Blog Post 82 – Cards, an Overview

Hello readers!

Let me first say that I know it would be fairly impossible for me to explain a divination system thoroughly in one post. So this will likely be the first of several posts addressing the use of playing cards as a magical tool.  What I would like to do is explain my personal system of card divination, as well as some of the variants and influences which have shaped my practice.   I’m not going to dive into an extensive history of playing cards or tarot cards, as those subjects are well-covered and well-documented in other sources.  However, a little of the history that sometimes slips through the cracks (especially regarding playing cards) might be worth mentioning here.

While the absolute origin of pictographic cards is unknown, many folks believe they came out of India, China, or Turkey, or with the travelling Romany people (also frequently called “Gypsies”).  What is known is that by the 1500’s, playing cards were very popular with the lower classes, and often cited as a vice by clerical and governmental documents throughout Europe.  They received wide-spread appreciation from the highest ranks, including Bohemian emperor Rudolph II and Napoleon’s spiritual advisor, Madame Lenormand.  Yet cards have almost always been popular among the lower classes, too.  Cards came to America with settlers, sailors, and soldiers.  In fact, in the late 1700’s, a popular ballad called “The Soldier’s Prayer-Book” described the suits, pips, and enumeration of playing cards in terms of biblical metaphor.  For example, the fives represent the five wounds of Christ, the nines are the nine lepers healed by Jesus, and the tens are the Ten Commandments.  While this song may have been a white-wash for gambling soldiers eager to keep one of the few portable entertainments allowed them, it does register an important point:  cards make wonderful tools for metaphoric interpretation.

So why playing cards instead of tarot cards?  For one thing, playing cards have been more or less easily accessible since the 1600’s, and are versatile.  The cards you play a game of blackjack with one day can be used to reveal the future the next.  They also travel well in a pocket and are easily replaced if they get torn or damaged.  Plantation owners in the antebellum South often thought little of slaves having decks of playing cards to amuse themselves in their few off hours (though in some places stricter masters prohibited them altogether).  William Wells Brown, who provided a slave narrative for a character named “Uncle Frank,” claimed that each plantation also had at least one fortune-teller somewhere on the premises, and at least few of them used playing cards.  Today, playing cards are an excellent way of divining even in plain sight.  No one thinks much of two people over a table full of diamonds, spades, clubs, and hearts, while a Devil or Lovers card might raise eyebrows.

My own system of playing card divination is largely based on the book It’s All in the Cards, by Chita Lawrence and the rhyme “For the Witch of Poor Memory” by Dawn Jackson, with a significant amount of additional material I’ve picked up from other books, teachers, and experiences over time.  What I outline here will be my own understanding of these cards, so please do not take it as gospel, and find a method that works for you.

Like most who practice cartomancy, I break the major meanings of the cards down by color and suits.  However, unlike a lot of other practitioners, I don’t ascribe these suits to tarot parallels or elemental attributes.  There are some connections, of course, as hearts and cups both signal emotion-based interpretations, but it’s not a hard-and-fast link.

First, black cards indicate “negative” or “no” answers, while red cards are “positive” or “yes” answers.  This is most important in short readings, which I’ll address in a later post.  Some will say that having more black cards than red is a sign of negativity, but honestly, the only truly “negative” cards in an extended reading are the spades, in my opinion.  For me, I look at the suits in the following way:

Hearts – Family, friends, love, and lovers.  Also emotions and things which are deeply felt.
Clubs – Work and business.  One’s “calling” or destiny.  Also conflict, discussion, and debate.
Diamonds – Money, luck, fortune, happiness.  Also news, letters, and socializing.
Spades – Tears, suffering, woe.  War, fighting, violence.  Also change, warning, and doubts/fears.

I’ll get into each of these suits a little more when I break down the individual cards, but this should give you some idea what I see when I do a layout for a reading.  If I see lots of diamonds and clubs, I know that someone’s got some good work he or she will be well compensated for coming around the bend.  All hearts means that the client is emotionally invested in the reading, or that he or she is dealing with deep family or friendship questions.  Spades and clubs together would be a sign that the client’s job might be in jeopardy, or that work is very unfulfilling for him or her.

In the next post, we’ll get into the actual significance of particular cards, but it is good to keep the overall meanings of the suits in mind as we go forward.  If you have any questions, please ask, and I’ll be happy to answer as best I can (from my own personal perspective…did I mention that yet?).

For today though, thanks for reading!

-Cory

Blog Post 81 – Van Van Oil

Greetings everyone!  Today, I’m going to cover another piece of our recent Lucky 13 podcast:  Van Van oil.  This is one of the most common hoodoo oils around, and actually  shows up in other places fairly often, too.  Because it is made from grasses found in Southeast Asia, it has a long history in medicine and magic from those areas.  Some of the grasses used in Van Van are also grown in West Africa, which is likely one route through which Southern conjure practices adopted this formula.

The basic ingredients in a Van Van blend are oils from:

Most of these are not easily available in bulk herb form, with the exceptions of lemongrass (which you can find at almost any Asian market) and vetiver (which can often be found in herb or metaphysical shops).  All of the oils except gingergrass are readily available from any aromatherapy or herbal extract dealer.  Gingergrass oil, which can be hard to find, is often left out of homemade Van Van recipes, or something else might be substituted for it.

