newworldwitchery

Last Call for Holiday Lore!

Hi all!

Just a very short post to remind you that the cutoff for our Winter Lore Contest is tonight at midnight (Central Time).

So if you want to enter, please email us with your lore before then!

Thanks!

-Cory

Blog Post 105 – Magic Books in the American Colonies: The Devil’s Book

In an effort to blend the subjects of recent blog posts, I thought today I’d start to look at a few of the key magical texts which would have had an influence on the American Colonies. Much of this entry will be directed by a reading of Owen Davies’ Grimoires: A History of Magic Books and Witchcraft, Magic, & Religion in 17^th-Century Massachusetts by Richard Weisman, both of which I highly recommend reading. I am also pulling from The Silver Bullet by Hubert J. Davis and Witches, Ghosts, & Signs by Patrick Gainer. I’ll mostly be looking at the English colonies, but the French and Spanish colonies will also enter into the discussion a bit during later articles.

In general, the magical books of the early colonies came in three flavors: devil’s books, witch-hunting manuals, and grimoires. The Devil’s Book was frequently thought by Puritan settlers to be the ultimate embodiment of human sin—a willful signing away of one’s soul to infernal powers. By simply signing one’s name to such a book, a witch gained all her power and lost all her salvation (I use “her” because the popular conception of a witch tended towards the feminine, though male witches were not uncommon either). Some of the key features of a Devil’s Book and its accompanying rituals were:

The Profaning of the Bible – The witch would have to stamp upon a Bible or otherwise deface it before being allowed to sign. In some cases, a Bible itself was used to sign the witch into the Devil’s service. Several Appalachian tales record instances of witches simply making an “X” in a marred Bible to indicate their pact. In The Silver Bullet, witch Rindy Sue Gose performs this sort of ritual to seal her contract with the Devil:

“Fust, Rinday Sue cut her finger with a knife, and when hit started to bleed, she opened a little Bible and ‘peared to write sumpthin’ in hit with the blood from her finger. The Devil then nipped her on the left shoulder to give her a witchmark so’s she could suckle her familiar. Rindy Sue swore to give her soul to the Devil and to work for him the rest of her born days. Then, the Devil danced with her, and then went into the woods behindst thet tree” (Davis 17).

This action echoes the profaning of the Lord’s name or the recitation of a reversed “Our Father” as a way of breaking the bonds of Christianity for a witch. Not that you should read much into that, of course.

The Use of Blood as Ink – When witches made their mark, they often didn’t actually sign their name. In a time when general literacy was still low (though it should be noted that literacy among Puritan men was quite high for the era), not everyone would be expected to have a “signature.” Instead, they would have a “mark,” often an “X” which they used as an indication of their agreement to a contract. To personalize this mark in the rituals of witchcraft, a witch wouldn’t simply take an inked quill and make a fancy “X,” though. Instead, her blood was an indication that the pact bound her body and soul to the Devil. Puritan minister William Perkins described the process (most business-like) as follows:

“The express and manifest compact is so termed, because it is made by solemn words on both parties. For the satisfying hereof, he [the future witch] gives to the devil for the present, either his own handwriting, or some part of his blood as a pledge and earnest penny to bind the bargain” (Weisman 36).

The Devil sometimes used a great iron pen to draw the blood from the witch before having him sign his name, and in cases where the book was not a defaced Bible, the great book contained hundreds of other blood signatures from other witches.

Owen Davies observes in his book that the drawing up of a pact between a witch or sorcerer and an infernal representative was nothing new—look at the legend of Faust for example. What made these New World magical compacts unique was that the witch did not draw up the document herself, but rather was lured into signing a book which she would not take possession of, but rather which remained in the custody of her magical Master. All her magic, then, would be learned without the aid of books, at least in this model of New England Colonial witchcraft. Indeed, the Devil presented himself or his imps to the witch as her means for accomplishing malefic magic rather than gifting her the use of dusty tomes of magical lore and spells. In short, the Devil’s Book was merely a roster of the souls won to his service, and possessed little magical power in and of itself, at least superficially. However, many witches might claim that a deeper reading of the Devil’s Book phenomenon reveals that the act of writing in blood on a sacred object in fact demonstrates a type of very old and powerful magic. Thus, such a book, if it could be wrested from the Devil, would be very powerful, indeed, perhaps containing the magic of all those who had signed before.

Next time we pick up this thread, we’ll be looking at the witch-hunting books, and why they may have actually helped more witches in their spellcrafting than they actually hurt by “revealing” them.

Thanks for reading!

-Cory

Quick Update – Holiday Lore Contest Reminder

Hello everybody!

This is just a quick reminder that we’ve got our Winter Lore Contest on right now, but time is running out to get your entry in. We’re looking for information centered around the winter holidays, specifically local or family:

Practices
Customs
Traditions
Songs
Recipes
Stories
Crafts

Please make sure you tell us what area you are from (generally), and if you would like us to use your name on the blog/podcast.

