Tag: the dead
Episode 152 – Honoring Ancestors with Mallorie Vaudoise
Special Episode – All Hallows Read 2018 – The Adventure of the German Student
We begin our annual tradition of spooky stories by hearing Washington Irving’s “The Adventure of the German Student.” Our theme this year is the dead returning from the grave, so prepare for a month of ghoulish delights!
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Producers for this show: Heather, WisdomQueen, Regina, Jen Rue of Rue & Hyssop, Little Wren, Khristopher, Tanner, Achija of Spellbound Bookbinding, Johnathan at the ModernSouthernPolytheist, Catherine, Carole, Debra, Montine, Cynara at The Auburn Skye, Moma Sarah at ConjuredCardea, Jody, Josette, Amy, Victoria, Sherry, Donald, Jenni Love of Broom Book & Candle, & AthenaBeth. (if we missed you this episode, we’ll make sure you’re in the next one!). Big thanks to everyone supporting us!
Download: Special Episode – All Hallows Read 2018 – The Adventure of the German Student
Our story for this episode is Washington Irving’s “The Adventure of the German Student.” You can find it in American Fantastic Tales, from Library of America. You may also want to check out our episode with the reading of “The Legend of Sleepy Hollow,” by Irving as well.
Promos & Music
Intro music is “Grifos Muertos” by Jeffery Luck Lucas, from his album What We Whisper, used under license from Magnatune.com and “Dry Bones,” by The Merry Macs, from Archive.org.
Incidental music is by Anthony Salvo, Intersonic Subformation, Viviana Guzman, Dr Sounds, and Julian Blackmore, all licensed from Magnatune.com.
Podcast Special – From Beyond the Grave
Podcast Special – From Beyond the Grave
SHOWNOTES FOR PODCAST SPECIAL – FROM BEYOND THE GRAVE
Tonight we feature four short stories of the dead affecting the living from the otherworld.
- “Fear,” by Achmed Abdullah
- “The Dead Encampment,” a Russian Gypsy folktale from the collection Russian Gypsy Tales
- “The Dead Man’s Accusation,” a German Jewish folktale from the collection Lilith’s Cave: Jewish Tales of the Supernatural
- “A Journey to the Skeleton House,” a Hopi legend from the collection American Indian Myths & Legends
Special Episode – From Beyond the Grave
“Grifos Muertos” by Jeffery Luck Lucas, from his album What We Whisper, on Magnatune.com
Blog Post 167 – Corpses
To get everyone in the holiday spirit, today I thought we might head down the gruesome path to the graveyard and see what we can dig up (figuratively, of course). That’s festive, right? Deck the halls and all that? While I’ve talked recently about bones and their uses in magic, and we’ve touched on the idea of working with the dead in magical practice, too, you may not know that there is a very long and widely spread habit of using corpses—in whole and in macabre part—as magical tools in their own right. Of course, there are many societies, including some Native American tribes, with strong taboos against contact with dead bodies, yet even this geis reflects a sense of respect and awe at the power of the deceased. Sometimes the spirit of the dead person is the fuel behind the magic—in which case it can be seen as a form of necromancy—and sometimes it is simply the body voided of life—any body, really—which empowers the charm.
Probably one of the most famous and nefarious examples of corpse magic is the Hand of Glory, a special candle made from the severed and pickled hand of an executed criminal which supposedly had intense magical properties. One of its talents was its reputed ability to render anyone in a house near where it was lit unconscious, thus making them easy to rob and explaining why the Hand of Glory might have been sought after by eager thieves. Here is one of the brief-but-to-the-point recorded recipes for making a Hand of Glory, from one of my favorite spooky little tomes, Kathryn Paulsen’s Witches’ Potions & Spells (WARNING! THIS IS PROVIDED AS A FOLKLORIC EXAMPLE ONLY! DO NOT DESECRATE CORPSES—IT IS HIGHLY ILLEGAL!):
During an eclipse of the moon, sever the right hand of a corpse, preferably that of an executed murderer. Dry it and preserve it in a jar to which you have added foul smelling herbs. If you light the fingers of this hand as candles, the light can only be seen by yourself and other witches, and the light will not go out until you wish it. If you bring it into a house, sleep will reign over those within. But you must let no one know that you posses the Hand of Glory. Use this hand to give light whenever you wish to obtain something from a graveyard (Paulsen 40).
Paulsen also mentions a variation on this spell which involves filling a human shin bone with tallow and carrying it as a candle to cause enchanted sleep. The Hand of Glory and its variants date back to at least the early Modern period, showing up in 18th century texts like the Petit Albert.
