Posted tagged ‘braucher’

Episode 79 – Pow-wow with Rob Phoenix

August 21, 2015

Episode 79 – Pow-wow with Rob Phoenix

Summary:

This episode focuses on the Pennsylvania Dutch system of folk healing and magic known as Pow-wow (among many other names). We look at the cultural history, the religious contexts, and the actual practice of the system itself. Author and Pow-wow practitioner Rob Phoenix brings his extensive knowledge to the table to give us a well-rounded portrait of this culturally rich and still living tradition.

 

Play:

Download: Episode 79 – Pow-wow with Robert Phoenix

 

-Sources-

You should most certainly check out our guest, Rob Phoenix, and his website.

There are many phenomenal resources on this subject.  Here are some of the books I like:

And, of course, Pow-wows; or The Long Lost Friend, by John George Hohman (modern translation by Daniel Harms) (an older version is also available free at sacred-texts.com).

To find out more on the culture surrounding pow-wowing, you should seek out:

Additionally, I’d recommend these takes for modern revivalist approaches to the practice within a Teutonic context:

Some books which are interesting and informative, but which need augmentation through additional sources, include:

Be sure to check out the upcoming film, “Hex Hollow,” which will feature several of our previous guests and favorite authors, including Rob, Chris Bilardi, and Thomas White.

Upcoming Appearances

Cory will be at two upcoming events, and will likely be holding talks/discussions at both of them, which you might find interesting:

If you have feedback you’d like to share, email us or leave a comment. We’d love to hear from you!

Don’t forget to follow us at Twitter! And check out our Facebook page! For those who are interested, we also now have a page on Pinterest you might like, called “The Olde Broom.”

 

Promos & Music

Title music:  “Homebound,” by Jag, from Cypress Grove Blues.  From Magnatune.

Incidental music by So I’m an Islander (“Quiet Storm Surge”), Elias Liljestrom (“Bach’s ‘Jesus Bleibet Meine Freunde”), Trinity Choir (“Bach Rehearsal”), and Vantala (“Unser Vater”), used through Creative Commons license on SoundCloud.

My podcast recommendation for this episode is the Lore Podcast, which features spooky folktales presented with historical and literary interpretations (which I found through Betwixt & Between).

Blog Post 193 – Book Review: Strange Experience, by Lee R. Gandee

February 10, 2015


Strange Experience: The Autobiography of a Hexenmeister—Personal Encounters with Hauntings, Magic and Mysticism (Prentice-Hall: New Jersey, 1971). 355pp. Illustrations.

 

Let me begin by saying I have wanted to review this book for a long time. Primarily, that is because I have wanted to read this book for a long time, at least in something beyond excerpted form, which is the best I’d been able to do. The book itself seems to be out-of-print, and runs upwards of seventy-five dollars on the second-hand market, and I have always just told myself that when I find a copy for less than fifty, I’ll grab it then. Thankfully, my friend Atticus Hob did a sort of book exchange with me, and let me borrow his copy, and so I have finally been able to dive fully inot Gandee’s text and join him on his meandering journey through his mystically charged coming-of-age tale of sexual awakening, spirit contact, and magic.

I knew of this book for a long time before I read it, largely because one of the people whom I consider a teacher and friend, Jack Montgomery, studied with Gandee during the seventies. Jack included stories of his experiences in his own work, American Shamans, which has already been mentioned before (and we interviewed Montgomery in an earlier episode, too). What I knew the most about was Gandee as an adult, living a hexenmeister’s life and dispensing his perspective for an eager grad student. Strange Experience lives up to its title, showing that Gandee’s youth and development—both magically and personally—were extremely unusual, yet not at all unfamiliar to anyone who has struggled with identity at some point in his or her life.

The book is broken into nineteen chapters and an introduction, with titles such as “A Dead Man’s Treasure” and “The Strangest Prayers are Painted.” Each chapter is introduced with a hex sign—a Pennsylvania German art design frequently seen on barns in Lancaster and Berks Counties. Some of the signs are essentially reproductions of old barn signs, but a number of them are Gandee originals, and all have short explanations about their significance and attributed powers (such as “perpetual watchful protection and guidance” or “man’s power to create through mental and spiritual action”) (pp. 27, 115). He begins with his childhood, which launched on a turbulent evening and never seems to have settled down much. He regularly saw his mother in his tender years, but was largely raised by other relatives, mostly his grandmother. The book explains that Lee’s childhood was full of demons, ghosts, hauntings, and apparitions, but that most people he knew simply accepted those as part of the world in which they lived.

Gandee quickly shifts gears into a bit of a sweet if emotionally confounded romance with a boy named Stud, whom Gandee clearly regards as the love of his life, although he goes to great lengths to account for this love as something other than homosexual. The struggle for sexual identity dominates the book, at least as much as any aspect of magic or regional culture, and Gandee eventually recounts a past life in which he was a sort of sacred prostitute named Zaida, and Stud was a sailor with whom she fell in love. The romance was doomed by jealousy in the past, and in their reincarnated state the two boys don’t fare much better.

