Blog Post 100 – Winter Lore Contest!

So I said last week I wanted the 100th blog post to be special, and I thought a contest might just be the way to add that little bit of extra charm.  If you listened to the podcast we posted yesterday, you probably already know about this contest, at least to some extent.    We’re hoping to put together some Yuletide specials, and part of that will involve getting lore from all over the continent (or the world, even) and incorporating that into our shows during December.  We’d love your lore, especially, and we’re even willing to give away some prizes to encourage you to send in your best winter holiday traditions.  Here’s the gist of it:

What We’re Looking For:  Your winter folklore, including (but not limited to) holiday traditions, recipes, songs, and stories; superstitions about specific days, events, omens, or signs are welcome; ghost stories set during the winter, bits of historical information, and ethnic customs are greatly appreciated, too!  We already know that many folks put up decorated trees and exchange presents, so no fair telling us that.  Pretty much everything else is fair game, though.  Try to include as much information as you can, and give us your general location (such as “Pacific Northwest” or “Southern France”).   Also, please tell us if we can use your name when we read your contribution.

What We’re Giving Away:  We’ve got two (2) signed copies of Judika Illes’ latest book, The Weiser Field Guide to Witches that we’re giving away as runner-up prizes.  If you don’t know about this book, here’s the blurb from the publisher:

“Witches peek from greeting cards and advertisements, and they dig twisted roots from the ground. Witches dance beneath the stars and lurk around cauldrons. Witches heal, witches scare, witches creep, and witches teach! A compendium of witches through the ages, from earliest prehistory to some of the most significant modern practitioners, The Weiser Field Guide to Witches explores who and what is a witch. From such famed historical legends as Aleister Crowley, Marie Laveau and Elizabeth Bathory to the popular literary and cinematic figures Harry Potter and The Wicked Witch of the West, Illes offers a complete range of the history of witches. Included also are the sacred–Isis, Hekate, Aradia–and the profane–the Salem Witch trials and The Burning Times. The Weiser Field Guide to Witches is appropriate for readers of all ages and serves as an excellent and entertaining introduction for those fascinated by the topic.”

Those of you who are familiar with our blog and podcast probably know how highly we regard Ms. Illes, and this book is a wonderful addition to anyone’s magical library.

Our grand prize is a Compass & Key Hoodoo Kit, which will contain a number of sensational conjurational goodies, including:

  • A bottle of each of our current condition oils (Attraction, Crown of Success, Uncrossing, Saints & Spirits, and Wall of Flame)
  • A custom-made mojo bag, designed for Success & Prosperity
  • Herb and Curio samples, such as a High John root, Chewing John, Gravel Root, & Spirit Money
  • Condition Soaps designed for ritual bathing
  • Flannel squares for making your own mojo bags
  • A Lucky Rabbit’s Foot
  • And more!

This kit would be a great way to get started with hoodoo, or build upon your current practice.

How to Enter: We want this to be easy, so please just leave a comment on either this blog post or the Podcast 19 Shownotes, or better yet send us an email with your submission at compassandkey@gmail.com!  You can get an extra submission by blogging, tweeting, or sharing our contest and contact information with your social network and sending us either a screenshot or a direct link to where you’ve posted about us.  The cutoff for submissions is Midnight (12:00 AM Central Standard Time) on December 6th (St. Nicholas Day).

If you have questions, feel free to email us those as well!  We really want to get as much lore as we can, so please encourage others to send in their contributions (or if they aren’t interested in witchcraft, just find out their lore and send it in as part of your own entry).
Thank you so much everyone for making this blog such a wonderful place, and we’ll be looking forward to all your submissions very soon!

Thanks for reading!

-Cory

Podcast Special – Mother Hicks

-SHOWNOTES FOR PODCAST SPECIAL-
Summary
A tale of a famous witch from Maine, adapted from Richard Dorson’s “Buying the Wind”

Play:

Download: New World Witchery Special – Mother Hicks

-Sources-
Based on tales found in Buying the Wind, by Richard Dorson.


Promos & Music
“Grifos Muertos” by Jeffery Luck Lucas, from his album What We Whisper, on Magnatune.com

Podcast 18 – Ghosts!