Across the Atlantic and on North American soil, corpses remained a morbid part of folk magic. Here they were granted powers of healing, crime-detection, secret-keeping, and other occult traits. The bodies of the dead figure into magical systems spanning multiple cultures, including those of Native Americans, the Pennsylvania Dutch, African Americans, and mountain folk in the Appalachians and Ozarks. First Nations practices vary between tribes, with alternating levels of prohibition and interaction when it comes to handling the dead. Randolph notes that “Some hillfolk of Indian descent insist upon sprinkling a little cornmeal over a corpse, just before the burial. This is done unobtrusively, without any noise or ceremony, and many whites have attended funerals where the rite was carried out without eve* noticing it. As the mourners shuffle past the body, here and there you see one drop a tiny pinch of meal into the coffin” (Randolph 316). Such a practice more rightly belongs to burial customs than necromancy, however. In general, contact with the dead can be a powerful—but frequently fearful—thing in Native societies. For example, “[o]ne of the most remarkable of Indian sacrifices was that practised by the Hurons in the case of a person drowned or frozen to death. The flesh of the deceased was cut off and thrown into a fire made for the purpose, as an offering of propitiation to the spirits of the air or water. What remained of the body was then buried near the fire” (Parkman 4). In the Pacific Northwest, there are accounts of tribes with magical groups that engaged in highly taboo behaviors to perform their roles as community sorcerors: “There were also a number of secret societies—for example the Cannibal Society of the Kwakiutl, whose induction ceremony was believed to involve eating parts of a corpse” (Lowenstein 120). South American Natives have their own legends about how a group of witch-monsters from Chiloe, an archipelago south of the mainland, use a fearsome object called a macun. This is a leather bowl made from human skin taken from the corpse of a virgin which reveals the presence of human victims and can be used in some stories as a mode of transportation. It can also help the evil brujos turn into animals, open locked doors, and become invisible.
Turning from the cultural backdrop of Native Americans, whose varied practices I have only skimmed in the previous paragraph, let us now look more at the specific applications of corpse magic in some of the non-Native societies of North America. In general, what follows is broken down by magical purpose into categories (legal work, divination, cures, and curses), with a few tidbits at the end. This is a far from complete examination of the topic, however, so I hope this provides an entryway into further study for those interested.
Fundamentally, these sorts of spells are either somewhat divinatory—helping to provide insight into crimes which remain unsolved, for instance—or make use of the dead body to provide legal aid. To this latter end, we can look in Hohman’s Long Lost Friend to find at least one instance in which the figure of the corpse is invoked to help in court-case work:
“TO RETAIN THE RIGHT IN COURT AND COUNCIL.
Jesus Nazarenus, Rex Judeorum.
First carry these characters with you, written on paper, and then repeat the following words: “I (name) appear before the house of the Judge. Three dead men look out of the window; one having no tongue, the other having no lungs, and the third was sick, blind and dumb.” This is intended to be used when you are standing before a court in your right, and the judge not being favorably disposed toward you. While on your way to the court you must repeat the benediction already given above.” (Hohman #147)”
The use of actual corpses in legal work tends to be more in crime-detection, however. One piece of lore spread across several cultures describes leaving an egg in the hand of a murdered man when he is buried. The murderer will be compelled to some action, depending on the story, ranging from returning to the scene of the crime to confessing guilt to suffering illness and death himself. Sometimes the body will perform its own divination, unaided by other witnesses or participants. Kentucky lore says “If a corpse’s nose bleeds, it is a sign that the murderer is in the room” (Thomas #745). Puckett notes in African American lore that “the common Negro belief [is] that If you put your hand on the corpse the ghost will not harm you (or you will be afraid of no more dead people). This may be the remnant of an old ordeal, since the wounds are supposed to bleed if the murderer touches the corpse” (Puckett 88).
Dead bodies can predict a number of situations and conditions it seems, as we shall see in the next section.
A number of sources on African American lore mention that a corpse that “limber” corpses predict a death to follow them, and insist that mirrors and clocks be covered with cloth as soon as someone dies to prevent anyone else in the house from dying. Like Puckett’s note above about touching the body to prevent fear of dead people, the corpse can intrude upon the living. Touching the body can prevent both bad dreams and visits from an unruly spirit. Likewise, the suggestion of something corpse-like can announce important information (usually another death). Harry Hyatt had an informant who related a tale of ‘death-scent,’ for example:
“I started to eat my breakfast last week. I happened to put my hand to my face; it smelled like a corpse. I said, ‘I wonder who’s going to die.’ And the smell left right away; that is a sudden death. If the smell stays, it will be longer. That day I had a call. My cousin died when I was eating my breakfast. If it is the left hand that smells, it’s a lady; right hand, a man” (Hyatt #8313).
