Posted tagged ‘passionflower’

Blog Post 158 – The Doctrine of Signatures

June 1, 2012

Greetings everyone!

In this entry, I want to talk a little bit about a concept that can get very sticky, and which may very well put me at the outer limits of credibility. Before I dig into the meat of the subject, however, I think I should remind everyone that THIS IS NOT A MEDICAL BLOG. NO INFORMATION PRESENTED HERE IS INTENDED TO DIAGNOSE, TREAT, OR OTHERWISE PROVIDE MEDICAL ADVICE FOR ANY ILLNESS, AILMENT, OR CONDITION. IF YOU HAVE A MEDICAL NEED, PLEASE SEE YOUR PHYSICIAN OR QUALIFIED HEALTH PROVIDER. ALL INFORMATION CONTAINED HEREIN IS STRICTLY IN THE INTEREST OF PRESENTING FOLKLORE AND PERSONAL OPINION.

Now that the big, scary, all-caps part of the post is done, let’s talk about the Doctrine of Signatures. I was actually rather surprised after our last episode to hear from several people that the concept of the DOS was unfamiliar to them. I realized at some point that the ideas founding the DOS were so internalized, and I was assuming that most people who worked with herbs had heard of those concepts. Now I’m thinking that I may have just been sort of lucky to have picked that information up early on (I know my mother shared a bit of that with me based on herbs she grew and I learned a lot of it from my first few years as a practicing neo-Pagan hanging around rock and herb shops).

So what is the Doctrine of Signatures? In this case, I think I’ll leave the general explanation to better folklorists than myself. First, I’m going to quote a somewhat neutral (though erring on the side of skepticism) article by folklorist Wayland D. Hand:

“Advocates of nature’s way in natural and organically grown foods, probably still have a lingering belief in the doctrine that for every illness with which man is afflicted God himself has provided a healing agent. All one has to do is to learn to seek out these wondrous plants. It was on this essential premise that the Doctrine of Signatures was enunciated by Paracelsus, Giambattista Porta and the early botanists. This theory is most ably stated by William Turner, an English botanist, who in his The New Herbal of 1551, wrote: ‘God hath imprinted upon plants, herbs, and flowers, as it were, a hieroglyphic, the very  signature of their vertues, as on the nutmeg, which, being cut, resembles the brain.’ Writing a half a century later, Johannes Franck, one of the leading German botanists of his day, compiled a book which  he called Signature, that is, a Basic and True Description of Plants Created by God and Nature. This doctrine went somewhat beyond the shape and color of plants to their activity and function. One of the earliest examples of this kind of sympathetic connection is found in the writings of Pliny the Elder who flourished in the first century, A.D. Calcifrage was recommended to combat the stone. This prescription  comes form the fact that this hardy plant which could penetrate the fissures of the hardest face of a cliff, would certainly be able to break up kidney and gallstones, as the name of the plant itself suggests:  calci-frage, ‘stone breaking.’” (Hand, “Magical Medicine,” Western Folklore)

Next, let’s look at a much older (and much more cynical) opinion about this idea, from plant folk-lorist T.F. Thiselton-Dyer, whose Folk Lore of Plants is something of a classic:

“The old medical theory, which supposed that plants by their external character indicated the particular diseases for which Nature had intended them as remedies, was simply a development of the much older notion of a real connection between object and image. Thus, on this principle, it was asserted that the properties of substances were frequently denoted by their colour; hence, white was regarded as refrigerant, and red as hot. In the same way, for disorders of the blood, burnt purple, pomegranate seeds, mulberries, and other red ingredients were dissolved in the patient’s drink; and for liver complaints yellow substances were recommended. But this fanciful and erroneous notion ‘led to serious errors in practice,’ and was occasionally productive of the most fatal results.” (Dyer, TFLOP, Chapter XVI)

The idea of plants bearing the divine mark which indicated their use is a very old concept. Hand notes that Pliny the Elder recorded such an idea, and it was debated even in his time with question to the validity of this method.  The idea—in one form or another—appears in herbal medicinal systems throughout the world, including Chinese traditional herbalism and Indian Ayurvedic medicine.  Many people swear by it, and a number of ‘yarb doctors’ have treated ailments with it for centuries with relative success. Yet at the same time, the doctrine has been misused, misapplied, or just plain wrong in some cases and has caused an increase in illness or injury.

