paddon GoFundMe campaign on the main New World Witchery site (at the top right of the page), or through this link. I’ll also be donating all royalties from 54 Devils to the fund (or one of his family’s choosing) from October through December 2014 to help out, so you can support them that way if you prefer.

If you have feedback you’d like to share, email us or leave a comment. We’d love to hear from you!

Don’t forget to follow us at Twitter! And check out our Facebook page!

Promos & Music

Title music:  “Homebound,” by Jag, from Cypress Grove Blues.  From Magnatune. (Not heard this episode).

Music includes “Falling Down” and “The Hunt (Corners),” by Tuatha Dea; “Mordred’s Lullabye,” by Heather Dale; “Amazing Grace,” by Kellianna and Wendy Rule; and “The Call” and “Singing to the Bones,” by Wendy Rule.

Blog Post 126 – Walpurgisnacht 2011

A Hornie Fellow

Stones and bones, brooms and fire.  In the olden days, the night before May 1st was spent burning brooms or effigies of witches in big bonfires to ward off evil.  Witches were thought to gather at the Brocken, a mountain in Germany where they held their strange revels around infernal fires of their own.  Dead things might come galloping up out of their graves to follow the witches and join in their wicked revelry.  Wild storms preceded and followed the witches and the Wild Hunt on their nighttime gallivants.

It’s terrifying stuff, but like most fairy tales, people don’t really believe in it anymore.  But maybe they should.

I’ve loved Walpurgisnacht since I first started observing it as a complementary holiday to the more often observed Beltane or May Day.  I even did a post on it last year, which has been one of my most popular posts to date, actually.  This year, the group I do my social witchcraft with celebrated Walpurgisnacht together, and it may have been one of my favorite gatherings to date.

It started with a bonfire in a park about 500 feet from a big Boy Scout campout.  Or, rather, it really started the day before when I am sure I piqued the curiosity of a few neighbors by hiking into our local woods, dropping handfuls of something powdery and muttering to myself at certain locations on the forest perimeter, then emerged moments later with a big, heavy object under my arm.  I spent the rest of the day piecing together all of the elements I would need to fulfill my duties at Walpurgisnacht—sorting candles, making magical gifts for my co-coveners, bringing the appropriate skulls and bones and broom and stang down to my car under cover of darkness so I wouldn’t have to drag them out the next day while the neighbors looked on (they already had enough reason to look at me funny, why add to that?).

When I pulled into the camp, the scouts were swarming.  As I struggled to gather some firewood from a rather flooded site, a number of the boys approached, waving glo-sticks and flashlights and demanding (in a charmingly pirates-and-lost-boys way) “Who goes there?!”  Apparently some older kids had been running around trying to scare them earlier, so I had to vouch that I was not, in fact, a “robber” as they put it.

New Brooms Against an Old Tree

By the time our leader  had arrived, the scouts had pretty much removed themselves to the far side of the camp and were engaged in what looked like a snipe hunt (bless ‘em). We  got the fire going and arranged everything we would need for the night.

I can’t say too much about what happened next, but I will say that the following things may have been involved:

  • Black-strap Molasses Rum offerings
  • Leaping the fire on a broom
  • Hedge-Crosser’s Smoke from Forest Grove Botanica
  • An exchange of several magical gifts
  • I may have worn lipstick at one point
Because it's just not a party until someone breaks out the ram's skull...

Walpurgisnacht proved to be a great night for a few witches to gather around a bonfire, calling upon the dead, riding brooms, leaping through flame, and generally doing all the things the fairy tales say.  We may not have had storms on the Brocken, but the winds definitely started rising before all was said and done.  At one point, I very seriously had to say, “If you hear the sound of horses’ hooves, drop to the ground and don’t look up.”  Maybe it was just my imagination at that point, but the air certainly seemed ripe with witchery.

So, what did you do on Old May Eve? (Or the next day, for that matter.)

-Cory

Podcast 6 – Hoodoo and an Interview with Conjure-man Papa Toad Bone

-SHOWNOTES FOR EPISODE 6-

Summary
In this episode, we discuss hoodoo and rootwork, particularly our experiences with it.  Then we have an interview with esteemed conjurer Papa Toad Bone.

Play:

Download:  New World Witchery – Episode 6

-Sources-

Websites
Lucky Mojo Co. – A site with lots of hoodoo information
Toad’s Bone Apotheca – Our guest’s marvelously funky and fantastic online curio shop
Mississippi Cunning + Conjure – A forum space for those interested in Southern magic and Traditional sorcery
Scarespite – A repository of Traditional Witchcraft and Sorcerous folklore

Promos & Music

Title music:  “Homebound,” by Jag, from Cypress Grove Blues.  From Magnatune.
Promo 1-Inciting a Riot Podcast
Promo 2- Druidcast
Promo 3- Podcast Appalachia

%d bloggers like this: