Blog Post 197 – Shapeshifting

“Loup-Garou,” from The Werewolf Delusion, by Ian Woodward (1979) (via Wikimedia Commons)

 

[N.B. Please also check out our podcast episode on this phenomenon as well: Episode 82 – Shapeshifting]

 

One of the talents attributed to witches in a number of cultures is self-transformation. If you’ve plunged more than ankle-deep into witchcraft research, you’ve likely run across famed Scottish witch Isobel Gowdie’s charm, which she reputedly used to transform into a hare, which begins “An I shall go into a hare, with sorrow and sighing in mickle care…” Gowdie was not alone in her belief that through the force of her magic and her will (and perhaps some psychoactive botanical substances or a judicious application of rendered animal fat), she could change her form to that of an animal. Perhaps the most famous example of this power is the werewolf, which sometimes changes of its own volition, but more often is a victim of the shiny moonlight’s powers.

In the New World, plenty of witches also had the power of transformation. This article will look at a few key tales of shapeshifting from New World lore, and ask questions about what the stories could mean for a magically inclined person with an interest in exchanging human form for an animal’s.

Perhaps the best-known and most widespread incarnation of the shapeshifting legend east of the Mississippi is the story of the loup-garou (sometimes also rou-garou, rugaru, or a similar variation). The beast can be found just about anywhere which saw frequent contact with French Colonial influences, such as in Canadian border zones or Louisiana. Often the loup-garou is essentially a werewolf, a human being who can—through magical means often diabolical in nature—become a wolf-like beast. Some versions of the story, recorded by University of Louisiana professor Barry Ancelet, describe the beast as more of a thief than a predator for humans, stealing fishermen’s clams while they sleep. The exact nature of the creature is also indeterminate, since depending on one’s location, it can “range from the rougarou as a headless horseman to a wolf that prowls the forest at night” (Lugibihl). The actual transformation may be permanent (or even ghostly, as some accounts tell of the beast as the remnant of a cruel old man), or may only last for 101 days, after which time the loup-garou transfers its curse to another person through a bite or drinking his or her blood. A person under the curse seems to know whether he or she is suffering from the transformation, and becomes rather wan and unhealthy, but usually remains silent about the condition with others. A major variation on the loup-garou is the bearwalker, about which Richard Dorson recorded several stories in Michigan’s Upper Peninsula during the mid-20th century. As you can probably guess, the assumption of a bear form (or at least an animal form which resembles a bear more than a wolf) is more common in the lore of the borderlands on the north of the Great Lakes.

In the mid-section of the United States, particularly from the mid-Atlantic down to the upland South and across into the Midwest, the power of transformation is far less canine in nature. While the loup-garou certainly fell into the purview of New World magical lore (albeit lore largely imported from Europe), the tales of transformation one finds in places like Appalachia skew distinctly witchy in flavor. Several stories, including one which we’ve recorded here before called “The Black Cat Murders,” talk about witches transforming into cats in order to visit harm on prospective victims. Patrick Gainer recorded his version of the tale in West Virginia from Mrs. Robert Pettry, whose account included a man with a pet bear that struck off the witch-cat’s paw only to have it transform into a human hand once it was severed. This is a very common feature of witch transformation tales, and often once a witch has been injured in her animal state, she bears the marks of her injury in human form as well (which proves helpful to neighbors in identifying her). One of the remarkable points about these transformations remains that in many cases the witch has a physical human body in one place and a spectral body (with some corporeal aspects, as in the case with the bear above) that can travel around at her behest while remaining deeply linked with her. That trait appears throughout North America (again, with some Old World antecedents, including Africa as well as Europe). A tale from Virginia recorded in The Silver Bullet, by Hubert J. Davis, tells of women who turns into a cat only to have her hand whacked off with a knife. The next day, when the man who did the whacking tries to shake hands with the suspected witch, she refuses because her hand is now missing. Davis also reports a tale of a witch who becomes a cat only to be caught by a lonely mountain man, and transformed back into a woman, she marries him and bears him two children. When he begins drunkenly telling someone how they met, she turns herself and the kids into cats and kittens and they disappear forever through a hole in the wall.

Of course, not all witches turn into cats, and not al were-cats are witches, exactly, either. In Utica, New York, Davis found a tale of a witch who turned herself into a black colt that would appear in neighbors’ fields and graze among their horses. When a man sneakily catches the colt and has it shod at the blacksmith’s (I’d note the importance of iron to this story, by the way), the colt then gets put into a pasture, then disappears. However, a neighbor-woman is seen with bandages on all her hands and feet the next day. New York is also the home of famed witch Aunty Greenleaf, who reportedly would turn herself into a white deer rather than a cat or a horse. She managed to elude hunters constantly until one hunter got the idea to use melted silver for bullets and struck her in her transformed state. She, of course, took ill and died (Schlosser 2005). Another famed shapeshifting creature, however, is not a witch at all, but a Native woman who has been cursed into cat form known as the Wampus Cat (Schlosser 2004). Lest you think that all those who are animagi (to steal a term from Harry Potter) are female, an African American tale speaks of a male witch whose form is that of a boarhog, and who uses his powers of magic and transformation to gain a pretty wife with lots of land. Interestingly, a little boy in the story—often called the “Old Witch Boy”—knows the boarhog witch’s secret and reveals it to the girl’s father, resulting in the death of the hog-witch (Leeming & Page).

Some of the most pervasive and powerful witch-stories of transformation come from the American Southwest. Navajo skinwalker tales abound with narratives about evil witches who could use the pelts of animals to take on different shapes, usually to terrorize outsiders or those they did not like on the reservations. Some accounts claim that the witch who could take on the skin of another creature was the most powerful type of witch, and had mastered what was known as “The Witchery Way.” Such a creature was to be greatly feared, and trade in certain skins and furs was severely limited within Navajo culture. Skinwalkers could be recognized by some of their supernatural abilities, but more especially by their eyes: in animal form, their eyes looked human, and vice versa when in their human form. Nasario Garcia recorded many tales in New Mexico, Colorado, Texas, and California from people in the late 20th and early 21st centuries who reported knowing about or having seen witches that had taken on animal forms, just as skinwalkers do. One story related by a a man who recalled the events of the tale from when he was eight years old told of how his father had been driving an oxcart on a dark night with his son (the narrator) and a few farmhands along with him. Suddenly, two sheep appeared alongside the cart, one white and one black, and simply followed them, always matching pace with the cart. Eventually, they simply disappeared. Many others recorded by Garcia spoke of witches taking on owl forms to travel out by night, or occasionally coyote or dog forms, in which case they seemed to want to bite errant travelers (although never in such a way as to cause permanent injury or death, although most who see these creatures report being terrified).

So just what do witches do once they are transformed? In many of the stories, they seem to be up to no good. The tales of witch-cats often speak of numerous murders or unexplained deaths attributed to the shapeshifting sorcerers in the area. In some tales, witches take on cat forms to sneak into the houses of children and steal their breath (which is obviously related to the superstition about cats stealing babies’ breath). In some cases, the witches seem to be up to mischief, as in the case of Aunty Greenleaf, who likes to lead hunters on wild chases and get them lost, or cause their guns to fail. The loup-garous steals food, or worse, passes its curse on to others, sometimes even drinking the blood of another person to accomplish its nefarious task. The near-universal terror of skinwalkers in the Southwest is attributed to their powers to cause sickness and death as witches, although they seldom seem to kill or even severely maim while in animal form (although there are often reports of animal mutilation later connected to them). Richard Dorson records one tale from the Southwest in which shapeshifting witches seem to threaten each other more than the average person. He speaks of a pair of witches who make a bet about which one is faster in horse form. The loser has to stay a horse, which is accomplished by means of a magical halter. The winning witch sells the loser to a man, whose son accidentally removes the halter, and the witch transforms into a fish and swims away in a nearby river, then continues to transform until he’s a coyote. The coyote is tracked and killed by dogs in the end, and notably the witches have done no harm to anyone but themselves.

Why do shapeshifting witches get a bad rap, then? I would like to suggest that the real uneasiness among those who tell the stories is a fear that witches can be anywhere, and anyone, and just about anything. You never know when you might offend a hidden witch, who could be the cat twitching its tail by the fire or a horse in a pasture across the road. A healthy show of respect (even one tinged with fear) makes for a good insurance policy against the witch’s other fearful talents. Of course, being able to take on animal forms also means that the witch knows just how well you treat the lower orders of species, which might also inspire one to act a little better around the flocks and fields, or to pass an extra dog biscuit to the pooch curled up at your feet. Who knows, that might just be all that stands between you and a rather nasty hex, right?

Thanks for reading!

-Cory

 

Sources:

  1. Davis, Hubert J. 1975. The Silver Bullet, and Other American Witch Stories. Jonathan David Publishers.
  2. Dorson, Richard. 1964. Buying the Wind: American Regional Folklore. Univ. of Chicago Press.
  3. Dorson, Richard. 1972. Bloodstoppers & Bearwalkers. Harvard Univ. Press.
  4. Gainer, Patrick W. 2008. Witches, Ghosts, & Signs. West Virginia Univ. Press.
  5. Garcia, Nasario. 2007. Brujerias: Stories of Witchcraft & the Supernatural in the American Southwest & Beyond. Texas Tech Univ. Press.
  6. Leeming, David, and Jake Page. 1999. Myths, Legends, & Folktales of America: An Anthology. Oxford Univ. Press.
  7. Lugibihl, Steve. 2001. “The Rougarou: A Louisiana Folklore Legend.” The Nichollsworth. 26 April. Louisiana State University.
  8. Navajo Skinwalker Legend.” 2015. Navajo Legends Website.
  9. Pitre, Glen. 1993. Swapping Stories: Folktales from Louisiana. Louisiana State Univ. Press.
  10. Schlosser, S. E. 2004. Spooky South. Globe Pequot Press.
  11. Schlosser, S. E. 2005. Spooky New York. Globe Pequot Press.

Wilby, Emma. 2010. The Visions of Isobel Gowdie: Magic, Witchcraft, & Dark Shamanism in Seventeenth-Century Scotland. Sussex Academic Press.

Blog Post 196 – Body Lore & Magic

Hans van Hayek, The Fortuneteller, 1892 (via Wikimedia)

“My ears are burning; who’s talking about me?”

“If your nose is itching, someone wants to kiss you.”

“Your feet itch? You must be about to go somewhere.”

I remember my mother often sharing the little bits of proverbial wisdom throughout my childhood.

Usually they were delivered with a wink or a wry smile, and I don’t think she took them particularly seriously, but then she also wouldn’t have been surprised to find out that any one of these tokens had borne some fruit in the real world. If you think about it, assumptions about the intimate connection between a person’s body and the world around him or her are not anything new or unusual. Plenty of people have an uncle whose bunions predict snowstorms, or a grandmother whose arthritis tells of coming rain, or headaches that detect heatwaves moving in. There are plenty of other ways one’s body might help one prepare for a day outdoors, according to American lore:

Beyond those sorts of weather-related phenomena, however, bodies are reputed to be in touch with all sorts of esoteric information. Of course, obtaining pieces of a person’s body is a primary way of gaining magical control over him or her, but that, I fear, goes beyond the scope of this article. Instead, this brief examination will focus on the body as a giver or receiver of information, rather than a source of spell ingredients. For example, often the physical features of a person imply certain characteristics about their intellect or psychology, according to American lore:

  • A fat person is believed to have a good disposition and a friendly nature
  • A big head can be the sign of great intelligence, provided it’s not too big (which would mean a person of no wit whatsoever)
  • A person with a “long head” is thought to be someone of dubious morality and “unscrupulous” character
  • A person with a broad face is thought to be warm and friendly, while a narrow face indicates shrewdness and insensitivity
  • “Dimple on the chin,/ Devil within” – A dimpled chin indicates a troublemaking personality
  • Long arms indicate someone with a “grasping” nature, someone who will do whatever it takes to geth what he or she wants
  • Trimming a baby’s fingernails will turn it into a thief
  • And of course, cold hands mean a warm heart.

What do all of these sorts of lore have in common, then? They all seem to operate off of the ever-present Doctrine of Signatures, which we’ve seen before, and which fundamentally states that like affects like. By that logic, we can see how things like “broad face” and “big head” can be indicators of abundance with regard to particular character traits (I can only assume that the same sort of logic applies to the “fat person,” in that they have general abundance in their figure and thus must have some in their disposition towards others as well). More interesting are the less direct connections between things like trimming fingernails and later thievery in life. I would suggest that because a baby is supposed to undergo very little “reduction” during the first year or so of life (a period when their hair, body, and in some cases, teeth, are all growing more abundant), that trimming something off of the baby’s hand will make it always look for something to fill the void. That, in turn, might lead the baby to fill it with other people’s things, and thus the fear of thievery is attached to the belief. Makes sense? Coming with me on that one? (It’s fine if you don’t, of course, as these sorts of lore-bits often can have multiple meanings and origins).

Some of my favorite bodily predictors come in the form of love (and lust) lore, because they seem so appropriate to connect to how we experience our fleshly existence. I always heard that if your nose itched, someone wanted to kiss you, as I noted above (which may indicate either a lustful flag of interest if one subscribes to the nose/penis symbolism that some folklorists do, or a simple sense of “rooting out” such a person, as indicated in the paragraph on itching below). Another fairly common bit of folklore says that “a hair in your mouth means someone wants to kiss you.” Hair can have very sexual connotations (which is why it frequently gets associated with sexuality in Abrahamic religions), so its presence in the mouth would be a very reasonable indicator of lustful intent. Another bit of lore deals more with what to do if your paramour wanders off: “Throwing nail parings into a fire is a way to call a lover back to you” (okay, so this is more of a spell, but it does seem as though the nail trimmings are communicating with the other person, so I’m calling it a fit).

Itches or burning sensations on the body are of particular importance, and seem to offer very particular meaning depending on where they occur. Some examples from Kentucky lore:

  • If your ears burn some one is talking ill of you, while if your hand itches you will receive a present, or shake hands with a stranger.
  • If your right foot itches, you are to go on a journey; if the left, you are going where you are not wanted.
  • When your nose itches, some one is coming. If it is when you are away from home, you may know you are wanted at home.
  • If your right eye itches, you will cry; if the left, you will laugh.

Again, we see elements of the Doctrine of Signatures, in that ears receive the voice of others in most circumstances, so if they act in an uncharacteristic manner, they must indicate an unheard voice somewhere out in the world. Feet carry us on journies, of course, so the interesting element in that superstition is the association with particular feet and the type of journey. With the long-standing stigma against “sinister” (the original meaning of that word being “left-sided”) use of limbs, the connection between the left foot and an unpleasant journey makes some sense. The less obvious one is the nose, although we may make some guesses about why a nose would be a barometer for upcoming human contact. We might think of proverbial phrases like “sticking one’s nose where it doesn’t belong” or a “nosy person,” and understand that noses are believed to be the body part which roots for information, particularly about the lives of others, and so the nasal connection does have some precedent.

In Mexican-American folklore, bodily functions are often regulated by “hot” or “cold” natures (not dissimilar from Ayurvedic medicine). Because of those temperature associations, people can figure out important information about a person’s state of well-being based on whether small signs on the body indicate larger imbalances within the person. A great example would be hair, which is thought to be “hot” while it grows. A person whose “heat” dies away quickly, however, will likely begin to go gray, as though his or her vitality were turning to ash on his or her head. Having long hair can also help one lose weight in this estimation, because longer hair burns off more energy, thus depleting the body of its energetic fat stores.

Surprisingly few death omens connected to anything body related. This likely reflects an anxiety that bodily warnings are incredibly frequent and common, and that death should be a rare and unusual occurance, rather than anything commonplace. One of the few bits of bodily lore connected to death has to do with the loss of a limb and its disposal. Supposedly, if one loses a limb through combat or other misfortune, and fails to take off any shoes or other vestments on the detatched extension, the person will experience phantom pains so long as the problem is not corrected.

Vance Randolph collected some interesting lore which borders on a divinatory method using the appearance of spots on fingernails:

“White spots on fingernails are supposed to represent lies, and little boys often hide their hands to avoid betraying falsehoods. However, there is a fortunetelling rhyme children use when counting these white spots :

A gift, a ghost, a friend, a foe, A letter to come, a journey to go.

Some people say that a large white spot means a journey.”

These sorts of counting-out rhymes often figure in children’s play, sometimes as a means of selecting play partners and sometimes with more occult connotations, as in the spot-counting rhyme above. Why white spots should indicate lies remains open to interpretation, but if I had to guess I’d assume that the spots are thought to be the actual lies trapped beneath the glass-like surface of the nail, demonstrating that lies always come up for air, sooner or later.

I’ll close today with a little tidbit from a somewhat older book (originally published in England, but likely in circulation throughout the British colonies), which is devoted to divination via dreams and moles on the body. The entire second half of the pamphlet is about moles and their meanings, and often provides startlingly specific and inalienable interpretations of mole size, shape, and position. One such indicator: “If a Mole is on the crown of the head, it shews another on the nape of the neck, and the party witty, and to have good natural parts: but that he will die poor.” I would say that indicates that a pair of moles is a bit of a mixed bag, wouldn’t you? I think I’ll go back to being a bit heavyset and being perceived as friendly, then.

Thanks for reading!

-Cory

Sources:

  1. Bronner, Simon J. Explaining Traditions. 2011.
  2. Bronner, Simon J. American Children’s Folklore. 2006.
  3. “Dreams & Moles, with their Interpretation & Signification.” Published by the Royal Society of London, 1750.
  4. Dundes, Alan. Interpreting Folklore. 1980.
  5. Hyatt, Harry M. Folklore of Adams County, Illinois. 1935.
  6. Ingham, John M. “On Mexican Folk Medicine.” American Anthropologist. 17, (1): 76-87.
  7. Price, Sadie F. “Kentucky Folklore.” The Journal of American Folklore. 14, (52): 30-38.
  8. Randolph, Vance. Ozark Magic & Folklore. 1964.
  9. Smith, Grace. “Folklore from ‘Egypt.’” Hoosier Folklore. 5, (2): 45-70.

Blog Post 194 – Plugging (Healing with Trees)

Kirkridge Shelter sign, Appalachian Trail near Fox Gap, Monroe and Northampton Counties. Photo by Nicholas A. Tonelli (Wikimedia)

Exploring American folk magic means looking under lots of stones, poking about in the weeds on the roadside, and scaring furry little critters out of their hiding spots as we try to discover the methods that have been used to solve problems throughout the years. Whether it’s using potatoes to cure warts or making your spare change break an incoming hex, the techniques of folk magic demonstrate a masterful application of resources at hand to get the results a body needs. Which brings me to the subject of this article, the practice of “plugging” to heal disease.

Largely found in the mountain regions of America, although it also appears in a few other places as well, the basic practice of plugging consists of measuring a person against a tree, boring a hole in the tree, then filling and stuffing the hole (or “plugging” it, obviously). Some folks also call the practice “pegging” rather than “plugging,” since the bored out chunk of tree forms a natural peg (and since the image of a peg may have a more biblical connotation to some practitioners, since a tent peg is used in the Book of Judges to kill an enemy of the Israelites). Once the person measured against the tree grows past the height of the hole, he or she should be cured of the disease. Of course, this means that the person must still be growing, which essentially means this method is used to help children with chronic illness rather than adults. There are a few variants in the practice, which we’ll get to, and some of those provide relief for adults, but for now let’s look at some of the typical examples:

“Drill a hole in a black oak or sourwood tree just above the head of the victim [of asthma], and put a lock of his hair in the hole. When he passes that spot in height, he will be cured. (Another person told us that if the person died, the tree would also.)” –Foxfire Book, p. 231

This is probably the most basic version of the method, although it is more specific about the tree than many versions. For the most part, the remedies simply say “a tree,” although some will indicate a preferred species to affect a cure. One Southern spell says that “chills can be driven away by boring a deep hole in the sunny side of an oak tree, blowing your breath into it, and plugging up the hole, with the result that the tree dies” (Botkin, Treasury of Southern Folklore, p. 630). Variants from the Foxfire 40th Anniversary book also say you can do the remedy with a black gum tree, and interestingly, you can use a detached form of the plugging remedy: “Take a sourwood stick the size [height] of the child when he’s two or three years old. Put it in the top of the house where it won’t get wet. When the child outgrows the stick, the asthma will be gone. This also works for hay fever, and some say it can be done with any “dry stick” by placing it “under the doorstep” (p. 349). The last examples show that the power to heal is not directly tied to a living tree, but simply to the qualities of wood, since the twigs are detached form their trunk before use in the spell.