The dead seem to know a lot about the affairs of the living, but they can also be entreated to hold their tongues. Zora Neale Hurston recorded a spell used for keeping secrets which required a corpse: “If you want a secret kept, put it in the care of the dead by writing it on a piece of paper and folding it small and slipping it into the hand of the corpse, of whispering it in the ear” (Hurston 361). In addition to catching criminals and revealing impending doom, corpses can also be employed in a variety of happier magics, such as healings.
The volume of cures ascribed to dead bodies is too voluminous to include in any book, so I will only briefly touch on it here. One of the most popular healings ascribed to the dead is wart-charming, which we’ve looked at before. In the Ozarks, “[t]here is a widespread belief that warts can be ‘charmed off’ by touching them with the hand of a corpse. I have seen this tried several times. The warts disappeared after a while, just as they generally do under any other treatment, or with no treatment at all. On the other side of the balance, I have met an undertaker who handles many bodies every year, and both his hands are covered with warts!” (Randolph 131). Similar to Randolph’s bit about wart-removal, this charm comes from Kentucky: “You may remove birth-marks by rubbing them with the hand of a corpse.” (Thomas #1067). It can supposedly treat other skin disorders like eczema as well. A variation on the birthmark-removal from Illinois contains a little verbal charm to accompany the act of touching the corpse: “A girl should visit the corpse of a boy and move his hand over her birthmark as she says What I have, take with you; In the Name of the Father, Son and Holy Ghost. A boy with a birthmark does this at the corpse of a girl.” (Hyatt #2685). Sometimes merely rubbing the mark or blemish with a rag and placing the rag in the coffin of a dead man is enough to remove the problem. Placing clothes and other objects from a sick person in the casket of the deceased supposedly removes everything from skin disorders to contagious diseases. Clothes taken from the corpse can also be healing: “To remove a swelling on the leg, bandage it with a piece of linen taken from a corpse” (Hyatt #5145).
Some of the other cures attributed to the dead:
- “In other localities the body is placed on a ‘coolin’-board’ and covered with an arrangement of sheets, the one over the face being raised when the mourners address the corpse. Mourners may talk to the body to this effect: ‘Mandy, you gone an’ lef me. … I may be nex’ . . . Po’ Mandy! . . . Po’ John! .’ A plateful of salt and ashes is placed under the coolin’-board . . . whatever disease the body has goes into the ashes and salt. ‘Ashes takes up from de body de disease.’ These ashes are carried to the grave; and at the words, ‘Ashes to ashes and dust to dust,’ they are thrown into the grave.’” (Puckett 87)
- “When in pain get some of this graveyard dirt from the breast of the corpse, cook it with lard, and make into a sort of pancake. Sprinkle this with turpentine and bind like a mustard plaster to the place that pains you. You will surely be cured.” (Puckett 287)
- “Place in a coffin three lice from your head and the corpse will carry away the others.” (Hyatt #1438)
- One of the more desecration-y methods for solving home problems with a little help from the dead comes from Harry Hyatt: “Pour some of the child’s urine into a bottle, hide this with a coffined corpse, and the child will stop wetting the bed. Sometimes a hole is punched through the stopper so that the urine can drip out — the cure being effected after the bottle becomes empty.” (Hyatt #6298)
In addition to being powerful curatives, bodies of the deceased can also cause tremendous harm.
