Posted tagged ‘saint days’

Blog Post 161 – Summer Saints, part II (St. John’s Eve)

September 5, 2012

Hi all!
I realize this is rather late, and that I’ve taken a long time to get it out. I’m still working on papers and projects for the graduate seminar, which wound up being incredibly time-consuming, so I had very little time to devote to my work here. However, I hope you’ll forgive me and enjoy the articles I do manage to put out when I manage to get them up.

Today, let’s continue working on those summer saints I started in the last post. While there are plenty of saints remaining in the calendar for the season, I thought that one saint’s feast day deserved some particular attention. St. John’s Eve, which is June 23rd, is ostensibly a celebration of the life and times of John the Baptist. It falls remarkably close to Midsummer, however, and so its connotations and meanings have absorbed a good bit of the lore associated with that holiday, too. It features prominently in accounts of New Orleans Voodoo from the nineteenth century, and functions as a day of tremendous power for working all sorts of quasi-magical operations. Let’s look at two from (quasi-)anthropological perpsectives. The first is an account found in Robert Tallant’s Voodoo in New Orleans, taken from a newspaper report contemporary to the events described (allegedly 28 June 1872):

“On Monday morning (St. John’s Day) I went to the French Market for the express purpose of finding out…the exact spot where the Voudou Festival would be held this year…I took the 8 o’clock train on the Ponchartrain Railroad. Arriving at the lake I fooled around a little; saw great crowds…I hired a skiff and pulled to the mouth of Bayou St. John—the best way of getting there from the lake end—the festival took place near Bayou Tchoupitoulas. Upon arriving at the shanty I found congregated about two hundred persons of mixed colors—white, black, and mulattoes…Soon there arrived a skiff containing ten persons, among wich was the Voudou Queen, Marie Lavaux [sic]. She was hailed with hurrahs.

The people were about equally divided male and female—a few more females. The larger portion of the crowd Negroes [sic] and quadroons, but about one hundred whites, say thirty or forty men, the remainder women.

Upon the arrival of Marie Lavaux, she made a few remarks in Gumbo French [Creole, I presume the reporter means], and ended them by singing, “Saiya ma coupe ca,” to which all hands joined in the chorus of “Mamzelle marie chauffez ca.” [reporter’s itallics, not mine]…The song ended, orders were given by the queen to build a fire as near the edge of the lake as possible, which was ‘did,’ every one being compelled to furnish a piece of wood for the fire, making a wish as they threw it on. Then a large caldron [sic] was put on the fire; it was filled with water brought in a beer barrel; then salt was put in by an old man, who jabbered something in Creole; then black pepper was put in by a young quadroon girl; she sang while putting in the pepper; then a box was brought up to the fire, from which was taken a black snake; he was cut into three pieces (the Trinity), one piece was put in by Marie Lavaux, one piece by the old man who put in the salt, and one piece by the young girl who put in the pepper; then al ljoined in chorus of the same song: “Mamzelle Marie chauffez ca;” then the queen called for a ‘cat,’ it was brought, she cut its throat, and put it into the kettle.

Another repetition of the same chorus, then a black rooster was brought to the queen. She tied its feet and head together and put it in the pot alive. Reptition of the chorus. Then came an order from the queen for every one to undress, which all did, amid songs and yells. The queen then took from her pocket a shot bag full of white and colored powders. She gave orders for every one to joino hands and circle around the pot. Then she poured the powders into the pot, sang a verse of some oracle song, to which all joined in a chorus while dancing around the pot, “C’es l’amour, oui Maman c’est l’amour, etc.”…everybody went into the lake, remained in the bath about half an hour…in half an hour the horn was blown (a sea shell), and all hand shurried back to the queen, and set up another chorus to a verse she sang to the same tune as the first one.

After the song she said ‘You can now eat’” (Tallant 80-81).