Plugging is hardly an Appalachian phenomenon, however. A bit of lore from Indiana is very similar to the mountain method: “Measure the baby’s height on a tree and make a hole at this point in the tree. Then cut off a lock of the baby’s hair and put it in the hole. When the bark of the tree grows so as to cover the place, the baby will be well” (Grace Smith, “Folklore from ‘Egypt’,” p. 70). John George Hohman reports a version of plugging which resembles the detached plugging in the sourwood stick example above: “Cut three small twigs from a tree — each to be cut off in one cut — rub one end of each twig in the wound, and wrap them separately in a piece of white paper, and put them in a warm and dry place” (Hohman, Long-lost Friend). One collection of lore from Louisiana is rife with examples of plugging:

379. To cure a child of asthma stand him up by a post and lay a knife on his head and run it into the post. When the child grows above this knife he will no longer have asthma.
380. Negroes cure asthma by taking some of the victim’s hair, tying it up in red flannel, and putting it in the crack of the door.
381. To cure a child of asthma stand him up against a tree and bore a hole just above his head. Into this hole put some of the child’s hair and then stop it up. When the child grows above the hair he will no longer have the asthma.
382. To cure a child of croup stand him up against a tree and run a knife through his hair into the tree burying some of his hair. When the child grows above the hair he will no longer have the croup…
385. A way to cure croup is to bore a hole in the wall behind a door at the height of the child’s head. Put some of the child’s hair into the hole and cork it up. The child will no longer have croup…
389. To keep a child from having whooping-cough take him to a house that is just being built, stand him against the wall, and bore a small hole in it just above his head. Then put some of his hair into it, plug up the hole, and cut the hair off. As he grows above this he will not have the whooping-cough. (Hilda Roberts, “Louisiana Superstitions”)

Many of these are in “Superstitions from Oregon,” by Donald Hines, demonstrating that the practice is hardly a unilocal one. Henry Middleton Hyatt recorded dozens of incidents of plugging in his “Folklore of Adams Co., Illinois” collection. One such example somewhat resembles the practice of plugging without the use of a tree mentioned in the collection above:

  1. “If you have asthma, take and stand the person up against a door — the door must be an outside door — bore a hole in the door at the top of their head, save the sawdust, then put a lock of their hair in this hole, then the sawdust, then the plug. When the person grows above that hole, they will be well. Do you see that hole in the kitchen door over there? Well, that is where we tried this on my niece, and she got well.” (Hyatt).

The use of the wall or door as a substitute for a tree may stem from the fact that—at least in most homes prior to very recent times—these objects would have all been made of wood, and so might have retained the general properties of trees. Since it is unlikely that those doing the boring would know exactly what wood their walls or doors are made of (although in some older cases they might have known), I think this demonstrates the point that the type of tree used for the cure was less important than the fact that it was a tree.

While a number of these techniques do specifically apply to children, in some cases the practice was extended to adult patients as well. In several of Hyatt’s examples, plugging is used to cure excessive bleeding without any relationship to the patient’s growth:

  1. Profuse bleeding in a horse is stopped by boring a hole into a tree, putting in it some of the blood, and plugging up the hole with a wooden peg.”
  2. To check a bleeding caused by a cut, bore a hole into a soft maple tree and plug up in this hole some of the blood”

In this pair of examples, we can see a general sympathetic magical principle at work, since the stopping of the hole represents the stopping of the wound, and the symbolic transfer of the hurt to the tree. In many cases, the plugging action creates a symbiotic enchantment between the patient and the tree. Several accounts claim that if the tree sickens and dies at some point in the future, so will the person healed by its intervention.

Healing is not always the aim of the plugging, either. One Appalachian plugging says, “When you pull a tooth, drive it in an apple tree, and good luck will follow” (Gainer, 125). Likewise, the healing accomplished in some cases may not be physical, but mental. Some Appalachian lore says that putting hair from a recent haircut under a rock will prevent headaches, a sort of form of plugging (probably because birds can’t get the hair and weave it into their nests, which is believed to cause headaches or madness). Surprisingly, plugging has received little attention as a magical practice (although I somewhat suspect that its lack of marketability and a general inclination against drilling holes in things in the modern age have something to do with that). I hope this brief glimpse into the practice gives readers a chance to explore plugging a bit further, as we really only have the very tip of a rather large iceberg here. If you have additional information on plugging you’d like to share, we’d love to hear it!

Thanks for reading,

-Cory

Blog Post 187 – Magical Hats

Cowboy hats for sale in Austin, TX (photo by Nika Vee, via Wikimedia Commons)

There’s a line from the classic (well, sort of) movie Smokey & the Bandit in which Burt Reynolds’s character explains to his lady of the film that he only takes his hat off for one thing, to which his female companion (Sally Field), of course, replies: ‘Take off your hat.’

Costume is frequently a reflection of ceremonial, ritual, or even magical operation, an outer manifestation of inner desire or power. A nun’s habit or a burqa can both represent a commitment to religious life, and inspire reactions from those around them. The ceremonial robes of a Thelemic magician frequently conform to specific standards to enhance invocations and rituals. The Encyclopedia of American Folklore notes:

Folklorists who discuss adornment have concentrated on costume’s socializing force and its relationship to the maintenance of individual and group identities. According to Don Yoder (1972), folk costume expresses identity in a symbolic way; functioning as an outward “badge” of community identity and expressing an individual’s manifold relationships to and within that community (Brunvand 341).

One of the items frequently associated with magicians is the magic hat—whether it’s the shiny tophat of a stage magician concealing a rabbit in its depths or the pointy, star-spangled adornment of a fantasy wizard. In American lore the hat has a special place as a magical item, frequently providing either symbolic guidance, otherworldly taboo, or a method of deployment in spell-casting.

When people think of American hats, possibly the most iconic is the cowboy’s ten-gallon hat (which, of course, does not hold ten gallons, but the galon hatband worn by Southwestern vaqueros). I remember teaching overseas and asking about impressions of America, and the most common response was that we tend to wear cowboy hats and smile a lot.

The cowboy hat—as well as a number of other elements of ‘rugged’ American folk costume—was borrowed from other cultures:

Many specifically American types of costume emerged from the interaction of diverse costume traditions in dialogue with indigenous materials and environments. Recognizable forms in Western regional costume, for example, are creolized forms resulting from the interaction of different traditions of dress. The costume of mountain men who charted new Western territory—fringed buckskin coats, breeches and shirts, fur “coonskin” hats, and thick, colorful blanket jackets—was an adaptation of Native American costume forms suitable for native environments and constructed with indigenous materials. The occupational costume of the American cowboy was also the result of the interaction of various cultural forms in dialogue with the demands of occupation and environment. Many of the recognizable elements of the classic American cowboy costume, such as spurs, hat, boots, and chaps, were the result of cultural exchanges between working Anglo and Mexican cowboys, known as vaqueros. Vaqueros were known by their wide-brimmed hats, short jackets, colorful neckerchiefs, red sashes, elaborate spurs, and protective leather leggings (Brunvand 343)

Given the emblematic nature of the Stetson and its kin and the frequently superstitious nature of life in the Old West, it is hardly surprising that lore has arisen surrounding this headgear. Probably the most common belief surrounding the cowboy hat has to do with what to do when you’re not wearing it. There seems to be an absolute taboo on placing a hat on the bed, which appears in everything from Southwestern rodeo lore to Oregon folk belief.

In both the American South and West, a particular custom of hat-burning following the birth of the first baby (or sometimes only the firstborn son) of a miner prevails. From Vance Randolph’s Ozark Magic & Folklore comes the following account:

In some clans, when a baby boy is born, a sister of the babe’s father comes to the house, looks at the child, and then burns the first hat she finds. No matter whose it is, nor how valuable, she just picks up a hat and throws it into the fireplace. Many people laugh at this and pretend to take it lightly, but it is never omitted in certain families. I know of one case where there was some doubt about the child’s paternity, and the husband’s family were by no means friendly to the young mother, but despite all this one of the sisters came and burned the hat; she did it silently and grudgingly and most ungraciously, but she did it. This practice is never discussed with outsiders, but it is sufficiently known that a series of funny stories has grownup about hats being burned by mistake, strangers’ hats missing, doctors leaving their hats at home, and so on (Randolph 205)

This practice was also found in California by folklorist Wayland Hand, where “[o]n occasion of a miner’s first trip to the mine after the arrival of the firstborn, his comrades simply seize his hat and burn it despite any resistance or protests offered” (Hand 52). This act functions both as an initiatory rite and as a method of preventing bad luck for the child. Hand also notes that the baby was usually made to touch the hat if possible prior to its cremation. A soldier’s hat could also be worn by a woman in labor to give her strength during the birth, furthering the link between children and hats.

A number of traditions from African American folklore have been attached to hats. In most cases, headgear serves as a method for the transference of contagious magic, sometimes almost in a medical sense: “if one borrows a hat from a diseased person, and the wearer sweats round the forehead where the hat rests, he will take the disease” (Steiner 267). Harry Hyatt recorded a string of beliefs among African Americans surrounding hat lore:

9750. If a girl puts a man’s hat on her head, she desires him to kiss her; if a man puts his hat on a girl’s head, he desires to kiss her.
9751. A girl should never put a man’s hat on her head; it will cause quarrels with him.
9752. The girl who tries on a man’s hat will not get him for a husband.
9753. If a woman throws her hat and gloves on a man’s bed, she wants to sleep with him; if a man throws his hat on a woman’s bed, he wants to sleep with her.
9754. A girl can strengthen a sweetheart’s love by laying his hat on her bed when he comes to see her.
9755. The significance of a beau refusing to hand his hat to his girl when he calls on her is love growing cold. 9756. A girl stepping on a man’s hat will soon marry the owner.
9757. “The girls did this when I was young: in the spring stamp with your thumb in the palm of your hand the first twenty-seven straw hats you see and you will meet your beau.”
9758. If a girl takes the bow out of the hat of each man liked, she will marry the owner of the seventh hat.
9759. Let a girl take as many bows as possible from the hats of men liked and wear them on her garter; the bow staying on longest will reveal who among these men loves her best (Hyatt 231)

Clearly some of these are contradictory, as in the piece about one gender wearing the other’s hat breeding either contempt or desire. There does seem to be a very strong connection between hats and sexuality, however, perhaps because the hat sits so close to the brain and retains the warmth of the head, it may be seen to cause ‘feverish’ behavior, such as love, lust, or even fighting. The divinatory rites surrounding hats are also interesting, although I suspect these performances have less to do with any direct effect upon the mind and more to do with other counting rituals related to love forecasting. Several tricks in the practice of old-style hoodoo involve acquiring the band from a man’s chapeau and using it to deploy any number of tricks, mostly designed to influence him in love (or occasionally business).

A bit of lore from the Southern mountains tells about how a person can reverse bad luck caused by unfortunate omens (in particular a fearsome rabbit crossing one’s path): [If a] Rabbit runs cross yur path, turn yur hat ‘roun’. (Wear your hat with the back part in front.)” (Duncan 236). This is not much different from the idea of turning around if a black cat crosses one’s path or even turning a key or coin over in one’s pocket after seeing an unlucky sign. In an era when hats are frequently worn backward (if worn at all), this sort of act is probably much less out of place today than it would have been half a century or so ago.