It probably comes as no surprise that the use of dead bodies in magical rituals and spells generally gets a fairly negative portrayal. In the previous three sections, the spells were all designed to enact some positive change—albeit messy or sacrosanct in some cases—but now we shall look at a few of the nastier ways in which our dead friends can be used for magic. I’ll begin with a love spell, not because I inherently think love spells are evil curses (I don’t think that at all, actually), but rather because this one is exactly the kind of spell you could make a horror movie out of. It’s obsessive, possessive, and a little mean:
“A girl can take a needle which has been stuck into a dead body, cover it with dirt in which a corpse has been laid, and wrap the whole thing in a cloth cut from a winding sheet ; this is supposed to be a very powerful love charm, and a woman who owns such a thing can make any man fall in love with her. A needle which has been used to make a shroud is useful, too. If a girl thrusts such a needle into her lover’s footprint in her own dooryard, he is forced to remain with her whether he wants to or not. If he leaves the neighborhood he will get sick, and if he stays away long enough he will die.” (Randolph 169)
Randolph also examines witchcraft which falls in line with storybook expectations, harmful stuff perpetrated by willfully malevolent magical practitioners:
“Some witches are said to kill people with graveyard dirt, which is dust scraped from a grave with the left forefinger at midnight. This is mixed with the blood of a black bird; a raven or crow is best, but a black chicken will do in a pinch. The witch ties this mixture up in a rag which has touched a corpse and buries it under the doorstep of the person who is to be liquidated. The practice of burying conjure stuff under houses and doorsteps is well known. I have heard it said of a sick woman that she ‘must have stepped on somethin’ ‘ meaning that she was bewitched.” (Randolph 272)
Sometimes the negative effects of the corpse are inadvertent, however, and cursing is incidental. Several sources mentioned that pregnant women should not look upon a corpse, lest their child be marred in some way. Ozark lore says that using the comb of a dead person, particularly a comb that touched the deceased’s hair, will cause your own pate to go bald. Still other corpse curses seem related to harming the spirit of the departed him or herself. Kentucky lore says that you should “Put a lock of hair of a corpse into a hole in a tree to localize the spirit. If you remove the hair, the spirit will haunt you” (Thomas #741). Trapping a spirit seems like a dangerous game to me, but then, I’m not doing that particular spell anytime soon anyway. One of the quirkier ways of messing with the soul of the departed comes from Illinois: “As long as the funeral bill remains unpaid, the corpse will not rest in its grave” (Hyatt #15193).
In addition to the main methods discussed above, corpses also seem to have other magical uses. Here are a final pair from Hurston and Randolph involving some of the more unusual magic connected to the dead and their bodies:
“I. To Gain All Power. Go to the graveyard the night of All Saints at twelve o’clock. All of the blessed are gone from the cemetery at that time and only the damned are left. Go to a sinner’s grave1 and get nine hairs from his head and give the spirit in there a drink of whiskey. (They’ll do anything for a drink of whiskey.) Just leave a pint of liquor in there with the stopper out. Go home and burn nine red candles and the spirit will do anything you want.” (Hurston 361)
“When a backwoodsman dies, in certain sections of the Ozarks, it sometimes happens that one of his male relatives cuts a hickory stick just the length of the corpse. I have seen a hill farmer carrying one of these sticks on the day of his brother’s death, and I have seen one tied to the wagon which conveyed a corpse to the graveyard, but I have never been able to find out what became of them, or what their significance was. I first thought that the stick was simply to measure the body for a coffin, but it is something more complicated than that, and there is some sort of superstition connected with it.” (Randolph 314)
I hope this has been a worthwhile spin through the old boneyard to look at the dead from a more corporeal angle than we usually do in magic. None of this is to advocate any sort of desecration or anything illegal. While I imagine slipping a pinch of cornmeal into a coffin or wiping a handkerchief over a deceased family member’s hand before the casket is closed would at most raise some eyebrows, just about anything involving messing with the dead means legal problems. If you want to get a little help from the dearly departed, developing a relationship with them as spiritual beings is a much smarter way to go (I wrote about it recently on my other blog over at Witches & Pagans, if you’re interested). If you have lore about dead bodies and the ways they have been used in magic, I’d love to hear them!
Thanks so much for reading!
REFERENCES & SOURCES
- Gainer, Patrick W. Witches, Ghosts, & Signs. (Vandalia Press, 2008).
- Hohman, John George, ed. Daniel Harms. The Long Lost Friend. (Llewellyn, 2012).
- Hurston, Zora Neale. “Hoodoo in America.” Journal of American Folklore (Amer. Folklore Soc., 1931).
- Hyatt, Harry M. Folklore from Adams County, Illinois. (Univ. of Ill. Press, 1935).
- Lowenstein, Tom & Piers Vitebsky. Native American Myths & Beliefs (Rosen Pub. Group, 2011).
- Paulsen, Kathryn. Witches’ Potions & Spells. (Peter Pauper Press, 1971).
- Parkman, Francis. “Indian Superstitions.” North American Review (Univ. of Northern Iowa Press, 1866).
- Pinckney, Roger. Blue Roots: African-American Folk Magic of the Gullah People. (Sandlapper Pub., 2003).
- Puckett, Newbell Niles. Folk Beliefs of the Southern Negro. (Univ. of North Carolina Press, 1926).