-SHOWNOTES FOR EPISODE 18-


Summary
Today we discuss ghosts and things that go BUMP! in the night.  We talk about a famous haunting or two, then give our own ghostly tales and finish up with a little chat about spooky films we like.
Play:

Download:  New World Witchery – Episode 18
-Sources-
Winchester Mystery House website
Encyclopedia of Ghosts & Spirits by Rosemary Ellen Guiley
Official Bell Witch website
Movies mentioned: Lake Mungo, The Ring, Rosemary’s Baby, Paranormal Activity, 6th Sense, Blair Witch Project, 28 Days Later, & Blindness


Promos & Music
Title music:  “Homebound,” by Jag, from Cypress Grove Blues.  From Magnatune.
Promo 1 – Iron Powaqa
Promo 2 – Forest Grove Botanica
Promo 3 – Media Astra ac Terra

Podcast Special – The Boo Hag

-SHOWNOTES FOR PODCAST SPECIAL-


Summary
This tale relates the events of a marriage that takes a turn for the worse when the husband finds out his new bride is a skin-shedding witch.

Play:

Download:  New World Witchery – Special – The Boo Hag

-Sources-
“The Boo Hag,” retold by S.E. Schlosser, in her collection Spooky North Carolina. Also available on her website.


Promos & Music
“Grifos Muertos” by Jeffery Luck Lucas, from his album What We Whisper, on Magnatune.com

Podcast Special – The Devil’s Marriage

-SHOWNOTES FOR PODCAST SPECIAL-


Summary
The story of a brother, a sister, the devil, and a helpful witch.  From the folklore of North Carolina.

Play:

Download:  New World Witchery Special – The Devils Marriage

-Sources-
Tales from Guilford County, North Carolina,” by Elsie Clews Parsons.  In The Journal of American Folklore, v. 30, no. 116, 1917.
“The Devil’s Marriage,” retold by S.E. Schlosser, in her collection Spooky South.


Promos & Music
“Grifos Muertos” by Jeffery Luck Lucas, from his album What We Whisper, on Magnatune.com

Podcast Special – The Black Cat Murders

-SHOWNOTES FOR PODCAST SPECIAL-


Summary
A short retelling of “The Black Cat Murders” to help set the stage for Halloween!

Play:

Download:  New World Witchery Special – The Black Cat Murders

-Sources-
Witches, Ghosts, & Signs by Patrick Gainer


Promos & Music
“Grifos Muertos” by Jeffery Luck Lucas, from his album What We Whisper, on Magnatune.com

Podcast Special – The Horned Women

-SHOWNOTES FOR SPECIAL – THE HORNED WOMEN-

Summary

A very short special in which Cory reads the fairy tale “The Horned Women,” then discusses a bit of the witchcraft in it.  Happy Walpurgisnacht/May Eve/Beltane everyone!

Play:

Download:  New World Witchery – Podcast Special – The Horned Women

-Sources-

“The Horned Women,” from Fairy & Folk Tales of the Irish Peasantry, by W.B. Yeats and Lady Gregory.

Music

“Grifos Muertos” by Jeffery Luck Lucas, from his album What We Whisper, on Magnatune.com

Blog Post 56 – Walpurgisnacht

A caveat before I begin today’s post:  Walpurgisnacht is not terribly “New World.”  Most of it will be related to the British Isles and Europe, though I will include a little bit on New World practices, too.  But I think it’s still relevant to witchery, so I’m going to write about it anyway.  Mostly because, well, I really want to.