Hats, then, can be deeply magical objects to those that wear them. It’s hardly surprising that Lyle Lovett sings of his size-7 Stetson, “Well if it’s her you want, I don’t care about that/ You can have my girl, but don’t touch my hat.”

So what about you? Do you have any hat-related lore? What kinds of hats hold particular magic for you? The pointy costume ‘witch’ hat? A trucker’s cap owned by a favorite grandfather? I’d love to hear what makes your hat special and whether you ever ascribe anything magical to it.

Thanks for reading!

-Cory

Blog Post 183 –Lost in the Supermarket (Part II)

Last time, I looked at a few of the standard products found in a typical supermarket which could be easily used within a folk magical context. I’m continuing that theme today, and while I’ll still be doing my best to stay out of the ubiquitous enchanted spice aisle, I will be touching on a few ingestibles. Please note, however, that as I frequently say: THIS IS NOT A MEDICAL BLOG, AND NO INFORMATION PRESENTED HERE SHOULD BE TAKEN AS MEDICAL OR LEGAL ADVICE. Before you start popping things into your mouth or rubbing them on your skin, you should make sure with your doctor that doing so will not lead to genetic mutation, pestilence, plague, or ennui of any kind.

supermarket_herbs_spices

I’m going to start in what my part of the country likes to think of as the “ethnic foods” section, which generally speaking involves a portion of the produce area and an aisle with Asian, Hispanic, and perhaps Italian meal ingredients. It’s where I found the candles I showed in the previous post, but in most of the grocery stores around here, despite the obviously oblivious marginalization that comes with a label like “ethnic” or “international” cuisine, the diversity of the consumer population has made a lot of once-rare items much easier to find. The section of these stores directed at Hispanic consumers provides a number of tools for folk magic that fall under the practices of curanderismo and/or brujeria. I’ve covered supermarket staples like eggs already, so today I thought I’d look at three somewhat more distinctive items: corn husks, hot peppers, and coconuts.

Corn Husks

The papery, stiff-but-pliant corn husk is absolutely essential for making really good tamales. Usually these come in huge packs (because if you’re going to go to the trouble of making tamales, you may as well make a lot of them), and they’re often dirt cheap. In fact, in the late summer, I frequently fine freshly stripped corn husks in buckets next to the corn displays, and few grocery store managers care if you grab a sackful to take home with you for free. So what sorts of magical mischief can you get up to with all those husks?

Corn dolly folk art (via Wikimedia Commons)

If you’re not making ensorcelled tamales, you might consider saving a few husks and turning them into doll babies for working various kinds of poppet magic. In some cases, the husks would be bound to the cob, along with various herbs and things like hair or clothing from the intended target to work a spell on them. Texan rootworker Starr Casas describes one such baby in The Conjure Workbook, vol. 1:

“When I was caring my daughter [sic] I was very ill. I was put on bed rest for five months. My Grandma knew this lady and asked her to come to my house and help me during the week. She treated people who were ill. I think that due to her efforts my daughter is alive today. I trusted her because my Grandma trusted her…She prayed over me every day; one day she asked if she could have some of my hair. She could have just taken the hair from my brush, at this time my hair was very long. She told me the hair needed to come from the crown of my head.

A few days later she came with this Dollie. This was the first time I had ever seen a doll like this. The body of the doll was a corn cob and the doll was covered in corn husk. When I asked her what it was for all she told me was to keep me and my baby safe. After I had my daughter the Dollie disappeared. When I asked her about the missing doll she told me the doll wasn’t needed anymore. I have never seen another Conjure doll like that one again” (Casas 246-7).

Starr’s encounter with this type of doll is not typical of conjure practice, something even she notes, but the use of doll baby magic is fairly common and corn husks make a simple, cheap, easy-to-make-and-destroy sort of doll. One reason that Starr may not have seen them since is that they are less directly associated with hoodoo and more directly associated with mountain crafts, particularly the crafts of the Appalachians. In fact, you can find wonderfully detailed instructions and step-by-step photos on constructing corn dollies in Foxfire 3, which records the folk practices of the southern Appalachians (a later compendium called The Foxfire Book of Appalachian Toys & Games also discusses the corn dolls, but doesn’t give the detail the actual anthology book does).  That’s not to say that such dolls are not found in any version of conjure—Dr. E mentions them in his article on doll making, found in The Black Folder, for example—but that they very likely drifted in from non-African sources. Their provenance matters not, though, because they are incredibly useful magical tools in any case.

Hot Peppers

Have you ever seen the sheer plethora of peppers available in a bodega? Even at the chain supermarkets, you can now find dozens of choices, ranging from fresh jalapenos and big, fat Anaheims to the huge sacks of tiny dried japones peppers and the small-but-potent habaneros. So what to do with all those peppers?

Of course, the obvious answer would be hot-foot work in hoodoo, but you can also get a little more creative than that. Using the peppers as a vessel, it takes very little effort (but a good bit of practice and caution) to slit open a habanero, stuff someone’s name inside and bind it back up. Doing that works sort of like a vinegar jar cranked up to eleven, in that it puts a lot of unpleasantness into someone’s life. Peppers don’t have to be all bad, either, as cooking them with something like chocolate creates a very different effect—a good hot cocoa with a hint of chili pepper makes an enlivening winter beverage, and a heck of an aphrodisiac! A little rum in that latter option helps, too, of course.

Speaking of rum, one of the more interesting uses for all those hot peppers in magic—and here I’m stretching the term to incorporate a certain degree of magical religion—is to soak the peppers into an alcohol like rum until it is nigh undrinkable. Why would you do that, you ask? Maya Deren explains the use of the drink during a Vodoun rite in her book, Divine Horsemen: The Living Gods of Haiti:

“As Lord of Eroticism, he [Ghede] embarrasses men with his lascivious sensual gestures; but as God of the Grave he terrifies them with the evidence of the absolutely insensate: he will not blink even when the most fiery liquid is sprayed into his eyes, and only Ghede can swallow his own drink—a crude rum steeped in twenty-one of the hottest spices known. Thus he may alternately remind men that he is their past, their present and their future, that he is master of their compulsive drive to life and the inevitability of their death” (Deren 104).

Deren also notes that anyone claiming possession by Ghede is subject to both of the tests she mentions: having the hot rum sprayed in their eyes and being told to drink it. A truly possessed devotee will have no problem doing so (and likely be able to down the entire bottle of rum and show no effects after the possession ends).

Coconuts

If you ever need to pretend to ride a horse, you will probably automatically feel the need to buy a coconut and bang the two empty halves together to simulate the sound. At least if you grew up watching a lot of Monty Python that’s probably what you’d do. The coconut is good for more than equine simulations, however, and you can use the whole fruit/nut and its liquid for several magical functions.

“Retrato de una señora principal con su negra esclava,” by Vicete Alban (via Wikimedia Commons)

Drilling holes in the coconut will allow you to do two things: firstly you can get at the precious liquid, coconut milk, inside. It’s delicious and a wonderfully refreshing drink, but if you can resist the urge to down it all in one go, save some for later. Now that you have a semi-empty coconut with holes in it, why not stuff it full of name papers, sweet things like raw turbinado sugar (also available in the Hispanic section usually) and create a natural honey-jar spell? This sort of spell will, of course, not last as long as an actual honey-jar, but it has the advantage of being very quick and due to the sympathetic magic connected to the coconut’s skull-like density and shape, it works right on the minds of the folks targeted with the spell.

Speaking of heads, if you saved that liquid, you can turn that into a powerful magical formula as well. An African-derived magical practice known alternately as “feeding the head,” or in Vodoun as a lave tet ceremony (literally “head washing”) involves using a coconut wash on the head and hair during a ritual setting in order to fill it up with good spiritual forces. The feeding usually follows a simple head washing, either with natural water (sea water, spring water, etc.) or a number of aqueous formulae found in various traditions. Then comes the feeding:

“The process of feeding the head is simplicity itself. The coconut milk or cream is scrubbed into the head, just like the head-washing compound or a shampoo. Once the compound has been worked into the head, the hair may be combed out again. However, unlike a head-washing compound, the coconut compound should be left to dry on the head—preferably, overnight. A scarf or towel may be wrapped around the person’s head to insure this…In the morning, the coconut compound may be rinsed out and the person’s hair washed with a shampoo and dried, as it would normally be” (Mickaharic, Spiritual Cleansing, 101).

The richness of the coconut milk causes the spirits which guard a person (frequently though to be connected to a person’s head in African tradition) to be refreshed and take a renewed interest in the person’s well-being. It’s sort of like bribing a guardian angel with a good pina colada, which would be another fun way to use that coconut milk if you’re so inclined.

Of course, you don’t even have to open the coconut up to use it magically. I’ve seen a house cleansing method which involves simply kicking a coconut around a new home, through every room from top to bottom and back to front. You might say a psalm as you go, or repeat the Lord’s Prayer or the Apostles’ Creed. Other traditions use other incantations, songs, or words, but the point is the same: get the coconut all over the house, kicking it as you go, letting it soak up bad vibes like a sponge. When you finish you can either pick it up in your left hand and take it to a far away tree, where you crack it open and leave it at the roots, or you can drop it into running water heading away from your home. It essentially functions as an egg cleansing for a domicile, but coconuts tend to be less messy than eggs when kicked (Mickaharic has a variant on this practice using a head of lettuce in his Spiritual Worker’s Spellbook).

There’s an entire pharmacopeia in a well-stocked bodega, with everything from aloe vera gel (and the live plants) to nopales (prickly pear cactus, sometimes used in curanderismo for treating diabetes) to chicken feet and cattle tongues (both edible, but also both used in various hoodoo spells as well) available to an informed shopper. I mention these three ingredients solely as a way to begin to see the shelves as stocked with more than marketing gimmicks and high-fructose-corn-syrup-laden beverages. While having a good local witch shop is invaluable for many reasons, the grocery store may be your best friend when it comes to simple, practical magic.

I know this article barely scratches the surface of the subject, and I highly encourage you to look at some other sources on making the most of a grocery store’s shelves for your spell work. As I said before, much of my own inspiration came from Sarah Lawless’ post on the topic and Cat Yronwode’s compilation The Black Folder, which features not only an article on grocery store magic (covering things like onions and lemons) by Cat herself, but other useful tidbits such as Norwegian bread charms (from Dr. Johannes Gardback) and an article on “kitchen witchery” by Sister Robin Petersen. Of course there are probably dozens of books on this subject, many of which I’ve sadly neglected here. Do you know of any good grocery-store spells? If so, please feel free to post them to the comments below!

