Blog Post 142 – Coins

Coins as magical objects in folklore are ubiquitous, appearing in multiple forms and for multiple purposes. Just think of the common-place act of flipping a coin, which is essentially allowing chance (or Fate) to decide the outcome to a given situation. People frequently carry lucky pennies or coins from their birth year to provide a little extra good fortune in their lives. Many people collect coins from foreign lands because of their exotic and seemingly mystical nature (the I Ching coins of Asia are a good example). Today I thought I’d take a very brief look at magical coins in American folklore. I’ll primarily focus on two key denominations, the dime and the penny, though these will be entry points for examining other aspects of coin magic, too.

Silver Dimes
The most famous of these magical coins is the “Mercury dime.” While actually inscribed with a picture of embodied Liberty, the idea of Mercury has long been attached to this coin. Cat Yronwode says “this makes sense, because Mercury was the Roman god who ruled crossroads, games of chance, and sleight of hand tricks” and associates him as well with Papa Legba (Hoodoo Herb & Root Magic). Coins from a leap year between 1916 and 1946 are especially lucky. Yronwode lists it as among one of the most potent hoodoo tokens, and tells of its uses in aiding gamblers, helping one get a job, or fighting off evil. In this last capacity, the easiest method is to simply punch a small hole in the dime and tie it with a red thread around one’s ankle. The dime will turn black in the case of magical attack, simultaneously deflecting it and warning of its presence. In her book Black Magic: Religion & the African-American Conjuring Tradition, Yvonne P. Chireau mentions this use of the dime, along with several other forms of dime divination, including boiling the dime with items suspected to be tricks to see if they contained malefic magic. According to Chireau, a person suspected of being jinxed could put a dime under his or her tongue to detect the presence of evil work, too.

Silver coins in general are thought to be useful in counteracting witchcraft.  From A Collection of Folklore by Undergraduate Students of East Tennessee State University: “The method to ward off witches was to carry a piece of silver money or to wear a piece of silver on a string around the neck. The coin most commonly used was a dime” (64). In a story called “A Doll and a Bag of Money,” from The Silver Bullet by Hubert J. Davis,  a woman named Aunt Nan Miller tells a tale in which a bag of silver and gold coins magically comes to her. One of those silver coins later saves her family when they melt it down and use it to shoot a doll of a witch who has been plaguing them.

A silver coin placed under a butter churn could help counteract minor witchcraft and get butter to come unless the spell was severe. In that case the milk was scalded in fire or whipped with switches to torment the witch spelling the churn. An informant cited in Gerald C. Milne’s Signs, Cures, & Witchery seemed to think that the coin should be heated to a high temperature and added to the churn, and that the presence of the words “In God We Trust” on the coin had something to do with its power, though that would only date the practice to the 1860’s, when that motto first appeared on U.S. coinage.

The presence of silver in the coin seems to be its key to potency, as modern dimes (those produced after 1963 when the U.S. Mint drastically reduced the silver content of the coins) are not frequently used to the same effect.

Lucky Pennies
The concept of the lucky penny is widespread in America. I even have a lucky penny keychain given to me by my younger brother from a trip he made to Las Vegas. They apparently sell them in the casino lobby.  Patrick Gainer describes a lucky penny worn as a podiatric accessory: “If you wear a penny in your shoe, it will bring good luck” (Witches, Ghosts, & Signs 123). This is quite likely the origin of penny loafers. And of course, there’s always the nursery rhyme/thinly-veiled-bit-of-witchery:

See a penny, pick it up,
All the day you’ll have good luck.
See a penny, let it lay,
Bad luck follows you all day (this is my own recollection of the rhyme, and there are many variants of it)

The “Indian Head” cent, a copper coin produced between 1859 and 1909 in the United States, is thought to be an especially useful incarnation of the lucky penny, able to perform almost conscious acts of magic on their own. Yronwode describes them as ‘Indian Scouts’ which can be used to keep the law away from your property (especially if you are engaged in illicit activity). The easiest way is to simply nail them around doors or windows. One method described by Yronwode has the penny being placed between two nails which are then flattened into an ‘X’ shape over it to cross out the law’s power to find the place.