A long account (even with my editing), and likely a pretty sensationalized one. Certain aspects—communal feeding, dancing, music, memorized choruses, and the direction of a guiding presence like Marie Laveau—all ring somewhat true to accounts of African Traditional Religious practices in other places, such as the thorough examination of Brooklyn Vodoun in Mama Lola. Yet other features seem glaringly off, such as the complete lack of lwa, or the insistence on nudity (a common embellishment which appeared in several accounts and which essentially exists to exoticize and sexualize an entire race—even in the 1920’s stage shows at The Cotton Club in New York featured nude Black dancers with spears and tribal makeup because white patrons enjoyed “primitive” Black culture). The St. John’s dances, however, were highly popular affairs, and I see no reason to doubt that they truly happened. In many cases, it seems whites saw what they wanted to see—or what they were directed to see, and missed a great deal of the spiritual side of the events.

In Mules & Men, Zora Neale Hurston recounts her apprenticeship with Laveau’s alleged nephew, Luke Turner, who gives a somewhat more mystical (and significantly shorter) version of events:

“Out on Lake Ponchartrain at Bayou St. John she hold a grat feast every year on the Eve of St. John’s, June 24th. It is Midsummer Eve, and the Sun give special benefits then and need great honor. The special drum be played then. It is a cowhide stretched over a half-barrel. Beat with a jaw-bone. Some say a man but I think they do not know. I think the jawbone of an ass or a cow. She hold the feast of St. John’s partly because she is a Catholic and partly because of hoodoo.

The ones around her alter fix everything for the feast. Nobody see Marie Leveau [sic] for nine days before the feast. But when the great crowd of people at the feast call upon her, she would rise out of the waters of the lake with a great communion candle burning upon her head and another in each one of her hands. She walked upon the waters to the shore. As a little boy I saw her myself. When the feast was over, she went back into the lake, and nobody saw her for nine days again” (Hurston 193).

Again, I am a bit skeptical about Turner’s claims in some ways, but he seems to get at the heart of the event in a more profound way. Laveau becomes a demi-goddess in his account, a precursor to the lwa which she would eventually become. Certain aspects of both accounts agree: the presence of music, particularly drum music; the great communal feast; the crowd chanting and calling for her to arrive. For a celebration of St. John, the focus in these accounts tends to be awfully heavy on Marie Laveau, no?

However, that is not to say that St. John should be completely left out of his own holiday. Even one of Tallant’s informants recognizes the role the saint plays in the New Orleans frenzy on his feast day:

“Alexander Augustin remembered some of the tales of old people which dated to the era of the Widow Paris [another name for Marie Laveau].

‘They would thank St. John for not meddlin’ wit’ the powers the devil gave ‘em,’ he said. ‘They had one funny way of doin’ this when they all stood up to their knees in the water and threw food in the middle of ‘em. You see, they always stood in a big circle. Then they would hold hands and sing. The food was for Papa La Bas, who was the devil. Oldtime Voodoos always talked about Papa La Bas” (Tallant 65-6).

So does that mean that John’s role—and I should here clarify that the John honored on St. John’s Eve is St. John the Baptist, who was written about in the New Testament, but who was not the author of the Gospel of St. John (different saints entirely)—is always sublimated to another spiritual force, be it Marie Laveau or Papa Le Bas (also frequently called Papa Lebat, and sometimes seen as an alternate identity for Papa Legba, although he may also be named after a New Orleans priest who tried to eradicate Voodoo only to become a lwa after his death)?

Let us briefly look at the saint behind the day, then. Since we’ve already spent so much time in New Orleans, I’ll pause to crack open my copy of Denise Alvarado’s Voodoo Hoodoo Spellbook, which says that St. John is aligned with Ogun, Agonme, and Tonne in the lwa/orisha traditions, and that he has patronage over silence, slander, bridges, and running water. While Alvarado does note that the eve of June 23rd involves observations in honor of Marie Laveau, she does a lovely job looking at the current understanding of the saint’s feast day on the 24th:

“[The] holiday coincides with summer solstice, celebrated in New Orleans every year by Mambo Sallie Ann glassman at St. John’s Bayou. To celebrate the summer, the warmth, fire, and nourishment from the sun. For opportunities, good luck, and to realign with cosmic forces” (Alvarado 74).