I may eventually come back to this topic another time, but for now I hope this has been a useful glimpse beneath the barcodes into the magic of the market.

Thanks for reading!

-Cory

Blog Post 182 –Lost in the Supermarket (Part I)

Customer making purchase in WWII grocery (via Wikimedia Commons)

If you have that song by the Clash in your head now, congratulations, that was my primary purpose in writing this article. Kidding.

Last time I took you on a quick but fun tour of my home to show how I’ve applied some of the folk magic I’ve picked up over the years in my personal life. Today, I’m drawing some inspiration from Sarah Lawless, whose article on “Pantry Folk Magic” is one of the finest pieces on using what’s at hand for practical spellwork that I’ve ever read. I’m also inspired by an article on “Grocery Store Magic,” in The Black Folder, a compilation of workshop notes by Cat Yronwode (which I recently reviewed), and I’ll be citing both of these sources as well as several others in the coming few paragraphs.

There are plenty of articles out there on doing magic from the grocery store, but I wanted to go beyond the spice aisle a bit and look at the vast number of folk magical items that may go a little under the radar in a standard shopping trip.

Before we go much further, I do want to mention that I don’t think the grocery store is the end-all be-all of magical supply houses. I prefer by far to grow or wildcraft my own botanicals, use hand-crafted incenses from a local occult shop, and carry talismans picked up at the nearby Catholic bookstore in a lot of cases. Supporting community commerce and doing work oneself fits in as well or better with most magical practices than grabbing a mass-produced box of incense from a five-and-dime shelf, but there are always going to be cases where magic must be done on short notice or with supplies not readily purchased at the witchy store. In some of the cases below, it should also be noted that the grocery stores where one can find these ingredients are not the big chains, but rather local bodegas or international markets.  You are far more likely to find chewing john (galangal root) in an Asian market than in a big chain one, for example. Now, on to the tour!

Candles

One of the big resources that frequently gets missed in grocery store magical item lists is the cornucopia of candles that can sometimes be found. Of course, a lot of stores carry scented jar candles and those are reasonable enough for doing some workings, but if you look in the Latin American or Hispanic section you can often find a number of saint candles as well. I’ve found everything from the standard Virgen de Guadalupe to Santa Muerte, Seven African Powers, Just Judge/Justo Juez, and even a Lucky Lotto Numbers candle just by browsing a little. Below you can see a pair of very cute candles which look like children’s novenas for working with Guadalupe or St. Jude, found at a mid-level chain grocery store.

Little Candles

The novena candles are also frequently available unlabeled and sometimes in multiple colors. It’s fairly easy to customize them to your own needs and do extended spellwork using these tools.

The candles don’t stop there, though. Say you want to do a quick-and-easy candle spell, but you know you won’t have time to burn a candle 1-2 hours per night for nine nights. Stop by the baking section and grab birthday candles, which are small and burn very quickly. Will it change the potency? Perhaps, but you’ll be able to at least do what you want to do. They also frequently have letter or number shaped candles, so you might be able to use those to target a specific goal or person with the spell (especially if you’re knowledgeable about numerology and can figure out the right number(s) for the job).

If your grocery also has a Jewish section with kosher options, check to see if they sell Shabbat candles. They frequently come in boxes at a very reasonable price, and are specifically designed to be used for spiritual purposes (albeit non-magical ones in most cases).  These burn longer than the birthday candles but much more quickly than novenas, and so would be good for mid-range spell work.

Cleaners

We’ve mentioned these a bit in our previous post on Spiritual House Cleaning, but here I mean less of the whole-herb types and more of the mass-produced stuff. Harshly-scented cleaning solutions with abrasive chemicals and artificial odors may not seem like a particularly likely place to find folk magic, but it’s there if you look for it. One of the most common of household cleaning agents, ammonia, acts as a substitute for urine in some spells. Cat Yronwode suggests in her Hoodoo Herb & Root Magic that ammonia can be used in spells focusing on protection and spells designed to improve sales, either at a business or of a home (Yronwode 29). In Spiritual Cleansing, Draja Mickaharic mentions ammonia’s great psychic cleaning powers and notes that putting a little bit down the drain after a house blessing & cleansing will help finish the job.

In a similar vein, we find plenty of uses for that old pantry/laundry/cleaning-closet standby, vinegar. Sarah plainly mentions vinegar as one of her grocery store finds for the working magician. All vinegars can be good for simple crossing work, according to Southern folk magic, and it would be very easy to turn cider or wine vinegars into a variety of Four Thieves Vinegar for both aggressive protection and subtle cursing. I mentioned on our Spell Failures episode that I had attempted to work a vinegar jar with poor results (mostly due to my lack of dedication). I found an interesting hexing combination of both vinegar and ammonia in Zora Neale Hurston’s article on “Hoodoo in America,” too:

i. To Punish.
When you want a person who is indited punished, write the name of the person in jail on a slip of paper and put it in a sugar bowl, or some other receptacle of the kind. Put in red pepper, black pepper, one penny nail, fifteen cents of ammonia and two keys.  Drop one key down in the bowl and lean the other against the side of the bowl. Go to the bowl every day at twelve and turn the key that is standing against the side of the bowl to keep the person locked in jail. Every time you turn the key, add a little vinegar (Hurston 382).

I find it interesting that both ammonia and vinegar seem to be able to perform cleansing functions in a household, but applied to an individual their corrosive nature seems to become destructive. I think this illustrates the principle of the two-sided coin of magic nicely, though, as the same ingredient that can save you from nasty spirits might also be turned around to damn an enemy.

Before I move off of cleaners, I want to mention a couple of the commercial products out there that have some magical history and applications. First, the famous Pine-Sol cleaner, which has been found in grocery stores for almost 60 years. The product was born in Mississipi, and even today contains pine oil to give it cleaning power and its trademark scent (along with a hefty dose of chemical salts and alcohols).  Pine oil is another spiritual cleanser and refresher, in addition to having some mundane cleaning properties as an antibacterial and antiseptic disinfectant. It works a lot like lemon does in spiritual cleansing—so much so that one of Pine-Sol’s first offshoot scents was lemon, although now they have half-a-dozen different aromas to choose from.  While I’d never suggest using a commercial pine cleaner on the body (or in the body especially…that’s a big no-no!), some folk magical traditions have used pine oil-based treatments for medical ailments (there’s a fine example in Hohman’s Long Lost Friend, for instance). So the presence of lemon and pine has the power to cut through spiritual ailments as well as the nasty germs lingering on your kitchen floor. You can make a variant of your own pine oil cleaner by simply adding pine oil to some salted water with some castile soap dissolved in it. It won’t be as strong as Pine-Sol, but it also won’t be quite as harsh. You could even add a bit of lemon juice or lemon oil to that, too, for extra kick (both spiritually and microbially speaking).

Since we’re talking of lemons and soap, I can’t help but at least briefly mention Murphy Oil Soap, which has been treating hardwood floors for over a century (although only in a mass market for about half that time). The cintronella oil in Murphy’s has a citrusy, lemony scent, and is both a lucky and cleansing ingredient in spiritual work (it’s one of the oils used in Van Van Formula). Queen of Pentacles Conjure notes that both Murphy’s and Pine-Sol make great additions to the spirit worker’s cleaning closet. Citronella keeps away mosquitoes, too, which makes me love it even more.

I’m going to pause here before continuing through the aisles, as this article is already quite long. There is plenty more to see as we make our way through the store, though, so stay tuned!

Thanks for reading,

-Cory

Blog Post 181 – The Little Witcheries Tour

I’m taking a cue today from a recent blog post by the excellent Jen at Rue & Hyssop entitled “Little Witcheries,” which focuses on the small, everyday enchantments in her life. She and several other bloggers have been sharing their daily practices, household charms, and domestic talismans so I thought I would offer a bit of the same. I know I don’t tend to make posts entirely personal here, but I do frequently talk about the “secrets in plain sight” that accompany practical witchcraft and folk magic, so it seems like now is a good time to do a quick tour of my home and see how I apply what I have learned in the course of my studies to my real life. I hope you won’t mind the diversion from the more general and academic examinations of folk magic. You’ll still likely get a good feel for folk magic, and I’ll reference any previous posts or sources that might explain further, so hopefully this won’t feel too indulgent.

I’ll mostly be cataloging what sorts of “little witcheries” I have around, rather than giving a lot of expository detail. Basically, I’m treating myself and my home as a folklorist’s test case, because nothing’s more fun than turning the microscope on yourself, right? And so, on with the tour! Come on in!

Exterior

Garden friends
Garden friends

Plant guardians – I have a number of magical plants in my front garden, but my rosemary and rue plants act as my primary sentries. The rosemary started as a pair of six-inch cuttings, and now it’s easily a three-foot-tall shrub.  Theswallowtail caterpillar in the pictures is one that seems to particularly like our rue plant, but it doesn’t do any real harm to it, so we let it alone.

Witch bottle – Buried somewhere along your way to the front door (exactly where is my little secret).

Washes – The door is washed with protective mixture (which Laine has indicated she would rather not touch) and I use a protective foot-wash derived from Irish lore on the porch.

Interior

Entrance – Door has salt & red brick dust lines, plus several paper charms wedged in the lintel.

Cleaning – We have a mostly carpeted space, so instead of floor washes, I sometimes make floor sprinkles with powdered herbs & salts to affect the various rooms. I also use vinegar (including Four Thieves Vinegar) for cleaning & breaking up bad energy. Most of what I do to dress doors, windows, etc. can be found in our posts on magical house cleaning.

mirror

Mirrors – We keep a mirror behind the door to deflect anything spiritually harmful (currently decorated for Halloween with some bats).

stpaschal
St Paschal & a spirit bottle
herbswindow
Bundles drying in the kitchen window

herbjars
Tincture of Rue, Four Thieves Vinegar, & Four Thieves Pickles

Kitchen – I’ve always got something brewing. Right now I’ve got some tinctures going (some magical, but most multipurpose, used in magic or cocktails equally), a few herbs drying in bags by the windows, and of course, my Four Thieves Vinegar in the pantry (plus a couple of jars of Four Thieves Pickles, which I put up each year). The kitchen is also home to a few of my spirit helpers, including St. Pascal and my resident house spirit (his bottle may look a bit strange, but he’s been with us almost since we moved in, so I don’t mind his scruffy appearance).

roomaltar
Bedroom Altar
topmainaltar
Top of Main Altar
bottommainaltar
Interior of Main Altar

Altars – I’ve got altars throughout the house. I have a personal altar in the bedroom where I do daily devotionals, and then the main altar in my upstairs office for my weekly communion with my spirit friends and family.

