Blog Post 6 – More Colonial Witchcraft

I couldn’t resist the urge to share a few more witchy stories and spells from the early American period.  Let’s start with a little history.  Most folks know about the famous Salem, MA (or rather, Danvers, MA to be more accurate) witch trials.  While these were certainly a major phenomenon in our collective history, Massachusetts was only one colony among thirteen.  So what about witchcraft in the other colonies?

Generally speaking, witchcraft was not treated with such a hard nose nor such an iron fist in other parts of Colonial America.  Witchcraft was generally frowned upon, true, but only in that the term “witchcraft” meant intentional magical malfeasance against one’s neighbors.  Any such bad behavior—stealing, slandering, etc.—was met with equal disdain.  There were witchcraft trials, but these were mostly settled with civil penalties rather than criminal punishments, and religious insurrection did not seem to enter into the argument.  Gerald C. Milne, in his tome, Signs, Cures, & Witchery, describes one a Pennsylvania witch trial as overseen by state founder William Penn himself:

“Penn dismissed the charge of bewitching cattle…and suggested (tongue in cheek)that there was no law against ‘riding a broom’ in Pennsylvania.  He found her guilty onlyof having a ‘witch’s reputation’ and ordered her to practice good behavior.”

In Pennsylvania, the growing tradition of Pow-wow meant that most settlers in that area were at least familiar with the idea of magic, and recognized that it could be used to heal as well as harm.  Chris Bilardi, in his excellent book The Red Church, discusses braucheri, or German-American folk magic and healing.  He makes the point that in many communities, a braucher was an essential part of local life, and would no more have been thought of as a “witch” than a country doctor or veterinarian.

In Virginia, by 1706 it was a crime to accuse someone of being a witch at all, as it was a form of slander to a person’s character.  No acts of witchcraft after that time were brought to capital trial in that state.  In North Carolina, a similar legal precedent was set when a case was dismissed against a woman in 1712, despite her clear confession to the practice of witchcraft.  More is available on these incidents here and here.

Still, despite the leniency of most colonies, the chief impressions of American witchcraft from the early days of the Republic have been drawn from those dark days in Salem.  To that end, I thought it would be worth looking at a literary example of witch-lore.

Young Goodman Brown, by Nathaniel Hawthorne (I like this version myself, as it is a PDF, but a quick Google search of the title will yield webpage versions of the tale).

I’ll not reprint the entire story here, but I do recommend reading this chilling—and weirdly funny at times—tale of witchcraft in a Puritan village.  Hawthorne had a conflicted relationship with witches (his great-great grandfather was a judge at the Salem trials, a fact young Nathaniel would do his best to overcome).  The entire tale portrays the spectral encounter of its title character with a town full of occult and devilish witches, and doesn’t make the witches particularly sympathetic at first glance—in fact, the witches seem to be primarily interested in corrupting Goodman Brown and turning him into a diabolical reveler.  However, I tend to take the story’s “wicked witch” bent as being critical of the Puritan society to which Hawthorne was so embarrassed to have been connected.  There are MANY elements of traditional witchcraft embedded in this piece of fiction, including:

  • Meeting a fetch-self/”devil” on a crooked road
  • Crossing thresholds (forest boundaries or doorways, for example)
  • A serpentine staff, not entirely unlike a stang
  • A “flying ointment” recipe, of sorts
  • “Staff-riding” to travel great distances quickly
  • A Witches’ Sabbath, and an initiation (sort of)

In the end, Goodman Brown is unsure if his encounter was a dream or reality, but it leaves him changed anyway, which can be said for many witches and their experiences between the worlds, I think.

Finally, I thought another witchy (and somewhat less grave) story set in those early days might be a good way to end this post.  This one is from Rhode Island, and is recorded in In Old Narraganset, by  Alice Morse Earle-1898 (a word of warning, this tale is recorded from an earlier time, and the author clearly did not have a problem portraying racial stereotypes in the broadest and most demeaning fashion…I present the tale here because its magical significance is real, not because its characters or authorial tone are worthy of emulation).  From archive.org:

“The Witch Sheep” by Alice Morse Earle.

There are a few things I like about this story.  Firstly, that the magical aspects of the tale are fully integrated with daily life—no one questions Tuggie’s abilities, and her occult power doesn’t lead others to shun her unless she’s actually doing a working against them.  That the wife actually likes to have Tuggie around during soap-making because she can charm the project and make it work is particularly noteworthy to me.  Secondly, I think it’s interesting that “Voodoo” (which sounds more like hoodoo in this story) was a part of the magical landscape up in Rhode Island at this point, and that there are several types of spells with good hints as to how they might be executed in this tale.  The rabbit’s foot that Tuggie boils in the pot to work her “project” on Mum Amey makes me think that she was trying to cause her lots of little accidents and stumbles, but nothing seriously harmful.  Well, that or there was some kind of Fatal Attraction thing going on.  And the final thing I enjoy about this tale is that it is funny.  For all the magic in the story, and the hexing and witchery and other toil-an-trouble, in the end it’s a story about a sheep in drag, and that’s downright amusing.  At least to me.

Thanks for reading!

-Cory

Blog Post 5 – Podcast Recommendation

I’d like to take just a minute to heartily recommend a new podcast which has just put forth its first episode.  Hedgefolk Tales is the latest endeavor by the very busy and very informative Sarah, the Witch of Forest Grove.  In her show, Sarah will be presenting stories and tales from history, mythology, and folklore, and then sharing some witchcraft-related exegeses with us.  From listening to the first show alone I can already tell this is going to be one of my new favorite podcasts.

