Podcast Special – The Devil’s Marriage

-SHOWNOTES FOR PODCAST SPECIAL-


Summary
The story of a brother, a sister, the devil, and a helpful witch.  From the folklore of North Carolina.

Play:

Download:  New World Witchery Special – The Devils Marriage

-Sources-
Tales from Guilford County, North Carolina,” by Elsie Clews Parsons.  In The Journal of American Folklore, v. 30, no. 116, 1917.
“The Devil’s Marriage,” retold by S.E. Schlosser, in her collection Spooky South.


Promos & Music
“Grifos Muertos” by Jeffery Luck Lucas, from his album What We Whisper, on Magnatune.com

Podcast 17 – Ancestors

-SHOWNOTES FOR EPISODE 17-

Summary
This episode is all about the Ancestors—who they are and why they are important.  In WitchCraft, Laine gets her hands dirty with pumpkin carving.  And in Spelled Out, Cory looks at methods of Ancestor contact.

Play:

Download:  New World Witchery – Episode 17

-Sources-
Interpreting Folk Lore, by Alan Dundes – This book has a good description of the Dumb Supper on p. 165
Ozark Magic & Folklore, by Vance Randolph – This also mentions the Dumb Supper
The Magical Power of the Saints, by Ray T. Malbrough – The source of the Ancestor Prayer Cory mentions in his segment
Witching Way of the Hollow Hill, by Robin Artisson – This book has a great description of the Red Meal
Grimoire for Modern Cunning Folk, by Peter Paddon – This one has good information on Tapping the Bone.
Alchemy Arts – The great witchy store in Chicago (which I incorrectly call “Alchemy Works” in the show)
Witchy Wearables – The great store that hosted the Podkin Super Moot
Pumpkin Bread – Recipe from Simply Recipes
Pumpkin Seeds – Recipe from Simply Recipes


Promos & Music
Title music:  “Homebound,” by Jag, from Cypress Grove Blues.  From Magnatune.
Promo 1 – Lakefront Pagan Voice
Promo 2 – Standing Stone & Garden Gate
Promo 3 – Inciting a Riot

Podcast Special – The Black Cat Murders

-SHOWNOTES FOR PODCAST SPECIAL-


Summary
A short retelling of “The Black Cat Murders” to help set the stage for Halloween!

Play:

Download:  New World Witchery Special – The Black Cat Murders

-Sources-
Witches, Ghosts, & Signs by Patrick Gainer


Promos & Music
“Grifos Muertos” by Jeffery Luck Lucas, from his album What We Whisper, on Magnatune.com

Special Episode – The Black Cat Murders

New World Witchery Special – The Black Cat Murders
A short retelling of “The Black Cat Murders” to help set the stage for Halloween! (complete shownotes at https://newworldwitchery.wordpress.com)

Blog Post 96 – Critters 2 (Magical Animals, Part II)

Hi all!

This is a continuation from the last post about magical animals, so you may want to look at that one before diving into this one.  Or not.  It’s up to you really.  Either way, here’s some more on North American animals showing up in magical folklore.

(More) American Magical Animals

Deer – Legends about magical deer are hardly new, nor are they limited to the New World.  White stags appear in Arthurian legends, and the label of Jagermeister liqueur bears the image of an enchanted cervid.  Charlemagne also had a stag legend associated with him.   In American folktales, they retain similar significance, though often they lead hunters astray or into mischief.  In a tale from Gilmer Co., WV, a normally gifted hunter encounters a doe he can’t shoot, even at close range when he knows he should be able to.  He decides to try shooting it with a silver bullet and succeds in hitting it in the leg, and then follows the blood trail back to a cabin where an old woman is nursing her bleeding leg, thus revealing her as a shape-shifting witch (Gainer p.157).  In New York State, there’s also the tale of “Auntie Greenleaf and the White Deer,” which bears a strong resemblance to the Gainer tale.  The Huichol natives of Mexico engage in a type of spiritual quest called the Peyote Hunt in which the peyote (a type of hallucinogenic cactus) is treated as a magical deer to be caught:

The Hunt is a symbolic re-creation of “original times” before the present separation occurred between man, the gods, plants and animals; between life and death; between natural and supernatural; be-tween the sexes. On the Peyote Hunt, the men who return to their homeland become the gods, and at the climatic moment of the ceremony, they slay and eat the peyote, which is equated with the deer and with maize (“The Deer-Maize-Peyote Symbol Complex…” by Barbara G. Myerhoff, Anthropological Quarterly, Apr. 1970)

It’s not surprising that a continent whose inhabitants until only fairly recently depended upon deer for food would assign it such a high mythical value, and there are plenty of good stories about witch deer or helper deer to be found in every region.

Rabbit/Hare – This is the animal most associated with witches in folklore (other than perhaps the black cat).  North American magical tales are no exception, and there are a plethora of rabbit-related witch stories out there.  As I mentioned in the Spiders/Insects section, Anansi has an avatar in the form of a rabbit in the New World, a form probably best known and realized through his appearance in Joel Chandler Harris’s Uncle Remus stories.  The Trickster Rabbit of these tales became so ingrained in our cultural psyche that we turned him into an icon recognized worldwide, even though he is distinctly American in attitude:  Bugs Bunny.  Native American legends also provide Trickster Rabbit stories, such as “Rabbit Plays Tug-of-War” from the Creek tribe.  Hares could also be less mirthful magical creatures, and often appear in American folklore as witches in disguise.  Richard Dorson records a tale in Buying the Wind of a witch-hare that could not be caught or killed by anyone.  Even when they trapped it and set everything around it on fire, the rabbit still managed to escape.  Finally a hunter thought that perhaps this hare might be a witch in disguise, and so drew a picture of it and shot it in the leg with a silver bullet.  Not long after, he found out that a local woman with a rather witchy reputation had fallen and broken her leg while sweeping the floor.  The hare was not seen again (Dorson, p. 316-17).  Stories like this are echoed in the Deer and Cat stories mentioned above and other tales of witches becoming hares can be found in the collections from Patrick W. Gainer and Hubert J. Davis, too.

Bear – The figure of the Bear is a mainstay in several traditions of American lore.  He appears as Brother/Brer Bear in the aforementioned Uncle Remus tales, where he comes off as a bit of a brute.  The bear is a key figure in Native American lore, appearing as a spiritual totem animal for chiefs and warriors, as in the tale of the “Spirit Lodge” from the Nariticong people in the northeastern U.S. A curious tale from the Pacific Northwest features a comical (and obviously fictional) encounter between a Sasquatch, a black bear, and a river boat captain.   In northern Mexico, the story of “The Bear’s Son” describes a mytho-magical quest undertaken by a brave young man.  The repeated motif of strength and battle seems to be the bear’s primary contribution to North American folklore.  Yet occasionally bears appear as guides or wise teachers as well—even unintentional ones, as in the Maine tale of “The Fisherman and the Bear,” in which a clever ursine demonstrates a remarkably effective method of fishing to a hungry human.

Birds – This is a pretty broad category, and there are many different types of birds which appear in American magical tales.  The most common appearances of birds are as magical omens or forerunners of good and bad luck.  We touched a bit on this in our Weather Lore posts, but we also had to leave a number of bits out, so I’ll share a couple of them here:

  • A bird building a nest out of your hair will cause madness or headaches.
  • A bird building a nest in any piece of your clothing (shoes, hat, pockets, etc.) means you should prepare to die within the year.
  • Loons portend bad weather (because they are the souls of dead sailors).
  • Whippoorwills calling indicate death or bad luck soon to follow (I prefer Gillian’s interpretation of this, which is that a whippoorwill call means that you’ve done a good day’s work).
  • Killing barn swallows will cause your cows to give bloody milk.
  • To cure a backache, wait until you hear a whippoorwill call then roll on the ground three times.
  • It is bad luck for a hen to crow.