Brooms – I keep brooms near our main entrance doors, bristles up to ward off unwanted visitors.

Cards – Are just everywhere in the house. I collect different decks that interest me, though I have a few favorites for divination.

Hamsa Hands, via Wikimedia Commons

Talismans – I keep a hamsa hand on one of my windows, iron railroad spikes throughout the house (some are visible in the picture of the library shelves), and I will sometimes place small talismans like evil eye beads or saint medallions near the office and the children’s room to ward off any harsh or unwelcome spirits. I’ve also got an Ojo de Dios my mother acquired in New Mexico which acts as a protective charm in the nursery.

bookshelf
Library Shelf

Library – Not a lot of folk magic, per se, but lots of information on it. I tend to collect chapbooks as well as full print editions. I also keep my herbal & gardening library in here (not visible from this angle), along with most of my dried herbs. I usually have something hanging to dry in here as well. A few small charms are floating around, as well as many of the spell ingredients I turn to frequently (oils, herbs, etc.). I keep most of my folklore and fairy tale library near this one, as well.

So that’s the tour for the day. I hope it wasn’t too distracting of a diversion from the typical examination of folk magic, but I was so enticed by the series of posts I saw emerging from Jen’s topic that I couldn’t resist.  I will likely be using my next post to do a similar “tour,” but of a non-personal space in the interest of showing how many folk magicians acquire ingredients without necessarily having a “witchy shop” nearby.

Until next time, thanks for visiting, er, reading!

-Cory

Blog Post 177 – Treasure Hunting

“Jim Hawkins & the Treasure of Treasure Island,” illustration by Georges Roux (via Wikimedia Commons)

A number of modern spells are designed to bring “prosperity” into an individual’s life.  In some cases, Wiccan and Wiccan-influenced spellbooks contain workings that either target specific needs and cash amounts, or which seek to generally enhance the financial stability of the magician or his/her designated target (most Wiccan spellbooks also require that the magician have permission from the target even in beneficial magical workings like this). Certainly, magical practices designed to bring a sense of bounty and abundance into one’s life go back quite far—the cults of Fortuna and Tyche in the ancient world appeal to good luck, and the Roman cult of Pomona pursued the ideal of a fruitful life. Folk magic, however, has generally focused less on meeting a generalized prosperity and has drilled down to specific financial problems and advantages. The Wiccan spells which seek a specific sum of money to cope with a specific issue—a medical bill, a broken radiator, etc.—very much mirror the sorts of spells done by people across multiple times and places as they tried to cope with uncertain finances.

Another brand of folk magic, however, did not work towards a specific sum, nor did it seek to bring a vaguely defined sense of wealth into someone’s life. Instead, many spells targeted getting rich—quick! In some cases, the spell’s target would be a gambler who worked to gain the advantage in games of chance (more on that another day, hopefully). A few stories talk of acts of magical extortion, wherein a magician would either try to low-ball the purchase of land/livestock with the threat that failure to accept a paltry offer would result in the destruction of the commodity in question OR a witch might place a curse on a neighbor and only remove the curse for a fee (you can find several examples of such stories in The Silver Bullet, and Other American Witch Stories by Hubert J. Davis).

If someone wanted to get rich really quickly, however, he or she would turn to magical treasure hunting. Plenty of European grimoires had methods for finding lost treasures, usually with the help of spirits. Some grimoire texts which influenced American practices, such as The Black Pullet, spelled out in detail how to summon treasure-seeking daemons to work on one’s behalf:

Seal4BlackPullet

“This talisman and this ring are not less valuable. They will enable you to discover all the treasures which exist and to ensure you the possession of them. Place the ring on the second finger of your right hand, enclose the talisman with the thumb and little finger of your left hand, and say, Onaim, Perantes, Rasonastos.” I repeated these three words, and seven spirits of a bronze colour appeared, each carrying a large hide bag which they emptied at my feet. They contained gold coins which rolled in the middle of the hail where we were. I had not noticed that one of the spirits had on his shoulder a black bird, its head covered with a kind of hood. “It is this bird,” the old man said to me, “who has made them find all this treasure. Do not think that these are some of what you have seen here. You can assure yourself of this.” I replied, “You are for me the truth itself. My father! Do you believe that I would insult you by doubting?”

He made a sign, and the spirits replaced the gold in the bags and disappeared. “You see, my son, what the virtues of these talismans and rings are. When you know them all, you will be able, without my aid, to perform such miracles as you judge proper” (The Black Pullet, 20-21).

Seals and incantations like these made it into later magical practices, especially in places where grimoire languages like German, Spanish, or French were spoken (to be clear, many grimoires were written in languages like Latin with commentaries in European languages, and these three tongues were hardly the only ones in which grimoires appeared).

Of course, being able to find treasure only helps if treasure is already buried in the earth waiting to be found. In the maritime culture of early New England (as well as the maritimes of other parts of the New World), a widespread belief in hidden golden caches secreted beneath the soil became the basis for a number of magical spells. A Maine man named Daniel Lambert, suddenly flush with money, faced suspicion, for:

Lacking any other apparent explanation, his neighbors attributed Daniel Lambert’s sudden wealth to the discovery of buried pirate treasure. Despite Canaan’s location dozens of miles from navigation, the inhabitants readily believed that Lambert had found a treasure chest because, as Kendall explained, “The settlers of Maine, like all the other settlers in New England indulge an unconquerable expectation of finding money buried in the earth.” Indeed, backcountry folk insisted that troves of pirate treasure guarded by evil spirits pockmarked the New England countryside even in locales far from the coast (Taylor 7).

Since the New World was vast and dangerous, people turned to magic to help find these copious buried (and frequently ‘cursed’) treasures, and to remove any dangers that might arise during the expedition to unearth them. A number of ‘rules’ for enchanted bounty-seeking developed, including:

  • Treasure hunting teams needed at least three members, as that number ensured magical success
  • Magical circles should be inscribed around the digging site to prevent any malevolent spirits from attacking the diggers
  • Implements of silver, such as silver spoons or spades, should be used to dig at least part of the earth to ensure luck in the hunt and to protect the diggers from harm
  • Blood offerings (animals usually) had to be made to quell the guardian spirits protecting the treasure—a belief related to the idea that a guardian spirit was usually a person who was killed and his blood spilled over the burial ground

In addition to maritime treasures, the idea of “Indian” gold became very popular. Some European colonists and conquerors were sure that entire cities of gold were just waiting to be found in the dense, mysterious interiors of North and South America. Gonzalo Pizzaro and Sir Walter Raleigh both mounted expeditions to find such legendary places, frequently referred to as “El Dorado,” or “the golden one.”  In almost every case, however, the site was protected by evil spirits, a curse, ghosts, or some other malevolent force. In some situations, however, the spirit might actually help a seeker find his or her treasure:  “There are many tales about ghosts who speak to people, telling them to dig at such-and-such a place to find a buried treasure. The ghost is usually that of some fellow who died without being able to tell anybody where his treasure was concealed, and who cannot rest quietly until someone gets the money and enjoys it” (Randolph 219). How one ensures that the ghost is not simply walking the magician into a trap is anyone’s guess.

One of the best examples of magical treasure hunting led to an entire religious movement in the New World. While the time has not yet come to explore the full magical heritage of the Latter Day Saints, I would be remiss to omit them here.  Joseph Smith, prophet and founder of the Mormon faith, used to hunt for treasure using methods derived from alchemy and hermetic science/magic. He followed the rules laid out above, frequently offering “sacrificed either pure white or jet black sheep or dogs to lay out magic circles of blood” prior to discovering his golden plates and having his angelic vision (Taylor 12). Smith’s methods were not deviant or unusual. He used seer or peep stones to help find his hidden treasures, and his activity in the highly spiritually active area of New York known as the Burned-Over District was imitative of earlier seekers and followed by those who did the same. In fact, Smith was following very much in his own father’s footsteps, as Joseph Smith, Sr. was an active treasure seeker in Palmyra, New York. He is recorded to have once described his methods to a neighbor, saying “the best time for digging money was in the heat of the summer, when the heat of the sun caused the chests of money to rise to the top of the ground” (Brooke 31). The tradition the Smiths followed required—like many grimoire traditions do—that the seeker be spiritually pure or else he will fail in his pursuits, a concept brought in from hermetics and alchemy. The fervent spirituality and insistence on saintly behavior left a strong mark on the junior Smith, and helped him feel prepared for his prophetic role in revealing the Book of Mormon (which was inscribed on golden plates).

In some cases, treasures of golden pieces and precious gems are not the target of the magic. I have written previously on the phenomenon of dowsing, which allows a person to magically search for substances like water and oil beneath the earth. In some cases, the dowser might also search for veins of gold or silver or other valuable ores like iron. The method for making such a dowsing tool appears in Hohman’s early nineteenth century text, The Long-Lost Friend:

TO MAKE A WAND FOR SEARCHING FOR IRON, ORE OR WATER.

On the first night of Christmas, between 11 and 12 o’clock, break off from any tree a young twig of one year’s growth, in the three highest names (Father, Son and Holy Ghost), at the same time facing toward sunrise. Whenever you apply this wand in searching for anything, apply it three times. The twig must be forked, and each end of the fork must be held in one hand, so that the third and thickest part of it stands up, but do not hold it too tight. Strike the ground with the thickest end, and that which you desire will appear immediately, if there is any in the ground where you strike. The words to be spoken when the wand is thus applied are as follows: Archangel Gabriel, I conjure thee in the name of God, the Almighty, to tell me, is there any water here or not? do tell me! + + +

If you are searching for Iron or Ore, you have to say the same, only mention the name of what you are searching for.

This version of magical dowsing incorporates high magical elements (such as the invocation of Gabriel) and strong folk magical ones (the clipping of the tree twig at sunrise and the simple dowsing methodology).  On the simpler end of the spectrum, one could simply put a bit of whatever was being sought into the tip of the dowsing rod, as in this example from the Ozarks: “Many hillfolk are interested in the search for lost mines and buried treasure, and some of these people have tried to use the witch stick in their quests. If a man is looking for buried gold, he fastens a gold ring to the end of his stick ; if it  is silver that he expects to find, he splits the end of the wand and inserts a silver coin. Rayburn says that to locate mixed ores one uses two different metals usually a dime and a penny” (Randolph 88).

