Episode 110 – Live Walpurgisnacht Broadcast 2017 (Magical Things)

Summary:

This episode is a recording of our recent live broadcast in which Cory discusses magical objects, gifts, and ‘things’ with fill-in co-host AthenaBeth Black and guest Achija Branvin Sionach.

 

Please check out our Patreon page! You can help support the show for as little as a dollar a month, and get some awesome rewards at the same time.  Even if you can’t give, spread the word and let others know, and maybe we can make New World Witchery even better than it is now.

 

Producers for this show: Corvus, Diana Garino, Renee Odders, Ye Olde Magic Shoppe, Raven Dark Moon, The Witches View Podcast,  Sarah, Molly, Corvus, Catherine, AthenaBeth, Jen Rue of Rue & Hyssop, Little Wren, Jessica, Victoria, Daniel, Plum Deluxe Teas, Johnathan at the ModernSouthernPolytheist, Montine, Achija of Spellbound Bookbinding, and Hazel (if we missed you this episode, we’ll make sure you’re in the next one!). Big thanks to everyone supporting us!

 

Play:

Download: Episode 110 – Live Walpurgisnacht Broadcast 2017 (Magical Things)

Play:

 

 -Sources-

You may want to look back at Episode 11 – Magical Tools, which touches on a few of the points discussed in this episode, as well as the discussion between Laine and Cory on Episode 108 – Doing Magic for Others, which mentions the idea of magical gift-giving.

We recorded this broadcast via our Mixlr page, where we host occasional live chats that we’d love you to be a part of!

You should, of course, check out AthenaBeth’s channel on YouTube, where she discusses lots of different witchy topics, including her favorite magical things.

If you’re looking to make a favorite book a little more special (magical or otherwise), Achija’s Spellbound Bookbinding page will show you some of his bookbinding work and let you request your own project.

We mention a few different sites that are worth checking out, such as Sage & Salt and Lady Jayne’s Brewery.

We’re also planning an excursion on June 3rd to see the ancient magical artifacts exhibit at the Penn Museum and we’d love for you to join us! You can find out about it in our Special Update post on it, or check out the Facebook Event page. We’ll also have a cemetery tour/ghost walk that afternoon!

If you have feedback you’d like to share, email us or leave a comment. We’d love to hear from you!

Don’t forget to follow us at Twitter! And check out our Facebook page! For those who are interested, we also now have a page on Pinterest you might like, called “The Olde Broom.” Have something you want to say? Leave us a voice mail on our official NWW hotline: (442) 999-4824 (that’s 442-99-WITCH, if it helps).

 

 Promos & Music

Title and closing music is “Homebound,” by Bluesboy Jag, and is used under license from Magnatune.

Blog Post 190 – Magical Gift Giving

“Die Neujahrsbretzel für den Herrn Pfarrer”, 1884 (via Wikimedia Commons)

I’ve had several people recommend a book to me called The Five Love Languages, by Gary Chapman. It’s a book that looks at the various ways in which people give and receive love. It gets into a lot of psychology and interpersonal communication theories, but in a nutshell it assumes that people tend to give or receive affection via physical touch, loving words, acts of kindness or service, quality time, or gifts. I am definitely a gift-giver when it comes to expressing my feelings—I will work for weeks to handcraft something for someone I care about. When my lovely wife and I were courting, I put hundreds of sticky notes all over her apartment with love messages so that she would constantly find them for months and months afterwords. Even when we ship products out of our Etsy shop, I tend to add layers of Spanish moss to the packing material, as well as little lagniappe touches to the shipment to make it feel magical for the person who opens the box. None of this is to brag, but simply to frame the point that giving gifts is a major part of my connection to others.

Giving gifts has been an important aspect of human relationships for a very lnog time. The Ancient Roman patronage system essentially operated on a large-scale gifting economy. In North America, giving gifts with a magical bent appears time and again. A number of superstitions and rituals surround the acts of gifting and receiving gifts. Possibly one of the gifts most beset by magical rules is the knife:

  • One must not give a friend a knife or other sharp instrument, as it “cuts love.” (Price 34).
  • “Giving a knife as a gift is bad luck as it cuts the friendship” (Hines 12).
  • A present of knives will break the friendship between you (the giver) and the recipient of the gift. (Hines 13)
  • No hillman would think of giving a steel blade to a friend such a gift is sure to sever their friendship (Randolph 58).