You have until midnight (Central Time) on Monday, December 6^th to submit your lore via blog comment or email, so don’t delay! You can still get an additional entry if you tweet, blog, or otherwise spread the word about the contest and send us the link.

The prizes are:
Two Runner-up Prizes – Signed copy of Judika Illes’ latest book, The Weiser Field Guide to Witches

One Grand Prize – A Compass & Key Hoodoo Starter Kit, with a selection of oils, botanicals, curios, and other products for budding rootworkers.

We’ve gotten a number of excellent entries, but we still would love to get some more, so please submit before time runs out!

Thanks for reading (and sharing)!

-Cory

Blog Post 104 – (A Little) More Colonial (and Native American) Magic

I thought in honor of the recent Thanksgiving festivities—at least those here in the US (and with a belated bow to the harvest feasting in Canada), I would take a brief look at some of the magical practices circulating around the time of that “first Thanksgiving.” The people who arrived in places like Plymouth and Massachusetts Bay to settle the New World—never mind it was already quite settled by its native inhabitants—are commonly referred to as Pilgrims, and contemporarily would have been known as Separatists. Thinking about that late autumn gathering, when the local Pawtuxet tribe and the Separatists who had survived the harsh New England winter and managed to put together enough bounty for the coming cold season gathered at the table, is a sort of fond romance or fantasy. Often we imagine the Indians in their deerskins and the Pilgrims in their blackest hats with the shiniest buckles on them. The staunch Calvinism of the Separatists contrasts with the “noble savage” imagery of the Natives, their shared meal demonstrating two very different worlds breaking bread together. Yet both groups shared many things in common, including a set of magical practices aimed at protecting their homes and blessing themselves with prosperity.

The fear of malefic witchcraft—which would eventually go on to spawn the famous “witch hunts” of Colonial America—stirred hearts on both sides of the table. Each group had its own charms, talismans, prayers, and formulas for dealing with the dangers of spiteful magic. The Pilgrims, drawing on their English heritage, had all sorts of magical tricks up their black-and-white sleeves for defeating evil witches and devils:

“Legal actions against malefic witchcraft merely represented the final point of defense against what were perceived as destructive magical powers. Prior to entering his complaint into the legal domain, the colonial villager could draw upon a variety of protective magical formulas to maintain some sort of equilibrium between good and evil mystical forces. Several of these techniques—by no means an exhaustive list—were mentioned in a sermon delivered by Deodat Lawson…’The Sieve and Scyssers [Scissors]; the Bible and Key; the white of an Egge in the Glass; the Horse-shoe nailed on the threshold; a stone hung over a rack in the Stable.’” (Weisman 40)

Looking at these specific examples, we can see a few things which indicate that magic among the Pilgrims was not so uncommon.

The Sieve & Scissors – These items were commonly used in fortune telling games by young girls, particularly on exciting nights like Halloween. They could also be used to confuse or cut a witch, magically speaking. The Sieve and Shears appear in Aggripa’s Three Books of Occult Philosophy, as well.

The Bible & Key – The Bible was considered to have inherent magical and protective abilities, and the key likely held the symbolism of “locking away” or “locking out” any harmful witchcraft. The use of the two together also formed the basis of a spell recounted in Reginald Scot’s Discoverie of Witchcraft: “Popish preests …doo practice with a psalter and a keie fastned upon the 49[th] psalme, to discover a theefe” (Scot, Chapter V).

The Egg White in a Glass – This is another method of divination involving cracking an egg into a clear glass or jar of water, then reading the resulting shapes, strings, bubbles, and colors found in the glass. Curanderismo continues to use this method as a regular part of cleansing and reading practice even today.

The Horse-shoe on the Threshold – This particular charm moves out of the realm of divination and into prosperity and protection magic. We covered horseshoes on our Lucky Charms podcast, and you can read all about them at the Lucky W Amulet Archive page on the subject. The iron in the shoe, plus the somewhat mystical nature of the animal associated with it, imbued this charm with the power to block witchcraft and provide good luck to those passing under it as they entered a Pilgrim’s household.

The Stone in the Stable – The stone referred to in this charm would likely have been a holed stone, one which had been naturally eroded to leave a gap by which it was then hung in places needing protection from malefic activity. Sarah over at Forest Grove wrote a bit about these holed stones, saying “In the UK it was used as a protection charm as the locals believed that by tying their front door key or the stable door key to a hole stone they would protect the building it hung upon.” This, much like the horseshoe, was primarily protective, but a holed stone could also be used to “see” witches and other Otherworldly entities by peering through the gap.

Looking to the Natives’ side of the table, we find that charms to provide protection and blessing were also common among the Algonquin tribes of New England (Algonquin being a language and not an actual tribe, I use the term here to blanket a wide number of groups sharing a more-or-less common landscape and tongue). Charles Leland (admittedly a questionable source on some matters of folklore, but not without his merits) wrote of many New England Native magical practices. He compares the workings of Native shamans with the work of Catholic priests in one passage of his book The Algonquin Legends of New England: Tales of Magic:

“For wherever Shamanism exists, there is to be found, in company with it, an older sorcery, or witchcraft, which it professes to despise, and against which it does battle. As the Catholic priest, by Bible incantations or scriptural magic, exorcises devils and charms cattle or sore throats, disowning the darker magic of older days, so the Shaman acts against the real wizard.”

Leland recounts several legends of warriors and magical Indians doing battle with terrible spirits, the dead, and other dangerous forces. In one tale, a chief’s son, described as “a great hunter, and skilled in mysteries” decides to marry. In his efforts to get a wife, he sets out on a journey in which he acquires many talismanic and shamanic tools. One of them is a golden key pulled from a whale’s mouth, which the whale tells him has great protective power: “While you have it you will be safe against man, beast, or illness. The foe shall not harm you; the spirits which haunt the wilderness shall pass you by; hunger and pain shall not know you; death shall not be in your road.” The key, then, appears in both the European and Native magical traditions as a powerful amulet.

As a final note on the magic of Native Americans, let us turn from the groaning board of the Thanksgiving feast and look at another magical practice: fasting. In an 1866 article entitled “Indian Superstitions,” Francis Parkman describes the use of ritual fasting in order to acquire a Manitou, or guardian spirit:

“Each primitive Indian has his guardian manitou, to whom he looks for counsel, guidance, and protection. These spiritual allies are acquired by the following process. At the age of fourteen or fifteen, the Indian boy smears his face with black, retires to some solitary place, and remains for days without food. Superstitious expectancy and the exhaustion of famine rarely fail of their results. His sleep is haunted by visions, and the form which first or most often appears is that of his guardian manitou, a beast, a bird, a fish, a serpent, or some other object, animate or inanimate. An eagle or a bear is the vision of a destined warrior ; a wolf, of a successful hunter; while a serpent foreshadows the future medicine man, or, according to others, portends disaster…The young Indian thenceforth wears about his person the object revealed in his dream, or some portion of it—as a bone, a feather, a snake-skin, or a tuft of hair. This, in the modern language of the forest and prairie, is known as his “medicine.” The Indian yields to it a sort of wor ship, propitiates it with offerings of tobacco, thanks it in prosperity, and upbraids it in disaster. If his medicine fails to bring him the desired success, he will sometimes discard it and adopt another” (Parkman 4).

Feast or famine, magic has long been on American soil (and Canadian, Central American, & South American soils as well). So as you eat your turkey leftovers, you could crack an egg into a glass of water, pull out some scissors and a sieve, or maybe even think about putting the food aside for a while and seeing what comes to you in your dreams. It might add a little New World Witchery to your holiday. Which, of course, makes me feel pretty darn thankful.

Thanks for reading!

-Cory

Blog Post 103 – The Chapbook Tradition

My ambitions got ahead of my time last week, so I am behind in posting about magical books in American traditions. I thought today, though, I’d start at the cheap and plentiful end of the spectrum in the hopes that I might make up for any lack of posting.

Chapbooks—small, cheaply made books usually containing no more than a hundred pages or so—have been a part of the New World landscape since Colonial times. Many of the most important texts leading up to the Revolutionary War were published in chapbook format, such as Thomas Paine’s Common Sense. These booklets, which were also frequently referred to as “tracts” or “pamphlets,” were cheap to make and cheap to buy, and could often be found in the stock of travelling peddlars (also known as “chapmen,” where the term chapbook comes from).

In addition to political messages, these little books frequently served as repositories for folklore and folk music, fairy tales, religious information, poetry, fiction, almanacs, and most importantly to us, magic. I’ll be addressing the topic of almanacs separately, as they have had a tremendous influence on the occult in America, so in this post I’ll focus primarily on the booklets of magic which circulated in North America from the 1600’s until modern times.

Early occult chapbooks generally originated in places like London or Scotland, and bore titles such as Dreams and Moles with Their Interpretation and Signification (London, 1750), The Fortune Teller & Experienced Farrier (Exeter, 1794) or the Spaewife, or Universal Fortune-teller (Scotland, 1860’s). They contained advice on interpreting signs, reading palms and other body parts, and performing basic divination such as taseomancy (tea-leaf reading). Some examples of the esoteric knowledge they contained:

When a woman dreams she is a man, and is not married, she will have a husband; or if she’s without children, she’ll have a son, but if married ‘twill be ill to have a son; and to a maid-servant, much incumbrance [sic]; ‘tis very fortunate to a harlot, because she will forsake her evil ways. (Dreams & moles)
Either he or she that has a mole on the upper part of the ear, and on the right side of his belly, shews the party guilty of such crimes as may endanger their life. (Dreams & moles)
[On Palmistry:] The liver line, if it be straight and crossed by other lines, shews the person to be of sound judgement. (Fortune Teller)
To dream you are pleasantly sailing on calm water, denotes a peaceable and quiet life. (Fortune Teller)
A Mole on the hip, shows that the person will have many children. (Spaewife)
A face naturally pale denotes the person very amorous. (Spaewife)
He that hath a great and broad mouth is shameless, a great babbler and liar, proud to an excess, and ever abounding in quarrelsome words. (Spaewife)
He that hath a decent beard, handsome and thick of hair, is good-natured and reasonable. (Spaewife)

