Tag: folklore

Blog Post 107 – More Winter Lore

Greetings everyone!

I’m putting the rest of my series on Magic Books in the American Colonies on hold, temporarily.  Partly this is because I’ve decided to get working on the Resources page I have been planning to do for a while, which means that even if the posts themselves are weeks or months apart, they will be easy to read in succession because of their indexing on that page.  But mostly it’s because I’m in a holiday mood, and that means I really want to write about winter lore.

Let me start by sharing some of the links and information I missed in our show notes from the contest entries our listeners submitted.  For example, Kathleen of Borealis Meditation sent me a lovely batch of pictures featuring the fireweed (Epilobium angustifolium) from her lore submission:

In case you haven’t heard the related yuletide tale on the show, the folk wisdom goes that these shrubs, which grow after a wildfire has spread through a landscape, bloom from the bottom up.  They also go to seed from the bottom up, turning into “fluff” as they go.  When the fluff hits the top of the stalks, the first snow will fall, so the story says.

I also failed to put a link to listener and blogger Nathalie’s “24 Posts to Christmas.”  If you remember, Nathalie shared the lore about the Kuppelchen, a type of house-spirit responsible for taking care of a household and which often appears in families where magical folk are present.  In addition to this great bit of lore, Nathalie gives lots of holiday tidbits, tales, and recipes, including one for Grog—a very warming and bracing adult beverage for those cold winter days.  She also talks about things like Christmas Markets, St. Nicholas, and lead casting (which we also mentioned on the show, I think).

December is full of magical holidays, not just the mid-to-late month festivities that everyone knows about.  I’d like to throw two Catholic holidays out there (don’t worry, there won’t be any dogma, just a few of the more magical traditions associated with them).

First, there’s St. Nicholas’s Day, which is December 6th.   The night beforehand, children leave out their shoes near the door or fireplace, and in the morning, find them full of toys, candy, nuts, and fruit.  This custom, which seems to be Northern European in origin, is one I grew up with in my house.  St. Nicholas is also usually accompanied by a darker traveling companion, too, such as Ruprecht, Belsnickel, or Krampus.  This “anti-Santa” leaves punishments for naughty children, but can also be fairly benign and simply serve to balance out the whole “jolly old elf” side of the season.  I remember seeing lots of people dressed as either an angel or a devil on St. Nicholas’s Day while living in Prague, so the tradition of masking also ties into this holiday.  There is also an Appalachian tradition called “Belsnicking” which involves making masked visits to one’s neighbors during the holiday season (you can find a lot about that in Gerald Milne’s Signs, Cures, & Witchery).

One thing I really wanted to mention, but for some reason didn’t, was St. Lucy (or Santa Lucia).  Lucy (whose name is deeply connected to the Latin “luce” or “light”) was a saint who tore out her own eyes as a demonstration of fidelity to her faith.  It’s a pretty gruesome thought, and much Christian art depicts this saint as carrying her own eyes on a silver platter.  Not exactly the type of story we think of while baking gingerbread men, right?  But St. Lucy’s Day, which falls on December 13th, is incredibly popular in Scandinavian countries.  Rather than focusing on the awful self-blinding, instead little girls wear crowns of candles and evergreens on their heads as they perform holiday parades dressed in all white gowns.  The girls then hand out sweets like gingerbread (pepparkakor) and chocolate to the people they pass, all the while, singing carols.  There’s a special type of pastry, the St. Lucia Bun, which is also made on this holiday.  In Italy, children leave out coffee or chocolate for Lucia, as well as bread and grain for her donkey.

There are still so many wonderful holiday traditions, customs, and magics out there to mention, but I’ll pause here for today.  I hope you’re enjoying the spirit of the season!

Thanks for reading!

-Cory

Podcast 21 – Winter Lore

-SHOWNOTES FOR EPISODE 21-

Summary

In this episode, we share some of the winter lore we received in our recent contest.  We look at the various wonderful traditions from around the continent (and the world), and share some of our own holiday practices.  Plus, we have a special guest!  We also discuss reclaiming the holiday season, and we have the winners of our contest!  Thank you to all who contributed!

Play:

Download:  New World Witchery – Episode 21
-Sources-
Most of our lore comes from either us or our listeners this time around. But if you’re looking for some good books on holiday customs and traditions, I can recommend:
All Around the Year, by Jack Santino
The Winter Solstice: The Sacred Traditions of Christmas, by Caitlin & John Matthews
The Return of the Light: Twelve Tales from Around the World for the Winter Solstice, by Carolyn M. Edwards
Stations of the Sun: A History of the Ritual Year in Britain, by Ronald Hutton
Pagan Christmas: The Plants, Spirits, and Rituals at the Origins of Yuletide, by Christian Ratsch
Promos & Music
Title music:  “Homebound,” by Jag, from Cypress Grove Blues.  From Magnatune.
Promo 1 – Borealis Meditations
Promo 2 – Forest Grove Botanica
Promo 3 – Appalachian Witch Doctor Tales

Blog Post 106 – Book Review

The Faeries’ Guide to Green Magick from the Garden by Jamie Wood and Lisa Steinke, illustrations by Lisa Steinke

When I was asked to review this book from the publisher*, I said yes without knowing anything about it. The title intrigued me, so I thought I’d give it a chance. I have to be honest though, anytime I hear anything about “faerie” books, I’m always a bit wary. Some books can be a bit more new agey than I like, and, dare I say it- a little fluffy. However, I was pleasantly surprised by how this book treats the subject of faeries.