I bring up the DOS at all because it’s so fundamental to New World magical concepts. The idea that God, the Creator, or some other spiritual force has set in motion a world which bears hallmarks of its design seems to have been taken as de facto truth among many early settlers in America, particularly poor folks with limited access to medical treatment. An entire profession of folk herbalism, or “yarb doctors” arose in the Appalachians, and similar practices (such as curanderismo in the Southwest) appeared elsewhere. In most cases, these medicine men and women did not make their primary living off of their knowledge of herbs and plants, but rather in many cases refused payment for such services, feeling that it was their God-given duty to render help when help was needed. Of course, such high-mindedness was not universal, but even in cases where money or goods changed hands, yarb doctors cost less than a typical doctor in most instances.

Determining which plants have which signatures is a strange and murky process. For instance, an herb with heart-shaped leaves might be good for treating a physical heart problem, an emotional disorder, working a love charm, etc. The hairy stems of mint might indicate that it has the ability to ‘prickle’ the lungs and stimulate respiration, or they might signal that rubbing mint on one’s scalp would stimulate hair growth. The tall and showy joe pye weed, which has the nickname ‘gravel root,’ is used to treat kidney stones—frequently referred to as ‘gravel’—but its hollow stems might signal a use in treating sore throats as well as problems of the urinary tract, which both feature hollow tubes leading to external orifices. In this latter case, we can see another important aspect of the Doctrine, in which many plants receive their folk names based on their folk medical uses (boneset, feverfew, eyebright, etc.). Critics of the DOS sometimes point out that the retroactive ascription of signs to the plants, such as noticing that joe pye weed has hollow stems and therefore would be good for urinary problems, does not indicate a heavenly marking of use, but rather makes for an easy mnemonic device for remembering what plants are good for what ailments.  Further complicating the matter, some signatures are not visual markings, but rather based on sounds the plant makes when shaken, for example, or perhaps on a specific odor the plant emits.

There are also potential problems separating out a ‘signature’ from a legendary or mythical ascription of plant demarcation. Passionflower, which I’ve written about previously, is a good example of layered interpretation, with the numerical and color symbology of the plant being so closely linked to Christian mythology that the flower essentially contains a sermon. Was passionflower marked, given its unusual structure by a Creator to illustrate a story? Likewise, a number of plants are reputed to have some tie to the Crucifixion in Christian myth, such as the holly berry. Thiselton-Dyer also records a similar blood-staining myth related to poppies, in which they have been dyed by the blood of St. Margaret. In these cases, the plants are ‘marked,’ but not necessarily for use. They bear the signs of an interested and involved divine power, but are not strictly Doctrine of Signatures material since those signs illustrate a story and not a practical application. Yet, by a stretch of imagination, one could link the poppy’s use as an opiate and intoxicant to the story of St. Margaret, who famously battled a dragon. Since the use of poppy-derived-opium (and its relative, heroin) was known for a time as “chasing the dragon,” the connection does, by a bizarre happenstance, make some degree of sense. But was the flower marked with foreknowledge of the phrase, and thus was it pre-figurative? Or is all of this just strange coincidence?

It’s probably time for me to come clean, as I’ve been sort of dancing around my opinion on the Doctrine of Signatures. I’m a believer. Not a hard-and-fast, every-plant-bears-a-signature-and-medical-science-is-quackery kind of believer, but I tend to think that the DOS has some validity. My personal work with herbs and plants has led me to see the connections between their form and their functions. I don’t think that we necessarily understand every signature in every plant, and I do think that we frequently misinterpret the signs we see, but I do think that there’s an element of deliberate design within most flora that has to do with its use. This probably hedges a bit close to the Intelligent Design argument for some folks, and I don’t want to get bogged down in that discussion. I don’t make claims as to who marked the plants—perhaps they mark themselves in some way, for all I know. And I don’t necessarily think that I could wander into a meadow, find a foot-shaped plant, and use it to treat bunions and corns. I tend to agree with the skeptics about the retro ascription of plant signatures that human understanding of the plant signatures comes after we figure out what they are used for. But that does not diminish—to me—the idea that the design is implicitly connected to the use. It only emphasizes that we should be paying much more attention to what plants have to teach us, and to the hidden language of the world working around us.

So that’s my nutshell version of the Doctrine of Signatures. There are many authors who discuss this concept more handily than I have here, so please do some research and see what you think of the whole thing. Have you ever noticed signatures in plants (or even in animals, weather phenomena, etc., which are sometimes included in an extended version of this doctrine)?

Thanks for reading!

-Cory

Advertisements

Blog Post 156 – Passionflower

April 20, 2012

Greetings blog subscribers (and casual readers, too)!

When I first stumbled on today’s gorgeous botanical subject in the hilly areas around Chattanooga, I couldn’t believe what I was seeing. The passionflower is one of the most outlandish, garish, over-the-top, and beautiful blooms I’ve encountered in the wild. It looks as thought it would be more at home in a tropical nursery than growing in the foothills of the Appalachians, and yet this clinging vine with big, showy blossoms is right at home among sweetgum trees, sassafras, and tulip poplars.