Some of these books gave medical advice as well, and instructions for livestock management. In The Fortune Teller & Experience Farrier, author Ezra Pater tells anyone with a horse suffering from a cough to “take five or six eggs, and lay them in a sharp white-wine vinegar, till the shells be somewhat soft, then fling them down his [the horse’s] throat and it will cure forthwith.” Such remedies would go on to be de rigueur for magical practitioners in rural locations, and especially in the New World. The reasons for the popularity of such simple guides probably stems from their low cost, but also may have something to do with the rough medicine of frontier life. In many cases, settlers lived days away from good medical or veterinary care, and so a small practical guide would be indispensible to a rural family. As for magic’s entanglement with practical medicine, I can only reiterate that until very recently (the mid-to-late twentieth century really) there was no separation between the two, especially not in rural communities. Not everyone used every remedy, and not everyone used magic, but they were not at odds with each other, either. I find the best analogy here is a cookbook: just because you have one hundred recipes doesn’t mean you cook all of them. In most cases, you specialize and repeat the recipes you like or are best at, and those become your signature dishes.

Over time, other chapbooks emerged and became more and more popular. In rural and farm communities, such as the Pennsylvania Dutch areas of the middle Appalachians and the Ohio Valley, little books like Hohman’s Long Lost Friend became household texts. Individual families would also compile their own books, not unlike family recipe books, which might be kept on the same shelf as the family Bible. In many cases, these chapbooks would be the only texts in the home other than the Bible and perhaps a cherished tome or two of literature like Shakespeare. In more urban areas, cheap editions of Grimoires found their way into chapbooks, with publishers like Chicago’s William Delaurence producing a number of pirated works in reduced pamphlet form, including The Egyptian Secrets of Albertus Magnus, The Sixth & Seventh Books of Moses, and Hindu Magic and Indian Occultism. In Owen Davies’ excellent history of magical books entitled Grimoires, he explores the influence of the occult in Chicago:

Chicago may have an image as a grim, grey industrial city, but in the early twentieth century it was also a hotbed of mystical, magical, and prophetic activity. Rural Pennsylvania may have been the cetre of pow wow and New Orleans the home of hoodoo, but Chciago was the undoubted centre of organized occultism and grimoire publication…[it] proved fertile ground for mystical and magical groups. (p.210-11)

Other cities, like Chicago, also began producing quantities of occult chapbooks. Detroit—which had and continues to have a strong tie to hoodoo—was home to countelss candle shops with shelves full of pamphlets on luck, love, and money magic. In Harlem, stores like the Hindu Mysterious Store were selling racks of booklets on occult topics into the mid-to-late twentieth century. Some of the many titles included:

Terrors of the Evil Eye Exposed
The Ancient’s Book of Magic
The Book of Luck
Sen Chu’s Sure Way Number System
The Ancient Book of Formulas
Rajah Rabo’s 5-Star Mutuel Dream Book [sic]
Aunt Sally’s Policy Player’s Dream Book

Books like these, especially the dream books (which purported to interpret dream symbols into lucky numbers to be used in lotteries), were tremendously popular. While the number of shops carrying such literature has diminished recently, the occult pamphlet remains popular and can still be found in many urban magical retailers.

Today, chapbooks still exist and continue to be published, though in two distinct veins. Some occultists (myself included) like to produce very limited runs of such booklets as artisan items. The publishing company responsible for the marvelous Witches’ Almanac also issues lovely chapbooks such as Spells & Incantations, Magical Creatures, and Magic Charms from A to Z. I’m still working on the illustrations and additional material for our New World Witchery cartomancy chapbook, which will eventually be sold through our Etsy shop. Many classic chapbooks are also still available, such as Henri Gamache’s Master Book of Candle Burning.

The other form in which one can find modern chapbooks will likely lead to scowls from some readers. If you’re ever standing in line at the grocery store, however, look over at the racks of gum and magazines, and usually near the top there will be small, palm-sized books of cheap newsprint paper and glossy stock covers. Some of them are all about alleged dieting secrets and pop psychology, but occasionally you can find little tomes of herbal lore, astrological information, and even love spells. While it may seem unsavory to think of magical literature as an impulse buy in the checkout lane, I would recommend perusing them. They’re often incredibly cheap and sometimes have good information in them, as well as guideposts to other resources that might be even more worthwhile. Of course, you may also find all you can do is line your familiar’s cage with them, too, so browse before buying.

I hope this has been useful to you! If you have any favorite chapbooks or magical booklets, I’d love to know about them! Please leave a comment or send an email and share them with us.

Thanks for reading!