Yronwode’s Lucky W Archive has a very in-depth study of lucky coins, including the penny, which I will avoid quoting as simply visiting her site will provide far more insight than any summation I can give here. We also discussed lucky pennies and coins a bit in Podcast 13 – Lucky Charms, so give that a listen, too.

Magical coins aren’t solely limited to these denominations, of course. The more general idea of a magical coin appears in a variety of literature and folklore. In Melville’s Moby Dick, for example, Captain Ahab nails a coin to the mast of the ship as a temptation to the men to seduce them into his quest for the white whale. This is related to maritime folklore in which coins would be nailed to the mast for good winds and luck (American Folklore 962). From Hubert Davis comes the story of Pat  who tricks the Devil into becoming a coin to pay a bartab and then puts him in an enchanted purse (this is a variation on a Jack tale in which Jack outwits the Devil—in the Jack variants he frequently uses a Bible or something marked with a cross to contain the Devil). Pat refuses to free him until the Devil promises never to take Pat to hell. This becomes the story of the Jack-o-Lantern in some versions, of course (Davis 163-166).

One of the most interesting applications of magical coins I’ve found comes out of Appalachia (and has precedents going back further) and has to do with curing warts. People with a certain gift could rub a person’s wart with a coin, usually a penny, and then tell him or her to spend the penny and thus give away the wart. My brother-in-law’s grandfather reputedly had this ability, being the seventh son of a seventh son. He had an upstanding reputation as a good Christian man, but he was able to do both wart charming and well dowsing, showing (to me at least) that magic can easily transcend religious barriers. This sort of curing is also described in Milne’s book, along with other wart cures favored by Appalachian healers (Milne 159). Coins can also be used to pay the dead who work with you; my own teacher taught me that graveyard dirt should be bought with three pennies and a shot of whiskey or rum. And a court spell from Voodoo & Hoodoo by Jim Haskins also mentions the coin as a useful component of love spells, particularly ones which require someone to stick close b you physically (Haskins 185).

There are many other bits of lore regarding coins and magic, of course, but sadly I must draw this entry to a close somewhere, and for now I think it’s best to cash out here. If you have good magical uses of coins, please feel free to share them!

Thanks for reading,

-Cory

Tales from the Witching Hour No. 1

Shownotes
In this, the first of a series of short episodes, Cory and Laine discuss their recent Hallows Eve working in the woods. These episodes will be chronicling our experiences with magical practices and rituals, and are more or less unedited and have very little production work done on them. Apologies for sound issues or other problems, but we hope you enjoy getting a little personal insight into what we do.

Listen: Tales from the Witching Hour No. 1

Play:

Music
“Serenade,” by Schubert. From http://www.archive.org/

Podcast Special – All Hallows Read

-SHOWNOTES FOR PODCAST SPECIAL-

Summary
In our very special and rather remarkable Halloween episode, we have original works of short fiction from six talented horror writers. Special thanks to our guests and our listeners!

Play:

Download:  New World Witchery Special – All Hallows Read

-Sources-

I mention the concept of All Hallows Read early on, which is an idea from author Neil Gaiman. All works herein are original and retain the copyright of their authors. They are used with authorial permission on this episode. For your convenience, here’s a rough index of where the different stories and promos are in the show:
0 – Intro
7:40 – “Midnight,” by Saturn Darkhope
25:02 – “A Flash of Red,” by Inanna Gabriel
35:40 – Pennies in the Well promo
36:20 – Children of the Moon (Misanthrope Press) promo
37:53 – “The Crystal Well,” by Oraia Helene
51:10 – The Demon’s Apprentice, “Chapter 2,” by Ben Reeder (read by Peter Paddon)
1:09:52 – “They Dance at the Full Moon,” by Cory Thomas Hutcheson (that’s me!)
1:35:05 – Media Astra ac Terra promo
1:35:40 – Uneasy Lies the Head (Pendraig Publishing) promo
1:36:45 – Lakefront Pagan Voice promo
1:37:34 – “Rushing Water,” by Scarlet Page
2:00:55 – Closing notes/Credits/Outro