To start out, the authors talk about Man and his symbiotic relationship with the earth. Talk is quickly shifted to a “go green” type of message, and how important this is in order to have any relationship with the faeries. It comes off a bit heavy handed, especially since it’s all information that any pagan already knows. However, Wood and Steinke then go on to explain how they view faeries- as the life forces of plants. They explain that plants are living beings, and that each faerie has an individual energy and personality that is a manifestation of that plant energy. They go on to say that Steinke’s lovely illustrations are her own personal interpretation of that faerie energy. I was really happy with this explanation, as it’s pretty close to my own view of faeries and they explain it in a easy to understand way.

There are a few more chapters on magickal** gardening, green gardening, and complimentary medicine. I found these to be a bit extraneous though, because they only touch on the subjects in passing. I’m glad though, because the best part of the book is what’s next- the Herbal Index. I loved this part of the book. The set up is that each herb has it’s own entry, with 33 of the most common herbs represented. Each herb has Steinke’s illustration of the faerie energy of the herb, a description of the plant, how to take care of it, and some magickal way to use the herb- whether that be an ingredient in a recipe, an ingredient in a spell, or perhaps a way to make your own beauty product. The only thing I found myself wishing for in this portion of the book was an actual picture of the plant/herb. However, since they’re so common, a quick google search will pull up plenty of pictures. I really enjoyed this portion of the book, and I think it would be great for someone new to working with herbs (like me).

Overall, I was pretty happy with The Faeries Guide to Green Magick from the Garden. It is definitely written for those new to gardening, working with faeries, and even to witchcraft in general. Sometimes the tone is almost apologetic for being about “magick”- as if they are writing to the average person who has never even thought about magick or witchcraft before, which is not who is going to be buying this book. I found this to be a bit patronizing at times.

However, the Herbal Index alone makes the book worth it to me. The descriptions, how to care for the plant, a fun way to use that particular herb, and not to mention the wonderful illustrations, all made me think it will be a good book to have in my repertoire. Again, it is for beginners, so if you’re a seasoned herbalist, this book will probably not have enough information for you. But, if you want an easy introduction into working with faeries and working with magickal herbs, then think about checking out this book.

-Laine

*In the interest of full disclosure, the publisher contacted me and asked if I would give an honest review of the book. I haven’t been paid for this review, and I didn’t pay for the book.

**Also, I’d like to note that I don’t usually make the distinction between magic and magick, but the book makes a point of explaining this, so I figured I would stick with that spelling. The same goes with the fairy/faerie spelling.

Blog Post 105 – Magic Books in the American Colonies: The Devil’s Book

In an effort to blend the subjects of recent blog posts, I thought today I’d start to look at a few of the key magical texts which would have had an influence on the American Colonies.  Much of this entry will be directed by a reading of Owen Davies’ Grimoires: A History of Magic Books and Witchcraft, Magic, & Religion in 17th-Century Massachusetts by Richard Weisman, both of which I highly recommend reading.  I am also pulling from The Silver Bullet by Hubert J. Davis and Witches, Ghosts, & Signs by Patrick Gainer.  I’ll mostly be looking at the English colonies, but the French and Spanish colonies will also enter into the discussion a bit during later articles.

In general, the magical books of the early colonies came in three flavors:  devil’s books, witch-hunting manuals, and grimoires.  The Devil’s Book was frequently thought by Puritan settlers to be the ultimate embodiment of human sin—a willful signing away of one’s soul to infernal powers.  By simply signing one’s name to such a book, a witch gained all her power and lost all her salvation (I use “her” because the popular conception of a witch tended towards the feminine, though male witches were not uncommon either).  Some of the key features of a Devil’s Book and its accompanying rituals were:

The Profaning of the Bible – The witch would have to stamp upon a Bible or otherwise deface it before being allowed to sign.  In some cases, a Bible itself was used to sign the witch into the Devil’s service.  Several Appalachian tales record instances of witches simply making an “X” in a marred Bible to indicate their pact.  In The Silver Bullet, witch Rindy Sue Gose performs this sort of ritual to seal her contract with the Devil:

“Fust, Rinday Sue cut her finger with a knife, and when hit started to bleed, she opened a little Bible and ‘peared to write sumpthin’ in hit with the blood from her finger.  The Devil then nipped her on the left shoulder to give her a witchmark so’s she could suckle her familiar.  Rindy Sue swore to give her soul to the Devil and to work for him the rest of her born days.  Then, the Devil danced with her, and then went into the woods behindst thet tree” (Davis 17).