-Cory

Podcast 20 – Magical Animals

Podcast 20 – Magical Animals
-SHOWNOTES FOR EPISODE 20-

Summary
Today we’re looking at animals and their role in magical practice. We’ll talk about different species, shapeshifting, and familiars. In WitchCraft, Laine talks about making Black Cat Oil. Cory looks at one way to attune with a familiar in SpelledOut. Don’t forget about the Winter Lore Contest!
Play:

Download: New World Witchery – Episode 20

-Sources-
Some of the works we cite are:
Patrick Gainer’s WItches Ghosts & Signs
Vance Randolph’s Ozark Magic & Folklore
Ronald Hutton’s Triumph of the Moon
The Foxfire book series
Magical Creatures, from Elizabeth Pepper & Barbara Stacy of The Witch’s Almanac
We mention the Bible, particularly Leviticus 16 (the scapegoat). 16:8 in many translations refers to Azazel (wiki article. Also, we mention Mark 16: 17-18 (the passage on snake-handling).
We also mention Auntie Greenleaf, whose tale can be found at Americanfolklore.net
You might also be interested in our New World Witchery blog entry on Snakes.
And, of course, we mention Judika Iles’ 5000 Spells again.

Promos & Music
Title music: “Homebound,” by Jag, from Cypress Grove Blues. From Magnatune.
Promo 1 – Inciting a Riot
Promo 2 – Borealis Meditations
Promo 3 – RadioLab

Episode 20 – Magical Animals

New World Witchery – Episode 20
Magical Animals, including Shapeshifting and Familiars
Black Cat Oil (WitchCraft)
Working with Familiars (Spelled Out)
(complete shownotes at https://newworldwitchery.wordpress.com)

Blog Post 102 – 15 Books

Hello everyone!

I recently saw a rather interesting post from a friend on a social networking site in which she listed her “Top 15 Most Influential Books” when it comes to witchcraft. Since I posted a book review last week (and since most book reviews going forward will likely be shared between this site and the Pagan Bookworm site), I thought that continuing that “bookish” trend might be good. So this week I will be posting about various texts which have a place North American magical traditions. Some will be of the grimoire type, and others may just be good reads, but hopefully all of them will be tomes you get much pleasure and use from if you crack the spines and turn the pages.

To start with, however, I’m going to re-use that meme and list my own Top 15 Most Influential (Witchcraft) Books. These are not necessarily books that I think of as “great,” or even in some cases “good” books. Many have erroneous information or are, at best, a good starting place for further exploration. All of them, however, have help shape my study of magic, folklore, and witchcraft in some way, and that’s what this list is really all about. I’m presenting them in a (roughly) chronological order, since that’s how I best remember them.

TOP 15 MOST INFLUENTIAL (WITCHCRAFT) BOOKS
(2010 Edition)

The Encyclopedia of White Magic by Paddy Slade. This book was the first book of “real” magic I ever procured. I’ve talked about it on the show, but the short version is that I was about 11 or so, and I pestered my mother into buying it for me. Since then, I’ve definitely grown away from its ideas, though I periodically return to it for nostalgic reasons. It also got me thinking about magic as a folklore-based thing, rather than a sci-fi/fantasy phenomenon.
Earth Power/Earth, Air, Fire & Water by Scott Cunningham. I know there are lots of folks who regard Cunningham with disdain, but I’m not one of them. His two books of folk magic, focused on practical spellwork using natural elements, absolutely cemented my interest in spellwork as something more than an esoteric psychological tool. I still find some of his spells useful, though I’m no longer in tune with his particular worldview or ethical stance. Moreover, I think that there are far worse books with which one could begin one’s magical studies. I’ve found over the years that many folkloric sources bear out the techniques described by Cunningham, and I still regard his work fondly. There are certainly weak points in these books, but winnowing the chaff away is fairly easy with a little work.
Cunningham’s Encyclopedia of Magical Herbs by Scott Cunningham. I’ll not launch into another defense of the author, but instead say that this book (and to a lesser extent, his Complete Book of Incense, Oils, & Brews) augmented my practice of magic again and helped me to start making my own spell ingredients. It also helped me to cultivate an interest in gardening, for which I am most grateful. This book also has one other great thing going for it: an amazing bibliography. While it obviously pulls from sources like Culpepper’s Herbal, it also contained references to things like Vance Randolph’s Ozark Magic & Folklore (which is also on this list). So I am quite thankful to this book, and this author.
Jude’s Herbal Home Remedies by Jude C. Todd. This was an impulse buy to augment my growing interest in herbs after I had eagerly devoured the Cunningham tomes. It’s not a magical book, per se, but focuses mostly on the physical properties of herbs and their applications as health and beauty aids. It provided a wonderful resource for learning how to interact with various herbs and brew potions, ointments, tinctures, etc. at home. I still turn to it sometimes for home remedies, and it also has a place because later encounters with books like J.G. Hohman’s Long Lost Friend reminded me that most magical workers had plenty of practical, non-magical herbal info at their fingertips, too. Jude’s book filled that role for me.
Magical Tales: The Storytelling Tradition by R.J. Stewart. In my sophomore year of university, I participated in a storytelling class that changed my life. It took fairy and folktales off of the written page and showed me something deeply vital about them emerges when they are shared with others. I also happened to be taking classes in things like fairy and folklore interpretation using academic studies like Bruno Bettelheim’s The Uses of Enchantment and Mary Louise von Franz’s The Interpretation of Fairy Tales. Into this mix came R.J. Stewart’s book, which looked at the phenomenon of storytelling from the point of view of a magical practitioner. I know a lot of folks were influenced by Stewart’s The Underworld Initiation, and I think that book is absolutely wonderful. As far as my own personal influence goes, though, this is the one I’d say really connected to me. It convinced me that stories contain more than just helpful magical tidbits, but sometimes are magical rituals in disguise, if you’re willing to work through them.
Treasury of Irish Myth, Legend, & Folklore by Lady Gregory & William Butler Yeats. I couldn’t have really appreciated this book prior to encountering book no. 5 on this list (and going through the courses I did at the same time). I actually had picked up this text years before because of a passing interest in Ireland which I inherited from my mother (we have family ties back to County Mayo). After I began to understand fairy tales as something more than fanciful stories, however, this book became an absolute mother lode of good magical material. I’ve since discovered many of the tales have parallels or retellings in Appalachian and Southern folklore, too, which makes me feel even closer to it.
The Complete Fairy Tales of the Brothers Grimm by Jacob & Wilhelm Grimm, Jack Zipes trans. I actually borrowed this specific collection from a girlfriend, and its completeness stuck with me. It included a number of tales often omitted, and several tale fragments I’ve not seen in most editions. Particular variants aside, this collection falls into the same category as nos. 5 & 6 on the list. Again, I didn’t know what I had until long after I had it, and now I don’t think I could live without it.
The Marriage of Cadmus & Harmony by Roberto Calasso. At some point, I became a bit of a mythology junkie, particularly Greek myths. I read and re-read Edith Hamilton, Bulfinch, and the textbooks from my college classes on the topic. I went to source material by Hesiod, Homer, Euripides, Aeschylus, and anyone else I could find. I’m definitely not an expert, but as enthusiastic amateurs go, I foment with glee when I encounter new Hellenic tales. When I got to Calasso’s book, however, I was taking an advanced course on mythology at school, and everything completely changed. It was this book that taught me one fundamental thing about mythology (and likewise storytelling and therefore magic): it changes. More importantly, there is no “true” or “right” version of any story, but simply the stories themselves. Mythology isn’t linear, but a web of tales—sometimes they contradict each other, sometimes they conflict with what we think about the culture, and sometimes they don’t make much sense to us. In all cases, though, the tales are true at a level not related to cross-referencing and documentation, but someplace deeply human. Calasso showed me that by bombarding me with the stories over and over again in his book, every time a little different, but all connected together, until I got it. I really do need to send him a thank-you note for that.
Aradia, or The Gospel of the Witches, by Charles Godfrey Leland. Encountering Leland, for me, was like having someone splash very cold water on my face by the bucketful. I devoured his work Etruscan Roman Remains and his Gypsy Sorcery & Fortune-Telling, of course, with all the tenacity of a budding folklorist. It was Aradia, however, that really sent me sailing when I read it. At the time, I was studying with the outer court of a Gardenerian coven, and had to read things like Gardener, Dion Fortune, and other modern occult classics. When I got to Leland’s book, though, it felt so different, so authentic that I refused to believe its wild claims and actually got angry at it for deceiving me so well. I’ve since, however, learned that this book is something special—neither entirely true nor entirely false. More importantly, it is useful, and its mythos grips me in a very strange way. I can’t come down in favor of Aradia as a piece of unsullied witchlore, historical to its last printed letter. But I can say that figuratively, it’s as close to a witch’s gospel as I’ve seen yet. In short, it just “feels” witchy, and makes me feel the same every time I read it.
Call of the Horned Piper by Nigel A. Jackson. As I branched out and away from Wicca, looking for something I could connect with better, I began to find a lot about something called “Traditional Witchcraft.” There were dozens of websites, letters (mostly from Robert Cochrane), and books which I suddenly had to read, and in a very brief period I managed to get through most of them. While there have been a number of very influential and powerful works in the Trad Craft vein that I love, one stands out to me. Nigel Jackson’s tome is slim, barely the width of a pencil. It’s a chapbook, really, yet it contains so much information that I can’t imagine life without it (much less because finding a copy is becoming harder and harder to do). This book is probably more responsible for my religious magical practices than any other, and encapsulates in about 150 pages what many books cannot in 300 or more.
Ozark Magic & Folklore by Vance Randolph. This is a book that I found first by accident while seeking information on weather lore, then again by chance looking for an herbal reference. Finally, I was browsing one of Cunningham’s books and saw this title again in the bibliography, and realized I needed to seek it out. I’ve since read it many times, and it always offers up a plethora of magical information to me. Randoph’s book is not a how-to, but one could build a complete magical system out of his work. Yet it also guides one to several other magical books and traditions as well. This is the book that made me realize North America is full of occult power and lore, if I was only willing to dig for it a bit.
Hoodoo Herb & Root Magic by Catherine Yronwode. I’ve referenced this book and the accompanying website (Lucky Mojo Co.) so much on this blog and in the show you probably don’t need me to tell you it’s been an influence. I’ll just reiterate what a valuable piece of work it is and suggest that without it, I’d probably be fairly lost when it comes to making hoodoo charms, mojos, potions, and formulae.
The Silver Bullet by Hubert J. Davis. Following the ideas gleaned from Vance Randolph, I began looking for other folklore collections from America which might contain a few sprinklings of witchcraft. A friend suggested I look into The Silver Bullet, and it truly was a revelatory experience. In the pages of Davis’ book, the complete repertoire of the American witch dances out. The book’s segments on what witches do, how to become a witch, and what to do to counter curse read like thinly veiled instructions on American witchery taken right out of a cauldron. Like Randolph, a person could likely develop a complete magical system based on what this book contains. It is a marvelous book, and one I turn to repeatedly for witchlore.
The Encyclopedia of 5000 Spells by Judika Illes. This is another one I constantly reference. Its real influence on me lies in the fact that I share a love of it with Laine. We both get so much out of it that it acts as a sort of magical bridge between us. The Secret Garden likewise strengthens that bond—it’s one of her favorite books and another example of magic buried in storytelling which appeals to me—but Judika’s wonderful book (books really—they’re all quite good—but I decided to go with this one as we use it the most) really is our default grimoire at this point.
The Bible. This one is the last on my list because I’ve only been able to really understand it as a book of magic recently. I’ve known that certain metaphorical elements of the Bible have always had parallels in world mythology, but it’s only since working with things like Psalms, the Blood Verse (Ezekiel 16:6), and folk Catholic prayers that I’ve come to understand it as a sort of grimoire. Magic pervades the text, though it often must be disentangled from a lot of theology, history, folklore, etc. And while I do use the Bible as a sourcebook for magic, I also am not a monotheist, so I have to struggle with certain elements of it. This is rewarding in its own way, though, and I tend to think of the Bible as a “family” book—since most of my immediate predecessors were Christian (and mostly Catholic), my use of that magic ties me to them, even though I’m not worshiping the same deities they did, exactly. I also prefer to work with some of the deuterocanonical books, such as the Book of Wisdom found in the Catholic Bible, or the Book of Enoch which is mostly found in the Coptic or Ethiopian Orthodox Bible. But that’s just a personal preference.

