Blog Post 221 – Magic Seen a Second Time

I know that many people come here for articles on folk magic with historical footnotes and sources, and don’t worry–more of those are in the works. But today I wanted to share a more personal post about my own family life and the magic we share. If that’s not your cuppa mugwort tea, though, I completely understand, and I will not be hurt if you wait for the next post reviewing books of magic or sharing a bit of lore from North America. If you are interested in the personal stuff, though, please read on.
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Over the past few years, one of the aspects of parenthood that I’ve enjoyed most is seeing both how my children reflect their parents and how they are different. We’ve done a few episodes on the idea of magical families and raising children within a magic-inflected world, but largely I have only been able to offer a bit of the magic I experience in abstract ways–nature walks and discussions of the spirits of plants or rivers we pass, small charms to help ward off nightmares, or a steady diet of Studio Ghibli films, for example. As they have come into their personalities and selves more and more, though, I’ve started to see them take up bits of magic on their own, or to seek it out from me in new ways that transcend the “kiss on a boo-boo” level of enchantment (not that a boo-boo kiss isn’t magical; I’d hate to be pitted against that level of magic unprepared, frankly!).
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Picking mulberries by our little creek
Some of this has coincided with an increasing awareness of the world around them, and some subtle and wonderful influences that have led them to magic. Today, I want to pause for a moment of personal reflection and look at the influences at play in my kids’ lives. I know this probably seems self-indulgent (“hey look at these pictures of my kiiiiiiids!!!”) but I also think that there’s a lot of pressure on parents with magical inclinations to somehow “raise” their kids in specific ways. I’m hoping that by illustrating the meandering magical path my children have followed–both with and without my direct involvement–it might help ease some of that strain. It’s also helpful to remember that as children grow, the nature of how we all relate to magic in our household has changed as well.
We have often said on the show that we believe in everyday magic, and that includes magic that exists apart from and outside of ourselves. Children are really good at tracking that magic back in the house with them (along with occasional muddy shoes). Those who know me know I’m a big fan of folklore (obviously), and my kids have certainly been marinated in a vast variety of folk tales and other lore from a very young age. Up until very recently, I read to my children every night, ranging from collections of fairy tales and folklore like Perrault’s eighteenth century assemblage to Jane Yolen’s masterful world lore tome and even individual retellings like Zora Neale Hurston’s The Six Fools. And, of course, all of Harry Potter and a great deal of Roald Dahl (both of which have some lovely embedded folk materials). They have listened to some of our All Hallows Read shows, too, during car trips, along with podcasts like Two Girls One Ghost and Spooked!. They have a great fondness for Neil Gaiman’s retelling of the Norse myths (and several of his other books, too). Lately, though, the flow has been slowly reversing. They bring me tales of strange creatures and legends they hear from other kids, and keep an eye out for all things sasquatch related (because he reminds them of me, for reasons both flattering and unflattering). They share digital legend lore, too, telling me stories of the mythic Herobrine of Minecraft’s lands, and helping to expand my “landscape” of magic into spaces I hadn’t considered. I’ve also been making an effort to read the books that they select for me, too, as a way to understand their inner worlds, and in doing that they’ve given me Tracey Baptiste’s The Jumbies and Raina Telgemeier’s Ghosts, both of which are rich in lore.
We can’t deny the importance of other media as well. The Harry Potter movies (and one of my personal favorites, Willow) have certainly been in our world for a while now, and while the unrealistic flash-bang magic of Hollywood films isn’t an accurate presentation of how magic works, those are also not the ones they are most drawn to for magic. Instead, my daughter is deeply enamored of the film Song of the Sea, which retells Irish mythology and folklore of selkies in gorgeous ways (she often thinks of herself as a selkie, too). I mentioned the Ghibli films above, and many of their understandings of spirit-world interactions are shaped by films like Spirited Away. They see a little whirlwind carrying leaves down the street and make space for that spirit to go through, for example. YouTube has also provided surprising connection points to magic for them. Two of our family favorite channels, Illymation and Rebecca Parham’s Let Me Explain Studios, have recently done videos on magic-adjacent topics like using tarot as a form of therapy and seeing how slumber parties are like witch gatherings. It helps to normalize their own experiences of magic, and gets them interested in exploring on their own, too.
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My daughter turning tarot cards as a therapeutic practice (this deck is the Majors-only Steven Universe deck)
Some of those explorations are directions different than my own. My daughter’s fascination with selkies has also led her to take an interest in other creatures like mermaids and unicorns, to the point where she is learning worldwide folklore about both that are beyond my own scope (which is more focused on North America, of course). My son is getting fascinated by hypnotism (thanks in part to the amazing Uncle Pedro character in the Big Nate book series, who uses hypnosis to help the titular Nate with one of his problems). The Illymation video on tarot sparked an interest for both of them in reading cards. My daughter–who has anxiety and emotional control conditions–uses tarot as a way to talk about her inner life with me and for herself (the therapeutic nature of the cards is one reason that my wife–an Evangelical Christian–has been open to them, in fact). My son’s interest has been more on the “fortune-telling” side, but he still sees some value in thinking of them as patterns he can detect and put together, too. I couldn’t resist, of course, and got them each their own decks (with their input, of course)–the Kawaii Tarot for my daughter and the Happy Tarot for my son (both great and very easy to read).
Additionally, I see the way that magic is infusing their lives in exterior ways as well. I mentioned making way for wind spirits earlier, and an extension of that is the reverence my kids feel for our local spring-fed creek. We make a point as a family to go pick the mulberries on its banks in early summer, thanking the trees for their generosity. The kids love to make sure the birds along the creek trails are fed, and so we bring homemade bird cakes of seeds and nuts out to leave for them (although I think we’re just as likely feeding the squirrels as the birds). They have befriended the gang of local ducks, too, who follow them around and eat from their hands. They recognize that the creek and its denizens are connected and alive, and we do things like trash pick-ups along its banks to show our appreciation. To them, the world is very animistically alive. My son has developed a deeply animistic relationship with a whole bevy of succulents and cacti on his own, too, spending his allowance on new ones or better pots for them. He names and labels each one, talking to them, calling them his “children,” and has even gotten a reputation as the “plant dad” at one of our local shops.
Seeing them find these tendrils of magic in their world, especially on their own, has been its own sort of enchantment. There’s a line in a Brandi Carlile song called “The Mother,” in which she notes that all her friends are out doing things they want to do, but that her daughter allows her the chance to experience magic, twice, saying “All the wonders I have seen, I will see a second time, inside of the ages through your eyes.” That has been my own experience as well. New World Witchery–folk magic–lives because we pass it on, but we also pass it up, and around, and between. I learn new magic through my children, and offer them the magic I have to give as well. That magic changes over time, and it may not always be this way, but for the moment I am deeply grateful to share wonder with them.
Thanks for reading,
-Cory