The ‘hillman’described in the last point would have been obliged to pay for a knife if he received it as a gift, in order to abate any potential tragedies:

Whenever a knife changes hands, it must be paid for, even if the sum is merely nominal. I have seen a salesman, a graduate of the University of Missouri, present his son with a valuable hunting knife but he never let it out of his hand till the boy had given him a penny (Randolph 58).

This is a sentiment I’ve seen echoed through other traditions as well, including some Wiccan circles and their beliefs about gifting athames. I have also seen contrary points, insisting that Wiccan ritual blades must never be purchased, but only gifted.

Knives, however, are only scratching the surface of the myriad taboos, beliefs, and customs surrounding giving and receiving. In the following paragraphs, I hope to lay out some of these traditions (though certainly not all of them… The concept of Christmas and birthday gifts is well outside the scope of a single survey article, for example, and the topic is much larger than a 2,000 word synopsis could handle). What I hope that you will see is the sheer humanity of this process. People seem to develop an entire language around gifting (see the Victorians and their flowers, for example), and understanding that language, especially within a magical context, expands the conversation on American folk magic immensely.

Since we’ve started in the domestic realm with knives, let’s continue in that vein. In the Ozarks, even very small gifts can have great significance:

A button received as a gift is always lucky, no matter what the color. Years ago, many an Ozark girl collectedbuttons from her friends and strung them together into a sort of necklace called a charm string. A charm string not only brought good fortune to the owner but also served as a sort of memory book for women who could not read one button recalled a beloved aunt, another a friend’s wedding, still another a dance or a quilting party or an apple-peelin’ or some other pleasant occasion. (Randolph 61)

These little tokens often represent a greater whole. In the example Randolph cites the ‘memory book’ aspect of the charm pushes it out of the realm of luck and into a broader realm of personal narrative. It tells the story of where the girl has been. The luck may then be a cumulative blessing from all those around her, an assembly of good wishes designed to attract further goodness into her life. Similarly, some fairly small gifts can act as predictors or insurance of future blessings, as in these two examples from Louisiana:

  • A midwife should plant a flower for a baby at its birth.
  • It is good luck for visitors to place a silver coin in a baby’s hand (Roberts 150).

Here we see blessings which ensure growth and health (the flower) and insurance against poverty (the coin) passed onto a baby, with the hopes that the child will grow and prosper in the future.

Of course, there are just as many taboos on gifting as there are joyous customs. As we saw with knives, some of those can be firmly established and nigh universal at times. Let’s look at another domestic commonplace with strong taboos:

  • Never borrow salt or you will have bad luck (Hines 12).
  • Never return salt that has been borrowed (Roberts 178)

Why salt? In my family, we frequently gave salt as a component of a new house blessing for people we knew, which as I understood it derived from Polish traditions (after investigating this a bit, I’m reasonably sure this was adopted from a similar Jewish custom picked up by my family in the area on the border between Lithuania and Poland). We give a jar of salt with some bread and a penny in it, ‘So that the family may never be hungry (bread), never be poor (penny), and their lives may never lack flavor (salt).” The salt, then, can be seen as the experience and cumulative personality of the family, its seasoning or flavor which makes it distinct. Borrowing someone else’s flavor would, in essence, give them power over you, especially when the salt is returned carrying traces of your own eau de familie. It could also be that by taking one family’s wisdom and experience, then returning it, you set off a disruptive cycle whereby your two families will be struggling to rebalance power for a long time, which definitely sounds like bad luck. A similar Louisiana superstition says ‘Don’t give spades, etc., to your neighbors; you will have a fuss if you do (Roberts 174). In that case, the tool is symbolic of a person’s work and labor, and to lend it out cheaply doesn’t bode well for anyone (and makes me think of Homer Simpson borrowing essentially every tool in Ned Flanders’ garage…a very bad neighbor).