So that’s my list! Long, I know, and probably way too much commentary, but maybe it will give you some insight into the places I’ve come from and the type of magical person I am. Or maybe it will give you a reason to catalogue your own influences. If you do that, I’d love to see them! Please let me know what books influenced your path, and feel free to post your lists (or a link to your blog if you do a list there) on the comments.

Thanks so much for reading!

-Cory

Blog Post 101 – Book Review

(This review is also posted at The Pagan Bookworm, which hosts many great reviews and booklists of interest to magical folk)

Occult America: White House Seances, Ouija Circles, Masons, and the Secret Mystic History of Our Nation by Mitch Horowitz
Bantam Books, 2009 (304 pages)

This popular history of metaphysical thought in the United States has brought mainstream attention to many of the esoteric underpinnings of American culture. Fueled by films such as National Treasure, the “secret history” trend seems to have greatly informed Horowitz’s Occult America. In this text, the author traces several key lines of occult thought through the pages of American history, starting primarily in New York and working his way south and west across the landscape. He spends a good deal of time examining the “Burned Over District” near the Erie Canal, which spawned a number of new religious and spiritual movements during the eighteenth and nineteenth centuries. Mormonism, the Shakers, and even Spiritualism all have roots in this particular region, according to Horowitz, who treats the area as an incubator for esoteric thought.

The author then follows these nascent movements and some of their most visible members as they impact and shape American culture during the formative years of the new republic. Joseph Smith, Henry Steel Olcott, Jemima Wilkinson (aka the “Publick Universal Friend”), Helena Blavatsky, Andrew Jackson Davis, and Edgar Cayce are just some of the myriad personalities Horowitz examines in his whirlwind tour of historic America’s spiritual scene. He devotes pages to hoodoo mail order merchants and Voodoo worshipers in New Orleans. He introduces the phenomenon of correspondence-course religions, such as Paul Foster Case’s Builders of the Adytum, which saw a flurry of popularity in the nineteenth and early twentieth centuries. Horowitz also does all of his examining with an infectious enthusiasm which keeps the reader turning pages to see the next dizzying connection between occult America’s disparate streams.