Both Hurston and Alvarado have noted the strong connection to the sun with this day, not surprising given its proximity to the summer solstice. Within Christian cosmology, the desert-dwelling St. John recognized Jesus before most others had, and spoke of baptizing people with fire. He saw the heavens open up, and the holy spirit—sometimes represented by fire, though in this case in the form of a radiant dove—descend to earth to acknowledge Jesus as God incarnate. A number of solar symbols appear in this myth—deserts, fire, heavens opening up, descending light, and even the metaphorical light of understanding which enables John to see Jesus’ true nature. And since Midsummer forms the balance point for the winter holidays, which included the feast of Sol Invictus (the Unconquered Sun), it makes a great deal of sense to have the fiery and solarly-aligned John the focus of such a major holiday. Plus, they guy lived off of locusts, so I think we can spare him a day on the calendar.

Turning to NWW favorite Judika Illes, we find that St. John is associated with the color red, love spells, herbs, marriage, fertility, and, of course, beheading (the method of his death). She notes that he “has dominion over healing and magical plants in general,” which makes sense as one of the famous magical herbs bears his name: St. John’s wort. A bevvy of rituals surround the acquisition and deployment  of this enchanted plant, the most famous of which Illes shares in her book:

“If you rise at dawn on Midsummer’s Day and pick a sprig of St. John’s Wort with the dew still clinging to it, tradition says you will marry within the year—but only if you do not speak, eat, or drink from the time of rising until after the plant is picked. A second part to this spell claims that if you slip the plant benath your pillow and go back to sleep—still without eating, drinking, or speaking—your true love will appear in your dream” (Illes 381).

The Encyclopedia of Mystics, Saints, & Sages also points out that in a number of European cultures, any herb gathered on St. John’s Day before dawn is inherently imbued with intense magical qualities.

Finally, let’s finish up our (rather long) snapshot of St. John with a smattering of magical lore surrounding him and his feast day from around the world:

  • “Wear a mugwort wreath around your brow on Midsummer’s Eve to banish headaches for a year” (Illes 381).
  • “Gather blossoming St. John’s Wort at midnight on St. John’s Eve. If the blossoms remain fresh in the morning, this is an auspicious sign that the rest of the year will be happy; if the blossoms have wilted, magical protective measures may be in order” (Illes 381).
  • To return an wandering lover, gather three roses on St. John’s Eve, bury two secretly  before sunrise in a grave and under a yew tree, and put the third under your pillow. Leave it for three nights, then burn it, and your lover won’t be able to stop thinking about you (Illes 381).
  • St. John is the patron of conversion/baptism and tailors, and can be petitioned for “good luck, good crops, fertility, & protection from enemies” (Malbrough 29).
  • In Russian, a priest would visit local farms on St. John’s day and make a cross of fresh tar on the fence posts while reciting a prayer to keep away witches “who were liable to go around in the shape of dogs and steal milk from the cows” (Ryan 43).
  • A Russian spell from the Enisei region of Siberia notes that gathering twelve magical herbs (unspecified) on St. John’s Eve and placing them under the pillow would induce prophetic dreaming (Ryan 47).
  • St. John could be invoked in a charm with St. Peter to diminish fevers, according to English cunning man William Kerrow (Wilby 11-12).
  • English cunning woman Ursula Kemp “recommended three leaves each of sage and St. John’s wort steeped in ale,” as a powerful potion against witchcraft (Davies 110).

So that’s a little look at St. John. And his day. That was worth the wait, right?

One thing I did learn in my long absence is that I should be careful about setting expectations with some of these posts. I originally intended to make a 3-to-5-part series on the “summer saints,” but at this point it will probably be a while before I return to the saints I had planned to cover in the remaining posts. I still will be addressing magical saints in various articles and from a few different perspectives, but I think for the moment I want to move on to other topics here. My reading and research have me exploring a number of topics, and I’d prefer to get those covered here while they’re fresh in my mind, so forgive me if I get a little bit more scattershot in terms of what gets posted here. I’ve also had requests for topics to be covered that I may essay given a bit of time and the proper resources. So, in other words, I’ve got lots to do, and the saints of summer may just have to wait a bit. I hope that’s okay with y’all.

With all of that being said, thank you so much for hanging in there with me. I’ll do my best to keep work coming your way, but I hope that what is here already is proving useful to you. I’m not going away anytime soon, even if I do seem quiet from time to time. I really love getting emails and comments, too, and I apologize for the delays in response  to those, but thank you to everyone who has written in.