The proportions heavily favor lemongrass in the recipes I’ve seen, almost to the point of exclusivity.  There are some who solely use lemongrass oil and add dried botanicals to it in order to round out the recipe.  Generally speaking, a home blender would use:

  • 5-10 parts lemongrass oil
  • 3-5 parts citronella oil
  • 2-3 parts vetiver root or oil
  • 1 part palmarosa
  • 1 part gingergrass

All of these would be carefully blended in a sterile jar, then topped with a carrier oil (sweet almond or jojoba would be excellent).  The proportions above are merely suggestions, and you would do well to contact a trained herbalist before blending these on your own.  In reality, you might be able to use just the first three oils and have some pretty solid Van Van oil, so don’t spend loads of money tracking down rare herbal ingredients unless you really feel compelled to do so.

Additions to the recipe vary by practitioner and region.  For example, in New Orleans, one might find lemon verbena added to the mix.  In fact, this may be how the formula got its name.  According to Cat Yronwode, Creole rootworkers would sometimes use lemon verbena in their blends in order to supplement the strong lemon-musk scent of the oil.  Verbena—a related herb—was often called vervain, and that was given a pidgin phoneme of “van van.”  The name does NOT have anything to do with vanilla, which is not found in any traditional recipes for this formula.  Judika Illes, whom we’ve referenced several times before, suggests adding another wild Asian grass—patchouli—to the blend, but I’ve never done this myself (I’m not a fan of patchouli, personally).  Other additions might include pyrite chips or “lucky” things like four leaf clover charms (which can also be anointed with Van Van and carried for luck).

So just what is Van Van oil for and how does it work?  Well, it’s considered a sort of ultimate luck formula, having sway over money, prosperity, gambling, love, and anything else that might need a little luck.  It’s often used to anoint talismans—like the rabbit’s foot—or mojo hands made for gambling or love.  As for how it works, lemongrass (and all citrus grasses) has a powerful “cut and clear” effect…think of how many lemon-scented cleaning agents there are.  They just make things seem cleaner (lemon also has some antibacterial/antimicrobial properties, and is a potent preservative in small doses—sliced apples are often treated with a lemon juice extract to keep them from browning).  Citronella does something similar (think of how citronella candles, torches, and oils repel nasty insects like mosquitoes).  These grasses cut and clear any negative influences, warding off bad luck. Palmarosa and gingergrass (which come from the same plant, in reality, Cymbopogon martine) are muskier, and so have a slight sexual connotation.  If you think of something being clean, bright, and sexy, it’s not hard to imagine lucky in the mix, too (think James Bond in a casino).  Vetiver is the muskiest of all, with strong earthy tones.  Earth has connections to abundance and prosperity (think of fertile black soil planted with seeds which grow into crops), plus there is a strong sexual current again.  Sex + money + nothing standing in your way?  Yeah, I’d say that’s pretty lucky.

A few quick notes:

Magico-botanical notes come primarily from Cat Yronwode’s book, Hoodoo Herb & Root Magic.

You can find Van Van oils at the Lucky Mojo Co.,  Music City Mojo, Toads Bone Apotheca, Queen of Pentacles Conjure, The Conjure Doctor, and just about any botanica or root shop around.

That’s it for today.  Thanks for reading!

-Cory

Success!

Thank you all for bearing with me.  I think I’ve finally got the feed situation sorted out, and all episodes of NWW are now showing up on iTunes and Podcast Alley.  If you happen to see errors showing up in those places with these episodes, please let me know, but otherwise I think we should now have back episodes listed along with our most current ones.

Again, thanks for putting up with the crazy posting today, and hopefully not unsubscribing and writing me hate mail!  🙂

All the best to our wonderful readers and listeners,

-Cory

Episode 13 – Lucky Charms

New World Witchery – Episode 13
Lucky 13 – Charms and Talismans – WitchCraft (Money Bowls)  – Spelled Out (Van Van Oil) (complete shownotes at https://newworldwitchery.wordpress.com)

Episode 12 – Spell Failures

New World Witchery – Episode 12
Spell Failures – WitchCraft (Calligraphy) – Spelled Out (Green Devil Pay Me Spell) (complete shownotes at https://newworldwitchery.wordpress.com)

Special Episode – Spellcasting Greatest Hits

New World Witchery Special – Spellcasting Greatest Hits
Best Spells – Magical Successes – Mechanics and Theory in Spellcrafting (complete shownotes at https://newworldwitchery.wordpress.com)

Episode 11 – Magical Tools

New World Witchery – Episode 11
Magical Tools – WitchCraft – Spelled Out (complete shownotes at https://newworldwitchery.wordpress.com)

Episode 10 – Urban Conjure and an Interview with Stephanie Palm

New World Witchery – Episode 10
Urban Rootwork – Special Thanks –  Interview with Stephanie Palm – WitchCraft – Spelled Out

Episode 09 – Witchcraft and Relationships

New World Witchery – Episode 9
Witchcraft and Relationships – WitchCraft – Spelled Out (complete shownotes at https://newworldwitchery.wordpress.com)

Special Episode – The Horned Women

New World Witchery Special – The Horned Women
Walpurgisnacht Tale – The Horned Women, from Fairy & Folktales of the Irish Peasantry, by W.B. Yeats (complete shownotes at https://newworldwitchery.wordpress.com)