(These examples are taken from Ozark Magic & Folklore by Vance Randolph, Witches, Ghosts, & Signs by Patrick Gainer, and “Odds & Ends of North American Folklore on Birds” by W. L. McAtee [in Midwest Folklore, 1955])

There are truly endless numbers of folk spells, omens, signs, stories, and legends regarding animals in North America.  And there are plenty of animals I didn’t cover here that probably deserve some attention.  Critters like possums, raccoons, gators, eagles, buffalo, cattle, sheep, pigs, mountain lions, and any number of other animals all have abundant magical lore surrounding them, which I will hopefully be able to cover someday.  For now, though, I hope this couple of posts has helped open up some areas for you to explore with regards to animals and magic.  I’m hoping to get at least one more post out this week or early next week focusing on animal parts in magic, so stay tuned for that, too.  And if you have animal lore you’d like to share, feel free to comment on the blog or email us!

And thanks for reading!

-Cory

Blog Post 95 – Critters (Magical Animals, Part I)

Hi everyone!

A recent episode of 5-Star Spells discussed the use of animals in magic.  The Lovely Sarah over at Forest Grove also did an excellent post on the use of bones in magic (a topic I’m also working on but which will probably not be nearly as comprehensive as her fantastic article).  Gillian’s creature-feature over at Iron Powaqa has also gotten me thinking more and more about animals and their use or place within magical work.

I’ve covered animals a bit before (see my post on Snakes for example) and I’ll likely continue to explore those individual species in other articles, but today I thought I’d tackle the topic generally.  When animals appear in American magical lore, which ones crop up most often?  Are they alive or dead?  Are their parts used in magic (like the Rabbit’s Foot), or do they themselves represent something more significant as whole, intact creatures?

American Magical Animals

There are a number of animals that show up repeatedly in North American magical lore.  In fact, there are few animals which are not associated in some way with magic.  For the sake of keeping this entry simple, however, let’s look at some of the most common and popular creatures:

Cat – The ubiquitous black cat of magical lore appears in all sorts of stories.  Patrick W. Gainer relates a tale about a witch who turns herself into a cat and then murders the men her father hires to work in his mill.  In Spooky South, S. E. Schlosser describes a blacksmith whose wife slips in and out of a catskin every night until he outwits her by salting her human skin while she’s away.  There’s also the story of the Wampus Cat, a fearsome cat-like beast which terrified Native Americans and early colonists in the Southern Appalachians.  And of course, the powerful magical charm of the black cat bone has been discussed on the blog and podcast before.  There are probably dozens, if not hundreds, of cat-related stories connected to witchcraft and magic in North America, and while having a black cat weaving about one’s feet certainly isn’t a requirement for witchery, it does seem to be encouraged.

Dogs/Coyotes/Wolves – Everyone knows about Jack London’s Call of the Wild and White Fang, with their requisite images of the faithful companion to the bold pioneers and adventurers on the frontier.  So it should come as little surprise that dogs and their relatives show up in magical lore here, too.  The Native American trickster spirit, Coyote, remains a popular figure in storytelling (and as fodder for Roadrunner cartoons).  Black dog hair is used in hoodoo spells, sometimes in conjunction with black cat hair.   The famous “Man in Black” at the crossroads in hoodoo lore sometimes appears as a black dog, too:

“Well, people say yo’ meet de devil, but tell de truth ’bout de thing, ah don’t know if it wus de devil or not. It wus a black something othah jes’ ’bout dat high — sorta mind me of a dog. He had han’s lak a dog when ah fus’ seen him but fust and last his han’ wus jes’ lak mine only it wus jes’ as hot as could be.” From the work of Harry M. Hyatt [Fayetteville, North Carolina, (1438), 2581:1.]

There are also a number of stories from all around the country related to ghostly black or white dogs who presage death or misfortune.  These seem to be similar to the “Black Shuck” dogs found in English folklore (and which served as a roundabout inspiration for the Sherlock Holmes tale “The Hound of the Baskervilles”).  Wolves show up from time to time in Northern and Pacific Northwestern lore, though they usually do not have the fearsome associations found in European stories but rather serve as guides or helpers to lost or wounded folks.  Though the element of danger sometimes hovers around the magical canine, for the most part they seem to act as allies to magical folk in North America.