Promos & Music
“Grifos Muertos” by Jeffery Luck Lucas, from his album What We Whisper, on Magnatune.com

All incidental music comes from the Apple GarageBand program and Archive.org

Special Episode – All Hallows Read

New World Witchery Special – All Hallows Read
Six spooky stories from six rising stars of horror:
1) “Midnight,” by Saturn Darkhope
2) “A Flash of Red,” by Inanna Gabriel
3) “The Crystal Well,” by Oraia Helene
4) A selection from “The Demon’s Apprentice,” by Ben Reeder (read by Peter Paddon)
5) “They Dance at the Full Moon,” by Cory Thomas Hutcheson
6) “Rushing Water,” by Scarlet Page
(complete shownotes at http://www.newworldwitchery.com)

Blog Post 141 – Witch Hazel

Today’s entry is not about the crazed cartoon sorceress from Warner Bros. cartoons (voiced by the inimitable June Foray), but instead we’ll be looking at the remarkable fall-blooming witch hazel tree. Really, the Hamamelis virginiana is not exactly a tree, but a woody shrub which can be found growing near water sources or in forest undergrowth throughout the Eastern United States (as well as in parts of Europe). It bears gorgeous yellow flowers in fall which look almost like a deep yellow honeysuckle bloom or a spidery golden star. It has a number of medical applications (you can usually find an astringent extract of the same name in your pharmacy), and has been used as a tea, poultice, extract, and tincture to treat bleeding wounds for a long time, according to botanical.com.  The handy little book Folk Medicine in Southern Appalachia names witch hazel as a topical treatment for hemorrhoids and sunburn, and mentions it as an infusion for treating menstrual discomfort.

But you’re probably not here for the medical qualities of the plant (although I should quickly make my regular disclaimer that nothing herein contained is intended as medical/legal advice and you should see professional guidance when using any herb, plant, or botanical). So let’s look at the folklore surrounding this plant.

The name is a good jumping-off point. Wikipedia (forgive me, please) indicates that the appellation of “witch” to this plant is related to an Old English word meaning “bendable” or “pliant,” due to witch hazel’s extremely flexible branches. It also tangentially relates it to its folkloric use as a dowsing tool. Since being able to dowse for water or other hidden substances is often referred to as “witching” for such things, connecting the tree name to its application makes some sense. Essentially this could be a chicken-and-egg argument about which idea came first, so I’ll just leave the question hovering in the ether for you to contemplate.

Since we’re mentioning witch hazel’s connection to dowsing, let’s look at one method of using it in this way, from Vance Randolph’s Ozark Magic & Folklore:

“Well, I just cut me a green fork off a peach tree some fellows use witch hazel or redbud, but peach  always works better for me and take one prong in each hand. Then I walk slowly back and forth, holding the fork in front of me, parallel with the ground. When I cross an underground stream the witch stick turns in my hands, so that the main stem points down toward the water. Then I drive a stake in the ground to mark the place, and that’s where I tell ’em to dig their well” (p.83)

In this example, the informant shows a preference to peach branches over witch hazel (which I found in several other sources as well, particularly those focused on the American Southeast). Another informant of Randolph’s, one Mr. A.M. Haswell of Joplin, Missouri, espouses a staunch preference for witch hazel. Regardless of the tree, the technique remains the same. This account does not mention the holding method, which usually involves a palms-up grip, with the thumbs pointing out and away from the body. The stick ‘turning’ is a violent bobbing action, and truly accomplished dowsers can count the bobs to indicate approximately how deep the well is (thirty bobs equals thirty feet, for example).