The issue of when a gift is given can also impact its significance and magical qualities. While I will avoid holidays and the like here, there are plenty of other occasions when gift-giving is an expectation, such as at baby showers:

  • At a baby shower, the giver of the seventh gift to be unwrapped will be the next to have a baby (Hines 14).

In this example, the gift-giver receives the magical benefit of a prediction. I suppose that if you are not in the market to start a family, this superstition could seem more like a taboo than a blessing. Another key occasion for giving gifts is after a new family moves into a new home. I mentioned my family’s custom for making a house-blessing from my Polish roots, but it turns out that the general concept of the house-warming may come from the other side of my family tree in the British Isles. The hint of magic behind this tradition comes from the original house-warming present, which actually served to warm a new home:

“As poet John Greenleaf Whittier noted…’The Irish who settled here about the year 1720, they brought indeed with them, among other strange matters, potatoes and fairies.’…The Scots [who were also early settlers in America, particularly in the Mid-Atlantic region and parts of Appalachia]…believed in ‘brownies,’ a more subdued version of the leprechaun. Brownies lived in the kitchen fireplace, and the belief was that the owners of the house had a responsibility to always keep these fairy-creatures warm by keeping a constant fire in the hearth. The Yankees noted that Scots-Americans, when moving from one house to another, would always remove burning embers from the old house to the new, to provide a warm home for the brownies that would move in right along with the family. This was how the tradition of ‘house-warmings’ started” (Cahill 32).

I tend to think this is a bit of fancy on Cahill’s part, and that the giving of gifts to new homeowners is something much older and less literal than a brownie’s ‘house-warming,’ but I would be completely unsurprised to find that the actual practice of moving hearth coals to entice fairy-beings to move houses exists in the Old World or the New.

Marriage also features a number of gift-giving customs, some with superstitious components. For example, in Kansas groups of Russian-German emigrants pin money to the bridal skirt as a way of blessing the bride and groom with prosperity. Additionally, a fun game is made of the best man’s gift, and the “custom of some young buck’s stealing the shoe of the bride. The best man had to redeem the shoe with cash, which went into the household fund” (Tallman 227-8). The best man might contribute some or all of the money, with the remainder raised by good-natured begging of the wedding guests.

A number of tales from Appalachia and New England, including stories from Hubert Davis’ The Silver Bullet and other collections of supernatural American folklore, indicate that magical gifts have particular rules when it comes to witches. For example, a witch might offer a very low price for some livestock or sundries she fancies from a local homestead. If she is refused the gift—which is all such a lowballed agreement could be seen as—she curses whatever it is she wanted, rendering it useless to the family that has it. Often she will curse a cow so it won’t produce milk, or she might even curse an entire herd of pigs or sheep rather than just the one she wanted. On the flip-side, a witch should never be given a present of anything from the household, or she could use it to harm those who dwell within. One story features a housewife who loans the local witch-woman a cup of sugar in a neighborly—if cautious—manner, only to find her butter won’t come when she churns it afterwords. She summons a local witch-doctor who takes a piece of hot silver and drops it in the churn, then spills cream on the fire and whips a pan of the scalded dairy until they hear shrieks from the direction of the witch-woman’s home. She, of course, suffers great pains and bears the marks of a whipping and burning the next day, and everyone knows just what’s what. Oh, and the butter is fine after that, too, of course.

Not all witches or magical practitioners are conniving and dangerous when it comes time to share the wealth, though. For example, many witch-doctors and conjurers in the Southern Mountains will not take direct payment for their work, but only offers of gifts made in-kind, such as foodstuffs, clothing, or other necessities. Vance Randloph noted that one witch woman in the Ozarks did not ask a fee for her work, but would accept such donations: “This woman makes no charge for her services, but if somebody offers her a present, such as a new dress or a side of bacon, she seldom refuses the gift” (Randolph 126).

Lest you think all these magical gifting traditions are limited to the realm of humanity, here’s a bit of lore from John George Hohman’s Long Lost Friend to show otherwise:

A GOOD METHOD OF DESTROYING RATS AND MICE.

Every time you bring grain into your barn, you must, in putting down the three first sheaves, repeat the following words: “Rats and mice, these three sheaves I give to you, in order that you may not destroy any of my wheat.” The name of the kind of grain must also be mentioned. (Hohman 70).

Here we see the old idea of “one for the rabbit, one for the crow, one to rot, and one to sow” extended from nursery rhyme to magical practice. Giving the animals a bit of the household bounty seems to be a way to stave off any thievery on their part, at least in this example.

Finally, I can’t help but offer up a humorous story from Maryland which shows animals getting in on the gift-giving action:

It seems that Mrs. Morison’s uncle and her father went fishing one time and as always they carried their [moonshine] jug along. They came to this water moccasin who was just about ready to swallow a frog. So Mrs. Morison’s father took a forked stick and clamped it down over the snake’s head and took it [the frog] away ‘cause they wanted to use it for bait.

Well, that snake looked so darn downhearted that they gave him a drink of moonshine, and off he went. So they went on with their fishing and about an hour later one of them felt a tug on his leg. He looked down and there was that snake back with another frog. All I can say is, that must have been awful good moonshine” (Carey 31).

I’m not sure if the ‘magic’ in that tale is so much in the moonshine or the moccasin, but I couldn’t resist sharing it with you.

I’m sure there are many other magical giving traditions I’m missing here, so if you have any you want to share, please do!

Thanks for reading,

-Cory

Sources

  1. Cahill, Robert Ellis. Olde New England’s Strange Superstitions (1990).
  2. Carey, George G. Maryland Folklore (Tidewater Pub.: 1989).
  3. Davis, Hubert J. The Silver Bullet, & Other American Witch Stories (Jonathan David Pub.: 1975).
  4. Hines, Donald M. “Superstitions from Oregon,” Western Folklore, Jan. 1965.
  5. Hohman, John George. The Long-Lost Friend (Llewellyn, 2012).
  6. Price, Sadie. “Kentucky Folklore,” Journal of American Folklore, Jan-Mar 1901.
  7. Randolph, Vance. Ozark Magic & Folklore (Dover: 1964).
  8. Roberts, Hilda. “Louisiana Superstitions,” Journal of American Folklore, Apr-Jun 1927.
  9. Tallman, Marjorie. Dictionary of American Folklore (Philosophical Library, NYC: 1959).

Blog Post 125 – Some Devils

One of the longest-standing charges against witchcraft in the New World (as well as the old) is its inherent alliance with diabolic forces.  A person simply could not be a witch without being bound in some way to the Devil or one of his minions, according to popular conceptions which remain strong even today.  The notion of witchcraft as a Satanic practice is, of course, inaccurate—many Satanists have nothing to do with witchcraft, and many witches have nothing to do with Satan (that name here being used for the Adversary of the Judeo-Christian God).  There are certainly Satanic witches, just as there are Jewish witches or Christian witches.

I prefer to draw a distinction, though, between Satan and the Devil (or devils in general, the capital “D” being used when referring to a singular entity).  In most cases, Satan appears in biblical lore as a being concerned with the overall cosmology of heaven and earth, leading wars against God, and presenting deep philosophical and theological complications into the story of Creation.  Devils, on the other hand, are creatures interested in particular individuals, usually offering them power or temporal gifts in exchange for a soul, a service, or as a reward for exemplary cleverness.  They stem from myriad sources, including the Teutonic Teufel, the trickster spirits of African and Native American mythology, the Norse Loki, and British devil-figures like “Old Nick.”  Today, I’ll be looking at the Devil and his role in American witchcraft, particularly his place as an Initiator and a Trickster.