This action echoes the profaning of the Lord’s name or the recitation of a reversed “Our Father” as a way of breaking the bonds of Christianity for a witch.  Not that you should read much into that, of course.

The Use of Blood as Ink – When witches made their mark, they often didn’t actually sign their name.  In a time when general literacy was still low (though it should be noted that literacy among Puritan men was quite high for the era), not everyone would be expected to have a “signature.”  Instead, they would have a “mark,” often an “X” which they used as an indication of their agreement to a contract.  To personalize this mark in the rituals of witchcraft, a witch wouldn’t simply take an inked quill and make a fancy “X,” though.  Instead, her blood was an indication that the pact bound her body and soul to the Devil.  Puritan minister William Perkins described the process (most business-like) as follows:

“The express and manifest compact is so termed, because it is made by solemn words on both parties.  For the satisfying hereof, he [the future witch] gives to the devil for the present, either his own handwriting, or some part of his blood as a pledge and earnest penny to bind the bargain” (Weisman 36).

The Devil sometimes used a great iron pen to draw the blood from the witch before having him sign his name, and in cases where the book was not a defaced Bible, the great book contained hundreds of other blood signatures from other witches.

Owen Davies observes in his book that the drawing up of a pact between a witch or sorcerer and an infernal representative was nothing new—look at the legend of Faust for example.  What made these New World magical compacts unique was that the witch did not draw up the document herself, but rather was lured into signing a book which she would not take possession of, but rather which remained in the custody of her magical Master.  All her magic, then, would be learned without the aid of books, at least in this model of New England Colonial witchcraft.  Indeed, the Devil presented himself or his imps to the witch as her means for accomplishing malefic magic rather than gifting her the use of dusty tomes of magical lore and spells.  In short, the Devil’s Book was merely a roster of the souls won to his service, and possessed little magical power in and of itself, at least superficially.  However, many witches might claim that a deeper reading of the Devil’s Book phenomenon reveals that the act of writing in blood on a sacred object in fact demonstrates a type of very old and powerful magic.  Thus, such a book, if it could be wrested from the Devil, would be very powerful, indeed, perhaps containing the magic of all those who had signed before.

Next time we pick up this thread, we’ll be looking at the witch-hunting books, and why they may have actually helped more witches in their spellcrafting than they actually hurt by “revealing” them.

Thanks for reading!

-Cory

Quick Update – Holiday Lore Contest Reminder

Hello everybody!

This is just a quick reminder that we’ve got our Winter Lore Contest on right now, but time is running out to get your entry in.  We’re looking for information centered around the winter holidays, specifically local or family:

  • Practices
  • Customs
  • Traditions
  • Songs
  • Recipes
  • Stories
  • Crafts

Please make sure you tell us what area you are from (generally), and if you would like us to use your name on the blog/podcast.

You have until midnight (Central Time) on Monday, December 6th to submit your lore via blog comment or email, so don’t delay!  You can still get an additional entry if you tweet, blog, or otherwise spread the word about the contest and send us the link.

The prizes are:
Two Runner-up Prizes – Signed copy of Judika Illes’ latest book, The Weiser Field Guide to Witches

One Grand Prize – A Compass & Key Hoodoo Starter Kit, with a selection of oils, botanicals, curios, and other products for budding rootworkers.

We’ve gotten a number of excellent entries, but we still would love to get some more, so please submit before time runs out!

Thanks for reading (and sharing)!

-Cory

Blog Post 104 – (A Little) More Colonial (and Native American) Magic

I thought in honor of the recent Thanksgiving festivities—at least those here in the US (and with a belated bow to the harvest feasting in Canada), I would take a brief look at some of the magical practices circulating around the time of that “first Thanksgiving.”  The people who arrived in places like Plymouth and Massachusetts Bay to settle the New World—never mind it was already quite settled by its native inhabitants—are commonly referred to as Pilgrims, and contemporarily would have been known as Separatists.  Thinking about that late autumn gathering, when the local Pawtuxet tribe and the Separatists who had survived the harsh New England winter and managed to put together enough bounty for the coming cold season gathered at the table, is a sort of fond romance or fantasy.  Often we imagine the Indians in their deerskins and the Pilgrims in their blackest hats with the shiniest buckles on them.  The staunch Calvinism of the Separatists contrasts with the “noble savage” imagery of the Natives, their shared meal demonstrating two very different worlds breaking bread together.  Yet both groups shared many things in common, including a set of magical practices aimed at protecting their homes and blessing themselves with prosperity.