This is quite possibly my favorite witchy holiday, with the conditional exception of All Hallows/Halloween.  I do like May Day/Beltane celebrations, of course, but the night before is really what I love.  The association of this night with witchcraft seems to go back a long way.  The name of the holiday comes from a Catholic Saint who died in the year 777 C.E, St. Walburga.  Rosemary Ellen Guiley, in her Encyclopedia of Witches & Witchcraft, says this about the holiday:

“In the Middle Ages, Walpurgisnacht, or Walpurgis Night, was believed to be a night of witch revelry throughout Germany, the Low Countries and Scandinavia.  Witches mounted their brooms and few to the mountaintops, where they carried on with wild feasting, dancing and copulation with demons and the Devil…In Germany, the Brocken, a dominant peak in the Harz Mountains, was the most infamous site of the witch sabbats…[S]o common was the belief in the sabbats that maps of the Harz drawn in the 18th century almost always depicted witches on broomsticks converging upon the Brocken” ( EW&W, p.347)

What shifted the focus from holy martyrdom and sainthood to witch-filled revels?  Well, there’s no single reason why that I’ve found, but the date is directly opposite Halloween in the calendar year, so that might have something to do with it (what, you thought witches would be content with one night of fun a year?).

There are lots of stories about this night.  One from the Isle of Man between Scotland and Ireland tells the story of two witches and their (mis)adventures on Old May Eve.  Dennis Wheatly’s occult novel The Devil Rides Out features a Walpurgisnacht ritual rather prominently, as it does in Goethe’s Faust tragedy.  The scene at the end of the original Fantasia film featuring Mussorgsky’s “Night on Bald Mountain” also makes heavy reference to the revelries of Walpurgisnacht (I think I mentioned this in the Media Episode, too).  There are also many unusual traditions associated with this night.  When I was living in Prague, they had a tradition of building huge bonfires on hilltops on this night, and burning brooms or effigies of witches to keep evil spirits at bay, for example (it was really more of an excuse to drink around the bonfire).  Vance Randolph, in his Ozark Magic & Folklore, describes an Ozark tradition for May Eve:

“On the last night of April, a girl may wet a handkerchief and hang it out in a cornfield. Next morning the May sun dries it, and the wrinkles are supposed to show the initial of the man she is to marry. Or she may hold a bottle of water up to the light on the morning of May 1, just at sunrise, and see apicture of outline of the boy who is to be her husband” (OM&F, p.176)

My personal practice incorporates a storytelling bent, and there’s one story that I turn to every year as part of my Walpurgisnacht ritual.  “The Horned Women,” as recorded by Lady Wilde (in a collection with many tales also recorded by W.B. Yeats which I’ve mentioned before—Fairy & Folk Tales of the Irish Peasantry), is not explicitly about this wild night.  Yet certain elements—the assembly of a coven of witches, and the prominent mention of a mountain where they revel, especially—have always called to mind this tale in relation to May Eve.  I glean much in the way of magic from this story, and incorporate things from it into my workings (such as the use of “feet water” to guide all harmful forces away from my home).

Walpurgisnacht doesn’t register on everyone’s radar.  Some are definitely drawn towards the Beltane side of this holiday, and I rather love that celebration, too.  But Walpurgisnacht will always have a special place in my heart.  There’s no night I more earnestly wish I could climb on a broomstick and sail off into a moonlit sky than this one.

Thanks for reading!

-Cory

Blog Post 50 – A Witch’s Initiation

For my 50th blog post, I thought I’d do something special, something that really tickles my fancy.  I’ll be talking about the various types of witch initiations found in New World folklore.   I’ve already touched on this in Blog Post 45 – Witches, but today let’s expand a little bit on the concept.

In general, witch initiations in North American folklore share a few commonalities:

  • The renunciation of Christianity, often through a ritual like repeating the Lord’s Prayer backwards
  • The giving of oneself to an otherworldly entity, such as the Devil or a “Man in Black” in exchange for magical powers
  • An act of exposure, such as being naked or sexual union of some kind, though in some cases this is not necessary
  • A sign or omen of the candidate’s acceptance as a witch
  • The transmission of magical knowledge in a ceremonial way, and/or the presentation of a familiar or fetch animal

Not all of these components are found in every case, of course, and the nature of the witch may be such that he or she is not an “initiated” practitioner, but merely someone who has picked up magic throughout his or her life.  This last circumstance is often found in places where magic is prevalently mixed with Christian practice, such as in the Appalachians (Granny magic) or among the Pennsylvania-Dutch (Pow-wow).  Of course, in these cases, the magical worker is seldom called a “witch,” though sometimes the term “witch doctor” is used.  It’s funny, to me anyway, to think about how a witch is “made” through initiation, much like someone can be “made” in the Mafia.  But I digress…

Now let’s take a look at how witches were/are initiated according to specific folklore examples.  From German Appalachian lore, there are stories of witches being initiated by obtaining a “Black Bible.”  Scholar Gerald C. Milnes links this tome to the Key of Solomon, a grimoire with many reputed magical properties and a host of instructions  on how to accomplish various magical tasks.  One of his informants outlines the basic ritual thusly:

“Now say you’re going to be a witch.  Okay, now I don’t know where you get ‘em, but they call e’m the little Black Bible.  Take that little Bible and you go to a spring where it’s a-running from the sun…not towards the sun, away from the sun…Take that little Black Bible and go to that stream, strip off, and wash in there—take a bath in that water—and tell God you’re as free from him as the water on your body” (Signs, Cures, & Witchery, p. 162).

Milnes also describes a similar Appalachian rite of this nature involves taking dirt and shaking it off of a plate or dish while stating aloud that you are as clear of Jesus Christ as the dish is of dirt.  Something more is added to this folklore:

“If, through a pact, the devil is granted your soul in exchange for some talent, gift, or magical power, it is thought that he then receives some gift of the body in return.  This could be a fingernail or even a withered finger” (SC&W, p.164).

Such a “sacrifice” is not uncommon in witch-lore, with the physical offering being anything from a bit of blood to sign a pact to a body part like a finger or toe to—at the extreme end—the death of a loved one.  This is a story commonly applied to many chthonic cult deities or spirits.  Santa Muerte in the Latin-American magical traditions has also been accused of this sort of thing.

I outlined one type of witch-initiation culled from Hubert Davis’s The Silver Bullet in Blog Post 45, an initiation which involved a type of blood offering in exchange for the presentation of a magical imp.  That version of initiation is only one of many methods presented by Davis.  Here’s another one, from Wise County, Virginia:

“She [Granny, the narrator of the tale] began: ‘I’ve been told thet annuder way to git to be a witch is to fust go to the top of a high mountain, throw rocks at the moon and cuss God Almighty.  Then, go find a spring where the water runs due east.  Take a brand new knife and wash hit in the spring just as the sun rises.  Say, “I want my soul to be as free from the savin’ blud of Jesus Christ as this knife is of sin.”  Do this fer twelve days in a row.  Effen on the thirteenth day the sun rises a drippin’ blud, hit’s a shore sign thet you’re becomin’ a witch’” (TSB, p. 11).

This variant is interesting, to me, because of a few elements.  First, in this initiation, the spring must flow east (or towards the rising sun, though against the natural path of the sun), which seems to be different than in the Milnes version.  In this initiation, too, the witch isn’t naked, but a new knife is washed in the stream while a renunciation is made.  Finally, the bloody sunrise is a sign to the witch indicating acceptance or denial of the initiation—this feature is common in several variations of the rite.  Davis also mentions another witch-making method which bears some of the trademarks of the process:

“He [the potential witch] then waited until Friday the thirteenth and returned to the spring as the morning turned gray over the ridge.  He dipped some water from the spring with his ram’s horn and poured it over the pewter plate.  He did this seven times and repeated the verses Liz [a witch] had taught him:

‘As I dip the water with a ram’s horn,
Cast me cruel with a heart of thorn,
As I now to the Devil do my soul lease…
May my black and evil soul be
Of Christian love and grace free
As this plate is of grease’ (TSB, p. 24).

This, to me, bears a strong similarity to the dirt-and-plate version of the ritual outlined in Signs, Cures, & Witchery.

I mentioned a ritual involving the reversed Lord’s Prayer from Vance Randolph’s Ozark Magic & Folklore in my post the other day.  Randolph discusses several other ways of becoming a witch in that work, some simple, and some more complicated:

  • A woman could fire a silver bullet at the moon and “mutter two or three obscene old sayin’s” (p. 265)
  • Repeating the Lord’s Prayer backwards and firing seven silver bullets at the moon will do the trick
  • Magical information can only passed across gender lines (man-to-woman or vice versa), or between partners united by sexual intercourse
  • Widows were the best candidates for becoming witches, as they only had to learn “the Devil’s language,” whatever that might be.