Devil as Initiator

I’ve already somewhat covered this in our post on Initiation, but the Devil (or one of his guises) functions as a primary point of contact for aspiring witches looking for ways to join the Otherworld.  While this initiation does often feature some distinctly anti-Christian elements, such as the inverted recitation of the Lord’s Prayer, the Devil’s role in such inductions tends to take on the tenor of a patron or godfather.  The Devil “sponsors” the initiating witch, usually offering a physical or magical token in exchange.  Some of these gifts include a familiar imp, spirit, or animal – See “Devil beetle bleeding toe” by Davies, or

exceptional magical and/or physical ability (such as the tale of the crossroads by Tommy Johnson, or any of the accounts of gamblers using the crossroads ritual in Harry M. Hyatt).  What the witch herself offers the Devil varies a bit.  Some examples are:

  • The life of someone near to her – “I am told, by women who claim to have experienced both, that the witch’s initiation is a much more moving spiritual crisis than that which the Christians call conversion. The primary reaction is profoundly depressing, however, because it inevitably results in the death of some person near and dear to the Witch” (OM&F, p. 268).
  • Her family – As happens, for example, in the Appalachian story of Jonas Dotson, a young man whose granddaddy and daddy were both preachers who decides to become a witch.  A very specific ceremony is laid out in the book, involving the use of stolen rams, toad’s blood, a pewter plate, a silver bullet, and an incantation.  He undergoes the initiation rite three times before it “takes” and the Devil makes him a witch (or in the context of the story, a conjure man).  Basically, he must untie the bonds of family in order to become a magician, and each initiation separates him further and further from those family members.  (Davis, p. 22-25)
  • A bit of her own flesh or blood – “If, through a pact, the devil is granted your soul in exchange for some talent, gift, or magical power, it is thought that he then receives some gift of the body in return.  This could be a fingernail or even a withered finger” (SC&W, p.164).
  • Her immortal soul – This is probably the most common story, and is what is frequently meant by “selling yourself” to the Devil.  In Vol. 2 of Harry M. Hyatt’s magnum opus on hoodoo folklore, a ritual for meeting the Devil in the form of a tornado at the crossroads ends with “An’ when he [the Devil] gits dere he tells them [the person at the crossroads] exactly whut tuh do, an’ dey’ll dance with him. Dat’s whut chew call sellin’ yo’self to de devil” (Hyatt, p.1346)
  • A person’s soul even after death.  W.J. Hoffman recounts a Pennsylvania-Dutch legend about a miserly man known as “Old Kent” whose death was presaged by all manner of supernatural occurrences, such as a murder of crows rapping at the windows. After he died, his wife heard such rapping frequently, so often in fact that no guests would stay the night and eventually she had to abandon the house altogether (Hoffman p. 34-5)

In many of the tales of the Devil as initiator, he also takes the new witch’s name down with a pen in a great black book, signifying the entry of the witch into a long line of witches whose names fill the book’s pages.  He is often quite terrifying to those who encounter him.  One account of a witch’s initiation witnessed by a couple of country men out in the woods describes him thus:

“Neither me nor Jeff had ever seed the Devil, and we couldn’t believe our eyes, but it must’ve been him.  He had horns just above his ears, his feet had hoofs like a deer, he had a long tail like a cow, and fiery eyes that looked like two boiled eggs.” (Davis, p. 17)

Quite frightening, no?

The gifts gained by becoming a witch through compact with the Devil often must be exercised regularly in order to remain potent.  Lapsing in witchcraft seems to lead to torment on the witch’s part if the Devil finds that she’s not been keeping up her end of the bargain by using her powers.  I would posit that while the folklore here superficially portrays the Devil as a cruel master, he may instead be a necessary goad.  After all, what great musician or momentous artist ever became who they are without practice?  Again, the Devil may be a stern teacher at times, but one that provides the necessary impetus for improvement in one’s craft.

In all of these particular aspects—mentor/sponsor, gift-giver, book-keeper/librarian, school-master—the Devil rather reminds me of a faculty member at a university, taking a student under his wing, and helping the young witch succeed in her field of calling.  But that may just be thoughts spurred on by my gearing up for graduate school again.  Because imagining the Devil as some doddering old professor is foolhardy at best.  He is, of course, more dangerous than I give him credit for.

Devil as Trickster

Tricksters are common in a number of cultural mythologies, and often have somewhat unsettling or frightening sides.  Because of these attributes, the Devil makes a perfect candidate for chief trickster in many folk tales.  Just as often as he tricks someone, though, the Devil also gets tricked or outwitted in some way.  This flip-side to his role provides a number of amusing tales, but I tend to think there’s a subtle willingness to play the fool on the Devil’s part, making the whole scenario one big trick in the end.  But I’m getting ahead of myself.