Snakes – As I said earlier, I’ve posted on snakes before, but a quick rehash can’t hurt.  The reputation of the serpent in North America seems to have been tainted by the negative impressions of it transmitted through Christianity.   Yet it remains one of the most significant magical animals in American magic, too.  Even some Christians engage in ceremonies with snakes, handling them as a test of faith in accordance with Mark 16: 17-18.  Marie Laveau was known to dance with a large snake called Zombi during her famous St. John’s Eve celebrations in New Orleans (described in Zora Neale Hurston’s Mules and Men), thus cementing the serpent into the NOLA Voodoo tradition.  Snake parts are common in magical practice, with rattlesnake rattles being lucky and the shed skins and eggs being useful for cursing and negative work.  I like using snakes myself, as I enjoy their chthonic symbolism and ambivalent quality.  I remember making a rather nice Damballah altar jar for a friend containing a long snakeskin and bones, inscribed with the lwa’s veve on the front—it was beautiful and felt like it radiated power when I finished it.  So yeah, I’ve got a fondness for the slithery beasts.  At least, when I’m wearing boots I do.

Spiders/Insects– Moving from one creepy-crawlie thing to another, bugs show up a bit in the magical lore of North America, too.  In The Silver Bullet, by Hubert J. Davis, one witch uses a little black beetle as her familiar, traveling with it in and out of keyholes.  Much like snake eggs, spider eggs are used to create the “Live Things in You” spells so greatly feared in hoodoo work, as described in Yronwode’s Hoodoo Herb & Root MagicAnansi, a powerful spirit and/or deity imported from West Africa, appears in the magical lore of places like Florida and the Coastal South, where he was sometimes transformed into another magical creature on this list—the rabbit.  This shift in emphasis may be explained by several factors.  According to Newbell Puckett:

Only the spider, a great favorite in African folk-lore, has been almost entirely dropped from the folk-tales of the Negro, and this may perhaps be due to a falling away of African religious beliefs, since on the Gold Coast the spider is regarded as the Creator of all men, and is supposed to speak through the nose as the local demons are said to do. It also may be that the spiders of the South, being smaller and less terrifying than the African type, have caused that creature to lose its prestige.  (Folk Beliefs, p.34)

Vance Randolph also mentions spiders and insects as being connected to weather lore:  they either swarm into the house before a big storm, or if a spider is crushed in the home it can cause a dry spell of seven days.  Finally, there’s a curious little rhyme mentioned by Patrick W. Gainer which can help one find lost objects:

“Spitter, Spitter, spider, tell me wher that (name of the article) is and I’ll give you a drink of cider” (p. 125).

There are plenty of other little bits of lore regarding six-and-eight-legged creatures, but I’ll save those for a longer entry sometime in the future.

I’m going to stop here for today, but we’re not done with magical creatures yet, by any stretch of the imagination.  If you have animal lore you’d like to share about any of the creatures mentioned so far, though, please do!

Thanks for reading!

-Cory

Blog Post 87 – Podcast Recommendation

Hi everyone!

I promise I will eventually get the rest of the cartomancy thread and look at how to do an actual reading, but I’ve not had time to take the photos I want to use for that yet.  So today, I wanted to recommend something I only found last week.  It’s a podcast called “5-Star Spells” and it’s found on BlogTalk Radio.  For those who don’t know about BlogTalk, it’s a phone-in format open radio site that lets people broadcast their shows without having podcasting equipment.  The radio shows go out live at specific times, then get recorded and transferred to a podcast feed for posterity (and for those of us who just prefer podcasts).