Witch hazel can be used for other magical applications, too. A technique which seems—to me, anyway—related to its pharmaceutical properties involves using hazel branches to cure warts, scars, or blemishes. The patient takes a hazel stick, cuts three notches into it, applies some blood from the afflicted body part, and casts it into running water (Folklore of Adams County, Hyatt). One version of this method recorded in Folk Medicine by William Black involves writing one’s name on the branch and filling those grooves with blood.

The plant can also be used in protection magic. Randolph mentions that Ozark hillfolk would tie hazel twigs into little crosses and hung on their walls to guard against disease, especially in barns to safeguard the animals (p.284). This is somewhat like the rowan tree charm, which involves crosses of rowan twigs bound by red thread used as protective aids.

So as you are out on your autumn evening walks, keep an eye out for this gorgeous and rather useful magical plant.  Try your hand at dowsing, or just make some healing or protective charms. But make friends with the poor, sweet witch hazel. She gets awfully lonely, and we don’t want her out hunting wabbits, do we?


Thanks for reading!

-Cory

Quick Update – Contest Deadline Extended!

Hi everyone!

So we’ve only had a small handful of submissions to our contest, and we really want to get more people to participate to make this audio spellbook concept to be the best it can be. So we are extending the deadline to enter this contest to November 18th, 2011.

You can read the full description of the contest in our original blog post on it, but here’s a quick summation of the rules:

  • Share a favorite spell that you’ve used and which works for you
  • Files <5 minutes in length, in .mp3, .m4a, AAC, or .wav format
  • Tell us who you are and where you’re from, generally
  • Please tell us all spell components and describe actions carefully
  • Send us your file at compassandkey@gmail.com , subject line: “Audio Spell Contest”
  • Deadline November 18th, 2011

For those of you who’ve already entered, we still have your names in our proverbial hat, but if you’d like to increase your chances of winning, you can get an extra entry by doing the following:

  • Posting about the contest w/ a link back to this page in Facebook, Twitter, etc.
  • Sending us an email or leaving us a comment here telling us that you’ve linked the contest

We’ve got a better lock on the prizes, too! We’re going to do books by authors who have appeared on our show, including:

Prizes and winners will be picked at random, but any of these books would be a great addition to a magical library.

If you’ve already submitted and want to do another entry, feel free! Every submission gets you an entry into the contest.

Here’s hoping we hear from you soon! (Pretty please? With magical cherries on top?)

-Cory

Podcast Special – Two Terrible Tales

-SHOWNOTES FOR PODCAST SPECIAL-

Summary
Tonight’s episode is two short ghoulish yarns and a poem of ghastly delight from masters old and new(ish) of the horror genre.

Play:

Download:  New World Witchery Special – Two Terrible Tales

-Sources-
The Hollow of the Three Hills,” by Nathaniel Hawthorne
There is a Grey Thing,” by Stephen Crane
The Terrible Old Man,” by H.P. Lovecraft

Promos & Music
“Grifos Muertos” by Jeffery Luck Lucas, from his album What We Whisper, on Magnatune.com

Special Episode – Two Terrible Tales

New World Witchery Special – Two Terrible Tales
The Hollow of the Three Hills by Nathaniel Hawthorne, There is a Gray Thing by Stephen Crane, and The Terrible Old Man by H.P. Lovecraft
(complete shownotes at http://www.newworldwitchery.com)

Podcast Special – The Sullivan Looking Glass

-SHOWNOTES FOR PODCAST SPECIAL-

Summary
Our second October story is a tale of supernatural intrigue from Harriet Beecher Stowe entitled, “The Sullivan Looking Glass.”

Play:

Download:  New World Witchery Special – The Sullivan Looking Glass

-Sources-
The Sullivan Looking Glass,” by Harriet Beecher Stowe

Promos & Music
“Grifos Muertos” by Jeffery Luck Lucas, from his album What We Whisper, on Magnatune.com

Special Episode – The Sullivan Looking Glass

New World Witchery Special – The Sullivan Looking Glass
The Sullivan Looking Glass by Harriet Beecher Stowe
(complete shownotes at http://www.newworldwitchery.com)