The lore about trickster Devils is not a New World phenomenon, of course.  There are several tales from Europe and Africa which feature a Devil or a diabolical trickster figure of some kind, such as the Grimm’s tale “The Devil’s Sooty Brother” or the Ashanti tales about Anansi the Spider (see Podcast 26).  Native Americans, however, also seemed to latch on to the concept of the tricksy Devil, and either came to the campfire with their own Devil tales or allowed a Devil to be integrated into their storytelling at times.  A legend recorded by Charles M. Skinner in 1896 discusses a land dispute between the Devil and the Long Island Native tribes which resulted in the creation of a natural landmark (see “The Devil’s Stepping-Stones”).

Skinner also records another wonderful story which has become a tightly integrated piece of Americana.  In “The Devil and Tom Walker,” the poor, bedraggled title character meets the Devil in a wood outside of Boston, where they have this exchange:

“Who are you?” he [Tom] asked.

“I go by different names in different places,” replied the dark one. “In some countries I am the black miner; in some the wild huntsman; here I am the black woodman. I am the patron of slave dealers and master of Salem witches.”

“I think you are the devil,” blurted Tom.

“At your service,” replied his majesty.

The Devil coaxes Tom with the promise of treasure, which he at first resists, instead sending his wife to collect it instead.  When she disappears, he enters into his Faustian bargain and uses the money to set up a usury business.  He attempts at every turn to outwit the Devil, keeping a Bible on him at all times and even burying his horse feet up so that if the world turns upside down on Judgment Day, he’ll have a running start in escaping his fate.  Of course, the Devil finally catches Tom and spirits him off to hell, leaving behind only cinders and ashes in place of all his money and possessions.

What interests me about this particular tale is that unlike the European Faust, Tom Walker has no interest in magical gain or supernatural powers—only money.  Well, money and getting rid of his wife, that is.

Sometimes the Devil’s trickster competitions are with angels, saints, or even God.  In these cases, the Devil almost always loses, but often whatever occurs in the story has some lasting impact on the world.  The catfish, according to one Southern folk tale, gets its distinct and ugly appearance from a brush with the Devil.  God created the fish, then took the evening off to go up to the “Big House” with his archangels and eat supper.  When he came back down to the river, the Devil was sitting there descaling the fish.  God demanded he put the catfish back and the devil agreed.  The catfish rolled in the mud to make up for its lack of scales but never grew them back again (Leeming, p. 59-60).

Sometimes, of course, people do get the better of the Devil.  In a piece of Maryland folklore which parallels the Ashanti story of Anansi and Anene which I told in Podcast 26, a woman (who is never quite identified as a witch, peculiarly enough), enters into a contract with the Devil and outwits him at every turn:

“Not many outwitted the devil, but Molly Horn was one.  She and the devil contracted to farm on the Eastern Shore together.  They agreed that on the first crop Molly would take what grew in the ground and the devil would take what grew on top.  Molly planted white potatoes and the devil came out shortchanged.  So for the next crop they decided to do it the other way round, the devil getting what grew in the ground.  This time Molly planted peas and beans and once more the devil got nothing.  A hot argument ensued on the bank of the North West Fork of the Nanticoke River in Dorchester County.  Molly struck the devil a terrific crack and skidded him across the marsh to the edge of the Bay.  When he stood up and shook the mud off himself, it formed Devil’s Island, then he dove overboard and made Devil’s Hole.” (Carey, p. 49)

Sometimes, though, people don’t quite get the best of the trickster Devil, and pay a gruesome price.  Zora Neale Hurston records the tale of High Walker in her book, Mules & Men, in which the titular Mr. Walker gains necromantic powers from the Devil only to eventually be tricked into losing his head, literally, in a graveyard.