The fear of malefic witchcraft—which would eventually go on to spawn the famous “witch hunts” of Colonial America—stirred hearts on both sides of the table.  Each group had its own charms, talismans, prayers, and formulas for dealing with the dangers of spiteful magic.  The Pilgrims, drawing on their English heritage, had all sorts of magical tricks up their black-and-white sleeves for defeating evil witches and devils:

“Legal actions against malefic witchcraft merely represented the final point of defense against what were perceived as destructive magical powers.  Prior to entering his complaint into the legal domain, the colonial villager could draw upon a variety of protective magical formulas to maintain some sort of equilibrium between good and evil mystical forces.  Several of these techniques—by no means an exhaustive list—were mentioned in a sermon delivered by Deodat Lawson…’The Sieve and Scyssers [Scissors]; the Bible and Key; the white of an Egge in the Glass; the Horse-shoe nailed on the threshold; a stone hung over a rack in the Stable.’” (Weisman 40)

Looking at these specific examples, we can see a few things which indicate that magic among the Pilgrims was not so uncommon.

The Sieve & Scissors – These items were commonly used in fortune telling games by young girls, particularly on exciting nights like Halloween.  They could also be used to confuse or cut a witch, magically speaking.  The Sieve and Shears appear in Aggripa’s Three Books of Occult Philosophy, as well.

The Bible & Key – The Bible was considered to have inherent magical and protective abilities, and the key likely held the symbolism of “locking away” or “locking out” any harmful witchcraft.  The use of the two together also formed the basis of a spell recounted in Reginald Scot’s Discoverie of Witchcraft:  “Popish preests …doo practice with a psalter and a keie fastned upon the 49[th] psalme, to discover a theefe” (Scot, Chapter V).

The Egg White in a Glass – This is another method of divination involving cracking an egg into a clear glass or jar of water, then reading the resulting shapes, strings, bubbles, and colors found in the glass.  Curanderismo continues to use this method as a regular part of cleansing and reading practice even today.

The Horse-shoe on the Threshold – This particular charm moves out of the realm of divination and into prosperity and protection magic.  We covered horseshoes on our Lucky Charms podcast, and you can read all about them at the Lucky W Amulet Archive page on the subject.  The iron in the shoe, plus the somewhat mystical nature of the animal associated with it, imbued this charm with the power to block witchcraft and provide good luck to those passing under it as they entered a Pilgrim’s household.

The Stone in the Stable – The stone referred to in this charm would likely have been a holed stone, one which had been naturally eroded to leave a gap by which it was then hung in places needing protection from malefic activity.  Sarah over at Forest Grove wrote a bit about these holed stones, saying “In the UK it was used as a protection charm as the locals believed that by tying their front door key or the stable door key to a hole stone they would protect the building it hung upon.”  This, much like the horseshoe, was primarily protective, but a holed stone could also be used to “see” witches and other Otherworldly entities by peering through the gap.

Looking to the Natives’ side of the table, we find that charms to provide protection and blessing were also common among the Algonquin tribes of New England (Algonquin being a language and not an actual tribe, I use the term here to blanket a wide number of groups sharing a more-or-less common landscape and tongue).  Charles Leland (admittedly a questionable source on some matters of folklore, but not without his merits) wrote of many New England Native magical practices.  He compares the workings of Native shamans with the work of Catholic priests in one passage of his book The Algonquin Legends of New England: Tales of Magic:

“For wherever Shamanism exists, there is to be found, in company with it, an older sorcery, or witchcraft, which it professes to despise, and against which it does battle. As the Catholic priest, by Bible incantations or scriptural magic, exorcises devils and charms cattle or sore throats, disowning the darker magic of older days, so the Shaman acts against the real wizard.”

Leland recounts several legends of warriors and magical Indians doing battle with terrible spirits, the dead, and other dangerous forces.  In one tale, a chief’s son, described as “a great hunter, and skilled in mysteries” decides to marry.  In his efforts to get a wife, he sets out on a journey in which he acquires many talismanic and shamanic tools.  One of them is a golden key pulled from a whale’s mouth, which the whale tells him has great protective power:  “While you have it you will be safe against man, beast, or illness. The foe shall not harm you; the spirits which haunt the wilderness shall pass you by; hunger and pain shall not know you; death shall not be in your road.”  The key, then, appears in both the European and Native magical traditions as a powerful amulet.