The practice of hunting for buried wealth and riches spanned cultural and geographic boundaries. In many cases, very strict rules were followed, regarding purification and protection as well as actual seeking magic. Spirits would guide a magician to the site of a treasure, and in some cases might even be employed to raise it from the earth. In other cases, the spirits associated with the treasure were deeply malevolent and most of the magic employed was to placate or dis-empower any evil that might be lingering about the dig site. The payoff for an effective treasure hunter could be a sack of coins, a buried chest, or even a new branch of a religion, but the work required up front was heavy and intense. While gambling charms might take longer, the success rate was better overall. In the end, getting rich quick via magical means, it seems, has always been a labor-intensive and time-consuming effort, just like any other job.

Thanks for reading!

-Cory

SOURCES

  1. Anonymous. The Black Pullet (Red Wheel/Weiser, 2007).
  2. Brooke, John L. The Refiner’s Fire: The Making of Mormon Cosmology, 1644-1844 (Cambridge UP, 1996).
  3. Davies, Owen. Grimoires: A History of Magic Books (Oxford UP, 2010).
  4. Davis, Hubert J. The Silver Bullet, and Other American Witch Stories (Jonathan David Pub., 1975).
  5. El Dorado,” Wikipedia (2013).
  6. Gainer, Patrick W. Witches, Ghosts, & Signs: Folklore of the Southern Appalachians (Vandalia Press, 2008).
  7. Hohman, John George. The Long-Lost Friend: A 19th Century American Grimoire, ed. Daniel Harms (Llewellyn, 2012).
  8. Horowitz, Mitch. Occult America: White House Seances, Ouija Circles, Masons, & the Secret Mystic History of Our Nation (Bantam, 2010 reprint).
  9. Hutcheson, Cory. “Blog Post 146 – Dowsing,” New World Witchery, 2011.
  10. Milnes, Gerald C. Signs, Cures, & Witchery (Univ. of Tenn. Press, 2009).
  11. Randolph, Vance. Ozark Magic & Folklore (Dover, 1964).

Taylor, Alan. “The Early Republic’s Supernatural Economy: Treasure Seeking in the American Northeast, 1780-1830.” American Quarterly (Spring, 1986).

Blog Post 176 – Summer Saints, part III (Folk Saints)

Shrine to Elvis, by theogeo, from Flickr (used under Creative Commons license)

It’s not quite officially summer yet, technically speaking, but the days are longer and the air is warmer, so I thought this would be a good time to revisit a subject which I explored last summer and add a new chapter to the book of New World Witchery. Today I’ll be looking again at Saints, but veering away from the orthodox and the official and into the realm of popular or “folk” saints.

The process of canonization frequently involves a great deal of waiting and confirming and bureaucracy on the part of the Catholic church, and sometimes folk saints are simply people who are on the way to becoming official saints but who still lack whatever final paperwork might be required to get their membership card into the elect order. In other cases, folk saints have little or nothing to do with the Catholic Church, and instead are simply incredibly popular figures who’ve developed devotional cults which make sacred pilgrimages or maintain shrines to a particular figure. Some of this was discussed on the Podcast Special on Magical Saints a while back, where I highlighted both official and unofficial saints, so some of the information below may be a bit repetitive, but it can’t hurt to have a little more information.

So what sets a folk saint apart from a revered ancestor, then? How is that “sainthood” bestowed, if not through the channels of a legitimizing body like the church? In general, the holiness of the saint empowers him or her—the saint is either directly in communion with the divine or is a transformed divinity him- or herself. Take for example, Teresa Urrea, whom we examine below in a bit more detail. She underwent a number of ecstatic ‘fits,’ during which she attended the court of God:

A mythology quickly grew up around each of the folk saints, attracting ever more adherents. The content of this cycle of stories is remarkably similar, although the parallels here are closer between Teresa and [folk saint Nino] Fidencio, than between these two and [San] Damian [of Sonora]. Teresa was thought to be in continual contact with supernatural beings during her ecstatic attacks. When these occurred, an immense multitude of people approached her, kneeling, praying, and weeping. When she returned to herself, she announced that she had been with God and his angels who gave her advice on morality (Macklin 94).

The divine actions of these saints frequently came at great personal expense. Some gave away worldly possessions, and others sacrificed their health and well-being for the aid of those who came to them:

These folk healers worked hard, sometimes seeing hundreds of people per day, and sometimes getting little sleep for long periods of time. Both El Nino and Teresita are conjectured to have died young partly as a result of exhaustion from years of labor. They also worked for little or no compensation. These old-time curanderos were regarded as folk saints while they were still alive—that is, they were recognized by la gente (the people) as holy beings, even while they were not officially canonized as such by the church (Torres 6).

Still, there are cases where a saint does not act particularly saintly and yet develops a strong following. Maximon, the Guatemalan folk saint who likely derives from a native deity very loosely wrapped in a Catholic guise—his name derives from the name San Simon, or St. Simon, but clearly even that name doesn’t stick—can be fickle and demanding, and generally provides assistance to people through wealth rather than health. Jesus Malverde works on behalf of the narcotraficantes and other outlaws. While Elvis certainly accomplished a lot in his lifetime, no one is making the case for his sainthood based on his receiving angelic lessons on morality during ecstatic trances.

The cult of folk saints is widely practiced and very popular among Hispanic populations, although it is not exclusively limited to them by any means. In some cases, the folk saint in question is a cultural hero of some kind (see Pancho Villa below), and the combination of exalted personality and the practice of Catholic ceremony merge to form the folk saint reverence tradition. In other situations, displaced native spirits have been overlaid with legitimate or semi-legitimate identities (see Maximon and La Guadalupe). However, any iconic figure can inspire intense devotion, and that devotion can eventually translate into folk sainthood.

The methods for revering folk saints can include anything from simply maintaining an image of that person to praying to them for intercession and making votive offerings to elaborate undertakings like pilgrimages. Most saints have likes and dislikes, preferences for particular appeasements, etc. Some are quite specific (Expedite requires a slice of Sara Lee pound cake for the performance of his brand of intercession, for example). Others seem happy with any heartfelt act of devotion.

The remainder of this article will be devoted to looking—very briefly—at half a dozen or so common folk saints based out of North America. This is hardly a complete list, nor are the entries here going into nearly enough detail on any of the saints mentioned, but hopefully it will provide a reasonable jumping-off point for learning more.

Teresita – “Teresita Urrea the curandera, who passed through New Mexico around the turn of last century and who left behind her the rumor of her great legend” (Torres 91). Apprenticed to a curandera named Huila, the woman born Teresa Urrea who became affectionately known as Teresita came from an aristocratic father and peasant mother. In addition to healing, she could heal and hypnotize. Photos of her performing healings can be found in the book Curandero: A Life in Mexican Folk Healing, by Eliseo ‘Cheo’Torres, and you can see one at this link as well. At a young age, she suffered a coma and near death after an attempted rape. Upon her recovery, she took up curanderismo and became famous for her tireless healings of the poor and marginalized communities in the Mexican-American borderlands. She was described as “[w]orking herself toward an early grave from the beginning” (Torres 97). Teresita befriended the Yaqui Indians, and was revered by many as a living saint within her lifetime. Known as the Saint of Cabora, she sought to heal anyone and right political wrongs done the native and mestizo peoples she worked with. She died in 1906 after working to the point of exhaustion. Cheo Torres acknowledges that “at least a couple of different versions of the story have circulated over the years” (Torres 101).

El Nino Fidencio – A deeply religious young man from Espinazo, Mexico, who performed a number of faith healings and miracles during his lifetime, Jose Fidencio Sintora Constantino showed promise in his calling from a very early age (which is why he was given the epithet “el nino,” or “the child”). His abilities were so great he was reputed to be able to perform miracles from miles away. He managed to do not just distance healing, but amputations and surgeries to remove illness. He had a variety of other unorthodox and alternative healing methods as well. He is said to have kept a garden with two hundred herbs which he processed into cures, and he frequently “prescribed herbal baths, nutritional therapy, and laughter. He rolled people in dirt. He sat the mentally ill on children’s swings and incorporated singing and dance into his cures” (Illes 285). The church where he is buried has “mementoes included such items as desiccated body parts in glass jars that El Nino had removed through amputation or excision, and the broken bottles that he had sometimes used to perform the surgeries” (Torres 21). El Nino Fidencio is sought in hopeless cases and has a highly active cult following. He died young, only about 40 years old. While he’s not officially recognized as a saint, his propensity for performing miraculous healings and his religious faith (he was a devout Catholic) make him resemble other canonized saints fairly closely. Some of his devotees keep “little boxes” through which his healing power is supposed to be channeled (“Nino Fidencio” Wikipedia).

Pancho Villa taking Zacatecas, by Angel Boliver (via Wikimedia Commons)

Pancho Villa – This historical figure was seen as a military hero by some and a scandalous villain by others. He was a general who led the division del norte during the Mexican Revolution, and he had a very Robin Hood-esque reputation. While his guerilla tactics included train robbery and land confiscation, he frequently distributed his takings among his soldiers and the local poor, which made him—unsurprisingly—tremendously popular. He was born Jose Doroteo Villa (he and I share a birthday, which makes me like him even more), and he demonstrated a strong combination of political and military savvy very quickly in his career. In the United States, we know him best for his attacks in the Texas/New Mexico region, but his activity in Mexico was much wider, including governorship of the state of Chihuaha and serving a primary pro-democracy leader during the period of Mexican civil war. He was assassinated in his car in 1923, and was reportedly “found in the driver seat of the car, with one hand reaching for his gun” (“Pancho Villa” Wikipedia). “Give Pancho Villa cheap cigars, cigarettes, and tequila. The general despised the pretentious, overpriced, or refined. This doesn’t mean that he didn’t have good taste. If you can offer him something cheap and good, all the better!” (Illes 553-4). It is said that he likes to grope or pinch women who attract his attention.

Maximon –This Guatemalan folk saint bears a striking resemblance to the “Man in Black” found in other traditions like African Amercican hoodoo. He is seen as a saint syncretized to St. Simon Peter, but any adoption into the Catholic assembly of saints is superficial and tenuous. He likely derives from “a pre-Columbian Mayan god of the underworld formerly known as Maam (‘grandfather’)” (Lucky Mojo 1). He is offered rum and cigarettes (statues of the saint frequently smoke the cigarettes as part of the offering ritual) and is thought to provide aid to his votaries in matters of love, health, and money, but also in exacting vengeance on enemies.  His cult is particularly strong in the town of Santiago Atitlan, where his attendants remain constantly with his effigy. Judika Illes recommends washing the clothing from the Maximon “doll” with citronella and lemongrass oil, then keeping the rinse water to use in magical work (Illes 506).