As a final point about the Devil as a trickster, I’d like to look at the Devil’s music.  As most probably know, the Devil loves music, especially fiddle music, and can be lured into a fiddle contest on a moment’s notice.  If you’ve ever heard the Charlie Daniels Band perform “The Devil went down to Georgia,” you know this story (a Mariachi band once sing this to my wife and me at a large Mexican wedding, which was a pretty phenomenal experience).  While it is an entertaining song even on its own, it has precedents in folklore, too:

“It is a well-known old belief that fiddlers make pacts with the devil in order to obtain their talent.  Players of old-time fiddle music commonly kept (and still keep) rattlesnake rattles in their fiddles, perhaps unconsciously associating a symbol of the devil with the instrument.  The devil appears as a serpent in Genesis, and he is more modernly portrayed playing a fiddle…the instrument has been called the devil’s box, the devil’s riding horse, and similar terms” (Milne, p.153)

Milne also asserts a connection between the rattles placed in the instrument and a similar practice in West Africa, something I’ve not had time to research but which adds an intriguing layer to this particular custom.

Well that’s it for the Devil for today.  I have a feeling he’ll be coming back up periodically.  When he does, hopefully I’ll be ready for him.  Perhaps I should start some fiddle lessons?

Thanks for reading!

-Cory

Blog Post 97 – Shop Recommendations

While we get our Etsy shop slowly up to speed (there are more products on the way soon, I promise!), I thought I’d take today to recommend a couple of sites where you can find fantastically witchy supplies.  I’ve had good, long conversations with both shop owners and found them to be incredibly knowledgeable about their products and about magic in general.  Without further ado, here they are:

Forest Grove Botanica – The store of Sarah, the Witch of Forest Grove, whom we’ve had on our show before.  Now, I’ve linked to her shop in the past, but as of yesterday, she launched her site independently, so it no longer relies on Etsy to provide transactions and listings.  And it looks like she has really been expanding her wares, too.  She’s including all sorts of wonderful products, like Witches’ Salves, herbal smokes, oils, potions, and incenses.   I’ve already placed my first order, and I’m sure I’ll be getting lots more from her in the future (especially once she gets her Art section up and running).

Alchemy Arts – This is the store I mentioned from the Chicago-land area in Podcast 17 (and which I incorrectly called “Alchemy Works,” sorry!).  I seriously spent a lot of time and money in this shop, and I wish I could have spent more of both there.  This was a phenomenal place, and the owner really knows his stuff.   If you’re in the area, stop by.  Or you can call him and he’ll help you get exactly what you need at a fair price.

If you have favorite shops you’d like to recommend, please comment and do so (if you can provide links, that’s helpful, too)!

Thanks for reading!

-Cory

Blog Post 89 – The New World Witchery Guide to Cartomancy

Click to Download

Greetings everyone!

I know that I’ve been a bit scanty on blogging lately, for which I apologize most profusely.  Unfortunately, I’m likely to stay busy with many irons in many fires for quite some time to come, but I feel like you readers are wonderfully patient with me when the blog and podcast have dry spells and I want to reward that.  And so, I have put something together for those of you who have been taking an active interest in the recent cartomancy posts.

I’ve put together those posts with some additional material in an e-book, which I’m making available for download free from the site:

The New World Witchery Guide to Cartomancy

It’s a PDF and should be easily readable with Adobe Reader.  Like I said, it’s totally free.  Feel free to save it, copy from it, distribute it, etc.   Please do attribute any citations, excerpts, or references back to me, but otherwise, I hope you enjoy it!  And if you do like the book, consider making a donation here, or with the button on the sidebar.

I’m also planning to revise this material, with some additional sample readings, expanded information, a quick-reference chart, and improved graphics and release it as a chapbook sometime in the near future.  The printed chapbook will have a cost of some kind (and will probably be sold through our Compass & Key Etsy shop, which I’m hoping to revamp and relaunch soon), but I’ll try to keep it very reasonable.  The e-book will remain available through the site, however, and I intend to keep it free/donations-only for all to download.

I know it’s nothing spectacular, but I hope it is useful to some of you.  Thank you all so much again for your patience and your patronage of New World Witchery, both blog and podcast.  We really appreciate your support!

Thanks for reading, and be well!

-Cory