Episode 129 – Raising Witchlets with Betwixt and Between


Summary:

This time we have a crossover episode with the magical mamas from Betwixt and Between! In our portion of the conversation, we talk animism, hedgewitchery, and raising kids with witchy traditions (even when they’re not your own).

 

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Producers for this show: Heather, WisdomQueen, Regina, Jen Rue of Rue & Hyssop, Little Wren, Khristopher, Tanner, Achija of Spellbound Bookbinding,  Johnathan at the ModernSouthernPolytheist, Catherine, Carole, Debra, Montine, Cynara at The Auburn Skye, Moma Sarah at ConjuredCardea, Jody, Josette, Amy, Victoria, Sherry, & AthenaBeth. (if we missed you this episode, we’ll make sure you’re in the next one!). Big thanks to everyone supporting us!

 

Play:

Download: Episode 129 – Raising Witchlets with Betwixt and Between

Play: 

 

 -Sources-

You can hear some of our previous episodes on raising a magical family here:

You should definitely check out the Betwixt and Between podcast, which is pretty phenomenal! You may also want to check out our show, Episode 86 – Local Witchcraft with Chris Orapello, which also covered some of the areas of bioregionalism and local animism we briefly discussed here. Sarah Lawless has also done a wonderful post on bioregional animism called “The Song of the Land.”

Cory mentions using the works of Neil Gaiman and Roald Dahl as a way to introduce children to a magical worldview, and Betwixt and Between mention Laine’s favorite, The Secret Garden. Cory also briefly mentions Laura Tempest Zakroff’s forthcoming book Weave the Liminal.

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 Promos & Music

Title and closing music is “Homebound,” by Bluesboy Jag, and is used under license from Magnatune.

Incidental music is “Triangle in Square,” by Jamie Janover (Magnatune); and “Cycles,” by Doug Hamer (Magnatune).

 

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