The flower is sort of ‘leveled,’ with a base of beautiful petals which come in vibrant colors like purple and pink upon which rest elevated pistils and soaring stamens in a delicate (and highly symbolic) pattern. The passionflower goes by several names, including the maypop, herb of the Cross, and maracuja. The latter name comes from Spanish-speaking localities in which the twining vine blooms, and the flower has definitely found a home in the folklife of Hispanic herbalists. But before I get ahead of myself with all of that, let’s look briefly at some of the Old World lore about this lovely bit of flora.
Here’s a description of how the passionflower got its name, from perennial (pardon the pun) favorite, T. F. Thiselton-Dyer’s The Folk-lore of Plants:

“The passion-flower has been termed Holy Rood flower, and it is the ecclesiastical emblem of Holy Cross Day, for, according to the familiar couplet:—

‘The passion-flower long has blow’d
To betoken us signs of the Holy Rood.’ (CH XVII)”

“A plant closely connected by tradition with the crucifixion is the passion-flower. As soon as the early Spanish settlers in South America first glanced on it, they fancied they had discovered not only a marvellous symbol of Christ’s passion, but received an assurance of the ultimate triumph of Christianity. Jacomo Bosio, who obtained his knowledge of it from certain Mexican Jesuits, speaks of it as ‘the flower of the five wounds,’ and has given a very minute description of it, showing how exactly every part is a picture of the mysteries of the Passion. ‘It would seem,’ he adds, ‘as if the Creator of the world had chosen it to represent the principal emblems of His Son’s Passion; so that in due season it might assist, when its marvels should be explained to them, in the condition of the heathen people, in whose country it grew.’” [21] (CH XIX)

The passionflower naturally fits into a schema of religious botany, then, and would seem to be a sort of pinnacle representation of the Doctrine of Signatures, which essentially states that every plant (or creatrure, for that matter) bears certain visual, olfactory, or other cues indicating what the divine intends us to do with it.

Medicinally, this plant has a powerful sedative effect, though not one so strong as something like valerian root. This can be seen as a sort of ‘peace,’ bestowed by the plant as its creator would bestow divine peace. You can read a good bit about its medicinal qualities here and here, where they are able to get much more into the hows and whys of passionflower’s sedative effects. [Though I will note here, as I always do, THIS IS NOT A MEDICAL BLOG, AND I DO NOT PROVIDE MEDICAL ADVICE. PLEASE CONSULT YOUR PHYSICIAN FOR MEDICAL INFORMATION ABOUT HERBS, SUPPLEMENTS, OR ANY OTHER TREATMENTS YOU ARE CONSIDERING].

Moving into passionflower’s magical side, there is surprisingly little to do with its ability to inspire religious faith, offer any kind of divine protection, or even be used as a decoration on altars to holy saints, which greatly surprises me. I would think those uses would be nearly the first use I’d put them to, but wiser workers than I would note that passionflower’s real power is not just in its blossom, but in its less showy bits: the tangly and highly clinging vine which supports the gorgeous floral display.

Cat Yronwode describes the passionflower as an ingredient in the Chuparrosa (or “hummingbird” in Spanish) charm, which is used to foster feelings of love and attachment (hence the clinging-vine quality):

“Dried Passion Flower leaves or pieces of the root may be carried in a red flannel bag dressed with Love Me Oil. Mexicans are known to add such a bag a charm to the Divine Hummingbird, or Chuparrosa. In the old days this would have been dried hummingbird heart, but it is illegal to kill hummingbirds or to possess their body parts in some states now—and with good reason, as the birds are under tremendous habitat destruction pressure from human beings. A metal charm of a hummingbird sewn to the bag or carried inside will do just as well” (Hoodoo Herb & Root Magic, 142)

Beyond its love-bringing and binding qualities, the flower also seems to bring feelings of peace and contentment between lovers and members of a household, likely due to its soporific effects in its medical applications.

In Latin American countries, the passionflower has similar applications, including use as a love-binder and spiritual sedative. It’s also used in a Brazilian floral horoscope, where it represents the month of June. Again, I’m surprised at its limited appeal as a holy or divine flower, as I think it would likely be an excellent addition to offering altars to Marian incarnations or to do work with Jesus in various forms. But that’s merely speculation on my part, so I digress.

If you’ve had any experiences, magical or otherwise, with this amazing bloom, we’d love to hear about them! Feel free to leave a comment below or email us if you know more about this beautiful, intriguing addition to American flora.

Thanks for reading!

-Cory


%d bloggers like this: