Blog Post 221 – Magic Seen a Second Time

I know that many people come here for articles on folk magic with historical footnotes and sources, and don’t worry–more of those are in the works. But today I wanted to share a more personal post about my own family life and the magic we share. If that’s not your cuppa mugwort tea, though, I completely understand, and I will not be hurt if you wait for the next post reviewing books of magic or sharing a bit of lore from North America. If you are interested in the personal stuff, though, please read on.
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Over the past few years, one of the aspects of parenthood that I’ve enjoyed most is seeing both how my children reflect their parents and how they are different. We’ve done a few episodes on the idea of magical families and raising children within a magic-inflected world, but largely I have only been able to offer a bit of the magic I experience in abstract ways–nature walks and discussions of the spirits of plants or rivers we pass, small charms to help ward off nightmares, or a steady diet of Studio Ghibli films, for example. As they have come into their personalities and selves more and more, though, I’ve started to see them take up bits of magic on their own, or to seek it out from me in new ways that transcend the “kiss on a boo-boo” level of enchantment (not that a boo-boo kiss isn’t magical; I’d hate to be pitted against that level of magic unprepared, frankly!).
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Picking mulberries by our little creek
Some of this has coincided with an increasing awareness of the world around them, and some subtle and wonderful influences that have led them to magic. Today, I want to pause for a moment of personal reflection and look at the influences at play in my kids’ lives. I know this probably seems self-indulgent (“hey look at these pictures of my kiiiiiiids!!!”) but I also think that there’s a lot of pressure on parents with magical inclinations to somehow “raise” their kids in specific ways. I’m hoping that by illustrating the meandering magical path my children have followed–both with and without my direct involvement–it might help ease some of that strain. It’s also helpful to remember that as children grow, the nature of how we all relate to magic in our household has changed as well.
We have often said on the show that we believe in everyday magic, and that includes magic that exists apart from and outside of ourselves. Children are really good at tracking that magic back in the house with them (along with occasional muddy shoes). Those who know me know I’m a big fan of folklore (obviously), and my kids have certainly been marinated in a vast variety of folk tales and other lore from a very young age. Up until very recently, I read to my children every night, ranging from collections of fairy tales and folklore like Perrault’s eighteenth century assemblage to Jane Yolen’s masterful world lore tome and even individual retellings like Zora Neale Hurston’s The Six Fools. And, of course, all of Harry Potter and a great deal of Roald Dahl (both of which have some lovely embedded folk materials). They have listened to some of our All Hallows Read shows, too, during car trips, along with podcasts like Two Girls One Ghost and Spooked!. They have a great fondness for Neil Gaiman’s retelling of the Norse myths (and several of his other books, too). Lately, though, the flow has been slowly reversing. They bring me tales of strange creatures and legends they hear from other kids, and keep an eye out for all things sasquatch related (because he reminds them of me, for reasons both flattering and unflattering). They share digital legend lore, too, telling me stories of the mythic Herobrine of Minecraft’s lands, and helping to expand my “landscape” of magic into spaces I hadn’t considered. I’ve also been making an effort to read the books that they select for me, too, as a way to understand their inner worlds, and in doing that they’ve given me Tracey Baptiste’s The Jumbies and Raina Telgemeier’s Ghosts, both of which are rich in lore.
We can’t deny the importance of other media as well. The Harry Potter movies (and one of my personal favorites, Willow) have certainly been in our world for a while now, and while the unrealistic flash-bang magic of Hollywood films isn’t an accurate presentation of how magic works, those are also not the ones they are most drawn to for magic. Instead, my daughter is deeply enamored of the film Song of the Sea, which retells Irish mythology and folklore of selkies in gorgeous ways (she often thinks of herself as a selkie, too). I mentioned the Ghibli films above, and many of their understandings of spirit-world interactions are shaped by films like Spirited Away. They see a little whirlwind carrying leaves down the street and make space for that spirit to go through, for example. YouTube has also provided surprising connection points to magic for them. Two of our family favorite channels, Illymation and Rebecca Parham’s Let Me Explain Studios, have recently done videos on magic-adjacent topics like using tarot as a form of therapy and seeing how slumber parties are like witch gatherings. It helps to normalize their own experiences of magic, and gets them interested in exploring on their own, too.
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My daughter turning tarot cards as a therapeutic practice (this deck is the Majors-only Steven Universe deck)
Some of those explorations are directions different than my own. My daughter’s fascination with selkies has also led her to take an interest in other creatures like mermaids and unicorns, to the point where she is learning worldwide folklore about both that are beyond my own scope (which is more focused on North America, of course). My son is getting fascinated by hypnotism (thanks in part to the amazing Uncle Pedro character in the Big Nate book series, who uses hypnosis to help the titular Nate with one of his problems). The Illymation video on tarot sparked an interest for both of them in reading cards. My daughter–who has anxiety and emotional control conditions–uses tarot as a way to talk about her inner life with me and for herself (the therapeutic nature of the cards is one reason that my wife–an Evangelical Christian–has been open to them, in fact). My son’s interest has been more on the “fortune-telling” side, but he still sees some value in thinking of them as patterns he can detect and put together, too. I couldn’t resist, of course, and got them each their own decks (with their input, of course)–the Kawaii Tarot for my daughter and the Happy Tarot for my son (both great and very easy to read).
Additionally, I see the way that magic is infusing their lives in exterior ways as well. I mentioned making way for wind spirits earlier, and an extension of that is the reverence my kids feel for our local spring-fed creek. We make a point as a family to go pick the mulberries on its banks in early summer, thanking the trees for their generosity. The kids love to make sure the birds along the creek trails are fed, and so we bring homemade bird cakes of seeds and nuts out to leave for them (although I think we’re just as likely feeding the squirrels as the birds). They have befriended the gang of local ducks, too, who follow them around and eat from their hands. They recognize that the creek and its denizens are connected and alive, and we do things like trash pick-ups along its banks to show our appreciation. To them, the world is very animistically alive. My son has developed a deeply animistic relationship with a whole bevy of succulents and cacti on his own, too, spending his allowance on new ones or better pots for them. He names and labels each one, talking to them, calling them his “children,” and has even gotten a reputation as the “plant dad” at one of our local shops.
Seeing them find these tendrils of magic in their world, especially on their own, has been its own sort of enchantment. There’s a line in a Brandi Carlile song called “The Mother,” in which she notes that all her friends are out doing things they want to do, but that her daughter allows her the chance to experience magic, twice, saying “All the wonders I have seen, I will see a second time, inside of the ages through your eyes.” That has been my own experience as well. New World Witchery–folk magic–lives because we pass it on, but we also pass it up, and around, and between. I learn new magic through my children, and offer them the magic I have to give as well. That magic changes over time, and it may not always be this way, but for the moment I am deeply grateful to share wonder with them.
Thanks for reading,
-Cory

Episode 141 – New Years Divininations Revisited

Summary:
We return to our divination workings from back at the beginning of 2018 to see how everything came together (or in some cases, didn’t). Then we throw some cards to see what the year ahead will bring.
Please check out our Patreon page! You can help support the show for as little as a dollar a month, and get some awesome rewards at the same time.  Even if you can’t give, spread the word and let others know, and maybe we can make New World Witchery even better than it is now.
Producers for this show: Heather, WisdomQueen, Regina, Jen Rue of Rue & Hyssop, Little Wren, Khristopher, Tanner, Fergus from Queer as Folk Magic, Achija of Spellbound Bookbinding,  Johnathan at the ModernSouthernPolytheist, Catherine, Patrick, Carole, Payton, Staci, Debra, Montine, Cynara at The Auburn Skye, WickedScense, Moma Sarah at ConjuredCardea, Jody, Josette, Amy, Victoria, Sherry, Tarsha, Jennifer, Donald, Jenni Love of Broom Book & Candle, & AthenaBeth. (if we missed you this episode, we’ll make sure you’re in the next one!). Big thanks to everyone supporting us!
Play:
 –Sources
We base a lot of this episode on the readings we did in Episode 122 – Divining the New Year. Some of the divination tools we used in that episode were:
This year we use some of the following tools:
Big thanks to listener Rorie for reminding us to do this episode!
If you have feedback you’d like to share, email us or leave a comment. We’d love to hear from you!
Don’t forget to follow us at Twitter! And check out our Facebook page! For those who are interested, we also now have a page on Pinterest you might like, called “The Olde Broom.” You can follow us on Instagram or check out our new YouTube channel with back episodes of the podcast and new “Everyday Magic” videos, too (as well as most of our contest announcements)! Have something you want to say? Leave us a voice mail on our official NWW hotline: (442) 999-4824 (that’s 442-99-WITCH, if it helps).
Promos & Music
  • Title and closing music is “Homebound,” by Bluesboy Jag, and is used under license from Magnatune.
  • If you like us AND you like Buffy the Vampire Slayer, you will love our new show: Myth Taken: A Buffy the Vampire Slayer Podcast, now available through all the podcatchers!
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Episode 122 – Divining the New Year

Summary:

We launch our eighth year of podcasting with an episode that looks forward to the coming months through divination. Lots and lots of divination! Laine and Cory try out several different divinatory methods (some they’ve used before, and some they haven’t), then break down what they see in the cards, beans, bones, or stones for the year ahead. Plus we do our Magical Object, which seems like child’s play but also has plenty of magical uses, too!.

 

Please check out our Patreon page! You can help support the show for as little as a dollar a month, and get some awesome rewards at the same time.  Even if you can’t give, spread the word and let others know, and maybe we can make New World Witchery even better than it is now.

 

Producers for this show: Heather, Achija of Spellbound Bookbinding, Raven Dark Moon, WisdomQueen, Regina, Jen Rue of Rue & Hyssop, Little Wren, Khristopher, Tanner, Johnathan at the ModernSouthernPolytheist, Catherine, Montine, Cynara at The Auburn Skye, Sarah at ConjuredCardea,The Trinket Witch, Victoria, Sherry, & AthenaBeth. (if we missed you this episode, we’ll make sure you’re in the next one!). Big thanks to everyone supporting us!

 

Play:

Download: Episode 122 – Divining the New Year

Play: 

 

 -Sources-

Both of us use Cory’s method of cartomancy for one of our readings. You can find out more about that in his book, 54 Devils, or by reading these posts from our past:

 

 

Laine also uses the following methods/tools:

 

Cory also uses the following methods/tools:

  • Rune Stones given to him as a gift, read using some of the information in Diana Paxton’s Taking Up the Runes
  • The Haindl Tarot pack, by Hermann Haindl (Rachel Pollack’s books are the top recommended interpretation guides)
  • His personal “bones” collection for bone readings. He uses elements of the technique in cat yronwode’s Throwing the Bones, as well as drawing on his experience. Some photos are below:
Cory’s rune from his divination, “Hagalaz”  
Cory’s reading using the Haindl tarot  
Cory’s “bone” collection for readings  
Cory’s playing card divination

Thank you to listener Maria, who suggested the Everyday Magical Object of marbles for this episode. Please feel free to send in your own suggestions for future objects!

If you have feedback you’d like to share, email us or leave a comment. We’d love to hear from you!

Don’t forget to follow us at Twitter! And check out our Facebook page! For those who are interested, we also now have a page on Pinterest you might like, called “The Olde Broom.” Have something you want to say? Leave us a voice mail on our official NWW hotline: (442) 999-4824 (that’s 442-99-WITCH, if it helps).

 

 Promos & Music

Title and closing music is “Homebound,” by Bluesboy Jag, and is used under license from Magnatune.

 

Incidental Music is “Laid Ten Dollars Down,” by the Black Twig Pickers, and is used under a Creative Commons License from the Free Music Archive.

Blog Post 82 – Cards, an Overview

Hello readers!

Let me first say that I know it would be fairly impossible for me to explain a divination system thoroughly in one post. So this will likely be the first of several posts addressing the use of playing cards as a magical tool.  What I would like to do is explain my personal system of card divination, as well as some of the variants and influences which have shaped my practice.   I’m not going to dive into an extensive history of playing cards or tarot cards, as those subjects are well-covered and well-documented in other sources.  However, a little of the history that sometimes slips through the cracks (especially regarding playing cards) might be worth mentioning here.

While the absolute origin of pictographic cards is unknown, many folks believe they came out of India, China, or Turkey, or with the travelling Romany people (also frequently called “Gypsies”).  What is known is that by the 1500’s, playing cards were very popular with the lower classes, and often cited as a vice by clerical and governmental documents throughout Europe.  They received wide-spread appreciation from the highest ranks, including Bohemian emperor Rudolph II and Napoleon’s spiritual advisor, Madame Lenormand.  Yet cards have almost always been popular among the lower classes, too.  Cards came to America with settlers, sailors, and soldiers.  In fact, in the late 1700’s, a popular ballad called “The Soldier’s Prayer-Book” described the suits, pips, and enumeration of playing cards in terms of biblical metaphor.  For example, the fives represent the five wounds of Christ, the nines are the nine lepers healed by Jesus, and the tens are the Ten Commandments.  While this song may have been a white-wash for gambling soldiers eager to keep one of the few portable entertainments allowed them, it does register an important point:  cards make wonderful tools for metaphoric interpretation.

So why playing cards instead of tarot cards?  For one thing, playing cards have been more or less easily accessible since the 1600’s, and are versatile.  The cards you play a game of blackjack with one day can be used to reveal the future the next.  They also travel well in a pocket and are easily replaced if they get torn or damaged.  Plantation owners in the antebellum South often thought little of slaves having decks of playing cards to amuse themselves in their few off hours (though in some places stricter masters prohibited them altogether).  William Wells Brown, who provided a slave narrative for a character named “Uncle Frank,” claimed that each plantation also had at least one fortune-teller somewhere on the premises, and at least few of them used playing cards.  Today, playing cards are an excellent way of divining even in plain sight.  No one thinks much of two people over a table full of diamonds, spades, clubs, and hearts, while a Devil or Lovers card might raise eyebrows.

My own system of playing card divination is largely based on the book It’s All in the Cards, by Chita Lawrence and the rhyme “For the Witch of Poor Memory” by Dawn Jackson, with a significant amount of additional material I’ve picked up from other books, teachers, and experiences over time.  What I outline here will be my own understanding of these cards, so please do not take it as gospel, and find a method that works for you.

Like most who practice cartomancy, I break the major meanings of the cards down by color and suits.  However, unlike a lot of other practitioners, I don’t ascribe these suits to tarot parallels or elemental attributes.  There are some connections, of course, as hearts and cups both signal emotion-based interpretations, but it’s not a hard-and-fast link.

First, black cards indicate “negative” or “no” answers, while red cards are “positive” or “yes” answers.  This is most important in short readings, which I’ll address in a later post.  Some will say that having more black cards than red is a sign of negativity, but honestly, the only truly “negative” cards in an extended reading are the spades, in my opinion.  For me, I look at the suits in the following way:

Hearts – Family, friends, love, and lovers.  Also emotions and things which are deeply felt.
Clubs – Work and business.  One’s “calling” or destiny.  Also conflict, discussion, and debate.
Diamonds – Money, luck, fortune, happiness.  Also news, letters, and socializing.
Spades – Tears, suffering, woe.  War, fighting, violence.  Also change, warning, and doubts/fears.

I’ll get into each of these suits a little more when I break down the individual cards, but this should give you some idea what I see when I do a layout for a reading.  If I see lots of diamonds and clubs, I know that someone’s got some good work he or she will be well compensated for coming around the bend.  All hearts means that the client is emotionally invested in the reading, or that he or she is dealing with deep family or friendship questions.  Spades and clubs together would be a sign that the client’s job might be in jeopardy, or that work is very unfulfilling for him or her.

In the next post, we’ll get into the actual significance of particular cards, but it is good to keep the overall meanings of the suits in mind as we go forward.  If you have any questions, please ask, and I’ll be happy to answer as best I can (from my own personal perspective…did I mention that yet?).

For today though, thanks for reading!

-Cory