 

St. Expedite Shrine on Reunion Island, by David Monniaux (via Wikimedia Commons)

St. Expedite –  This saint inhabits a tenuous space in the heavenly assembly—no one is quite sure if he existed, or if he might just be the result of a shipping mistake in which another saint’s statue was labeled for fast delivery—in a box labeled ‘EXPEDITE’, or sometimes the Italian ‘SPEDITO’—and the name stuck to the figure (or in some versions, the body of an unknown saint) and became a holy helper in its own right. The official Catholic story of Expeditus (as he is sometimes known) places him in the fourth century CE, a late Roman imperial soldier whose iconography shows him stepping on a crow which calls out ‘cras!,’ a sound similar to a caw but which also means “tomorrow” in Latin, hence his reputation for getting things done today (Catholic Online 1).  “Saint Expedite is controversial. He has a reputation for unscrupulousness. He is rumored to assist sorcerors with curses and revenge spells; although some devotees vociferously deny that this is true, insisting that he will only fulfill benign petitions” (Illes 281). Offerings for Expedite include a slice of Sara Lee pound cake or red carnations. He’s become incredibly popular in folk Catholicism and some branches of hoodoo, and his devotional images and candles are usually readily available.

Elvis – Being a southerner, I can’t help but mention Elvis. The King of Rock and Roll serves as a sort of patron saint to his fans, who embody their fantaticism with all the hallmarks of religious devotion, including pilgrimages to his home at Graceland in Memphis and by setting up altars with his image on them. He also has a folk mythology surrounding him, including appearances from beyond the grave, miraculous healings, and even the persistent myth that he is still alive. His cult is part kitsch and part true devotion, and it’s very distinct. Some dress like Elvis as a way to honor him or perpetuate his memory, and some leave out offerings of peanut-butter-and-banana sandwiches (a favorite food of the King, though he appreciated just about any rich southern dish). He can be petitioned for any number of needs, including healing, musical and artistic inspiration, wisdom and guidance, and overcoming addictions. I think of Elvis as a very special sort of folk saint—one in living memory for many of his devotees and deeply flawed in his personal life, but one who provided joy for millions of people both during and after his time as a mortal. I was an enormous Elvis fan for much of my childhood, despite not having been born at the time of his death.  The King has found an especial home in the Latin American community, where he is frequently depicted in skeletal form in Day of the Dead (dia de muertos) celebrations and decorations (Illes 267). Another recommended offering for him? Teddy bears.

Jesus Malverde – In the realm of controversial and unofficial saints, Jesus Malverde is right at the top, alongside a similar roguish hero, Pancho Villa. Known as a “narco-Saint,” this figure guards and protects those involved in illegal activities, particularly those working in the drug trafficking trade. His depictions make him look less like a Catholic Christ figure and far more like a landowning Hispanic gentleman from the nineteenth or early twentieth century. This is fitting, as one legend describes him as “a Robin Hood figure of the early 1900’s that was hanged by the governor. He himself did not traffic drugs, but after his death his reputation for working miracles drew faith strongest among Sinaloa’s poor and highland residents, the classes from which narco-traffickers emerged. Malverde has become the patron saint for many drug smugglers, though the local diocese says the Malverde chapel is an embarrassment. The priests lament the glorification of a man who robbed and killed, though citizens of Sinaloa have found it harder to have faith in a political system that enforces a drug war responsible for the many deaths of their own people. Historians cannot seem to find documentation of his existence, but even still miracles such as the healing of the blind and crippled, the returning of lost cattle, and the saving of a drowning man have been attributed to him” (U. Texas Library 1). In some ways he resembles the folk outlaw figure Zorro, but with less of a penchant for clean living. Malverde’s shrine is used by those who deal with the drug trade, not only those who transport the drugs but families who pray for his protection over loved ones facing criminal charges.

As you can probably guess, the practice of folk-saint veneration is strongest in communities with a heavy Catholic background, and all of the saints above either come from Hispanic backgrounds or have been added into Hispanic folk practices (as in the case of Elvis). There are many folk saints who do not have the strong Hispanic connections mentioned here, of course, and hopefully one day I’ll get around to some of them as well. For now, I hope this has at least whetted your appetite to know more about the intriguing and enchanting pantheon of folk saints in the Americas.
Thanks for reading!

-Cory

SOURCES

  1. Illes, Judika. The Encyclopedia of Mystics, Saints, & Sages (HarperOne, 2011).
  2. Jesus Malverde: El Narco-Santon,” U. Texas Library – Narcocorridos site.
  3. Knab, Timothy J. A War of Witches: A Journey into the Underworld of Contemporary Aztecs (Harper San Francisco, 1997).
  4. Macklin, Barbara J. and N. Ross Crumrine. “Three North Mexican Folk Saint Movements,” Comparative Studies in Society & History (Cambridge UP, Jan. 1973).
  5. Mestizo & Indigineous Culture Pinterest board: Teresa Urrea (photo credit).
  6. Nino Fidencio,” from Wikipedia.
  7. Pancho Villa,” from Wikipedia.
  8. St. Expeditus,” Catholic Online.
  9. Torres, Eliseo ‘Cheo.’ Curandero: A Life in Mexican Folk Healing (Univ. of New Mexico Press, 2005).
  10. Yronwode, Catherine. “Maximon,” from the Lucky Mojo webpage.

Blog Post 175 – Obsidian

Obsidian blade (picture via Wikimedia Commons)

I don’t normally post on stones or gems, as they aren’t a major component of historic folk magic in North America, but some stones do appear and are extremely important. Sometimes the stones in question will be a generic type of stone—one with a natural hole worn in it or sea glass of some kind—but every once in a while we find a North American magical practice which makes specific use of a particular type of mineral.

Today I want to briefly look at the dark, beautiful volcanic glass known as obsidian. It is a very special sort of mineral, because its edge can be sharpened finer than surgical steel and cuts incredibly smoothly, and its glassy black surface seems to be endlessly deep. Both of these attributes have influenced obsidian’s place in folk magic.

Blades made of obsidian have been around for a very long time. They were used as part of Aztec sacrificial rituals as well as implements of war, as you can see from this fragment of Aztec poetry glorifying the role of the sacrificial offering/victim:

O Giver of Life!
Your sacrifice is like emeralds and turquoises.
It is the happiness and wealth of princes
To die at the edge of the obsidian,
To die in war (Kelly 525)

Obsidian was sometimes carved into funerary ornaments as well, and placed with corpses along with other grave goods. The precedents set by native ancestors has translated into the use of obsidian in Hispanic magical work today, such as the practices of curanderos and brujos. The cutting edge of the stone has kept its significance, albeit adapted to an era in which human sacrifice is not common practice.

Dr. Timothy Knab’s War of the Witches mentions flaked obsidian blades as something used for protection:

As soon as the door was closed, we barred it, and then Rubia opened her reed box. Inside, wrapped in an embroidered cloth, were the same dozens of parches of fur, buzzard beaks, and claws from different animals, but there wer also some flakes of obsidian and potsherds that I hadn’t seen in Inocente’s bag. I asked her about those objects first, and she told me they were from the ancestors and that they would help me see and talk with those who still lived in the world of darkeness (Knab 91)

Knab also notes that Rubia told him to use an obsidian blade to help locate his friend in the Otherworld. The ancestral connection and the link to the dead is important. Obsidian is not typically used as a gravestone by itself, yet its dark color and the ease with which it can be used to kill (not to mention that some obsidian even has blood-red flecks and streaks in it) seem to tie it to the realm of death.

A chapbook on prayers to the Holy Death (Santa Muerte) also has a specialized spell focusing on blessing obsidian blades to be placed over the doorways to the home (razor blades or knives can also be used, but it seems obsidian was the original form):

To Protect the Home (Shielding Blades)

Lady of the darkness

Watch over the space and destiny,

For your humble servant and keep the

Loved ones away from those of evil will,

Let them change their ways to please your will,

Let the light come after the dark

So that your kingdom is before us all day long.

Bless these blades,

Allow them to cut the evil winds before they eneter,

To give advice on how to push enemies away,

To keep away the fury of the elements,

Repel negative intentions

And fill my home with joy,

For all this is not possible without you.

(Place blades in the high parts of the doors and windows in places where they will not fall nor be reached by underaged kids. Every full moon they must be replaced. These blades can be small obsidian edges or shaving blades) (Casa 32)

Of course, if you’re using obsidian blades, throwing them away every month is wasteful—so is throwing away a shaving blade, really—so I would be interested to see if some lore may yet surface about recharging the existing blades, perhaps blessing and cleansing them prior to a second use.

While much of the lore of obsidian in magic ties it to Central American and Latin American cultures, I have been able to find it in other places and among other groups as well. One source notes that a California tribe called the Wiyot performed a jumping-dance while holding blades of obsidian (Sparkman 38).  The Pacific Northwest, which has its share of obsidian scattered across the region, also has some Native lore about the ink-dark mineral. The Hoh and Quileute tribes of Washington state have a folktale about “Obsidian Boy,” whose body is so hard it breaks the hands, feet, and heads of those who attempt to strike him (Reagan 333).

When I visited the British Museum a decade or so ago, I got to glimpse Dr. John Dee’s famed magic mirror, which is also said to be made of obsidian taken from the New World. He used it to communicate through his compatriot, Edward Kelley, with angels and discovered Enochian magic. I am not sure of how widespread obsidian’s use might have been in Europe, but Dee clearly valued it highly enough to make one of his primary tools out of the substance.

Obsidian’s sharpness and hardness make it symbolically very powerful for protection, and its murky luster adds to the sense of holiness and mystery. I can very well imagine that it might be used for all its purposes simultaneously, acting as a defensive weapon during shamanistic trance states. Obsidian is still easily found, and some surgeons even use it in place of steel due to its keen edge. Within modern contexts it has become a popular New Age stone, although I couldn’t begin to tell you what its applications are in modern metaphysics. Obsidian, born of fire and earth, used to sacrifice and protect, sacred and mysterious, certainly captures the imagination. If you have any lore regarding its use or meaning, I’d love to hear it!

Thanks for reading,

-Cory

Sources

  1. Casa, Calli. The Magical Powers of the Holy Death, 2010.
  2. Kelley, Patricia Fernandez. “Death in Mexican Folk Culture,” American Quarterly, Dec. 1974.
  3. Knab, Timothy J. A War of Witches: A Journey into the Underworld of Contemporary Aztecs, 1997.
  4. Reagan, Albert B., and L. V. Walters. “Tales from the Hoh and Quileute,” Journal of American Folklore, Winter 1933.
  5. Sparkman, P.S., et. al. “Notes on California Folklore,” Journal of American Folklore, Spring 1908.