- Randolph, Vance. Ozark Magic & Folklore. (Dover, 1964).
- Yronwode, Catherine. Hoodoo Herb & Root Magic. (Lucky Mojo Press, 2002).
Blog Post 165 – Dem Bones, part I
Dem bones, dem bones, dem dry bones.
Dem bones, dem bones, dem dry bones.
Dem bones, dem bones, dem dry bones.
Now hear the word of the Lord.
-from “Dem Dry Bones,” Traditional Spiritual based on Ezekiel 37
With Halloween just past, I thought it might be a good day to briefly look at one of the most commonly used magical tools in folk sorcery: bones (and their companion skulls as well). I recently received a letter asking specifically about the practice of “Tapping the Bone,” which I will touch on briefly here or in another post, though I will likely not delve too deeply into it as that ritual performed under that name belongs to the general heading of “Traditional Witchcraft.” There are many better resources on that topic than this website, so I’ll stick primarily to the magical folk practices of North America here.
Bones as magical tools have been around for at least 12,000 years, and likely longer than that. In the Paleolithic era (‘Old’ Stone Age), figures carved out of animal bone were likely used in religious ceremonies designed to ensure a good hunt, survival in adverse circumstances, tribal fertility, or any number of other goals. The people making such carvings were hardly ignorant of natural processes, as Alexander Marshack’s discovery of lunar calendars etched into animal bones in the late twentieth century demonstrates. Some estimates place such carvings at around 30,000 years old, so people have been using bones for magic for a while now, to say the least.
Instead of spending several paragraphs exploring the history of bones in magic—which would be easy to do, but would essentially involve me repeating over and over again that skeletal remains have been a part of sorcerous operations for a very long time and are still used today—let’s instead look at how these tools were put to use in the New World. In a very broad sense, bones serve a few very specific (and sometimes overlapping) magical functions: spirit vessels, divinatory tools, healing specimens, and charm curios.
The use of bones and skulls as a gateway to the land of the dead, or even in some cases to underworlds not inhabited solely by the dead, seems like a natural place to start a discussion. This is very much what “Tapping the Bone” is about, in that a witch or sorcerer can use a skull to summon up a dead person’s spirit or to travel into the otherworld and gain insight or information. A number of good examples can be drawn for this practice. Mexican American families, for instance, use sugar skulls as a way of interacting with their deceased loved ones during Dia de (los) Muertos celebrations. While such a celebration is hardly necromantic, it does seem to be a popular way to facilitate a relationship with the departed. The idea that bones harbor a connection to the dead and their realms also appears in Palo Mayombe, with the phenomenon of the nganga. This is essentially a pot filled with a variety of natural objects including bones which serves as a home for a patron spirit (nkisi). In Native American traditions of the Arikara, musical instruments made from human arm bones are used as a method for summoning the fearsome ancestral spirits known as Buffalo People (James Howard, “The Arikara Buffalo Society Medicine Bundle,” Plains Anthropologist (1974)). I have also seen references to the need to keep a skull on the altar of a working houngan, or Vodoun priest.
Whatever the specific application, the theory behind bones as gateways to the otherworld seems generally clear: they are the last remaining physical link between someone or something that has died and the world of the living. Using bones to house spirits also makes a great deal of sense, as their liminal nature (caught between life and death) makes them a comfortable space for the two worlds. The bones do not have to be human to facilitate communication, either. In The War of the Witches, narrator Timothy Knab mentions one of the curanderos with whom he is training bringing out a reed box full of “patches of fur, buzzard beaks, and claws from different animals,” which represent ancestral connections of various types, and which could be employed for divinatory and protective purposes (91).
If the remains of dead things are houses for the long-gone, keeping house is very important. Bones treated irreverently can cause all sorts of spiritual havoc. In Roger Pinckney’s Blue Roots, he mentions how African burial practices involved two funerals: one right after the death, and one several years later when bones would be disinterred, lovingly reverenced by the family of the departed, then put to a final rest to give them peace. When slaves could not perform the required funerary rites due to white sensibilities about the exhumation of the dead, it resulted in a lot of “trabblin’ spirits,” or ghosts roaming the land—which may explain why the South is so haunted (59-60).
With so many traditions recognizing the connection between ancestral and unseen spiritual forces and a pile of femurs, tibia, and clavicles, it should hardly be a surprise that the use of bones to communicate with the dead frequently leaves the altar and enters the hands of thesoothsayer.