As a final note on the magic of Native Americans, let us turn from the groaning board of the Thanksgiving feast and look at another magical practice:  fasting.  In an 1866 article entitled “Indian Superstitions,” Francis Parkman describes the use of ritual fasting in order to acquire a Manitou, or guardian spirit:

“Each primitive Indian has his guardian manitou, to whom he looks for counsel, guidance, and protection. These spiritual allies are acquired by the following process. At the age of fourteen or fifteen, the Indian boy smears his face with black, retires to some solitary place, and remains for days without food. Superstitious expectancy and the exhaustion of famine rarely fail of their results. His sleep is haunted by visions, and the form which first or most often appears is that of his guardian manitou, a beast, a bird, a fish, a serpent, or some other object, animate or inanimate. An eagle or a bear is the vision of a destined warrior ; a wolf, of a successful hunter; while a serpent foreshadows the future medicine man, or, according to others, portends disaster…The young Indian thenceforth wears about his person the object revealed in his dream, or some portion of it—as a bone, a feather, a snake-skin, or a tuft of hair. This, in the modern language of the forest and prairie, is known as his “medicine.” The Indian yields to it a sort of wor ship, propitiates it with offerings of tobacco, thanks it in prosperity, and upbraids it in disaster. If his medicine fails to bring him the desired success, he will sometimes discard it and adopt another” (Parkman 4).

Feast or famine, magic has long been on American soil (and Canadian, Central American, & South American soils as well).  So as you eat your turkey leftovers, you could crack an egg into a glass of water, pull out some scissors and a sieve, or maybe even think about putting the food aside for a while and seeing what comes to you in your dreams.  It might add a little New World Witchery to your holiday.  Which, of course, makes me feel pretty darn thankful.

Thanks for reading!

-Cory

Podcast 20 – Magical Animals

Podcast 20 – Magical Animals
-SHOWNOTES FOR EPISODE 20-

Summary
Today we’re looking at animals and their role in magical practice.  We’ll talk about different species, shapeshifting, and familiars.  In WitchCraft, Laine talks about making Black Cat Oil.  Cory looks at one way to attune with a familiar in SpelledOut.  Don’t forget about the Winter Lore Contest!
Play:

Download:  New World Witchery – Episode 20

-Sources-
Some of the works we cite are:
Patrick Gainer’s WItches Ghosts & Signs
Vance Randolph’s Ozark Magic & Folklore
Ronald Hutton’s Triumph of the Moon
The Foxfire book series
Magical Creatures, from Elizabeth Pepper & Barbara Stacy of The Witch’s Almanac
We mention the Bible, particularly Leviticus 16 (the scapegoat). 16:8 in many translations refers to Azazel (wiki article.  Also, we mention Mark 16: 17-18 (the passage on snake-handling).
We also mention Auntie Greenleaf, whose tale can be found at Americanfolklore.net
You might also be interested in our New World Witchery blog entry on Snakes.
And, of course, we mention Judika Iles’ 5000 Spells again.

Promos & Music
Title music:  “Homebound,” by Jag, from Cypress Grove Blues.  From Magnatune.
Promo 1 – Inciting a Riot
Promo 2 – Borealis Meditations
Promo 3 – RadioLab

Blog Post 102 – 15 Books

Hello everyone!

I recently saw a rather interesting post from a friend on a social networking site in which she listed her “Top 15 Most Influential Books” when it comes to witchcraft.  Since I posted a book review last week (and since most book reviews going forward will likely be shared between this site and the Pagan Bookworm site), I thought that continuing that “bookish” trend might be good.  So this week I will be posting about various texts which have a place North American magical traditions.  Some will be of the grimoire type, and others may just be good reads, but hopefully all of them will be tomes you get much pleasure and use from if you crack the spines and turn the pages.

To start with, however, I’m going to re-use that meme and list my own Top 15 Most Influential (Witchcraft) Books.  These are not necessarily books that I think of as “great,” or even in some cases “good” books.  Many have erroneous information or are, at best, a good starting place for further exploration.  All of them, however, have help shape my study of magic, folklore, and witchcraft in some way, and that’s what this list is really all about.  I’m presenting them in a (roughly) chronological order, since that’s how I best remember them.

TOP 15 MOST INFLUENTIAL (WITCHCRAFT) BOOKS
(2010 Edition)