5-Star Spells is a show with a group of some of the most talented and knowledgeable root workers and readers around.  I’ll get into them individually in a moment, but as a whole they represent some of the best minds, hearts, and hands in the conjure business today.  What’s even better, they all interact like family, with a tremendous amount of positivity towards each other, even when it’s clear they aren’t exactly alike.  They pass on lots of useful information, a good bit of personal philosophy (anecdotally, which is my favorite way to get philosophy), and a lot of laughter, which is pretty refreshing, actually.  Oraia Sphinx actually tipped me off to them at almost the exact same time I had downloaded their first episode, so that was serendipitious, I thought.  The show’s most frequent callers are:

Rev. Mother Susan Asselin – The show’s primary host, she operates out of a Little Italy-style neighborhood in Providence, RI.  She and Sindy Todo refer to each other as “cousins” as they recently discovered they share some branches on their family trees.  I’ll be honest and say I probably know the least about Mother Asselin, but from what I hear on the show, she’s knowledgeable, spirit-filled, and wise.  Her website is called MotherMystic.

Dara Anzlowar – The owner of HoodooRoots.com, and the owner and manufacturer of Hoodoo Roots and Folk-Magic Traditional Spiritual Supplies.  She also runs two Yahoo groups, Hyatt Spells and Conjure.  I’ve followed Dara’s posts in those groups for a while now, and having a voice to put with the brilliant insights is very nice.  She works in a very traditional style, and provides a strong traditionalist viewpoint in the discussions that come up on the show, though she is also immensely cordial and kind in conversation.

Susan Diamond – She owns the Serpents Kiss occult shop and co-owns the 2Hoodoos site with Orion Foxwood.  She has a very sweet disposition on the show, but also provides a lot of interesting information (listen for her contributions in the Family Folklore episode).  She and Orion provide the most “pagan” voices on the program, but they also have some very traditional leanings as well.  She offers a wide variety of services and products, so check her out.  She’s also a member of the Association of Independent Readers and Rootworkers (AIRR).

Orion Foxwood – I know many folks already know who Orion is, but there are probably a number of people who don’t.  The sole regular male voice on the show, Orion grew up in the southern Appalachian Mountains surrounded by the magical and mystical traditions of the area.  He says he was born with a caul (also called a “veil” sometimes) which is commonly associated with having second sight or visions.  He’s published several books on his Faery Seership tradition, and has a bevy of websites including the aforementioned 2Hoodoos, the House of Brigh, and the Foxwood Temple of the Old Religion.

“Auntie” Sindy Todo – One of my favorite voices on the show, Sindy Todo provides sass, humor, warmth, and a heckuva lot of good information on 5-Star Spells.  She always has something nice to say, blessings to pass out, and good news to share.  She is based in Seattle, and has a website called Todo Mojo which offers her magical services.  She’s also a member of AIRR, and seems like one of the most genuinely likeable people I’ve ever heard.

Starr – A Texas based conjure woman working in the old-style tradition, Starr is another favorite voice of mine (they’re all wonderful in their own ways, of course!  I just have a thing for sassy women with southern accents).  She specializes in spiritual cleansings and also is one of the foremost experts on working with the Native American spirit Black Hawk.  She doesn’t appear on every show, but when she’s on, she’s a great participant and a wonderful resource for good, solid hoodoo information.  She’s a member of AIRR, too, and operates a website called Old Style Conjure.

One of the most amazing things about this group of folks is that they all get on so well.  Well enough, in fact, that they’re all getting together in November for a weekend of conjure classes and socializing!  I’m hoping to provide more info about this sometimes oon, but for now you can read all about it at the Traditional Folk Magic Festival website.   And you can hear all about it on 5-Star Spells, which, again, I highly recommend.

Okay, that’s it for my recommendation today!  I hope you can forgive the delay in the cartomancy finale, but I’ll have that soon.  Until then, thanks for reading!

-Cory

Podcast 14 – An Interview with Cat Yronwode

-SHOWNOTES FOR EPISODE 14-


Summary
Today we are truly blessed to have an interview with renowned rootworker and teacher Catherine Yronwode of the Lucky Mojo Co.  Then we briefly discuss Christianity in hoodoo.  Laine tells us about Magical Soap in WitchCraft, and Cory talks about Spiritual Cleansing Baths in Spelled Out.

Play:

Download:  New World Witchery – Episode 14

-Sources-
Some of Cat’s many wonderful sites:
Lucky Mojo – Her main site and online store
Lucky W Amulet Archive – A repository of info on lucky charms
Southern Spirits – Her site on Southern folklore and history
Arcane Archive – An archive of magical lore and practice from around the net
YIPPIE – The Yronwode Institute for the Preservation and Popularization of Indigenous Ethnomagicology
Herb Magic – A site on magical plants and roots
Missionary Independent Spiritual Church – The world’s smallest church, and part of the long tradition of Spiritual Churches in the United States
Association of Independent Readers and Rootworkers (AIRR) – A body of trained, professional rootworkers with experience and accountability
Hoodoo and Rootwork Course – One of the definitive training programs in traditional hoodoo
And, of course, her book Hoodoo Herb & Root Magic is often referenced on the blog and in the show.

Cory also reference’s Draja Mickaharic’s Spiritual Cleansing, a definitive guide on the topic.

Promos & Music
Title music:  “Homebound,” by Jag, from Cypress Grove Blues.  From Magnatune.
Promo 1- Inciting a Riot
Promo 2- Pagan in the Threshold

Blog Post 82 – Cards, an Overview

Hello readers!

Let me first say that I know it would be fairly impossible for me to explain a divination system thoroughly in one post. So this will likely be the first of several posts addressing the use of playing cards as a magical tool.  What I would like to do is explain my personal system of card divination, as well as some of the variants and influences which have shaped my practice.   I’m not going to dive into an extensive history of playing cards or tarot cards, as those subjects are well-covered and well-documented in other sources.  However, a little of the history that sometimes slips through the cracks (especially regarding playing cards) might be worth mentioning here.

While the absolute origin of pictographic cards is unknown, many folks believe they came out of India, China, or Turkey, or with the travelling Romany people (also frequently called “Gypsies”).  What is known is that by the 1500’s, playing cards were very popular with the lower classes, and often cited as a vice by clerical and governmental documents throughout Europe.  They received wide-spread appreciation from the highest ranks, including Bohemian emperor Rudolph II and Napoleon’s spiritual advisor, Madame Lenormand.  Yet cards have almost always been popular among the lower classes, too.  Cards came to America with settlers, sailors, and soldiers.  In fact, in the late 1700’s, a popular ballad called “The Soldier’s Prayer-Book” described the suits, pips, and enumeration of playing cards in terms of biblical metaphor.  For example, the fives represent the five wounds of Christ, the nines are the nine lepers healed by Jesus, and the tens are the Ten Commandments.  While this song may have been a white-wash for gambling soldiers eager to keep one of the few portable entertainments allowed them, it does register an important point:  cards make wonderful tools for metaphoric interpretation.

So why playing cards instead of tarot cards?  For one thing, playing cards have been more or less easily accessible since the 1600’s, and are versatile.  The cards you play a game of blackjack with one day can be used to reveal the future the next.  They also travel well in a pocket and are easily replaced if they get torn or damaged.  Plantation owners in the antebellum South often thought little of slaves having decks of playing cards to amuse themselves in their few off hours (though in some places stricter masters prohibited them altogether).  William Wells Brown, who provided a slave narrative for a character named “Uncle Frank,” claimed that each plantation also had at least one fortune-teller somewhere on the premises, and at least few of them used playing cards.  Today, playing cards are an excellent way of divining even in plain sight.  No one thinks much of two people over a table full of diamonds, spades, clubs, and hearts, while a Devil or Lovers card might raise eyebrows.

My own system of playing card divination is largely based on the book It’s All in the Cards, by Chita Lawrence and the rhyme “For the Witch of Poor Memory” by Dawn Jackson, with a significant amount of additional material I’ve picked up from other books, teachers, and experiences over time.  What I outline here will be my own understanding of these cards, so please do not take it as gospel, and find a method that works for you.

Like most who practice cartomancy, I break the major meanings of the cards down by color and suits.  However, unlike a lot of other practitioners, I don’t ascribe these suits to tarot parallels or elemental attributes.  There are some connections, of course, as hearts and cups both signal emotion-based interpretations, but it’s not a hard-and-fast link.