If you’ve ever heard of someone “throwing the bones,” you know already that a little bundle of claws, teeth, and bones can be scattered to read events of the past, present, and future. If you’ve heard of the slight variation in phrase which goes “rolling the bones,” you may instead associate the items tossed with dice and not perceive anything divinatory, but rather a game of chance played for money, like craps. Yet the two different practices and phrases are very closely related. Both rely on fate to reveal an outcome, for example. The “bones” of the dice phrase is not metaphorical, either, as dice were frequently carved from bone until the twentieth century presented cheaper alternatives like plastic. The ankle-bones of sheep have a naturally dice-like shape, and were frequently used as substitute dice in medieval times. Likewise, dominoes were once carved from bones and can also be used for both gambling and fortune-telling purposes. Raymond Buckland, for example, alleges that Travelers (essentially the UK variant of “Gypsies,” though they are not always ethnically linked) had a domino oracle used for fun and divination.
One of the finest books on the use of bones in divination only came out in the past year or so. Cat Yronwode, who runs the Lucky Mojo Curio Company, put out a small chapbook-sized work called Throwing the Bones, which provides a brief survey of bone-based divination practices ranging from dominoes to dice to Sangoma-style bone casting. Yronwode makes a good case for understanding “bones” as including things like coins, buckeyes, doll hands, and even a stone or two. You can even buy a set of “starter bones” with the book as a kit, and learn some basics of bone-throwing that way. Another book with a good reputation (I’ve not read it myself, but have seen it recommended by a few reputable diviners) is Carlos G. Poenna’s Yoruba Domino Oracle. Juniper over at Walking the Hedge also has a great article on crafting your own “bone” system using a variety of objects (including, of course, bones).
Using bones for divination is a very old practice—it almost certainly was done in Ancient Greece and Rome, and may have been done even in Ancient Egypt. The “casting lots” found in the Bible (as in Psalm 22 or during the crucifixion of Jesus) would likely have been done with bone dice or something similar. While doing bone-based divination may seem to be a fairly simple way to work, it can also take on complex methodologies. An article published in the Journal of Experiential Education describes a Native American system called “The Bone Game,” which was used to settle disputes between warring tribes without resorting to outright violence. In this “game,” each tribe would establish high stakes (like potentially a large number of horses or weapons), then form teams which would circulate different bones (here used in Yronwode’s sense to mean small, deeply personal natural objects, including things like nuts or seeds in some cases). Each team would try to determine which object best represented them, and then engage in a very elaborate geocaching/hide-and-seek/scavenger-hunt like ritual which resulted in one team having a victory and claiming all the stakes.
And of course, how can I talk about rolling bones without mentioning the lovely Dolly Parton song about a bone-casting hill witch called “These Old Bones,” from her album Halos & Horns?
I’ll pause here for today, and next time (hopefully) we’ll look at some of the healing methods and simple charms based on bones. I do hope that this very brief look at bones in their spirit-contact/divinatory capacity is useful. I’m sure there’s much more I could write on the topic (I have not addressed systems like runes, which may involve inscribing symbols on bone or antler pieces for fortune-telling purposes, for example), but for now I will just hope that this short article sparks your own curiosity on the subject of magical bone-picking.
Thanks for reading!
Podcast 17 – Ancestors
-SHOWNOTES FOR EPISODE 17-
This episode is all about the Ancestors—who they are and why they are important. In WitchCraft, Laine gets her hands dirty with pumpkin carving. And in Spelled Out, Cory looks at methods of Ancestor contact.
Download: New World Witchery – Episode 17
Interpreting Folk Lore, by Alan Dundes – This book has a good description of the Dumb Supper on p. 165
Ozark Magic & Folklore, by Vance Randolph – This also mentions the Dumb Supper
The Magical Power of the Saints, by Ray T. Malbrough – The source of the Ancestor Prayer Cory mentions in his segment
Witching Way of the Hollow Hill, by Robin Artisson – This book has a great description of the Red Meal
Grimoire for Modern Cunning Folk, by Peter Paddon – This one has good information on Tapping the Bone.
Alchemy Arts – The great witchy store in Chicago (which I incorrectly call “Alchemy Works” in the show)
Witchy Wearables – The great store that hosted the Podkin Super Moot
Pumpkin Bread – Recipe from Simply Recipes
Pumpkin Seeds – Recipe from Simply Recipes
Promos & Music
Title music: “Homebound,” by Jag, from Cypress Grove Blues. From Magnatune.
Promo 1 – Lakefront Pagan Voice
Promo 2 – Standing Stone & Garden Gate
Promo 3 – Inciting a Riot