Randolph goes on to say that the transformation of a person into a witch was a moving one, and often one with a morbid downside:

“I am told, by women who claim to have experienced both, that the witch’s initiation is a much more moving spiritual crisis than that which the Christians call conversion. The primary reaction is profoundly depressing, however, because it inevitably results in the death of some person near and dear to the Witch” (OM&F, p. 268).

In this case, the lost loved one is called a “Witch’s sixpence,” and is the “price” paid for the witch’s powers.  This is not a universal belief, however, as many witches do not lose anyone close to them, and instead gain a new friend:  the familiar, fetch, or imp.  I’ll be doing something more extensive on this aspect of witchcraft in the future, so for now, I will just say that the familiar of the witch is a big subject with as much (often conflicting) information floating around about it as, well, the subject of initiation.

Finally, here are some examples of witch-induction from Kentucky.  I’ve gleaned these from the book Kentucky Superstitions, by Daniel and Lucy Thomas.

  • To become a witch, go to a mountain top at dawn, shoot through a handkerchief at the rising sun, curse Jehovah three times, and own the Devil as master. When you shoot through the handkerchief, blood will fall from it (Mountains, #3773)
  • To become a witch: the candidate goes with the Devil to the top of the highest hill at sunrise nine successive days and curses God; the Devil then places one hand on the candidate’s head and one on his feet, and receives the promise that all between his hands shall be devoted to his service.  (Mountains, #3774)
  • To become a witch, you shoot at the moon nine times with a silver bullet, cursing God each time (Mountains, #3775)
  • You can become a witch by taking a spinning-wheel to the top of a hill, giving yourself up to the Devil, and waiting until the wheel begins to turn. The witches will then come to instruct you (Mountains, #3776)

These are similar to other folkloric initiation ceremonies already discussed, with the exception of the last one.  The inclusion of the spinning wheel here is interesting to me, because it seems to be connected to an idea I find very witchy: the threads of Fate.  It also reminds me of the Irish folktale “The Horned Women,” which is a story I glean much in the way of witchery from.  In this case, the wheel’s turning is much like the rising of a bloody sun—it provides an omen that the witch has been accepted into the fold of witches before her.

So what do I make of all of this?  Well, my own opinion (and I stress that it is only my take on the phenomenon of witch initiations, and no one else’s) is that each of these stories contains little pieces of initiatory lore, but always with a layer of sensationalism on top.  These folk tales were intended to amuse and spark curiosity, after all, so it doesn’t surprise me that a small offering of blood, say on an new witch’s cingulum or a few drops in a cup of wine poured out to the god, gods, or spirits to which the witch is binding herself, has become exaggerated into the death of a family member or the withering of a limb.  I think that initiations have a profound impact on those that undergo them, and that many of the common elements (the renunciation, the vow to serve a witch-god/goddess/devil/etc., and the granting of magical gifts like certain charms or familiars) are profound acts that may well belong in an initiation ceremony. Many of these features are also found in other initiation ceremonies and Traditional Witchcraft works, such as Paul Huson’s Mastering Witchcraft or Nigel Jackson’s Call of the Horned Piper. I also think that some elements are overlooked in these sorts of folkloric imaginings of “witch-making”.  For instance, one thing Sarah at Forest Grove mentioned in her post on initiations is that once one becomes a witch (or takes initiation), one finds “Growth and strength of abilities and experiences the more one practices and keeps their promises.”  Most stories about witches seem to either end at the oaths taken upon becoming a witch, or to start in medias res of a witch’s career, showing a witch operating in one way, unchanging, until she is (inevitably) defeated.  That makes for good storytelling, but perhaps not for so much good practical witchery.  Witchcraft is wonderful in that the more you do it, the better it gets!

In the end, I like this topic, but I should say one more thing.  I don’t think that a person-to-person initiation is necessary to practice witchcraft.  If you’ve not taken an initiation, or don’t ever plan to, but find you are good at witchcraft anyway, keep doing it.  You certainly don’t need anyone to validate your magic if it’s working, and if whatever forces you draw your magic from one day choose to initiate you, I have a feeling that much like Don Corleone, they’ll make you an offer you can’t refuse.