  1. The Encyclopedia of White Magic by Paddy Slade.  This book was the first book of “real” magic I ever procured.  I’ve talked about it on the show, but the short version is that I was about 11 or so, and I pestered my mother into buying it for me.  Since then, I’ve definitely grown away from its ideas, though I periodically return to it for nostalgic reasons.  It also got me thinking about magic as a folklore-based thing, rather than a sci-fi/fantasy phenomenon.
  2. Earth Power/Earth, Air, Fire & Water by Scott Cunningham.  I know there are lots of folks who regard Cunningham with disdain, but I’m not one of them.   His two books of folk magic, focused on practical spellwork using natural elements, absolutely cemented my interest in spellwork as something more than an esoteric psychological tool.  I still find some of his spells useful, though I’m no longer in tune with his particular worldview or ethical stance.  Moreover, I think that there are far worse books with which one could begin one’s magical studies.  I’ve found over the years that many folkloric sources bear out the techniques described by Cunningham, and I still regard his work fondly.  There are certainly weak points in these books, but winnowing the chaff away is fairly easy with a little work.
  3. Cunningham’s Encyclopedia of Magical Herbs by Scott Cunningham.  I’ll not launch into another defense of the author, but instead say that this book (and to a lesser extent, his Complete Book of Incense, Oils, & Brews) augmented my practice of magic again and helped me to start making my own spell ingredients.  It also helped me to cultivate an interest in gardening, for which I am most grateful.  This book also has one other great thing going for it: an amazing bibliography.  While it obviously pulls from sources like Culpepper’s Herbal, it also contained references to things like Vance Randolph’s Ozark Magic & Folklore (which is also on this list).  So I am quite thankful to this book, and this author.
  4. Jude’s Herbal Home Remedies by Jude C. Todd.  This was an impulse buy to augment my growing interest in herbs after I had eagerly devoured the Cunningham tomes.  It’s not a magical book, per se, but focuses mostly on the physical properties of herbs and their applications as health and beauty aids.  It provided a wonderful resource for learning how to interact with various herbs and brew potions, ointments, tinctures, etc. at home.  I still turn to it sometimes for home remedies, and it also has a place because later encounters with books like J.G. Hohman’s Long Lost Friend reminded me that most magical workers had plenty of practical, non-magical herbal info at their fingertips, too.  Jude’s book filled that role for me.
  5. Magical Tales: The Storytelling Tradition by R.J. Stewart.  In my sophomore year of university, I participated in a storytelling class that changed my life.  It took fairy and folktales off of the written page and showed me something deeply vital about them emerges when they are shared with others.  I also happened to be taking classes in things like fairy and folklore interpretation using academic studies like Bruno Bettelheim’s The Uses of Enchantment and Mary Louise von Franz’s The Interpretation of Fairy Tales.  Into this mix came R.J. Stewart’s book, which looked at the phenomenon of storytelling from the point of view of a magical practitioner.  I know a lot of folks were influenced by Stewart’s The Underworld Initiation, and I think that book is absolutely wonderful.  As far as my own personal influence goes, though, this is the one I’d say really connected to me.   It convinced me that stories contain more than just helpful magical tidbits, but sometimes are magical rituals in disguise, if you’re willing to work through them.
  6. Treasury of Irish Myth, Legend, & Folklore by Lady Gregory & William Butler Yeats.  I couldn’t have really appreciated this book prior to encountering book no. 5 on this list (and going through the courses I did at the same time).  I actually had picked up this text years before because of a passing interest in Ireland which I inherited from my mother (we have family ties back to County Mayo).  After I began to understand fairy tales as something more than fanciful stories, however, this book became an absolute mother lode of good magical material.  I’ve since discovered many of the tales have parallels or retellings in Appalachian and Southern folklore, too, which makes me feel even closer to it.
  7. The Complete Fairy Tales of the Brothers Grimm by Jacob & Wilhelm Grimm, Jack Zipes trans.  I actually borrowed this specific collection from a girlfriend, and its completeness stuck with me.  It included a number of tales often omitted, and several tale fragments I’ve not seen in most editions.  Particular variants aside, this collection falls into the same category as nos. 5 & 6 on the list.  Again, I didn’t know what I had until long after I had it, and now I don’t think I could live without it.
  8. The Marriage of Cadmus & Harmony by Roberto Calasso.  At some point, I became a bit of a mythology junkie, particularly Greek myths.  I read and re-read Edith Hamilton, Bulfinch, and the textbooks from my college classes on the topic.  I went to source material by Hesiod, Homer, Euripides, Aeschylus, and anyone else I could find.  I’m definitely not an expert, but as enthusiastic amateurs go, I foment with glee when I encounter new Hellenic tales.  When I got to Calasso’s book, however, I was taking an advanced course on mythology at school, and everything completely changed.  It was this book that taught me one fundamental thing about mythology (and likewise storytelling and therefore magic):  it changes.  More importantly, there is no “true” or “right” version of any story, but simply the stories themselves.  Mythology isn’t linear, but a web of tales—sometimes they contradict each other, sometimes they conflict with what we think about the culture, and sometimes they don’t make much sense to us.  In all cases, though, the tales are true at a level not related to cross-referencing and documentation, but someplace deeply human.  Calasso showed me that by bombarding me with the stories over and over again in his book, every time a little different, but all connected together, until I got it.  I really do need to send him a thank-you note for that.