Occult America has its faults, too. Horowitz so enthusiastically pursues the movements eminating from the Burned Over District that he neglects other key influences on magical and spiritual thought. For instance, he spends little time looking into the Appalachian Mountains and the many religious and folk magical traditions which stemmed from the Pennsylvania-to-Georgia portion of that range (a subject wich is explored very well in Gerald C. Milne’s Signs, Cures, & Witchery). He also gives short shrift to the occult legacy of places like Chicago, and devotes a relatively small amont of text to New Orleans—though that may be because it could be a book unto itself. He focuses more keenly on new philosophical movements and areas which might be classified as “New Age” rather than looking at the on-the-ground practical elements of American occultism. Even with all of that being said, however, the areas in which his focus is sharpest are often quite marvelous. His chapter on Manly P. Hall, author of the profoundly world-shaking The Secret Teachings of All Ages, is worth reading and re-reading for any student of esoteric thought. His chapter on the Ouija board is a delight as well.

Mitch Horowitz’s Occult America makes a good starting point for understanding the wide-ranging influences which have fed American spirituality since before the Declaration of Independence existed. While its net is broad and therefore sometimes it only shallowly explores major topics, it can easily provide a reader with enough good questions and resources to explore those topics on his or her own. It is far from comprehensive, but it is accessible and energetic, and will likely whet the intellectual appetite of any curious occultist.

Thanks for reading!

-Cory

Blog Post 100 – Winter Lore Contest!

So I said last week I wanted the 100^th blog post to be special, and I thought a contest might just be the way to add that little bit of extra charm. If you listened to the podcast we posted yesterday, you probably already know about this contest, at least to some extent. We’re hoping to put together some Yuletide specials, and part of that will involve getting lore from all over the continent (or the world, even) and incorporating that into our shows during December. We’d love your lore, especially, and we’re even willing to give away some prizes to encourage you to send in your best winter holiday traditions. Here’s the gist of it:

What We’re Looking For: Your winter folklore, including (but not limited to) holiday traditions, recipes, songs, and stories; superstitions about specific days, events, omens, or signs are welcome; ghost stories set during the winter, bits of historical information, and ethnic customs are greatly appreciated, too! We already know that many folks put up decorated trees and exchange presents, so no fair telling us that. Pretty much everything else is fair game, though. Try to include as much information as you can, and give us your general location (such as “Pacific Northwest” or “Southern France”). Also, please tell us if we can use your name when we read your contribution.

What We’re Giving Away: We’ve got two (2) signed copies of Judika Illes’ latest book, The Weiser Field Guide to Witches that we’re giving away as runner-up prizes. If you don’t know about this book, here’s the blurb from the publisher:

“Witches peek from greeting cards and advertisements, and they dig twisted roots from the ground. Witches dance beneath the stars and lurk around cauldrons. Witches heal, witches scare, witches creep, and witches teach! A compendium of witches through the ages, from earliest prehistory to some of the most significant modern practitioners, The Weiser Field Guide to Witches explores who and what is a witch. From such famed historical legends as Aleister Crowley, Marie Laveau and Elizabeth Bathory to the popular literary and cinematic figures Harry Potter and The Wicked Witch of the West, Illes offers a complete range of the history of witches. Included also are the sacred–Isis, Hekate, Aradia–and the profane–the Salem Witch trials and The Burning Times. The Weiser Field Guide to Witches is appropriate for readers of all ages and serves as an excellent and entertaining introduction for those fascinated by the topic.”

Those of you who are familiar with our blog and podcast probably know how highly we regard Ms. Illes, and this book is a wonderful addition to anyone’s magical library.

Our grand prize is a Compass & Key Hoodoo Kit, which will contain a number of sensational conjurational goodies, including:

A bottle of each of our current condition oils (Attraction, Crown of Success, Uncrossing, Saints & Spirits, and Wall of Flame)
A custom-made mojo bag, designed for Success & Prosperity
Herb and Curio samples, such as a High John root, Chewing John, Gravel Root, & Spirit Money
Condition Soaps designed for ritual bathing
Flannel squares for making your own mojo bags
A Lucky Rabbit’s Foot
And more!

This kit would be a great way to get started with hoodoo, or build upon your current practice.

How to Enter: We want this to be easy, so please just leave a comment on either this blog post or the Podcast 19 Shownotes, or better yet send us an email with your submission at compassandkey@gmail.com! You can get an extra submission by blogging, tweeting, or sharing our contest and contact information with your social network and sending us either a screenshot or a direct link to where you’ve posted about us. The cutoff for submissions is Midnight (12:00 AM Central Standard Time) on December 6^th (St. Nicholas Day).

If you have questions, feel free to email us those as well! We really want to get as much lore as we can, so please encourage others to send in their contributions (or if they aren’t interested in witchcraft, just find out their lore and send it in as part of your own entry).
Thank you so much everyone for making this blog such a wonderful place, and we’ll be looking forward to all your submissions very soon!

Thanks for reading!

-Cory