First, black cards indicate “negative” or “no” answers, while red cards are “positive” or “yes” answers.  This is most important in short readings, which I’ll address in a later post.  Some will say that having more black cards than red is a sign of negativity, but honestly, the only truly “negative” cards in an extended reading are the spades, in my opinion.  For me, I look at the suits in the following way:

Hearts – Family, friends, love, and lovers.  Also emotions and things which are deeply felt.
Clubs – Work and business.  One’s “calling” or destiny.  Also conflict, discussion, and debate.
Diamonds – Money, luck, fortune, happiness.  Also news, letters, and socializing.
Spades – Tears, suffering, woe.  War, fighting, violence.  Also change, warning, and doubts/fears.

I’ll get into each of these suits a little more when I break down the individual cards, but this should give you some idea what I see when I do a layout for a reading.  If I see lots of diamonds and clubs, I know that someone’s got some good work he or she will be well compensated for coming around the bend.  All hearts means that the client is emotionally invested in the reading, or that he or she is dealing with deep family or friendship questions.  Spades and clubs together would be a sign that the client’s job might be in jeopardy, or that work is very unfulfilling for him or her.

In the next post, we’ll get into the actual significance of particular cards, but it is good to keep the overall meanings of the suits in mind as we go forward.  If you have any questions, please ask, and I’ll be happy to answer as best I can (from my own personal perspective…did I mention that yet?).

For today though, thanks for reading!

-Cory

Blog Post 80 – Horseshoes

Following in the vein of recent posts, today I’m looking at another luck charm:  the horseshoe.  One thing Laine and I discussed in Podcast 13 was that the horseshoe seems to be a rather ubiquitous talisman.  It is so ubiquitous, in fact, that many folks may not even realize it has any magical connotation at all.  In an article from Western Folklore entitled “Lucky Horseshoes,” Jeannine E. Talley writes:

The horseshoe as a bestower of luck is so frequently encountered that it has become a cliche, but at the same time an isolated belief without a context. Barnet’s comment that the mule has been “pounding it full of luck” provides not only the ‘logic’ explaining why the horseshoe is full of luck but also reveals that luck is ac-cumulative. His insistence that the old nails must be used to hang the shoe is not found in standard collections for folk belief, but is akin to the notion that if the hardware is hung with prongs down, the luck will “run out.” This instance is a prime example that collecting the item is not enough; the contextual background of any item is of equal importance since it often contains the rationale which makes the belief credible. (p. 129)

I like this particular examination of the horseshoe because it details two points:  1) the horseshoe’s luck comes from its association with the horse itself and 2) as Talley states, the luck is accumulative, so the longer a shoe has been on a horse, the luckier it is.

Of course, there are plenty of other theories about why a horseshoe might be lucky.  Robert M. Lawrence, in his article,  “The Folk-Lore of the Horseshoe” describes the horseshoe as a talismanic emblem with many possible folkloric connections, including:

  • The Jewish Passover – like blood spread on doorposts/lintels and rowan trees in Scotland
  • Serpent emblem – “In front of a church in Crendi, a town in the southern part of the island of Malta, there is to be seen a statue having at its feet a protective symbol in the shape of a half-moon encircled by a snake”
  • Moon emblem – “the brass crescent, an avowed charm against the evil eye, is very commonly attached to the elaborately decorated harnesses of Neapolitan draught horses, and is used in the East to embellish the trappings of elephants.”
  • Phallic Emblem of some kind
  • Prong-shamed talisman – like protective horns of animals (connected to African symbols)
  • Horse as Sacred Animal (as mentioned above)
  • Iron as “Virtuous” metal capable of dispelling harmful forces (Journal of American Folklore, v.9, n.35, 1896, p. 288-292)

I hope to get into some of these symbols and ideas in other posts at another time—particularly iron, which shows up a lot in fairy doctoring practices and other magical systems—so for now I think it suffices to say that horseshoes have a lot of lore to build upon and are quite lucky, though no one seems to know exactly why they are so.

So how does one use horseshoes?  First of all, the shoe needs to be one which actually has been on a horse at some point (remember all that pounding of luck into it in Jeannine Talley’s article?).  Likewise, there are some who say that hanging a horseshoe involves using a spent horseshoe nail, too.  That seems to be a slightly less stringent requirement, but if you happen to have a spare horseshoe nail with your horseshoe, why not use it?