Some out there may know Sarah from her appearances on The Wigglian Way as The Pagan Bookworm.  She has a great sense of style and a fantastic voice for this kind of work, so please do go check out Hedgefolk Tales.

Oh, and in the interest of fair disclosure, I should say that we’re planning to have Sarah as a guest on an upcoming episode of New World Witchery, too.  How we lucked out lining her up as a guest, I’ll never know.  Maybe a candle or two was burned just to help things along…but I’ll never tell.

Be well!

-Cory

Blog Post 02 – Book Review

Cory review’s Chas S. Clifton’s Her Hidden Children: The Rise of Wicca & Paganism in America.

Her Hidden Children, by Chas S. Clifton

I’ve just finished reading Chas S. Clifton’s Her Hidden Children:  The Rise of Wicca & Paganism in America this morning, and I thought that as his topics and my own intersect somewhat I might offer my take on his work.  First of all, I only recently learned who Mr. Clifton was through another podcast, T. Thorne Coyle’s Elemental Castings.  She was part of a panel discussion at the Florida Pagan Gathering in 2009, and Mr. Clifton was on that panel as well (other guests included Gavin and Yvonne Frost and Margot Adler).  The entire discussion can be heard at Ms. Coyle’s website, here.  What convinced me to read Clifton’s book was that in the panel, he spoke as an academic, but also a participant, and he did both with great skill.

After reading his book, I am inclined to think that his personality on the podcast is very much the same personality he puts forth in his writing—albeit a bit homier and less formal when he is speaking than writing.  He manages to provide a good, simple survey of the modern Pagan and Neo-Pagan movement in America, without resorting to overbold brush-strokes when he does so.  He doesn’t take the Gardnerian history at purely face value, but he also doesn’t simply dismiss it out of hand.  Rather, he takes the scholarly approach of examining the texts available and presenting the most reasonable conclusions he can based on those texts (or in some cases, media or personal correspondences).  Like Ronald Hutton’s Triumph of the Moon (which I feel Clifton’s book is greatly informed by), this book is not trying to make any fanciful claims about Paganism’s place in America (he makes the point repeatedly that there’s not a census of religion in America which can present a reliable number of “earth-based religious practitioners” in the US—he instead cites an independent survey which ranges from the upper hundreds of thousands to the low millions).  His examination of the various branches of Paganism in America is particularly noteworthy, as he gives short histories of each segment sourced not only from the branches themselves but from external documentation as well.

I enjoyed learning about the various areas of American Paganism with which I was only marginally familiar:  Feraferia and the Church of All Worlds (CAW), for example.  I also learned a lot about branches I was completely ignorant of, such as the Church of Aphrodite (the first Pagan religious group recognized in America) and the Psychedelic Venus Church.  Some of the better information in the book is about the interaction between various groups which may not always have been apparent.  The Church of Aphrodite, for example, had a great deal of influence on Feraferia because of a shared member, and the influence of Robert Heinlein’s Stranger in a Strange Land on not only the CAW, but groups like the Psychedelic Venus Church.

The book did leave me a little disappointed in some areas:  Clifton relies heavily on certain sources, such as Margot Adler, and on some information which is not particularly accessible (such as the aforementioned personal correspondences).  The largest drawback is that the work really only looks at the mid-to-late twentieth century in America with any great detail, other than to draw a few parallels between Transcendentalism and the modern Neo-Pagan movement.  I would have been greatly interested in finding out what influence movements like Spiritualism and Theosophy had on the Occult revival in America, and what effect in turn that revival had on Wicca and Paganism later on.  But I can also understand that the point of this book may not have been to dig back so far.  The bibliography and footnotes alone make the book worth purchasing or borrowing from the library, and the work certainly doesn’t disappoint in its stated purpose of chronicling the rise of modern Paganism in America.

In the end, while I wanted more, perhaps that is the best recommendation I can give.  This book is great for whetting an appetite for more information on American witchcraft and Paganism, and it certainly can provide a springboard into other areas of discovery.

-Cory

Podcast 1 – Introduction

-SHOWNOTES FOR EPISODE 1-

Summary

For Episode 1 of New World Witchery, Cory and Laine try to come up with a quick and simple definition for New World Witchery, including a brief overview of the traditions we consider to be under the umbrella of American Witchcraft.

We talk a bit about ourselves, our path to witchcraft, and how it has brought us to where we are today. And later on, Cory will give you a little bit of history on witchcraft in America.

Play:

Download:  New World Witchery – Episode 01

-Sources-

Websites

An extensive and very interesting list of witchcraft trials in America can be found at: http://www.personal.utulsa.edu/~Marc-Carlson/witchtrial/na.html.  This site also does the reader a service by providing direction to original source material and making it clear when details are too vague to make definitive statements about the trial.

Two websites which reveal a great deal about Hispanic magical practices are the Curious Curandera and Brujo Negro.   While they may seem diametrically opposed in some ways, they actually have quite a lot in common, and a good overview of Hispanic magical traditions can be worked out between the two.

Lilith’s Lantern, a site dedicated to the Feri  & Vicia branches of Anderson’s witchcraft, is a wonderful resource for learning more about this tradition.

Books

Narratives of the witchcraft cases, 1648-1706, ed. by George Lincoln Burr.  Dover, 2002.

Signs, Cures, & Witchery, by Gerald C. Milnes.  University of Tennessee Press, Knoxville, 2007.

Her Hidden Children, by Chas S. Clifton.  AltaMira Press, 2006.

Promos & Music

Title music:  “Homebound,” by Jag, from Cypress Grove Blues.  From Magnatune.

Promo 1-The Irish & Celtic Music Podcast

Promo 2-The iPod Witch

Promo 3-Witchery of One