I really appreciate your patience, and thanks so much for being friends to us here at New World Witchery!

Thanks for reading,

-Cory

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Blog Post 160 – Summer Saints, part I

June 13, 2012

Hello everyone!

Today is the feast day of St. Anthony of Padua, one of the saints for whom I maintain an altar. There are a number of saints who have feast days during the summer months, and most of them also have some sort of magical practice associated with their specific day(s) of reverence. I know not everyone reading this is disposed to work with saints, so if they’re not your cup of tea (or sacramental wine), I completely understand if you skip this post. For those of you left reading, I hope this will be an interesting glance at the “summer saints.” I tend to think of folk Catholicism as a strong magical presence in certain areas of the New World, and one that has lingered from the early days of New France and New Spain into the modern day, so maybe some of you all out there feel the same. At any rate, on to the saints!

In this particular calendar (which I’m basing primarily on the current Roman Catholic feast day assignments), I’m only including saints who have specific magical rituals or practices associated with their holy days, as otherwise the list would be quite extensive. I also include a few of the ‘folk saints,’ ones that have not gone through the process of official canonization yet. None of these are going to be particularly in-depth examinations of the saints listed or their stories (but there may be more on that front later, hint, hint), but instead I’ll focus on telling you a one-to-two sentence biography of the saint, a little about the symbols and offeratory items involved in working with those saints, and then I’ll list any relevant folk rituals, crafts, or charms associated with that saint.

Unless otherwise noted, the spells are referenced from Judika Illes’ Encyclopedia of Mystic, Saints, & Sages (Harper One, 2011).

Joan d’Arc (Joan of Arc) – May 30th
St. Joan was only officially canonized in 1920, more than 500 years after her execution as a religious heretic. Famed as a military leader, a divinely led warrior, a mystic, and a woman of tremendous influence, Joan of Arc has become a national symbol for France and a patroness for a number of people and causes. Her official saint’s day is May 30th, but she’s also celebrated as a secular French heroine on May 8th.

Patronage: prisoners, rape victims, soldiers, horses, doves
Symbols:  horses, doves, armor, swords, a military banner
Offerings: French food (especially rustic things like bread), toy horses or knights, swords, water (esp. if offering her a candle, as she was burned at the stake, so offer refreshment if using fire in her rituals)

St. Joan Home Protection Spell:
-Ingredients-
Small (“chime”) candles, in gray, white, or silver – one for each member of the household
A knife or sharp tool to inscribe the candles

  1. Name each candle for a member of your household, and carve that person’s name into the wax
  2. Petition Joan with a prayer, once for each candle
  3. Repeat for a total of nine nights

 St. Anthony of Padua – June 13th
St. Anthony is the famous “finder of lost things,” which can include lost people, lost souls, etc. He’s also a devout helper of the poor and needy, and frequently depicted warmly jostling a child Christ in his arms.

Patronage: Anyone who’s lost anything – amputees (lost limbs), orphans (lost parents), Native Americans (lost homeland), etc. Also patron of the oppressed, draftees, expectant mothers, the infertile, the elderly, spice merchants, fishermen, travel agents, shopkeepers, and (paradoxically) thieves
Symbols: lily flowers, a baby (in the arms of a monk, especially), fish, bread
Offerings: bread, olive oil, lilies, heart-shaped Milagros, charitable donations to the poor and hungry, cigars, whiskey/rum/wine, coffee

Because he’s one of my especial favorites, I’m going to share several  of the magical workings associated with St. Anthony. I’ve mentioned the famous “Tony, Tony, please come down…” lost-object finding charm before, so I’ll skip that one today, but here are three other ways to work with St. Anthony in magical practice.

  1. Judika Illes recommends a simple way to gain St. Anthony’s blessing and protection: call his name nine times aloud in succession.
  2. A cure for male impotence, from Reginald Scot’s The Discoverie of Witchcraft:

“Item, one Katharine Loe (having a husband not so readilie disposed that waie as she wished him to be) made a waxen image to the likenes of hir husbands bewitched member, and offered it up at S. Anthonies altar; so as, through the holinesse of the masse it might be sanctified, to be more couragious, and of better disposition and abilitie, &c.” (Chapter VII)

  1. Denise Alvarado gives this spell, for getting someone to return a borrowed object to you:

“If you wish something returned to you, turn an image of St. Anthony upside down by a St. Anthony candle. Carry the amulet and pray to St. Anthony until your request is granted” (Voodoo Hoodoo Spellbook 67).