The issue of which way the “horns” of the shoe are pointing seems to be hotly contested by those who concern themselves with such things.  Both opinions seem to have some sound reasoning behind them, which I mentioned in the most recent podcast.  The general idea boils down to whether you think the horns up are “holding in the luck” or whether the horns down are “pouring the luck out on you.”  Either way, I think this is where instinct kicks in.  If you feel like you’ve hung it the “wrong way,” you probably have and  you should switch it.  But if you feel like your luck’s in good condition and your horseshoe’s “right,” then leave it be.

As to how specifically a horseshoe might be used, Harry M. Hyatt has a few examples of horseshoes in hoodoo work:

1) From Vol.2,p.1547

NAIL A HORSESHOE UP
OVER YOUR FRONT DOOR.
NAIL A PENNY DOWN IN THE FRONT
DOOR TOO. SCRUB IT ALL THE TIME.*
THESE WILL BRING YOU GOOD LUCK.

Dey kin use a horseshoe. Yo’ take a horseshoe an’ yo’ kin nail it up
ovah yore front do’ an’ take a penny an’ nail it down in de front do’; an’
yo’ jes’ let dat penny stay dere all de time an’ yo’ scrub ovah dat penny
all de time, an’ jes’ leave it dere an’ dat’ll be good luck fo’ yo’.
[Savannah, GA; Madam Pauline; Informant #1274. C575:1-C586:10 = 2136-2167.]

2) From Vol.2,p.1443

A HORSESHOE OVER THE DOOR
KEEPS SPOOKS OUT AND BRINGS LUCK.
& A MULESHOE OVER THE DOOR OF A BUSINESS
BRINGS BUSINESS SUCCESS

Keep a horseshoe – keep it ovah de do’ to keep de spook outa dere an’
fo’ luck, specially a man who does business. He’d have a new [mule] shoe ovah
de do’ – like he do’s a business roun’ in a shop or a restaurant or somepin
lak dat, because a mule is a hard-workin’ thing, hard-workin’. All right.
An’ jes’ lak ah’d have de mule when he hitch out an’ go to his stall to
eat, people be coming to his place and say….
[Sumter, SC; Informant #1387; Cylinders C885:1-C902:4 = 2366-2383]

(Both of these can be found in Hyatt’s book or in the excellent Yahoo! Group  “HyattSpells”)

I like the first example because it combines the lucky penny with the lucky horseshoe, and places luck at your head and your feet, so every time you enter a door,  you get caught between the two and get a double dose of luck.  I also like the rationale for using a mule shoe to boost business (because the mule is so hard-working).

Finally, Vance Randolph describes the Ozark methods of horseshoe deployment in Ozark Magic & Folklore:

  • Most hillfolk of my acquaintance use a horseshoe instead of the stone (to protect chickens from hawks), and some think that a muleshoe is even better. It is frequently fastened in the firebox of the stove rather than in the oven. In the old days the muleshoe was hung up in the fireplace, or even set into the mortar at the back of the chimney (p. 43)
  • Many hillfolk think that the man who finds a horseshoe with the closed end toward him will do well to “leave it lay.” If the open end is toward the finder, he sometimes spits on it and throws it over his left shoulder, a procedure which is supposed to bring good fortune. Or he may place it in a tree or on a fence,saying: “Hang thar, all my bad luck!” In this case, whoever touches the hanging horseshoe falls heir to the misfortune of the man who placed it there (p. 62)
  • Probably the commonest way to keep witches out of the house is to nail a horseshoe over the door; this is regarded as a sort of general prophylactic against witches, bad luck, contagious disease, and other evil influences (p. 283)

So that’s the lucky horseshoe.  Another long article, so I apologize for that, but hopefully you aren’t too bored.  Skimming is probably a good skill to apply when reading these blogs.  At any rate, if you have any questions or comments about horseshoes, please feel free to post them!

As always, thanks for reading!

-Cory