  9. Aradia, or The Gospel of the Witches, by Charles Godfrey Leland.  Encountering Leland, for me, was like having someone splash very cold water on my face by the bucketful.  I devoured his work Etruscan Roman Remains and his Gypsy Sorcery & Fortune-Telling, of course, with all the tenacity of a budding folklorist.  It was Aradia, however, that really sent me sailing when I read it.  At the time, I was studying with the outer court of a Gardenerian coven, and had to read things like Gardener, Dion Fortune, and other modern occult classics.  When I got to Leland’s book, though, it felt so different, so authentic that I refused to believe its wild claims and actually got angry at it for deceiving me so well.  I’ve since, however, learned that this book is something special—neither entirely true nor entirely false.  More importantly, it is useful, and its mythos grips me in a very strange way.  I can’t come down in favor of Aradia as a piece of unsullied witchlore, historical to its last printed letter.  But I can say that figuratively, it’s as close to a witch’s gospel as I’ve seen yet.  In short, it just “feels” witchy, and makes me feel the same every time I read it.
  10. Call of the Horned Piper by Nigel A. Jackson.  As I branched out and away from Wicca, looking for something I could connect with better, I began to find a lot about something called “Traditional Witchcraft.”  There were dozens of websites, letters (mostly from Robert Cochrane), and books which I suddenly had to read, and in a very brief period I managed to get through most of them.  While there have been a number of very influential and powerful works in the Trad Craft vein that I love, one stands out to me.  Nigel Jackson’s tome is slim, barely the width of a pencil.  It’s a chapbook, really, yet it contains so much information that I can’t imagine life without it (much less because finding a copy is becoming harder and harder to do).  This book is probably more responsible for my religious magical practices than any other, and encapsulates in about 150 pages what many books cannot in 300 or more.
  11. Ozark Magic & Folklore by Vance Randolph.  This is a book that I found first by accident while seeking information on weather lore, then again by chance looking for an herbal reference.  Finally, I was browsing one of Cunningham’s books and saw this title again in the bibliography, and realized I needed to seek it out.  I’ve since read it many times, and it always offers up a plethora of magical information to me.  Randoph’s book is not a how-to, but one could build a complete magical system out of his work.  Yet it also guides one to several other magical books and traditions as well.  This is the book that made me realize North America is full of occult power and lore, if I was only willing to dig for it a bit.
  12. Hoodoo Herb & Root Magic by Catherine Yronwode.  I’ve referenced this book and the accompanying website (Lucky Mojo Co.) so much on this blog and in the show you probably don’t need me to tell you it’s been an influence.  I’ll just reiterate what a valuable piece of work it is and suggest that without it, I’d probably be fairly lost when it comes to making hoodoo charms, mojos, potions, and formulae.
  13. The Silver Bullet by Hubert J. Davis.  Following the ideas gleaned from Vance Randolph, I began looking for other folklore collections from America which might contain a few sprinklings of witchcraft.  A friend suggested I look into The Silver Bullet, and it truly was a revelatory experience.  In the pages of Davis’ book, the complete repertoire of the American witch dances out.  The book’s segments on what witches do, how to become a witch, and what to do to counter curse read like thinly veiled instructions on American witchery taken right out of a cauldron.  Like Randolph, a person could likely develop a complete magical system based on what this book contains.  It is a marvelous book, and one I turn to repeatedly for witchlore.
  14. The Encyclopedia of 5000 Spells by Judika Illes.  This is another one I constantly reference.  Its real influence on me lies in the fact that I share a love of it with Laine.  We both get so much out of it that it acts as a sort of magical bridge between us.  The Secret Garden likewise strengthens that bond—it’s one of her favorite books and another example of magic buried in storytelling which appeals to me—but Judika’s wonderful book (books really—they’re all quite good—but I decided to go with this one as we use it the most) really is our default grimoire at this point.
  15. The Bible.  This one is the last on my list because I’ve only been able to really understand it as a book of magic recently.  I’ve known that certain metaphorical elements of the Bible have always had parallels in world mythology, but it’s only since working with things like Psalms, the Blood Verse (Ezekiel 16:6), and folk Catholic prayers that I’ve come to understand it as a sort of grimoire.  Magic pervades the text, though it often must be disentangled from a lot of theology, history, folklore, etc.  And while I do use the Bible as a sourcebook for magic, I also am not a monotheist, so I have to struggle with certain elements of it.  This is rewarding in its own way, though, and I tend to think of the Bible as a “family” book—since most of my immediate predecessors were Christian (and mostly Catholic), my use of that magic ties me to them, even though I’m not worshiping the same deities they did, exactly.    I also prefer to work with some of the deuterocanonical books, such as the Book of Wisdom found in the Catholic Bible, or the Book of Enoch which is mostly found in the Coptic or Ethiopian Orthodox Bible.  But that’s just a personal preference.