 St. Vitus – June 15th
The patron saint of Prague (and thus one for whom I have a fondness), St. Vitus is most famous for his association with a very strange disease known as St. Vitus Dance, which caused its victims to jitter and jive and generally look like they were dancing until they literally died from it. Explanations of this disease vary, with everything from ergot poisoning (that old standby of witchcraft accusations) to religious ecstasy getting the blame, but whatever the case, St. Vitus is firmly associated with this peculiar phenomenon, now known as chorea.

Patronage: actors, theater folk, dancers (of course), comedians, vagabonds, vaudevillians, brewers, tinkers, coppersmiths, travelers (and to some extend Gypsies because of this association), vintners, pharmacists, roosters, mushroom growers, epileptics (whose affliction is sometimes called St. Vitus Dance in folk medicine)
Symbols: a palm branch, a cauldron (ahem), a rooster, dogs, lions, in some circles the fly agaric mushroom is associated with him
Offerings: dancing, donations to animal shelters (he loved dogs, apparently), candles, incense, Czech glass decorations

To Gain a Year of Good Health

  1. Find a statue or church of St. Vitus (very easy if you live in Prague)
  2. Dance before it on June 15th, preferably for an entire night
  3. Finish by falling at the foot of the statue or at the door of the church, asking for the blessing of St. Vitus

Judika Illes also mentions that you can perform a form of curse by pointing at someone and saying “Let St. Vitus take you!” in order to afflict them with his strange dancing disease.

St. Lazarus – June 21st
Frequently confused with the biblical Lazarus raised from the dead by Jesus in the Gospel of John, this Lazarus is often depicted as a decrepit old man leaning on a crutch and being followed by a faithful dog (or two). He’s a leper who receives a miraculous healing in a Christian parable, and who is frequently syncretized to the Vodoun lwa of Babalu Aye (and sometimes with Papa Legba). He’s now strongly associated with helping victims of HIV and AIDS.

Patronage: sufferers of long-term illness, especially diseases like leprosy, AIDS, smallpox, etc. He guards dogs as well, and is frequently venerated as a patron of Cuba.
Symbols: a walking stick or crutch, beggar, dogs, the Hermit tarot card
Offerings: Milagros shaped like an afflicted body part, candles, water, offerings to the poor or homeless, popcorn. Do not give him wine (according to Illes: “if it spills, it hurts his sores” (428)).

For Healing of Chronic Affliction
-Ingredients-
Milagro or symbol of afflicted part
St. Lazarus candle or a new crutch/cane
A little dry dog food

  1. Take a symbol of the afflicted body part (like a milagro, or a cookie baked into the appropriate shape) to a crossroads, especially on the evening of June 21st
  2. Place the symbol, the candle (lit if you can, but DO NOT leave a burning candle unattended in a place where it could start a fire or be a road hazard), and/or the crutch all as close to the center of the crossroad as possible without it being dangerous to oncoming traffic
  3. Leave the offering at a crossroads, praying and asking St. Lazarus to come by and “pick up” your affliction to take with him
  4. Put a little dog food out for his dogs to boost his favorability toward you
  5. Return home without looking back

That takes us up through late June, and there are still a lot of days and workings to cover! You may have noticed I stopped just shy of one of the big days in New Orleans Voodoo celebrations, St. John’s Eve, which I hope to pick up in the next post. Then I’m hoping to do the saints remaning in June, July, and August, but of course the best laid plans of mice and men…

Speaking of, I’m reading Of Mice and Men (again) as one of the approximatel 20 books I’ve been assigned for my six-week summer graduate seminar, which I’ve just begun. So please do bear with me if I suddenly become a hermit and say nothing on Twitter or the blog or the podcast for a few weeks—I still exist, and will resurface once my eyeballs stop throbbing from all the reading. I will be trying to get occasional posts up, too, so do stay tuned.

Thanks for reading!
-Cory


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