My apologies if this post has been overlong, but I hope it’s useful to somebody out there.   If nothing else, you’ve worked out your scrolling finger for today.

All the best, be well, and thanks for reading!

-Cory

Blog Post 48 – Comparing Tales

Greetings everyone!  On Podcast 8, I mentioned two stories which share remarkable similarities.  I was speaking of a story in the W. B. Yeats collection Fairy & Folk Tales of the Irish Peasantry, specifically a story called “The Witches’ Excursion” (I incorrectly called it something like “James and the Red Cap” on the podcast…my apologies to Yeats and anyone who went poring over that tome looking for that non-existent title).  For comparison, I cited the tale “Greasy Witches,” in The Granny Curse, by Randy Russell.  You can read most of that story here, on Google Books (though I can’t guarantee how long that much of the book will remain free to read).  Briefly, I thought it might be fun to go over a few of the similarities and commonalities found in these tales, for the sake of seeing how Old World witch lore migrates and transforms in the New World.

In the Appalachian version, the cabin is located on Roan Mountain.  In this case, I think that the “roan” referred to could be tied into the “red” of the red cap being used to induce magical flight in the Yeats tale.  Or, “roan” could be a variant on “rowan,” which is a mountain ash tree (which derives its name from its red berries, and thus could still have the “red” connection).  The rowan tree is loaded with magical significance—some of the most potent anti-witchcraft charms are crosses made from rowan twigs bound with red thread.  However, it could also be used to make magical tools as well, such as wands or staves.  Oh, I should also point out that Roan Mountain is actually a real mountain on the Tennessee/North Carolina border.  (Side note:  would there be any interest in me doing a sort of “Witch’s Travel Guide” to various parts of the US?  Places with strong witch lore or with a history of magical activity, perhaps?  Comment/email and let us know!)

There’s a strong indication that the Dobbs sisters use a powerful sleeping draught on Riley the same way that Madge and her cohorts attempted to drug James in the Irish version of the story.  I’m not sure if I’d prefer my witch-administered pharmaceuticals via nightcap or squirrel soup, though.

The unguent used in both stories seems to be, basically, a flying ointment.  In the version from Yeats, I would lean towards a mixture that uses amanita muscaria, but I base that almost entirely on the fact that the “red cap” is a key feature of the tale.  It’s not unthinkable that such entheogens  would grow on Roan Mountain, but it is a bit less likely.  In both stories, the mixture is activated by the recitation of a short, rhyming phrase, which seems to be a common enough way to trigger witch-flight in many stories.  In some tales, the non-witch makes a mistake, it causes some sort of comic misfortune, like being lifted up and dropped to the floor unexpectedly.

An interesting difference between the two tales comes during the heavy drinking portion of the tale (don’t all interesting things come during the heavy drinking portion of the tale?).  In the Irish story, Red James never tries to go home once he starts drinking—he just passes out.  Riley, in the American version, does try to leave (which is when he notices his body “felt like feathers or fur,” a sure sign of shape-shifting.  Another difference worth noting is that in the Old World version, James knows his witch-lore and remains silent while in flight, but in the “Greasy Witches” variant, Riley has to say additional magical words while in flight to follow the Dobbs sisters.  I’ve had a gifted witch tell me that when making a profound crossing like this, silence is better, and I trust that idea.   But there’s clearly some flexibility, too.

The stories end quite differently, with Riley finally having to do what the witches have been manipulating him into doing the whole time:  marrying one of them.  Red James faces no such fate, but merely gets his red cap back and flies off at the last possible moment, avoiding his hanging in dramatic fashion.  But they do both get away, and both with a little magical aid from witchcraft.  It’s nice to know we witches are good for something other than breaking-and-entering, right?

I’m interested in your opinions on these tales.  Is it all just metaphorical hedgewitchery?  Do you think these sorts of events might have happened?  And most importantly, do you think that as these stories evolve, anything is being lost or gained in the process?  I personally love how much alike they are, but I also find myself pausing over the differences, too.  What about you?

Thanks for reading!

-Cory