Much of the book recounts the simply mind-boggling spiritual world of Gandee, which ranges from the native hexenmeister-craft he practices (including the aforementioned chapter on painting prayers through hex signs) to working with Christian Science methods and encountering ferocious ghosts in Mexico (in the chapter “Ni; Uari! Go!; Die!”). Gandee runs a group of spiritual mediums in college, helps find lost things, manifest desires for his friends and neighbors through art, and studies the powers of animal magnetism and hypnosis along the way. He generally tries to rationalize what he experiences in a blithe, worldly tone, although in many spots he is clearly as swept away by circumstances and wonder as any reader might be.

The information on hexerei and Pennsylvania Dutch magic is incredibly interesting, and shows a tremendously syncretic, vibrant faith-based practice. A student of the pow-wow/braucherei culture would gain a great deal from a close study of the many charms and stories shared by the author, and a student of folk magic generally might see some of the potential inner workings of well-known spells in the book, too. When reading Strange Experience, however, any reader would do well to remember that the experiences are only those of Gandee, and do not speak for a larger culture generally. Gandee was certainly a distinct individual, and the things he writes about are connected to very old practices and traditions, but he quite openly acknowledges the changes he has made over time as well.

Because of the paucity of good, first-hand accounts of this sort of folk magic, Gandee’s book stands out in its field. It hardly reads as a dissection of Pennsylvania German religious or magical culture, and Gandee himself is hard to pin down at times (which is largely the point of his text). I feel that the questions about magical ethics, regional distinction, and social dynamics for sorcerors and their communities all make for good intellectual fodder, even if Lee’s conclusions about such things seem, well, strange. I do hope that others will read this book as well and that Gandee’s place in the pantheon of American magicians might receive a restoration of sorts. What he manages to accomplish in this book is far different than any magical how-to manual, because Strange Experience highlights the humanity of a man with feet in two worlds, belonging to none.

Thanks for reading,
-Cory

Podcast 49 – Powwow and Braucherei

February 25, 2013

Summary

Today we’re taking a brief look at the folk magical system of the Pennsylvania German (or “Dutch”) community, known as Powwow or Braucherei. We’ve got an interview with braucher Robert Schreiwer, several readings on the topic, and some charms, spells, and songs, too.

Play:

Download: Episode 49 – Powwow and Braucherei
Play:
-Sources-

Books mentioned within the show

  1. Discovering American Folklife: Essays on Folk Culture & the Pennsylvania Dutch, by Don Yoder
  2. The Long Lost Friend, or The Pow-wow Book, by John George Hohman
  3. American Shamans: Journeys with Traditional Healers, by Jack Montgomery
  4. The Red Church, or The Art of Pennsylvania German Braucherei, by Chris Bilardi
  5. Hex and Spellwork, by Karl Herr
  6. Buying the Wind, by Richard Dorson
  7. Strange Experience: The Autobiography of a Hexenmeister, by Lee R. Gandee

Additional Sources

  1. Signs, Cures, & Witchery, by Gerald C. Milne
  2. Ozark Magic & Folklore, by Vance Randolph (section: “Power Doctors”)
  3. Powwowing Among the Pennsylvania Dutch, David W. Kriebel
  4. Hex Signs: Pennsylvania Dutch Barn Symbols, by Don Yoder
  5. New World Witchery Podcast 29 featured an interview with author Jack Montgomery, who presented some good information on powwowing

Websites

  1. Urglaawe – Braucher Rob Schreiwer’s site on Heathen braucherei
  2. Three Sisters Center for the Healing Arts – A place to learn more about braucherei & associated practices
  3. Braucher.webs – Braucher Rob Chapman’s site for powwow and braucherei
  4. New World Witchery posts on Braucherei: Intro Part I, Part II, and Part III (also see our page Resources:  Magical Systems, under the heading “Braucherei, Hexenmeisters, & Pow-wow”)
  5. We have a great written interview with braucher Chris Bilardi here: Part I & Part II
  6. An online essay on Powwow by David W. Kreibel is available here

If you have feedback you’d like to share, email us or leave a comment. We’d love to hear from you!

Don’t forget to follow us at Twitter!

 Promos & Music

Title music:  “Homebound,” by Jag, from Cypress Grove Blues.  From Magnatune.

German folk songs came from the site Mamalisa.com. The songs played in this episode were:

  1. Winter, Ade!
  2. Taler, Taler du musst wander
  3. Meine Hande sind verschwunden
  4. Rolle, Rolle, Rolle
  5. Handewaschen
  6. Guten Morgen ruft die Sonne

Incidental music was Johannes Brahams, Symphony No. 4, found at Archive.org

Promo 1- Lamplighter Blues


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