So that’s my list!  Long, I know, and probably way too much commentary, but maybe it will give you some insight into the places I’ve come from and the type of magical person I am.  Or maybe it will give you a reason to catalogue your own influences.  If you do that, I’d love to see them!  Please let me know what books influenced your path, and feel free to post your lists (or a link to your blog if you do a list there) on the comments.

Thanks so much for reading!

-Cory

Blog Post 100 – Winter Lore Contest!

So I said last week I wanted the 100th blog post to be special, and I thought a contest might just be the way to add that little bit of extra charm.  If you listened to the podcast we posted yesterday, you probably already know about this contest, at least to some extent.    We’re hoping to put together some Yuletide specials, and part of that will involve getting lore from all over the continent (or the world, even) and incorporating that into our shows during December.  We’d love your lore, especially, and we’re even willing to give away some prizes to encourage you to send in your best winter holiday traditions.  Here’s the gist of it:

What We’re Looking For:  Your winter folklore, including (but not limited to) holiday traditions, recipes, songs, and stories; superstitions about specific days, events, omens, or signs are welcome; ghost stories set during the winter, bits of historical information, and ethnic customs are greatly appreciated, too!  We already know that many folks put up decorated trees and exchange presents, so no fair telling us that.  Pretty much everything else is fair game, though.  Try to include as much information as you can, and give us your general location (such as “Pacific Northwest” or “Southern France”).   Also, please tell us if we can use your name when we read your contribution.

What We’re Giving Away:  We’ve got two (2) signed copies of Judika Illes’ latest book, The Weiser Field Guide to Witches that we’re giving away as runner-up prizes.  If you don’t know about this book, here’s the blurb from the publisher:

“Witches peek from greeting cards and advertisements, and they dig twisted roots from the ground. Witches dance beneath the stars and lurk around cauldrons. Witches heal, witches scare, witches creep, and witches teach! A compendium of witches through the ages, from earliest prehistory to some of the most significant modern practitioners, The Weiser Field Guide to Witches explores who and what is a witch. From such famed historical legends as Aleister Crowley, Marie Laveau and Elizabeth Bathory to the popular literary and cinematic figures Harry Potter and The Wicked Witch of the West, Illes offers a complete range of the history of witches. Included also are the sacred–Isis, Hekate, Aradia–and the profane–the Salem Witch trials and The Burning Times. The Weiser Field Guide to Witches is appropriate for readers of all ages and serves as an excellent and entertaining introduction for those fascinated by the topic.”

Those of you who are familiar with our blog and podcast probably know how highly we regard Ms. Illes, and this book is a wonderful addition to anyone’s magical library.

Our grand prize is a Compass & Key Hoodoo Kit, which will contain a number of sensational conjurational goodies, including:

  • A bottle of each of our current condition oils (Attraction, Crown of Success, Uncrossing, Saints & Spirits, and Wall of Flame)
  • A custom-made mojo bag, designed for Success & Prosperity
  • Herb and Curio samples, such as a High John root, Chewing John, Gravel Root, & Spirit Money
  • Condition Soaps designed for ritual bathing
  • Flannel squares for making your own mojo bags
  • A Lucky Rabbit’s Foot
  • And more!

This kit would be a great way to get started with hoodoo, or build upon your current practice.

How to Enter: We want this to be easy, so please just leave a comment on either this blog post or the Podcast 19 Shownotes, or better yet send us an email with your submission at compassandkey@gmail.com!  You can get an extra submission by blogging, tweeting, or sharing our contest and contact information with your social network and sending us either a screenshot or a direct link to where you’ve posted about us.  The cutoff for submissions is Midnight (12:00 AM Central Standard Time) on December 6th (St. Nicholas Day).

If you have questions, feel free to email us those as well!  We really want to get as much lore as we can, so please encourage others to send in their contributions (or if they aren’t interested in witchcraft, just find out their lore and send it in as part of your own entry).
Thank you so much everyone for making this blog such a wonderful place, and we’ll be looking forward to all your submissions very soon!

Thanks for reading!

-Cory

Podcast 19 – Curses & Hexes

-SHOWNOTES FOR EPISODE 19-


Summary
This episode is all about the controversial topic of hexing and cursing.  We discuss the ethics, methods, and types of cursing, as well as some personal experience with the subject.  Then Laine talks about Goofer Dust in WitchCraft, while Cory looks at Uncrossing in Spelled Out.

Play:

Download: New World WItchery – Episode 19

-Sources-
We cite Peter Paddon’s Crooked Path series on ethics.
Many spells and recipes discussed are in Judika Illes’ Encyclopedia of 5000 Spells
Lucky Mojo’s page has excellent entries on Hot Footing & the Evil Eye
Cat Yronwode’s Hoodoo Herb & Root Magic contains information on the Live Things in You Curse

Our contest will feature products from our Compass & Key Etsy shop and Judika Illes’ book, The Weiser Field Guide to Witches.


Promos & Music
Title music:  “Homebound,” by Jag, from Cypress Grove Blues.  From Magnatune.
Promo 1 – Appalachian Witch Doctor Tales
Promo 2 – Pennies in the Well
Promo 3 – Lakefront Pagan Voice